filter_list Showing 2963 results for "Signal" close Clear
search
dashboard All 2963 museum exhibitions 1090trending_up market 777article news 360person people 296article local 141article policy 132article culture 110gavel restitution 24rate_review review 21candle obituary 5article event 5article gallery 1article events 1
date_range Range Today This Week This Month All
Subscribe

Oberlin art museum kicks off fall with a fine Monet show and a new director

The Allen Memorial Art Museum at Oberlin College has opened "Picturing Paris: Monet and the Modern City," a focused exhibition reuniting three Claude Monet paintings from spring 1867, including the museum's own "The Garden of the Princess" alongside two loans from European museums. The show features over 30 additional works from the Allen's collection by artists such as Renoir, Degas, and Cézanne, and coincides with the arrival of new director Jon Seydl, who returned to Northeast Ohio in July after leadership roles at the Cleveland Museum of Art, Worcester Art Museum, and Krannert Art Museum.

Paradigm Shift – a major exhibition exploring new dimensions in Moving Image.

180 Studios presents 'Paradigm Shift', a major exhibition at 180 Strand in London that transforms the venue's subterranean spaces to showcase acclaimed moving image works from the 1970s to the present. Curated by Jefferson Hack and Mark Wadhwa, the show features over a dozen artists including Ryan Trecartin, Nan Goldin, Andy Warhol, Pipilotti Rist, and Arthur Jafa, drawing from avant-garde cinema, TV, music video, performance, fashion, gaming, and internet culture. New commissions by 180 Studios sit alongside iconic historical works, tracing revolutions in moving image culture from Warhol's 1970s 'Fashion TV' to TELFAR TV today.

Hong Kong’s latest art auctions see turnover lingering at 8-year low

Hong Kong's major auction houses—Christie's, Phillips, and Sotheby's—held their seasonal modern and contemporary art evening sales over the past weekend, with total turnover lingering at an eight-year low. Despite the overall downturn, a handful of records and last-minute withdrawals improved the success ratio, and several lots drew vigorous bidding, such as Salvo's "Mattino di primavera (Spring Morning)" which sold for HK$4 million (five times its low estimate) and Firenze Lai's "Basic Knot" which fetched HK$477,300 (nearly four times its low estimate).

In first peek at collections, Art Museum announces two opening exhibits

The Princeton University Art Museum (PUAM) has announced its two opening exhibitions for the newly rebuilt museum, set to debut on October 31. The inaugural shows are “Princeton Collects,” featuring approximately 150 works donated over the past four years including the largest piece by Irish-American artist Sean Scully, and “Toshiko Takaezu: Dialogues in Clay,” a ceramics exhibition highlighting the late artist’s closed-form works and her connections to teachers, peers, and students. The museum, described by Director James Steward as a “once-in-a-century remaking,” will open with a 24-hour public open house after student and member previews.

New Museum’s longtime director to retire after building expansion opens

Lisa Phillips, the director of the New Museum in Manhattan since 1999, will retire in April 2026 after the completion of an $82 million expansion designed by OMA and Cooper Robertson. The expansion, which doubles the museum's exhibition space, is set to reopen this autumn, marking the culmination of Phillips's transformative 26-year tenure. She will become director emeritus and curate an exhibition on the Bowery's artistic history.

Prague’s best autumn 2025 art exhibitions and events

Prague's autumn 2025 art season features a wide range of exhibitions, from classical paintings celebrating Czech identity to contemporary digital art. Highlights include Spanish painter Miquel Barceló's major show at DOX, an exhibition marking 150 years of Bedřich Smetana's 'Vltava' at Jízdárna Pražského hradu, and the largest-ever exhibition of Czech pop artist Pasta Oner at Municipal House Gallery. Other notable shows include a retrospective of sculptor Aleš Veselý at Veletržní palác, the Jindřich Chalupecký Award 2025 exhibition, and the opening of Prague's first permanent digital art gallery, Signal Space, with its inaugural exhibit 'Echoes of Tomorrow'.

Marina Abramović to have historic solo exhibition at Venice’s Galleria dell’Accademia in 2026

Marina Abramović will have a historic solo exhibition at Venice’s Galleria dell’Accademia in May 2026, during the art biennale. Titled "Transforming Energy," the show first debuted at the Modern Art Museum (MAM) Shanghai in 2024 and is inspired by her 1988 walk across the Great Wall of China with former partner Ulay. Abramović becomes the first living female artist to exhibit solo at the Accademia in its 250-year history, following her 2023 milestone as the first woman with a solo show at London’s Royal Academy of Arts and her 1997 Golden Lion win at the Venice Biennale. Curated by MAM artistic director Shai Baitel in collaboration with the artist, the exhibition will feature historic performances such as Rhythm 0 (1974) and Imponderabilia (1997), alongside newer works incorporating precious stones and a photograph of Pietà (with Ulay) (1983) displayed alongside Titian’s Pietà.

Thaddaeus Ropac is betting on Milan—will it pay off?

Austrian dealer Thaddaeus Ropac opened a new gallery in Milan on September 20, capitalizing on Italy's newly reduced 5% VAT on art imports—the lowest in the EU—and an influx of wealthy expats from London following the UK's abolition of non-dom tax status. The gallery occupies the first floor of the historic Palazzo Belgioioso, with Elena Bonanno di Linguaglossa appointed as director. Ropac's move follows his earlier successful expansions into Seoul and Pantin, which proved prescient.

Southeast Asia’s largest French Impressionist exhibition is opening in Singapore with over 100 artworks

National Gallery Singapore will host "Into the Modern: Impressionism from the Museum of Fine Arts, Boston," the largest French Impressionist exhibition ever staged in Southeast Asia, from November 14, 2025 to March 1, 2026. The show features over 100 artworks across seven thematic sections, including 17 pieces by Claude Monet and masterpieces by Renoir, Degas, Cézanne, Pissarro, Sisley, and Morisot, all on loan from the Museum of Fine Arts, Boston. None of the works have been displayed in Southeast Asia before.

The Red-Hot Market for South Asian Modernism Has a New Star

A 1989 painting by Bangladeshi modernist S.M. Sultan, titled *Untitled (Cultivation)*, sold for $50,800 at Christie’s New York on Wednesday, more than doubling its high estimate of $25,000 and setting a new auction record for the artist. The work was acquired by a South Asian institution. Sultan, who died in 1994, is known for his depictions of muscular peasants and has only 14 recorded auction results, with his previous record of $19,500 set just two months earlier at Sotheby’s.

CIMB Artober Art & Soul 2025 is set to catalyse the growth of Malaysia’s art scene

CIMB Artober Art & Soul 2025, an annual art event organized by CIMB Group in Malaysia, has evolved from a pandemic-era lifeline for artists into a major cultural and commercial platform. This year’s edition features over 30 galleries, more than 100 artists, and includes never-before-seen works by the late Malaysian artist Datuk Ibrahim Hussein. The event has been recognized as an official programme of the Asean Economic Ministers’ Meeting, underscoring its growing significance in the region.

From Dior's golden coat to landscape jewellery at Christie's: where the worlds of art and luxury collide this autumn

The article highlights two luxury-art crossovers this autumn: Jonathan Anderson's debut Dior menswear collection for spring/summer 2026, presented in Paris, and Natasha Wightman's new jewellery collection displayed at Christie's London. Anderson's show reimagined Dior's iconic women's silhouettes for men, featuring a standout €200,000 coat embroidered with ancient Indian mukesh work that took 12 artisans 34 days to create. Wightman's jewellery incorporates bog oak, a semi-fossilised wood from British fens, carved into pendants celebrating the country's remaining temperate rainforests.

In Xie Lei’s Work, the Uncanny Becomes Painting

Chinese-born, Paris-based painter Xie Lei has spent nearly two decades perfecting what he calls a 'poetics of the strange' in his canvases, which feature ghostly, gender-ambiguous figures in ambiguous situations—such as a kiss that could also be an act of suffocation. His works, which draw on memory rather than live models, will be exhibited at the Musée d’Art Moderne de Paris in September 2025. Xie cites influences ranging from classical Western painters like Delacroix and Goya to French authors Albert Camus and Jean Genet, as well as psychoanalyst Julia Kristeva and Chinese writers Zhuang Zhou and Pu Songling.

Uptown and downtown, re-imagined museums in New York prepare to reopen

Two of New York City's most influential contemporary art institutions, the Studio Museum in Harlem and the New Museum on the Bowery, are set to reopen this autumn after major architectural transformations. The Studio Museum will unveil its first purpose-built facility, an 82,000 sq. ft seven-story building on West 125th Street designed by Adjaye Associates with Cooper Robertson, featuring expanded exhibition space, artist studios, and a "reverse stoop" for public programming. The New Museum will debut a seven-story expansion to its flagship building at 235 Bowery, doubling its exhibition space and reinforcing its role as a hub for experimental art.

Nicholas Galanin pulls out of Smithsonian event, claiming censorship

Nicholas Galanin, a multidisciplinary artist and member of the Sitka Tribe of Alaska, withdrew from a symposium hosted by the Smithsonian American Art Museum (SAAM), citing government censorship. The symposium accompanies the exhibition *The Shape of Power: Stories of Race and American Sculpture*, which President Donald Trump labeled as “divisive” and “race-centred” in a March 27 executive order. Galanin alleged that the event was made private with a curated guest list and that he was asked not to record or share it on social media. SAAM denied the censorship claims, stating the event was never publicly listed and that participants were encouraged to share with their networks. Galanin’s 2016 work *The Imaginary Indian (Totem Pole)* is featured in the exhibition.

London’s National Gallery receives record-breaking donations for new wing—and will start collecting contemporary art

London's National Gallery has announced plans for a major new extension, costing around £400 million, with £375 million already raised in record-breaking donations. Two anonymous pledges of £150 million each, from Michael Moritz's Crankstart foundation and the Julia Rausing Trust, are described by director Gabriele Finaldi as the largest-ever known cash donations to any cultural institution globally. The new wing, to be built on the site of St Vincent House, will open in the early 2030s following an international architectural competition launching on 12 September. The gallery also revealed it will begin collecting 20th-century and contemporary art, expanding its traditional cutoff of around 1900, in collaboration with Tate.

The Armory Show jumpstarts New York art market after summer of hand-wringing

The Armory Show opened its 2024 edition in New York with solid sales during the VIP preview on September 4, providing a positive signal for the city's art market after a summer marked by gallery closures and economic uncertainty. The fair saw the return of over 20 galleries that had previously taken a hiatus, including Andrew Kreps, Uffner and Liu, Instituto de Visión, and White Cube for the first time since 1994. Fair director Kyla McMillan emphasized the importance of rooting the fair in New York and praised exhibitors for taking risks with experimental works, such as Nikita Gale's installation 'Interceptor' (2025), which sold for $60,000 before the preview began.

Smithsonian under fire from Trump, Frieze Seoul, Dara Birnbaum and Quantum—podcast

The Art Newspaper's podcast 'The Week in Art' returns with three major stories. Ben Luke hosts a discussion with Ben Sutton, the publication's editor-in-chief in the Americas, about the Trump administration's announced comprehensive internal review of eight Smithsonian museums and artist Amy Sherald's cancellation of a long-scheduled exhibition at the National Portrait Gallery, citing censorship and institutional fear. The episode also covers Frieze Seoul 2024, the season's first major art fair, with correspondent Lisa Movius reporting from the South Korean capital amid political turmoil. The Work of the Week segment features Dara Birnbaum's landmark video artwork 'Technology/Transformation: Wonder Woman (1978-79)', part of a new exhibition 'The Quantum Effect' at the San Marco Art Centre in Venice, curated by Daniel Birnbaum and Jacqui Davies with physicist Ulf Danielsson.

The Big Review | 65,000 Years: A Short History of Australian Art at the Potter Museum of Art, Melbourne ★★★★★

The article reviews the exhibition "65,000 Years: A Short History of Australian Art" at the Potter Museum of Art, University of Melbourne. The show features over 400 works, including 194 loans from 78 lenders, spanning 11 rooms and a decade of planning. It highlights rarely seen bark masterpieces from Arnhem Land, such as Woŋgu Munuŋgurr's "Djapu’ miny’tji" (1942), and juxtaposes colonial depictions with Indigenous perspectives, including works by William Barak and John Glover. The exhibition is on track to become the most visited in the museum's history.

Fall Arts Preview

The article previews the Fall 2025-26 arts and entertainment season in Richmond, Virginia, highlighting cultural venues and events across the city and surrounding counties. Key highlights include the new Foyer Gallery, which opens with a solo exhibition by Patrick Berran titled "Burn Blue," and the Allianz Amphitheater at Riverfront, which closes its inaugural season with performances by James Taylor, Leon Bridges, Steve Martin and Martin Short, and Tedeschi Trucks Band. Other venues mentioned include The National, The Valentine, and Hanover Tavern, along with events like "InLight" at Abner Clay Park and a concert by Jason Mraz.

Frieze Seoul’s fourth edition takes on tariffs and a tough market

The fourth edition of Frieze Seoul (3-6 September) will host around 120 galleries at the Coex convention centre in Gangnam, including mega-galleries like Gagosian, Hauser & Wirth, Pace, David Zwirner, and White Cube. The fair welcomes about 20 new exhibitors, such as 10 Chancery Lane Gallery and de Sarthe from Hong Kong, The Breeder from Athens, Carvalho from New York, Make Room from Los Angeles, and Ota Fine Arts from Tokyo. However, more than 40 galleries are not returning, including Karma, Mariane Ibrahim, Michael Werner, and Neugerriemschneider. The event unfolds amid significant political and economic turbulence in South Korea, including the impeachment of former president Yoon Suk Yeol after a martial law declaration, the election of new President Lee Jae Myung, and ongoing tariff negotiations with the United States, all contributing to a climate of uncertainty.

Want to be a museum influencer? London’s National Gallery launches open call for content creators

London's National Gallery has launched an open call for its next cohort of content creators as part of its 200 Creators programme. Following the success of the inaugural 2024 initiative—which generated 42 million views and 2.2 million engagements—the museum is now seeking 50 new social media influencers (applications due by 31 August). Selected creators will receive access to exhibition previews, workshops, out-of-hours gallery access, and four paid opportunities of £4,000 each. Applicants are suggested to have at least 50,000 followers on YouTube, 100,000 on Instagram, or 50,000 followers with a million likes on TikTok, though the museum encourages those with followings on other platforms to apply.

Pinacoteca de São Paulo and Chanel Culture Fund launch new residency for women artists

The Pinacoteca de São Paulo and the Chanel Culture Fund have launched a new residency for women artists, with Brazilian artist Juliana dos Santos as its inaugural recipient. Dos Santos, who holds a doctorate from São Paulo State University, creates work exploring plants, pigments, and the sensory experience of color, notably using the blue pigment of the Clitoria ternatea flower. She recently opened her first solo museum exhibition, "Juliana dos Santos: Temporã," at Galeria Praça within Pina Contemporânea, and will present a VR work at the 36th Bienal de São Paulo in September 2025.

‘Sometimes you just have to go for it’: as others close, Ben Hunter expands his London gallery

London art dealer Ben Hunter is bucking the trend of gallery closures by expanding his gallery into a full townhouse at 44 Duke Street in St James’s, set to open this October. Hunter, who previously worked for Old Master dealer Derek Johns and sculpture specialist Robert Bowman, founded his gallery in 2018 and has gradually taken over more space in the building as other tenants left. The historic townhouse was originally where Jay Jopling launched White Cube in 1993. Hunter cites the need to match the ambition of his artists and seize opportunities as key reasons for the expansion, despite the challenging market.

White House Bashes Smithsonian Museums, Exhibitions, as “Woke”

On August 21, the Trump administration published an unsigned article on the White House website attacking several Smithsonian museums and their exhibitions for promoting what it described as "woke" content. The article specifically called out the National Museum of African American History and Culture, the National Museum of American History, the National Portrait Gallery, the Smithsonian American Art Museum, and two planned institutions—the National Museum of the American Latino and the American Women’s History Museum. It cited exhibitions and artworks addressing race, transgender identity, and immigration, including Amy Sherald’s painting *Trans Forming Liberty* (2024), which led the artist to cancel her solo show at the National Portrait Gallery after the museum sought to remove the work to avoid provoking Trump.

Person of the Day | Chase Quinn Adopts Multi-Discipline Approach to Art-Museum Exhibits, Programs

Chase Quinn has been appointed as the inaugural creative director and curator of special projects at the Mississippi Museum of Art (MMA) in Jackson, starting in January 2025. In this newly created role, he oversees both curatorial and education departments, focusing on inclusive, cohesive content development and storytelling. Quinn, previously co-director of education and programs and curator of special projects at the Gibbes Museum of Art in Charleston, South Carolina, was inspired by Carrie Mae Weems’ series “From Here I Saw What Happened and I Cried” at Tate Modern in the mid-1990s, which shaped his approach to complicating narratives around race in museum exhibitions.

Israeli art spaces and workers join nationwide strike and protests, calling for hostage deal and end to war in Gaza

On 17 August, a nationwide strike and protests swept across Israel, with organizers estimating 2.5 million participants demanding a hostage deal and an end to the war in Gaza. Israeli art spaces and workers joined the action: the Tel Aviv Museum of Art closed operationally but opened its lobby to protesters and projected Michal Rovner's video work *Signaling (2024)* on its façade; the Israel Museum illuminated its Shrine of the Book in yellow; the Bezalel Academy of Arts and Design and Shenkar College also struck, while the Mishkan Museum of Art ceased activities in solidarity.

Alexandria Biennale—third-oldest after Venice and São Paulo—announces return following 12-year hiatus

The Alexandria Biennale, the third-oldest biennial in the world after Venice and São Paulo, is relaunching in September 2026 after a 12-year hiatus. Curated by Egyptian artist Moataz Nasr under the title "This Too Shall Pass," the event will feature artists mainly from the Mediterranean basin, along with performances, music, and lectures. In a shift from its previous state-funded model, the biennial now operates as a private-public partnership, with seed money from the Egyptian and Alexandria governments and pledges from local businesses. The exhibition will take place at historic venues across Alexandria, including the Roman amphitheatre, the Alexandria Library, and the Qaitbay Citadel.

Iranian artworks sold at Bonhams' online auction of Modern and Contemporary Middle Eastern Art

Two works by Iranian artists were sold at Bonhams London's online auction of Modern and Contemporary Middle Eastern Art on August 14, 2025. The auction featured 45 pieces from Middle Eastern artists, including 10 by Iranian artists such as Sirak Melkonian, Ebrahim Olfat, Babak Kazemi, Marcos Grigorian, and YZ Kami. Only two works found buyers: an untitled 2020 oil on canvas by the late Sirak Melkonian (1930-2024) sold for $13,888, and Ebrahim Olfat's calligraphy painting "Eshgh (Hafez Poem)" (2012) sold for $5,207. The article provides extensive background on Melkonian, an Iranian-Armenian modernist pioneer and co-founder of the Azad Art Group, and on Olfat, a calligraphy specialist with a medical degree.

‘Everyone's suffering right now’: New York and Los Angeles gallery Clearing will close

Clearing, the influential New York and Los Angeles gallery that launched the careers of many prominent artists, will close both locations. Founder Oliver Babin announced the closure on August 7, citing crushing overhead costs—rent, shipping, and art fair expenses—that outpaced declining revenue. The gallery opened in 2011 in Bushwick, later moved to the Bowery in Manhattan in 2023, and expanded to Brussels and Los Angeles. Babin described the decision as inevitable, noting that the gallery had been kept alive by hope but now faces no viable path forward. The closure follows a wave of US gallery shutdowns this summer, including Kasmin, Venus Over Manhattan, and Tim Blum’s spaces.