carolina herrera fall 2026 wes gordon artists

Wes Gordon, creative director of Carolina Herrera, presented the brand's Fall 2026 collection in New York. The runway show featured a cast of prominent artists and art-world figures, including photographer Ming Smith, painter Amy Sherald, gallerist Hannah Traore, and artists Anh Duong, Eliza Douglas, and Rachel Feinstein, who modeled the collection. The presentation venue was adorned with murals by artist Sarah Oliphant, creating a cohesive, studio-like environment.

Researchers Link Two Unattributed Works To Michelangelo

Researchers have attributed two previously unattributed works to Michelangelo. The Royal Institute for Cultural Heritage of Belgium used radiocarbon dating, pigment analysis, and infrared reflectography to link a 16th-century oil-on-canvas Pietà to the master, finding monograms and a date consistent with his work. Separately, Italian researcher Valentina Salerno published a decade-long study using archival documents and stylistic analysis to attribute a marble bust of Christ in a Roman basilica to Michelangelo.

2026 Spring Arts Preview: The top visual art exhibitions we’re excited about this season

The article previews the spring 2026 visual arts season in San Diego County, highlighting a diverse range of exhibitions and events. It announces the return of Art Gallery Month, a collaborative effort involving 11 local galleries aimed at boosting the visibility of the commercial gallery ecosystem and encouraging local art collecting. Key exhibitions featured include Ruben Ulises Rodriguez Montoya's first California solo museum show, 'In the Garden of Earthly Delights: I Bend to Paradise,' at the Institute of Contemporary Art, San Diego, and the La Jolla Historical Society's 'Space Maker,' which explores the intersection of art and architecture. The preview also notes Richard Allen Morris's work at R.B. Stevenson Gallery and lists numerous participating commercial galleries.

Faces of Russian Art

Gesichter der russischen Kunst

On the Venice Biennale, the Russian Pavilion presents itself as a space for dialogue, while simultaneously a major exhibition in St. Petersburg titled "Russischer Imperativ" (Russian Imperative) opened on May 8 at the Manezh exhibition hall, glorifying war as a historical imperative of Russian identity. Curated by Anton Belikov, a Moscow artist and former Russian soldier who fought in Ukraine, the show features works from state museums like the Tretyakov Gallery, blending historical battles with the current war in Ukraine, and includes a monumental, fascistoid design with a ten-meter-tall installation of a soldier's head. The exhibition has sparked outrage on social media and in Russian exile media for its militaristic propaganda.

Watching the Great Form Shatter

Der großen Form beim Zerbrechen zuschauen

Marc Brandenburg, a Berlin-based artist born in 1965, is the subject of a comprehensive survey exhibition titled "20th Century Debris" at the Berlinische Galerie. The show presents his meticulous pencil drawings on paper, which invert light and dark and are viewed under blacklight to create ghostly, dissolving images. Brandenburg's works fragment urban spaces, faces, and everyday objects into shimmering, unstable forms, drawing on photography and photocopying to produce a sense of eerie stillness and motion. The exhibition also includes his first films, tracing his stylistic evolution from early 1990s fragmented portraits to large-scale panoramic works with metallic surfaces.

Some cry censorship, others cry antisemitism

"Die einen schreien Zensur, die anderen Antisemitismus"

A constitutional law scholar, Christoph Möllers, warns in an interview with Die Zeit about the dangerous escalation of cultural policy conflicts, sparked by Documenta 15, where accusations of censorship and antisemitism collide. In Poland, Adam Budak was removed as director of MOCAK in Krakow after just a few months, facing 79 allegations including mobbing and problematic leadership. Meanwhile, the New York spring auctions have launched, and Jason Farago's review of the Venice Biennale in the New York Times criticizes the shift from aesthetic innovation toward identity-driven art. Robin Pogrebin also reports on the merger of the Met and the Neue Galerie, described as a rare convergence of two museum models.

Was in den Museen läuft

Munich's art festival "Various Others" kicks off this week with major city museums participating. The Pinakothek der Moderne presents "Reflexion," a group show of 100 works across fine art, architecture, graphic design, and design by artists including Isa Genzken, Ludwig Mies van der Rohe, Piet Zwart, and Ettore Sottsass. The Alexander-Tutsek-Stiftung celebrates its 25th anniversary with a glass-focused exhibition featuring Monica Bonvicini, Tony Cragg, and Laure Prouvost. The Villa Stuck reopens after renovation with four shows: Philipp Messner's sculptures, Ilit Azoulay's macro-film installation, a returning Franz von Stuck painting, and Delschad Numan Khorschid and Jan-Hendrik Pelz's migration-themed "Zehn Leben." The Lenbachhaus presents "Ein Ferngespräch. Szenen aus der Weimarer Republik" with works by Jeanne Mammen, Gabriele Münter, and Christian Schad. Museum Brandhorst's "Carrying" addresses the history of the Maxvorstadt art district, once site of a military barracks built by Ottoman prisoners. The Eres Stiftung continues "Seeing the Unseen" on quantum physics. The Flux meeting space, designed by Morag Myerscough, moves indoors at the Pinakothek der Moderne.

How much Berlin fits on 230 square meters?

Wie viel Berlin passt auf 230 Quadratmeter?

The Neue Nationalgalerie in Berlin has opened a compact exhibition titled "Ruin und Rausch: Berlin 1910–1930," featuring 35 works across just 230 square meters in a side cabinet of the lower floor. The show uses paintings, sculptures, film clips, and audio poems to tell the story of Berlin between World War I and the Nazi takeover, contrasting themes of excess and poverty, emancipation and extremism. It is structured in three chapters: "Berlin im Taumel" (Berlin in Frenzy), "Schatten der Großstadt" (Shadows of the Big City), and "Die Urbane Frau" (The Urban Woman), with works by artists such as Ernst Ludwig Kirchner, Otto Dix, and Otto Nagel.

"Wir wollen Rücknahme von Kürzungen"

Berlin's cultural senator Sarah Wedl-Wilson resigned on Friday after the Berlin Court of Auditors ruled that millions in funding for antisemitism prevention projects were illegal. The resignation has sparked a political debate, with CDU general secretary Ottilie Klein defending governing mayor Kai Wegner against opposition criticism, while Franziska Stoff of the Berlin Culture Conference demands stability and a reversal of budget cuts. Thomas Fehrle, director of the Deutsche Oper Berlin, expressed personal regret over Wedl-Wilson's departure, praising her competence and engagement.

"Etwas zaghaft, etwas ängstlich, etwas sicher"

The article surveys recent art-world commentary, focusing on a critical review of the Turner Prize shortlist in The Guardian, where Eddy Frankel calls the selection "timid, anxious, safe" and laments a self-perpetuating, elitist system. It also covers a Hyperallergic essay by Lisa Siraganian questioning whether artworks can possess personhood, sparked by Pierre Huyghe's Venice exhibition. Additionally, it reports on controversy at the Venice Biennale, where the jury preemptively excluded countries whose leaders are sought by the International Criminal Court—namely Russia and Israel—drawing sharp criticism from Die Welt's Marcus Woeller. A podcast interview with US sculptor Alma Allen, selected for the US Pavilion, rounds out the coverage.

Salon des Refusés 2.0

Salon des Refusés 2.0

A group exhibition titled "we refuse_d" has opened at the Museum van Hedendaagse Kunst (M HKA) in Antwerp, bringing together 15 artists, many of whom faced cancellations or disinvitations from exhibitions following the October 7, 2023 attacks. The show, referencing the historic 1863 Salon des Refusés, aims to reclaim reputation and amplify marginalized voices, specifically focusing on Palestinian history and artists affected by the cultural fallout.

Sarah Lucas Unveils VENUS VICTORIA at the New Museum’s Bowery Plaza

The New Museum has unveiled "VENUS VICTORIA," a new public sculpture by British artist Sarah Lucas, inaugurating the museum's outdoor plaza at the junction of Bowery and Prince Street in downtown Manhattan. The sculpture, which features Lucas's signature Bunny figure seated atop a giant washing machine, was selected by an all-artist jury including Teresita Fernández, Joan Jonas, Julie Mehretu, Cindy Sherman, and Kiki Smith. It opens on May 12, 2026, and will remain on view for two years as the first of five commissions dedicated to public sculpture by women artists.

34 Of The Best London Art Exhibitions To See In May 2026

The article highlights 34 of the best London art exhibitions to see in May 2026, focusing on three major shows: the V&A's 'Schiaparelli: Fashion Becomes Art', the first UK exhibition dedicated to designer Elsa Schiaparelli; Tate Modern's 'Tracey Emin: A Second Life', the largest retrospective of the YBA artist's 40-year career; and the Design Museum's 'NIGO: From Japan with Love', a retrospective of Japanese creative NIGO spanning over 700 objects. These exhibitions showcase fashion, contemporary art, and street culture, with the V&A show running until November, Tate Modern until August, and the Design Museum until October.

RC Foundation Project Space Exhibition Series 2025–27

The Hayward Gallery in London, in partnership with the RC Foundation in Taiwan, has announced a new exhibition series for its HENI Project Space running from October 2025 to March 2027. The series features five solo exhibitions by artists Val Lee, Samuel Laurence Cunnane, Kulpreet Singh, Musquiqui Chihying, and Andrius Arutiunian, each exploring themes ranging from political violence and surveillance to climate change, ritual, and alternative cosmologies. The exhibitions are curated by a team including Yung Ma, Rachel Thomas, and others.

Andy Warhol | Kiku Flowers (with hardback exhibition book, “edition club” order forms) (1984) | Available for Sale

APC ART has announced the exclusive sale of a rare 1984 Andy Warhol screenprint titled "Kiku Flowers." The work originates from a limited edition of 1,500 produced for a landmark exhibition at the Gendai Hanga Center in Tokyo and is being offered as a comprehensive historical package. The sale includes the original cloth-bound exhibition catalog and primary source documents, such as the original "edition club" order forms used for the Kiku suite.

Last chance! Four excellent London exhibitions close this weekend

Four major art exhibitions are scheduled to conclude their London runs on Sunday, April 12, 2026. The closing shows include the high-profile 'Turner & Constable: Rivals and Originals' at Tate Britain, the 'Theatre Picasso' centenary celebration at Tate Modern, and the 'New Contemporaries' showcase of emerging talent at the South London Gallery.

CONTEMPORARY ART Day Sale on 6 December at 2pm - Christie's

Christie’s Paris has announced two major contemporary art auctions scheduled for late 2023, consisting of a live sale on December 6 and an online sale running from November 28 to December 8. The auctions feature over 200 lots with a combined global estimate of €8.5 million to €12.3 million, highlighted by two previously unseen paintings by Pierre Soulages and works by Jean Dubuffet and Georges Mathieu. A significant portion of the online sale is dedicated to "A Lifetime Collection," a prestigious private Parisian collection featuring works by David Hockney, Sol LeWitt, and Robert Combas.

Henry Moore's King and Queen leads Christie's 20th/21st Century London sales

Christie’s London evening sales achieved a combined total of £197.5 million ($263.8 million) on March 5, 2026, representing a 52 percent increase year-on-year. The night was headlined by Henry Moore’s monumental bronze sculpture 'King and Queen', which sold for a record-breaking £26.3 million after an eight-minute bidding war. The event also debuted a new auction rostrum designed by Sir Jony Ive’s creative collective, LoveFrom, marking the house's 260th anniversary.

‘I rely heavily on instinct’: entertainment mogul Hassan Smith on the art he collects and why

Entertainment executive and art collector Hassan Smith, manager to John Legend and advisory board member for the Atlanta Art Fair, shared insights into his collecting philosophy ahead of Frieze Los Angeles. His extensive collection spans art history from Rembrandt and Picasso to contemporary Black masters like Sam Gilliam, Rashid Johnson, and Deborah Roberts. Smith recently added a large-scale painting by Patrick Eugène to his holdings, noting that he relies on a mix of instinct and professional networking to make quick acquisition decisions.

The must-see exhibitions of 2026: from Duchamp in New York to Baldessari in Beijing

The article previews major art exhibitions scheduled for 2026, highlighting two standout shows. At Basel's Fondation Beyeler, a Cezanne exhibition from January to May will focus on the artist's later works, featuring around 60 oil paintings and 20 watercolours, half from private collections. Highlights include a privately owned oil study of 'The Bathers' (around 1902-06) and 'The Boy in the Red Vest' (1888-90), with curator Ulf Küster emphasizing Cezanne's fragmentary, radical perspective. Separately, the traveling exhibition 'Edmonia Lewis: Said in Stone' will premiere at the Peabody Essex Museum in February, showcasing 30 sculptures by the 19th-century Black and Indigenous artist, organized after a 2016 acquisition by the Georgia Museum of Art spurred curators to track down her works.

What to expect from Fondation Cartier's new Parisian home

Fondation Cartier pour l’art contemporain will open its highly anticipated new Paris gallery at Place du Palais-Royal, opposite the Louvre, on 25 October 2025. The inaugural exhibition, Exposition Générale (running until 23 August 2026), features over 600 works by more than 100 artists, drawn from the foundation's collection of around 4,500 pieces. Designed by Italian studio Formafantasma, the show is organized into four thematic sections—Machines d’architecture, Être nature, Making Things, and un monde réel—and includes works by Sarah Sze, Rinko Kawauchi, Patti Smith, James Turrell, Vija Celmins, Joan Mitchell, Damien Hirst, and others. The building, part of the former Louvre des Antiquaires complex, was reconfigured by architect Jean Nouvel, adding 6,500 sq. m of exhibition space with a library, auditorium, and restaurant.

Exhibition 'The House of Pikachu: Art, Anime, and Pop Culture' Opens October 17 at Asia Society Texas

Asia Society Texas (AST) in Houston announces its upcoming exhibition 'The House of Pikachu: Art, Anime, and Pop Culture,' opening October 17, 2025 and running through March 15, 2026. The show features 25 artists from Japan, Brazil, China, Mexico, Côte d'Ivoire, Texas, and beyond, exploring the influence of Japanese animation on contemporary art. Highlights include works by Yoshitaka Amano, Houston-based artist Gao Hang, and Monsieur Zohore, who is creating a new monumental painting titled 'Houston, We Have A Problem (2025)' that depicts a melee of postwar anime characters. The exhibition includes playful nods to classics like Astro Boy, Dragon Ball, Sailor Moon, and an immersive homage to Pikachu.

The House of Pikachu: Art, Anime, and Pop Culture

Asia Society Texas (AST) in Houston announces its upcoming exhibition "The House of Pikachu: Art, Anime, and Pop Culture," opening October 17, 2025, and running through March 15, 2026. The show features 25 artists from Japan, Brazil, China, Mexico, Côte d'Ivoire, Texas, and beyond, exploring the influence of Japanese animation on contemporary art. Highlights include works by Yoshitaka Amano, Gao Hang, and Monsieur Zohore, with nods to classics like Astro Boy, Dragon Ball, Sailor Moon, and an immersive homage to Pikachu.

La Tour Eiffel aux enchères

The French Senate has definitively adopted a law on the restitution of cultural property looted during the colonial period, marking a major legislative step in France's approach to colonial-era artifacts. The law establishes a legal framework for returning objects held in French public collections to their countries of origin, potentially affecting thousands of items in museums across the country.

Venice Biennale: A Silent US Pavilion

Biennale de Venise : un Pavillon US silencieux

The US Pavilion at the 2026 Venice Biennale, featuring artist Alma Allen, opened to sparse crowds despite a 10% overall attendance increase at the Biennale. The pavilion was embroiled in controversy before opening: Allen was selected by the American Arts Conservancy (AAC), a private entity created in 2025 at the initiative of Donald Trump after the dissolution of the federal committee that previously oversaw the pavilion. AAC head Jenni Parido, a former pet food executive, chose the self-taught, little-known artist who had never had a solo museum exhibition. Major funders the Ford and Mellon Foundations withdrew, forcing the AAC to launch a public donation appeal. The exhibition features 25 abstract bronze, stone, and burl-wood sculptures that the artist describes as biomorphic landscapes, but critics find them pleasant yet silent, lacking the promised political or visceral resonance.

La Biennale de Venise s’ouvre dans un climat houleux

The 61st Venice Biennale opened amid intense controversy after its president, Pietrangelo Buttafuoco, announced the return of the Russian pavilion, which had been absent since the start of the Ukraine war. The European Commission suspended its €2 million subsidy for the 2028 edition, and the entire Biennale jury resigned on April 30. Buttafuoco later declared the Russian pavilion would remain closed, but protests erupted during the pre-opening days (May 6–8), drawing 28,000 professionals. Pussy Riot members, Femen activists, and the Free Nations League staged demonstrations, while the Israeli pavilion remained open despite a letter signed by nearly 200 artists calling for its exclusion.

Gagosian reconstitue une œuvre oubliée de Christo

Gagosian Gallery in London has reconstructed Christo's unrealized 1968 work "Air Package on a Ceiling" for the first time. The installation, measuring 16 by 10 meters, was originally conceived for the Institute of Contemporary Art in Philadelphia but never built due to technical constraints. The maquette and drawings were rediscovered in 2018 by studio manager Lorenza Giovanelli, hidden under a base in Christo's New York studio, and the full-scale work was realized in collaboration with the Christo and Jeanne-Claude Foundation.

5 secret jewels to discover in Europe

5 joyaux secrets à découvrir en Europe

L'Œil magazine has curated a list of five European cities rich in art historical treasures, highlighting hidden gems for cultural getaways. The first city profiled is Mainz, Germany, featuring the Romanesque-Gothic Mainzer Dom (Imperial Cathedral of St. Martin), the Gutenberg Museum showcasing the 42-line Bible as a landmark of printing history, and the Church of St. Stephen with its iconic blue stained-glass windows designed by Marc Chagall. The second city is Plovdiv, Bulgaria, where the old town blends ancient Roman ruins (a stadium, forum, odeon, and theater from the 2nd century) with 19th-century Bulgarian National Revival houses, such as the Balabanov, Hindliyan, and Kuyumdzhioglu houses, now converted into museums.

A new director for the Smithsonian American Art Museum

Une nouvelle directrice pour le Smithsonian American Art Museum

Lynda Roscoe Hartigan, 75, has been appointed director of the Smithsonian American Art Museum (SAAM), succeeding Stephanie Stebich after a vacancy of nearly 17 months. Hartigan, who began her career at SAAM in the 1970s and rose to chief curator before leaving in 2003, most recently served as executive director of the Peabody Essex Museum, becoming its first woman to lead the institution. She will assume her new role on September 8.

Venice Art Biennale: The Time of Nuances

Biennale d’art de Venise : le temps des nuances

The 61st Venice Biennale, titled "In Minor Keys," opened under the artistic direction of the late Swiss-Cameroonian curator Koyo Kouoh. The exhibition features 111 artists and collectives, presenting a more subdued, poetic, and experiential approach compared to the previous edition's explicit decolonial program. It navigates contemporary political tensions, including the participation of Israel and the reopening of the Russian pavilion, while aiming for a radical return to art's own environment and its place in society.