Celebrate Discovery at FAU’s Annual Art of Science Gallery Opening

Florida Atlantic University's Division of Research is opening its seventh annual Art of Science gallery with a reception and awards presentation on March 31 at the Ritter Art Gallery on the Boca Raton campus. The event celebrates the winning entries from a photography and video competition that highlights the intersection of scientific research and artistic expression, featuring over 200 submissions from faculty, students, staff, and postdoctoral fellows.

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Thaddeus Mosley, the acclaimed American sculptor known for his monumental wood abstractions, has died at the age of 99 in Pittsburgh. Throughout a career spanning seven decades, Mosley transformed salvaged walnut, sycamore, and cherry wood into curvaceous, gravity-defying forms that balanced immense weight with a sense of lightness. Though he was a long-standing pillar of the Pittsburgh creative community, he achieved widespread national recognition and major museum representation only in his 90s.

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Egidio Marzona, the influential German-Italian collector, publisher, and patron, has died at the age of 81 in Berlin. Renowned for his intellectual approach to collecting, Marzona focused on the 20th-century avant-garde, including movements such as Bauhaus, Dada, Fluxus, and Arte Povera. Unlike traditional collectors, he prioritized the preservation of archives, letters, and ephemera alongside physical artworks, viewing the "paper trail of ideas" as essential to understanding artistic history.

banned south africa pavilion show moves to another venice venue enslaved girl identified in 18th century portrait at art gallery of ontario morning links for march 25 2026 1234778852

The South African pavilion at the Venice Biennale will remain empty after Gabrielle Goliath’s performance artwork, which commemorates Palestinian poet Hiba Abu Nada, was banned for its "divisive" content. The work will now be staged as a video installation at the Chiesa di Sant’Antonin in Venice starting May 4, in partnership with the London arts center Ibraaz. Meanwhile, researchers at the Art Gallery of Ontario have successfully identified the subject and artist of a 1775 portrait; the painting depicts an enslaved woman named Eleonora Susette and was painted by Jeremias Schultz.

Lost Page of Archimedes Palimpsest Found

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Researchers from France’s National Centre for Scientific Research (CNRS) have identified a missing page from the Archimedes Palimpsest at the Musée des Beaux-Arts in Blois. The leaf, identified as page 123, contains geometric diagrams and passages from the mathematician’s treatise on the sphere and the cylinder, which were scrubbed and overwritten by monks with religious texts in the 13th century. The discovery was confirmed by comparing the leaf to 1906 photographs taken by scholar Johan Ludvig Heiberg before the manuscript was broken up and partially forged by an art dealer in the 1930s.

Week in art: Boulder County art exhibits and gallery displays

The Boulder County arts scene is currently hosting a wide array of exhibitions across its galleries and museums, ranging from contemporary lithographs and multimedia installations to community-focused craft displays. Key highlights include the Boulder Museum of Contemporary Art’s eclectic group show "Yes &…" and the Dairy Arts Center’s exploration of Indigenous ecological identity in "Native Niches." Other notable presentations include Albert Chong’s Jamaican portraits at East Window and Jessica Rohrer’s solo exhibition at Nick Ryan Gallery.

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A missing page from the Archimedes Palimpsest, the oldest surviving copy of the Greek mathematician’s writings, has been rediscovered at the Museum of Fine Arts in Blois, France. The 10th-century parchment, which had been missing for 120 years, contains portions of the treatise 'On the Sphere and the Cylinder' hidden beneath 20th-century illumination. The page was identified by a researcher from the French National Center for Scientific Research (CNRS) after being unaccounted for since 1906.

Contemporary artists featured in exhibition examining Cherokee People and the American Revolution

The Museum of the Cherokee People has launched "Unrelenting: Cherokee People and the American Revolution," a landmark exhibition marking the 250th anniversary of the United States. The show juxtaposes 18th-century historical artifacts, such as weaponry and archival treaties, with newly commissioned works by 14 contemporary Cherokee artists. Curated by Dakota Brown, Evan Mathis, and Brandon Dillard, the exhibition challenges traditional American nationalist mythologies by centering Indigenous perspectives on the Cherokee American War and the complexities of sovereignty.

Caravaggio portrait of influential patron—and future Pope Urban VIII—purchased by Italy for €30m

The Italian government has acquired a rare Caravaggio portrait of Maffeo Barberini, the future Pope Urban VIII, for €30 million following a year of negotiations with private owners. The 17th-century masterpiece, which depicts one of the artist's most influential patrons, will join the permanent collection of the Galleria Nazionale d'Arte Antica at Palazzo Barberini in Rome. It represents one of the largest sums ever paid by the Italian state for a single work of art.

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Archaeologists and geologists have uncovered a Postclassic Maya settlement at the Birds of Paradise field complex in the Rio Bravo floodplain of Belize. Utilizing LiDAR mapping and 20 years of field research, the team discovered exceptionally preserved wooden architecture, stone structures, and domestic artifacts dating from 800–1500 CE. These findings reveal that Maya communities successfully migrated to wetland environments after inland urban centers were abandoned due to prolonged droughts.

Ancient Egyptian Papyrus Reveals 3,300-Year-Old White-Out Fluid

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Researchers at the Fitzwilliam Museum have discovered evidence of 3,300-year-old "white-out" used to correct an artistic error on an ancient Egyptian papyrus. While preparing for an upcoming exhibition, curators identified a modification on a copy of the Book of the Dead belonging to the royal scribe Ramose, where a mixture of calcite and huntite was applied to slim down the figure of a jackal deity.

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The Metropolitan Museum of Art is reportedly planning a major retrospective of the American artist Cy Twombly, scheduled for 2029. Evidence of the exhibition surfaced through a job posting for a researcher, which describes a comprehensive show featuring paintings, sculptures, and drawings that explore Twombly’s career across two continents and the influence of ancient myths and literature on his work. While the Met and the Cy Twombly Foundation have not yet officially confirmed the exhibition, the listing remains active on several professional platforms.

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Researchers at the Fitzwilliam Museum have discovered that ancient Egyptian scribes used a primitive form of correction fluid to amend errors on papyrus scrolls. While preparing a 3,300-year-old copy of the Book of the Dead for the tomb of the scribe Ramose, conservators noticed white lines of huntite and calcite mixed with yellow orpiment used to slim down a painted jackal. This 'ancient Wite-Out' was specifically blended to match the cream-colored tone of fresh papyrus, concealing revisions made during the artistic process.

Ancient Egyptian form of ‘Tipp-Ex’ identified on papyrus at UK’s Fitzwilliam Museum

Researchers at the Fitzwilliam Museum in Cambridge have discovered a 3,300-year-old form of corrective fluid on an Ancient Egyptian papyrus. Analysis of a 'Book of the Dead' created for a royal archivist named Ramose revealed that a mixture of huntite, calcite, and yellow orpiment was used to paint over a jackal figure to make it appear slimmer. This 'ancient Tipp-Ex' was specifically tinted to match the cream-colored papyrus, demonstrating a sophisticated level of aesthetic correction and attention to detail by Egyptian craftspeople.

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A marble bust of Jesus Christ located in Rome’s Basilica of Sant’Agnese fuori le mura has been reattributed to Michelangelo. Independent researcher Valentina Salerno, a member of the Vatican committee for Michelangelo’s 500th anniversary, used archival records and inventories to trace the sculpture back to the Renaissance master, reversing a 19th-century dismissal of its origins. Simultaneously, a private owner in Belgium is claiming a recently acquired Pietà painting is also a work by Michelangelo, supported by carbon dating and stylistic analysis from art historian Michel Draguet.

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Phillips’s Modern and contemporary evening sale in London concluded with a total of £13 million ($17.3 million), marking a 16 percent decline compared to the previous year's equivalent auction. The sale was led by Andy Warhol’s "Mao" and Vilhelm Hammershøi’s "Interior of Woman Placing Branches in Vase on Table," both of which fetched £1.6 million including fees. Despite the overall contraction in total sales, the auction saw a significant breakout for Danish painter Anna Ancher, whose work "Young Girl Reading a Letter" sold for £154,800, tripling its high estimate and setting a new auction record for the artist.

Did Van Gogh’s Yellow House turn blue after his death?

New historical evidence suggests that Vincent van Gogh’s iconic 'Yellow House' in Arles underwent a dramatic color change before its destruction. While Van Gogh famously painted and cherished the building for its yellow facade in 1888, two recently highlighted paintings from the late 1930s by artists Willy Guggenheim (Varlin) and George Tomaziu depict the structure with a blue exterior. This discovery, brought to light by Ukrainian artist Yuri Pikul, indicates the building had been repainted while serving as a café-bar called the Civette Arlésienne.

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Recent scientific and archival investigations have led to two significant new attributions to the Renaissance master Michelangelo Buonarroti. The first involves a painting titled 'Spirituali Pietà,' which was previously sold as an anonymous work but has now been linked to the artist through pigment analysis, X-ray fluorescence of monograms, and stylistic parallels to his known masterpieces. Simultaneously, researcher Valentina Salerno has identified a marble bust of Christ the Savior in Rome’s Basilica of St. Agnes Outside the Walls as a potential Michelangelo original, based on a decade of archival research.

Major Brazilian art heist still unsolved as statute of limitations expires

The statute of limitations has officially expired on the 2006 heist at the Museu da Chácara do Céu in Rio de Janeiro, one of the most significant art thefts in Brazilian history. During the chaos of Carnival, armed thieves overpowered guards and stole masterpieces by Claude Monet, Henri Matisse, Salvador Dalí, and Pablo Picasso. Despite the works being valued at over $10 million and listed on international databases like Interpol and the Art Loss Register, the perpetrators were never identified and the art remains missing.

Step through time with Bardo Arts Center’s 20-year anniversary exhibit

The Bardo Arts Center at Western Carolina University recently celebrated its 20th anniversary with a reception for a dynamic retrospective exhibition. The show features a timeline of the WCU Fine Art Museum’s growth, showcasing a diverse range of works including paintings, glass, and ceramics dating from 1969 to the present. Founding director Martin DeWitt and current executive director Denise Drury Homewood highlighted the institution's evolution from a small gallery space to a nationally accredited museum housing over 2,000 objects.

Innocent mistake? Italy's prime minister appears as a cherub in Rome church

A fresco restoration in Rome's Basilica of St. Lawrence in Lucina sparked a political controversy after a cherub was found to bear a striking resemblance to Italian Prime Minister Giorgia Meloni. The artist, Bruno Valentinetti, initially denied the intentional likeness before admitting he had painted the figure based on the Prime Minister's features. Following an intervention by the Vatican's administrative body, the Curia, the face was subsequently painted over and removed from the chapel.

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Conceptual artist Anicka Yi has joined Pace Gallery, where she will be represented in partnership with Gladstone Gallery, 47 Canal, and Esther Schipper. Known for her research-heavy practice that utilizes scents, bacteria, and robotics, Yi cited Pace CEO Marc Glimcher’s background in biology and the gallery's history with light and space pioneers as primary reasons for the move. Her work will be featured in the New Museum’s upcoming expansion inaugural exhibition, "New Humans: Memories of the Future."

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The Darwin D. Martin House in Buffalo, a landmark of Frank Lloyd Wright’s Prairie School architecture, has launched a new exhibition titled “Collecting Ourselves.” The show highlights the museum's decades-long, painstaking effort to track down and repatriate the original furniture and decorative objects designed specifically for the site. While the structural restoration of the complex was completed in 2017, the task of reuniting Wright’s holistic interior vision—including his iconic Barrel chairs and intricate art glass—remains an ongoing archival and curatorial challenge.

New book digs into the little-known gallery that brought Modern art to America

Researcher Julia May Boddewyn has published a new book, 'The Valentine Gallery: The Forgotten Story of Valentine Dudensing, Matisse, Picasso, and the US Market for Modern Art (1926-1947)', which unearths the history of a pivotal but overlooked New York gallery. Founded a century ago, the F. Valentine Dudensing Gallery was responsible for introducing European Modernism to America, hosting the first US solo shows for icons like Joan Miró and Piet Mondrian, and organizing the American debut of Picasso’s 'Guernica'.

A short guide to the hidden meanings in great paintings

Former picture researcher Caroline Chapman has released a new book titled "Painted Mysteries: Interpreting Great Paintings," which decodes the hidden symbolism in over 135 historic artworks. The publication serves as a guide for modern viewers to understand the complex visual language used by masters such as Botticelli, Rembrandt, and Raphael, unravelling layers of meaning that have become elusive over time.

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Advanced imaging and material analysis have officially reattributed the 1633 painting "Vision of Zacharias in the Temple" to Rembrandt van Rijn. The work, which had been dismissed by scholars in the 1960s as the product of a collaborator, underwent a rigorous two-year study by the Rijksmuseum’s conservation department. Using macro-XRF scanning and dendrochronological analysis, researchers identified characteristic pentimenti and period-accurate materials that confirm it as a masterpiece from the artist's early Amsterdam period.

LAMA: Post War & Contemporary Art featuring the Collection of Roberta & Fletcher Benton

Los Angeles Modern Auctions (LAMA) held a Post-War & Contemporary Art sale featuring the private collection of Roberta and Fletcher Benton. The auction, hosted in partnership with Artsy, showcased 121 lots including significant works by California-centric artists such as John Mason, Claire Falkenstein, Peter Alexander, and Mel Ramos. Notable items included Bernar Venet’s steel sculptures, Judy Kensley McKie’s design pieces, and a series of artist-made jewelry by figures like Sonia Delaunay and Billy Al Bengston.

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The gallery Anthony Meier in San Francisco is hosting "Barbara Stauffacher Solomon: Garden = Grid = City," the first exhibition of the late artist’s work since her estate began being co-represented by the gallery and von Bartha. The show highlights Solomon’s diverse eight-decade career, moving beyond her famous "supergraphics" to showcase rarely seen paintings and drawings from the 1980s that explore the intersection of city grids and landscape architecture.

Venice exhibition of US artist Hernan Bas will tackle issue of mass tourism

American artist Hernan Bas is set to debut a major new series of over 30 paintings titled "The Visitors" at the Ca’ Pesaro International Gallery of Modern Art in Venice. The immersive installation, created in part during a residency in the city, satirizes the absurdity of global mass tourism, from iconic clichés like the Mona Lisa to "dark tourism" sites such as Chernobyl. The works depict a procession of North American and European youths performing for cameras and navigating tourist traps with a mix of naiveté and arrogance.

Gaudí Attribution Confirmed for Xalet del Catllaràs

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A comprehensive architectural report commissioned by the Government of Catalonia has officially confirmed that Antoni Gaudí designed the Xalet del Catllaràs, a remote chalet in the Catalan mountains. Built between 1901 and 1908 for engineers working at coal mines owned by Gaudí’s patron Eusebi Güell, the building’s attribution was previously suspected but unverified. Researchers used structural analysis of the canted arches, room distribution, and specific lime plastering techniques to link the pyramidal structure to Gaudí’s signature modernist style.