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Immersive institution could replace South Beach cinema

A shuttered Regal Cinema on Miami Beach's Lincoln Road may be transformed into the Superhuman Museum, an immersive institution led by Steve Berke, a comedian, cannabis entrepreneur, and former mayoral candidate. The Miami Beach Planning Board has approved a change-of-use permit for the project, which has backing from the Lincoln Road Business Improvement District. The museum is designed as a guided journey combining elements of theme parks, art museums, and experiential venues, featuring facial scans, timed rooms, wireless wristbands, and a mix of tech-forward installations and traditional artworks by artists like Keith Haring and Yaacov Agam. A soft launch is targeted for November 2026, with a grand opening during Miami Art Week.

Portland Art Museum’s Black Art and Experiences Galleries Are an Art World Game Changer

The Portland Art Museum has launched its new Black Art and Experiences Initiative, a permanent, multigallery project that debuts with the reopening of the Rothko Pavilion. The initiative includes four galleries dedicated to Black art, community reflection, artist residencies, and partnerships with Black-led organizations, guided by local Black artists, curators, and advocates. It follows a series of earlier exhibitions—including 'Constructing Identities' (2017), 'All Things Being Equal' (2018), and 'Black Artists of Oregon' (2023)—that built momentum toward this institutional commitment.

Art Basel Miami Beach aims to ‘end the year on a high note’

Art Basel Miami Beach (ABMB) opens amid a still-sluggish global art market, with sales at live events yet to recover to pre-pandemic levels. Director Bridget Finn expresses optimism following strong sales at Art Basel Paris in October, noting that gallerists and collectors were energized. The fair introduces structural changes, including relocating the Nova and Positions sections to the east entrance to spotlight emerging galleries, and launching Zero 10, a platform for digital art. Seven local Miami galleries are participating, with Nina Johnson making her ABMB debut. Despite a few longtime exhibitors withdrawing, Finn attributes this to galleries being more selective across Art Basel's five global fairs, including a new Qatar edition in 2026.

Two more mega museums open in Abu Dhabi

Abu Dhabi has opened two new mega museums on Saadiyat Island: the Zayed National Museum (ZNM) and the Natural History Museum, coinciding with the country's 54th National Day. The ZNM, one of five original institutions planned for the Saadiyat Cultural District in 2007, tells the story of the UAE from ancient civilizations to the present, featuring a reconstructed Bronze Age sailing ship and over 1,500 archaeological objects. The openings follow news that Frieze Abu Dhabi will launch next year and that Sotheby's will hold its first auctions in the emirate, with Abu Dhabi's sovereign wealth fund ADQ now holding a minority stake in the auction house.

Spring 2026 Exhibitions Opening Celebration

The Wexner Center for the Arts at Ohio State University has announced its Spring 2026 exhibitions lineup, featuring works by Vitória Cribb, Ximena Garrido-Lecca, Eric N. Mack, Hew Locke, and Naeem Mohaiemen. Highlights include Cribb's 'echoes of a wet finger,' commissioned by Sharjah Art Biennial 16 and Mercosul Biennial 14, and solo presentations by Garrido-Lecca, Mack, and Locke, as well as Mohaiemen's film and video works. The season is supported by a range of funders including the American Electric Power Foundation, the Mellon Foundation, and the National Endowment for the Arts.

The $236m Klimt, Cop 30 and the art world, Caravaggio’s Victorious Cupid—podcast

This podcast episode from The Art Newspaper covers three major art-world stories. Gustav Klimt's "Portrait of Elisabeth Lederer" (1914-16) sold for the second-highest price ever at auction during Sotheby's New York sale of works from the late billionaire Leonard Lauder's collection, a "white-glove" auction that has sparked debate about a market recovery. Additionally, the episode discusses COP30-related art commissions appearing on posters across the UK and Brazil under the theme "It's Not Easy Being Green," alongside the Gallery Climate Coalition's new Stocktake Report on carbon emissions. The episode's Work of the Week is Caravaggio's "Victorious Cupid" (1601-02), which has traveled from Berlin's Gemäldegalerie to the Wallace Collection in London for an upcoming exhibition.

Frida Kahlo self-portrait sells for $54.7m at Sotheby's, breaking her auction record

Sotheby's held three back-to-back evening sales in New York on November 20, achieving a combined total of $252.9 million ($304.5 million with fees). The highlight was Frida Kahlo's self-portrait *El sueño (La cama)* (1940), which sold for $54.6 million with fees, setting a new auction record for the artist, for a Latin American artist, and for a female artist. The sales included 13 lots from the estate of Cindy and Jay Pritzker, a group of Surrealist works from an unnamed collection, and a multiple-owner Modern art sale featuring collections from the Bucksbaum family and Geri Brawerman.

Collector of Beeple’s $69.3 million NFT work launches space in Singapore

Collector Vignesh Sundaresan, known as Metakovan and famous for purchasing Beeple's NFT artwork "Everydays: The First 5000 Days" for $69.3 million in 2021, has launched a new project space called Padimai Art & Tech Studio in Singapore's Tanjong Pagar Distripark. The venue opens with an Olafur Eliasson exhibition titled "Your view matter," an adaptation of a 2022 virtual reality work that records visitors' experiences on a blockchain system. Sundaresan describes Padimai as a heritage, contemporary art and research institution focused on technology as cultural infrastructure, exploring digital creation, preservation, circulation, and collective memory.

Portland Art Museum to unveil $116m transformation with Mark Rothko at its heart

The Portland Art Museum (PAM) will unveil a $116 million expansion and renovation on November 20, the largest single-organization arts investment in Oregon history. The centerpiece is the new Mark Rothko Pavilion, a multi-story glass structure designed by Hennebery Eddy Architects and Vinci Hamp Architects, which bridges the museum's 1932 building with a former Masonic Temple. The project adds 100,000 square feet of renovated space, including new plazas with sculptures by Ugo Rondinone, Roy Lichtenstein, Anthony Caro, and Clement Meadmore. The Rothko family is lending major paintings from their private collection for display over two decades, with a promised gift at the end of that period, and made a six-figure donation to the museum's $146 million capital campaign.

Fast-rising Montana art organisation to take over century-old theatre

Tinworks Art, a non-profit contemporary art space in Bozeman, Montana, is expanding from its original industrial campus to the historic Rialto Theater downtown. Opening November 21, Tinworks at Rialto will debut with Matthew Barney's 2018 film *Redoubt*, on view until February 1, 2026, marking the organization's first year-round venue for installations, talks, screenings, and performances. The Rialto, which opened as a theater in 1924, was donated to Tinworks by its previous owners. Additionally, Tinworks is restoring its deteriorating mill building on the northeast campus, set to open in October 2026, which will add flexible gallery spaces, a visitor center, and offices, extending programming beyond its current June-to-October schedule.

On the ground at Art Week Tokyo: amid shifting national politics, Japan’s ‘sleeping beauty’ art scene is waking up

The fifth edition of Art Week Tokyo (AWT) took place from November 5-9, bringing together over 50 commercial galleries and museums across the city in a hybrid "post-art fair" model. The event unfolded against the backdrop of Sanae Takaichi becoming Japan's first female prime minister, a political shift that has sparked mixed reactions in the Japanese art world, with calls for improved tax incentives, international promotion, and stronger public collections. AWT, directed by Atsuko Ninagawa and organized in collaboration with Art Basel, featured museum shows including "What is Real?" at the Okura Museum of Art, curated by Adam Szymczyk, and "Prism of the Real: Making Art in Japan 1989-2010" at the National Art Center, Tokyo.

The Interview: Thelma Golden

Thelma Golden, director and chief curator of the Studio Museum in Harlem, is interviewed ahead of the museum's reopening in a new Adjaye Associates-designed building following a $300 million capital campaign. Golden reflects on her career, including curating the politically charged 1993 Whitney Biennial and the landmark exhibition "Black Male: Representations of Masculinity in Contemporary American Art" (1994–95), as well as her influential 2001 show "Freestyle," which introduced the concept of "post-Black" art. The article also highlights the museum's first exhibition in the new building, focusing on artist Tom Lloyd, whose work was featured in the museum's inaugural show in 1968.

At Art Basel Miami Beach, a new space reimagines art in the digital age

Art Basel Miami Beach will debut a new curated space called Zero 10, dedicated to digital and new media art, at its upcoming fair in the Miami Beach Convention Center. The centerpiece is an interactive installation by American artist Beeple featuring robot dogs with human heads modeled after public figures like Andy Warhol, Jeff Bezos, and Elon Musk, which will photograph fairgoers and offer NFTs. The space, curated by Eli Scheinman, includes works by pioneers such as Manfred Mohr and Larva Labs, alongside galleries like Pace Gallery and platforms like Art Blocks, exploring themes of AI, robotics, and generative systems. The name references Kazimir Malevich's 1915 exhibition '0,10', signaling a push into new artistic terrain.

World Economic Forum and J. Paul Getty Trust bring art world leaders together to find ‘Connection in Times of Division’

The World Economic Forum and the J. Paul Getty Trust co-hosted a "cultural table" dinner for art world leaders on 23 October at the Hotel Le Meurice in Paris, themed "Bridging Worlds: Culture as a Force for Connection in Times of Division." The event, held in the Pompadour Room—where Pablo Picasso celebrated his 1918 wedding—was co-hosted by Getty president Katherine Fleming and WEF arts head Joseph Fowler, and marked the first collaboration between the two organizations. Fowler described the initiative as a global movement to place culture at the heart of systemic change, while Fleming emphasized art's unifying power and its measurable health benefits.

59th Carnegie International's inaugural artist commissions revealed

Carnegie Museum of Art in Pittsburgh has announced the first 14 artists for its 59th Carnegie International, running from May 2026 to January 2027. Participants include Torkwase Dyson, Alia Farid, Sanchayan Ghosh, Jonathan González, Abraham González Pacheco, Eric Gyamfi, G. Peter Jemison, Liz Johnson Artur, Arturo Kameya, Claudia Martínez Garay, Cinthia Marcelle, Shala Miller, Brooke O’Harra, Sofu Teshigahara, and Ginger Brooks Takahashi. The exhibition, curated by Ryan Inouye, Liz Park, and Danielle A. Jackson, will feature commissions across multiple disciplines, including a planetarium animation, sound installations, photography, performance, and public outdoor works. Venues include the Carnegie Museum of Art, Children’s Museum, Kamin Science Center, Mattress Factory, and Thelma Lovette YMCA.

New York’s Studio Museum—known for championing Black artists—reopens in $300m new home

The Studio Museum in Harlem will reopen on November 15 after a seven-year closure, unveiling a new $300 million, 82,000-square-foot building designed by Adjaye Associates and Cooper Robertson. The first purpose-built space in the museum's 57-year history, located at its original footprint on West 125th Street, features a dramatic dark-grey precast-concrete facade and includes a $50 million endowment. The reopening comes after architect David Adjaye stepped away from the project in 2023 following sexual assault allegations, which he denies. The inaugural exhibition will highlight works by Tom Lloyd, the first artist shown when the museum opened in 1968.

Sara Friedlander Appointed Chairman, Post-War & Contemporary Art, Americas - Christie's

Christie's has promoted Sara Friedlander to chairman of Post-War and Contemporary Art for the Americas, as announced by Global President Alex Rotter. Friedlander, a specialist and dealmaker with nearly 20 years at the auction house, will focus on works from the last 50 years. She has brought major collections to market, including the Kawamura Memorial DIC Museum of Art and the Edlis | Neeson Collection, and has achieved world-record prices for artists such as Joan Mitchell, Alice Neel, Ernie Barnes, Dorothea Tanning, and Marlene Dumas.

Kyle Stephan finds in art the power to activate people

Kyle Stephan has been appointed the new Steven and Lisa Munster Tananbaum Curator of Modern and Contemporary Art at The Block Museum at Northwestern University. A curator, scholar, and educator with expertise in global contemporary art, time-based media, and interdisciplinary practice, Stephan was inspired to pursue curatorial work after witnessing art's power to activate people and communities while working as a studio manager for artist Lynn Hershman Leeson in the 1990s San Francisco Bay Area. She holds a Ph.D. in art and art history from Stanford University and previously curated the first U.S. survey of Fluxus artist Wolf Vostell at Harvard Art Museums.

‘Truly inspiring’: New Princeton University Art Museum opens its doors to all

The new Princeton University Art Museum opened its doors to the public on Oct. 31, 2025, with a 24-hour open house that drew 21,763 visitors. The event featured dancing, stargazing, artmaking, live performances, film screenings, and a trivia contest, with highlights including Claude Monet's "Water Lilies and Japanese Bridge" and Nick Cave's mosaic. Director James Steward welcomed the crowd, and the museum also hosted previews for students, faculty, staff, and tradespeople, attracting thousands more.

Dubai’s first art museum to include ‘space for fairs’

Plans have been announced for Dubai’s first art museum, the Dubai Museum of Art (DUMA), a private initiative by the Al Futtaim Group. Designed by architect Tadao Ando, the five-story building will be built on an artificial jetty in Dubai Creek and shaped like a curved shell. The model was unveiled at a ceremony attended by Dubai’s ruler, Sheikh Mohammed bin Rashid Al Maktoum. The museum will include galleries, a restaurant, VIP lounge, and space for art fairs, though no timeline or collection details have been released.

Sasha Gordon Finds Beauty and Empathy in the Shadows of the Human Mind

Sasha Gordon, a rising young artist from New York's art scene, debuted her solo exhibition "Haze" at David Zwirner's 19th Street gallery in Chelsea. The show, which drew long lines and significant attention, features hyperrealistic paintings that explore identity, memory, and the subconscious through an Asian diasporic lens. Gordon, who rose to fame during the pandemic and is co-represented by David Zwirner and Matthew Brown (Zwirner's son-in-law), discusses her evolving technique and her shift away from explicitly autobiographical work toward more open-ended, timeless figures.

New York exhibition seeks to raise funds for LGBTQ+ youth centre

The Ali Forney Center (AFC), an LGBTQ+ youth organization facing a funding drop of over $400,000 from lost corporate sponsors, is holding a benefit exhibition titled "Toward the Light: Artists for the Ali Forney Center" at David Zwirner’s West 19th Street gallery in Chelsea from October 28 to November 1. Organized by art adviser Stephen Truax for the second year, the show features 38 works by artists including Doron Langberg, Jenna Gribbon, Jake Grewal, Ilana Savdie, Anthony Cudahy, Wolfgang Tillmans, Julie Mehretu, and Katherine Bradford, with proceeds supporting AFC’s housing and care for over 2,000 queer youth. Previous editions with Sotheby’s raised over $350,000 and $370,000 respectively.

Camille Pissarro Member Preview Saturday

The Denver Art Museum and the Museum Barberini in Potsdam have co-organized a new exhibition titled 'The Honest Eye: Camille Pissarro's Impressionism,' which opens with a member preview on Saturday. The show is supported by a wide range of donors, including Jana and Fred Bartlit, Barbara Bridges, Bridget and John Grier, the Kristin and Charles Lohmiller Exhibitions Fund, Craig Ponzio, and many others, as well as by an indemnity from the Federal Council on the Arts and the Humanities and promotional support from CBS Colorado.

Baltimore Museum of Art receives $10m gift to support education initiatives

The Baltimore Museum of Art (BMA) has received a $10 million gift from the Stoneridge Foundation, founded by philanthropists Amy and Marc Meadows, to support its art education department. This is the largest single donation in the museum's history. The funds will expand educational initiatives including transportation for school visits, free family activities, a two-year pass system for students, teaching apprenticeships for undergraduates from nearby universities like the Maryland Institute College of Art, and new educator positions. The gift also supports a series of events exploring museums as civic organizations and fostering diversity in the field.

After reopening, Joslyn Art Museum breaks visitor records, earns national acclaim

The Joslyn Art Museum in Omaha, Nebraska, has broken visitor records and earned national acclaim in its first full year after reopening with a 42,000-square-foot addition. The new Rhonda & Howard Hawks Pavilion, designed by Snøhetta and Alley Poyner Macchietto Architecture, opened in September 2024 and added 16,700 square feet of gallery space, 15,400 square feet of public gathering space, and new gardens. Through September 2025, the museum welcomed 159,420 visitors, on track to surpass 200,000—a milestone only reached a few times before, typically due to blockbuster traveling exhibitions like the Tutankhamun Treasures or Dead Sea Scrolls shows.

Ojibwe artist George Morrison’s family relishes his first solo exhibit at The Met

The Metropolitan Museum of Art in New York is hosting the first solo exhibition of Ojibwe artist George Morrison, titled "George Morrison: An Ojibwe Artist in the Modernist World." The show features over 50 works spanning his career, including paintings, drawings, and sculptures, and is drawn from public and private collections. Morrison's family, including his son and grandchildren, have been deeply involved in organizing the exhibition and have expressed pride in seeing his work recognized at such a prestigious institution.

Frieze in London, Hypha Studios and a Renoir drawing for ‘The Great Bathers’—podcast

This episode of The Art Newspaper's podcast 'The Week in Art' covers three main stories. Host Ben Luke discusses the mood at the Frieze art fairs in London with art market editor Kabir Jhala, amid ongoing debate about the health of the art market. The episode also explores Hypha Studios, a UK initiative that provides free exhibition and studio space to unrepresented artists in vacant properties, which has just launched an online sales platform called Hypha Curates. Finally, the podcast features a 'Work of the Week' segment on a Renoir drawing from the 1880s, a study for 'The Great Bathers,' now on view at the Morgan Library & Museum in New York as part of the exhibition 'Renoir Drawings.'

Extravagant Munich museum dedicated to Symbolist Franz von Stuck to reopen after €13.5m renovation

Munich's Museum Villa Stuck, the former home of Symbolist artist Franz von Stuck, reopens on 18 October after a €13.5m renovation. The project upgraded infrastructure, restored the facade, and renewed historical rooms, including music and reception salons with restored Pompeii-inspired wall paintings and new silk curtains. The museum's display of Stuck's paintings has been reconfigured, with fresh exhibits such as a recently donated work, and the total number of Stuck paintings on view has increased. The reopening coincides with a contemporary art exhibition, 'A Song of Ascents,' featuring Manchester-based artist Louise Giovanelli.

Portland Art Museum celebrates opening of major expansion with four days of free admission

The Portland Art Museum will celebrate the opening of its major expansion and renovation with four days of free admission and activities from November 20 to 23, 2025. The centerpiece is the new Mark Rothko Pavilion, a nearly 22,000-square-foot transparent entrance that connects the museum's two campus buildings, adding nearly 100,000 square feet of new or upgraded public and gallery space. The transformed museum features a complete reinstallation of its collection with nearly 300 major new acquisitions by artists including Marie Watt, Simone Leigh, and Carrie Mae Weems, alongside thematic displays that emphasize place, community, and identity. Free tickets are available for reservation starting November 1, and the museum will also expand its regular hours beginning November 25.

One Way to Shake Up Museum Curation? Hand the Keys to the Kids.

Museums across the United States are experimenting with youth-curated exhibitions, handing curatorial authority to teenagers and children. The Orange County Museum of Art's "Piece of Me" exhibition, part of its larger biennial, was organized by 15 members of the Orange County Young Curators program, who surveyed the museum's collection, selected a theme and artworks, collaborated with conservators and designers, and wrote wall text. Similar initiatives are underway at the Clyfford Still Museum in Denver and the Museum of Fine Arts, Boston, where young people are curating shows with staff guidance.