New Seoul art fair HIVE drops booth fees in market experiment

The inaugural HIVE Art Fair in Seoul, opening May 21 at COEX Magok, is testing an alternative business model that eliminates fixed booth fees. Instead, galleries can choose which services and installations to pay for through a "selective purchase system," with the fair relying on ticket sales, corporate partnerships, and promotional lounges for revenue. The fair features 48 galleries (36 South Korean, 12 international) and 158 artists, with no overlapping artists between galleries, and will display exhibition titles and curatorial statements alongside gallery names.

Exhibits feature local artists, including youth

The Public Works Art Center in downtown Summerville is currently hosting four concurrent exhibitions featuring local artists, including Tom Stanley, Paul Matheny, Karyn Healey, and the late Gene Merritt, as well as a showcase for student artists. The shows, which run through May 16, present a range of works from paintings reflecting Southern culture to documentary photography of the town and youth art.

McKee Student Art Show celebrates its 95th year

The Haggin Museum in Stockton is hosting its 95th annual Robert T. McKee Student Art Exhibition, featuring approximately 1,700 works—paintings, drawings, photographs, and sculptures—submitted by K-12 students from across the county. The exhibition opens on January 29, with an artist reception on February 7, and runs through March 15. Works by younger students (kindergarten through 4th grade) are displayed in the West Gallery, while those by older students (5th through 12th grade) are shown upstairs in the Tuleberg Gallery.

Comment | After a market shake up in 2025, it's time to create a right-sized art trade

The article reflects on the art market's turbulent 2025, marked by gallery closures, weak auction results, and canceled art fairs. Rather than viewing this as a collapse, the author argues it represents a necessary "right-sizing" of an industry that over-expanded during boom years. Key figures like Philip Hoffman of the Fine Art Group advocate for leaner, more agile business models, such as his new advisory firm New Perspectives Art Partners. Meanwhile, dealers in New York and Los Angeles are adapting through shared exhibition spaces and strategic mergers, including Marian Goodman Gallery hosting Jenkins Johnson Gallery and the formation of Hoffman Donahue.

Is the art world’s big summer break a thing of the past?

As the art market continues to experience softer demand for a third summer, galleries in the US and the Americas are rethinking the traditional August break. Dealers like Wendi Norris (San Francisco), Omayra Alvarado-Jensen (Instituto de Visión, Bogotá and Manhattan), Pali Kashi (Europa, New York), and Davida Nemeroff (Night Gallery, Los Angeles) describe varied approaches: some remain open to meet traveling collectors, others close for weeks to regroup, and many launch offsite pop-ups to maintain momentum. There is no industry consensus, with decisions shaped by geography, cultural heritage, and collector migration patterns.

art ralph deluca art market downturn recession

Art advisor Ralph DeLuca, in his 'Street Smarts' column for Cultured, observes that amid political turmoil, tariffs, and art market jitters, wealthy collectors are shifting away from blue-chip contemporary art. Instead, they are investing in pop culture icons, historic artifacts, and natural history items like fossils, viewing them as safer bets. DeLuca notes that the May auction season saw high pass rates, failed guarantees, and lower prices, while galleries continue to close this summer.

Between heroes, anti-heroes and pure humanity: an exhibition in Rome becomes a metaphor for the current crisis

Tra eroi, antieroi e pura umanità una mostra a Roma diventa metafora della crisi attuale

The Museo di Roma Palazzo Braschi in Rome is hosting "It's Happening Again," a solo exhibition by artist Adrian Tranquilli, curated by Studio Stefania Miscetti and running until May 24. The show presents new works including the monumental sculpture "Endsong" (2025), a black monolith inspired by Kubrick's "2001: A Space Odyssey" covered in hundreds of Joker faces, and a large pop-up book titled "My Little White Book" (2026). Tranquilli's pieces, often built from playing cards, explore themes of power, fragility, and the instability of cultural symbols.

The 15th-century Ca' Giustinian Faccanon reopens in Venice. It will be a space for exhibitions and events

A Venezia riapre il quattrocentesco Ca’ Giustinian Faccanon. Sarà uno spazio per mostre ed eventi

The historic Ca' Giustinian Faccanon, a rare example of Venetian Gothic architecture in the San Marco district, has reopened in Venice after over a year of restoration work. The 15th-century palace, acquired by entrepreneur Andrea Parisotto, will now serve as a space for exhibitions and events managed by Art Events and Cultural Real Estate Studio. During the 61st Venice Biennale, it will host the Vietnam Pavilion with the exhibition "Arte nel flusso globale" curated by Do Tuong Linh, marking Vietnam's first official participation, as well as a solo show by Korean sculptor Shim Moon-Seup titled "Harnessed From Nature."

Apre a Venezia una nuova fondazione per l’arte. Il progetto dell’artista curdo Ahmet Güneştekin a Palazzo Gradenigo

Kurdish artist Ahmet Güneştekin has opened a new foundation in Venice at Palazzo Gradenigo, a 16th-century building in the Castello district. The foundation's inaugural exhibition, titled "Sessizlik/Silenzio/Silence," will open on May 6 during the Venice Biennale. The show features 11 new bronze sculptures and 11 oil paintings. The palace, closed to the public for 17 years, was purchased by the artist and is undergoing a conservative restoration led by architects Alberto Torsello and Elisa Santoro, set to complete by late 2026. The foundation, entirely self-funded through sales of Güneştekin's works and royalties, aims to provide exhibition and training opportunities for young artists, especially from Turkey, in an international context.

A Baroque Too Baroque: Reflections on the Colossal Exhibition in Forlì

Un Barocco troppo barocco. Riflessioni sulla colossale mostra di Forlì

A massive exhibition titled "Barocco: il gran teatro delle idee" (Baroque: The Grand Theater of Ideas) is on view at the Museo Civico San Domenico in Forlì, Italy. The show, curated by a committee of six, ambitiously attempts to define the Baroque across the 17th and 18th centuries, extending its scope to include France and Spain, and even suggesting its echoes in the 20th century. It features approximately 300 works, including paintings, sculptures, and decorative arts.

EducaImmagine returns to Rovereto: the festival on media use. The protagonists speak

A Rovereto torna EducaImmagine, il festival sull’uso dei media. Parlano i protagonisti

The EducaImmagine festival returns to Rovereto with its 2026 edition titled "Miraggi" (Mirages), focusing on the complex relationship between media consumption and the perception of reality. Led by artistic director Luca Ferrario, the event gathers a diverse group of experts—including artists, designers, psychologists, and content creators—to address the challenges of digital literacy and the potential for images to distort or amplify truth in the modern age.

Italy's Soft Power in China Thanks to Two Major Exhibitions on Pompeii and Palladio

Il soft power dell’Italia in Cina grazie a due grandi mostre su Pompei e Palladio

The National Museum of China in Beijing is currently hosting two major exhibitions celebrating Italian cultural heritage: "Pompeii: An Eternal Discovery" and "Geometry, Harmony and Life: The Architecture of Andrea Palladio from Antiquity to Classicism." These exhibitions, marking the 55th anniversary of diplomatic relations between Italy and China, were inaugurated by Italian Culture Minister Alessandro Giuli. The Pompeii showcase traces 250 years of archaeological history using artifacts and multimedia, while the Palladio exhibition explores the Renaissance master’s influence on Western architecture and creates a cross-cultural dialogue with traditional Chinese building techniques.

Pride of place: the rise of LGBTQ+ art in Hong Kong

Hong Kong's art scene is witnessing a significant rise in the visibility and institutional embrace of LGBTQ+ art, particularly during its annual Art Week. Exhibitions like the Sunpride Foundation's 'Myth Makers—Spectrosynthesis III' at Tai Kwun Contemporary have acted as major accelerants, moving queer discourse from semi-private contexts into prominent public institutions.

Nesting Seagull Becomes Unexpected Star of Venice Biennale

A seagull nesting near the Polish pavilion at the Venice Biennale has become an unexpected attraction, drawing bemused visitors and media attention. The bird laid eggs in the Giardini grounds, and a fence with a warning sign in English and Italian was erected around the nest. Organizers say this is the first known instance of a seagull nesting in such a prominent area of the exhibition. The Polish pavilion was closed on May 8 as part of a historic strike protesting the inclusion of aggressor states in the Biennale, with a sign supporting the Ukrainian Pavilion.

Dice Are 6,000 Years Older Than Previously Believed, Study Says

Archaeologist Robert J. Madden has published a groundbreaking study in the journal American Antiquity identifying over 600 prehistoric objects as two-sided dice. These artifacts, found across 57 sites in the American West, date back more than 12,000 years to the Late Pleistocene era. By applying criteria from historic Native American gaming traditions to these bone and wood fragments, Madden argues that dice-based games of chance existed 6,000 years earlier than previously recorded in the archaeological record.

From Mallorca to St. Moritz, Art Fairs Are Meeting Collectors Where They Vacation

A new wave of high-end art fairs is targeting luxury vacation destinations like St. Moritz, Mallorca, and the Hamptons, moving beyond traditional market hubs. These events, such as the inaugural St. Moritz Art Week and Art on the Island in Mallorca, are strategically timed for the summer and winter holiday seasons to directly engage wealthy collectors during their leisure time.

Fashion Loves Art: All of the Exhibitions to See at the 2026 Venice Biennale

The article, published by L'Officiel Art, provides a guide to fashion-brand-sponsored exhibitions at the 2026 Venice Biennale. It highlights projects by luxury houses including Bottega Veneta, Louis Vuitton, Zegna, and Bvlgari, framing them as unmissable cultural events within the broader Biennale program.

United Asian American Alliance hosts 3rd Annual AAPI Art Exhibit

The United Asian American Alliance hosted the 3rd Annual AAPI Art Exhibit at the Cinema Arts Centre in Huntington, a month-long showcase of Asian American creativity and heritage. Curated by artist Joan Kim Suzuki, the exhibition features works in painting, mixed media, photography, and textile that explore themes of memory, identity, migration, and belonging. The opening reception welcomed distinguished guests including Tracey Edwards, New York State NAACP Vice President, and actor Lisa Yang, a Golden Horse Award nominee.

London Gallery Cancels Antisemitic Art Exhibit After Pro-Israel Lawyers Intervene

A London gallery, Delta House Gallery in Wandsworth, canceled a traveling exhibition titled "Drawings Against Genocide" by British artist Matthew Collings after UK Lawyers for Israel (UKLFI) intervened, citing antisemitic content. The show, scheduled for May 16-24, featured drawings with swastikas, comparisons of Israel to Nazi Germany, and depictions of Jewish figures with horns, among other imagery. Gallery owner Pineapple Corporation Chairman Tom Berglund confirmed the cancellation, stating the exhibition was arranged without owner consultation.

Collaborative Brazilian Exhibitions

The rhinoceros gallery in Rome, in partnership with the Brazilian gallery A Gentil Carioca, has unveiled a solo exhibition by artist Miguel Afa titled 'O tempo que mora em mim' (The Time that Lives in Me). The collection features a series of paintings created by Afa during a residency in Rome, where he blended his Brazilian heritage with the profound influence of Italian art history and the local landscape. The works frequently utilize the motif of the courtyard to explore themes of memory, intimacy, and the intersection of different geographical identities.

New experimental art organisation opens in New York

Curator Summer Guthery, who left economics to found four non-profit experimental art spaces across the US, is launching a fifth venture called Times with fellow curator Francesca Sonara. Located in Manhattan’s Chinatown at 151 Lafayette Street, the 3,000-square-foot space will host up to three exhibitions simultaneously across two galleries and a screening room. The inaugural event on 12 February features Latvian performance artist Jana Jacuka, followed by a solo exhibition by Danish artist Nina Beier (21 February-9 May). Times rejects a permanent institutional model, planning a three-year obsolescence to remain nimble and responsive to artists’ needs.

MONSTRARE - Raminta S. R. Mint SOLO SHOW

Contour Art Gallery in Vilnius is presenting 'Monstrare', a solo exhibition by emerging artist Raminta S. R. Mint. The show explores the human body through three layers—exterior, interior, and invisible—using painting to critique social media's filtered self-image, anatomical abstraction, and digital medical imaging. Influenced by Gothic literature and H. R. Giger, the works combine red, black, and white palettes in a 'Frankensteinian' visual language.

'60 Years Of The Grateful Dead' Unveils Band’s Most Comprehensive Art Exhibition Yet [Photos]

The Chambers Project Gallery in Grass Valley, CA, has opened '60 Years of the Grateful Dead,' billed as the most comprehensive exhibition of original Grateful Dead artwork ever assembled. Curated by Brian Chambers, the show features historic posters, album covers, sketches, and rare artifacts from key artists like Rick Griffin, Stanley Mouse, Alton Kelley, Victor Moscoso, and Wes Wilson, alongside collaborators such as Bill Walker and Owsley 'Bear' Stanley. Highlights include Bill Walker's original Anthem of the Sun mandala, stored for years in his sister's garage, and Edmund J. Sullivan's 1900 'Skeleton Amid Roses' illustration, reinterpreted for the band's iconic 1971 album cover. The opening weekend also featured a concert by the supergroup White Lightning at the Bodhi-Hive.

December Exhibitions

Les Yeux du Monde presents 'GROUNDING,' the final show of 2025 featuring new oil paintings by Annie Harris Massie that explore light, memory, and place through landscapes and botanical studies of her Lynchburg, Virginia surroundings. Other December exhibitions include Randall Stoltzfus's 'To Hold The Light' at Angelo Jewelry, Judith Ely's paintings at Botanical Fare, and 'All That Glitters' by Natalie Darling at C’ville Arts Cooperative Gallery. The Fralin Museum of Art at UVA hosts three shows: 'Haiti’s Time' from the Sullivan collection, 'In Feeling: Empathy and Tension Through Disability,' and 'The World Between: Egypt and Nubia in Africa.' The Kluge-Ruhe Aboriginal Art Collection features works from the Spinifex Arts Project and Robert Fielding, while the Jefferson School African American Heritage Center presents 'Finally Remembered: The Black Patriots of Central Virginia.'

On Parkinson’s: Three Artists’ Journeys- Kristin Rehder, C. David Thomas, and Torrance York

The Richard F. Brush Art Gallery at St. Lawrence University is hosting an exhibition titled "On Parkinson’s: Three Artists’ Journeys" from October 20 to December 11, featuring works by Kristin Rehder, C. David Thomas, and Torrance York. Each artist uses photography and printmaking to explore their personal experiences with Parkinson’s disease: York’s "Semaphore" project uses metaphorical photographs to document her diagnosis in 2015; Thomas’s "FINDING PARKINSON’S, Doing Battle with My Brain" combines MRI scans, selfies, and lithographs; and Rehder’s "TREMOR" employs a slow shutter to transform her body’s tremors into creative energy.

Weekend of Art, Artists and Open Studios in Riebeek Valley

Solo Studios returns to the Riebeek Valley from October 24 to 26, 2025, featuring over 60 artists opening their studios in Riebeek Kasteel and Riebeek West. The weekend includes curated exhibitions such as LANDscape[s] at Die Kunshuis, showcasing works from Modern Art Projects South Africa (MAPSA), and a display of Ardmore Ceramics at EcoPlace, a home built from recycled materials. Other highlights include Red Hot, Pink Spot, a group show of 13 female artists from Kommetjie, and FEAST, a Porterville artist exhibition. Talks on art collecting and live music complement the open studios.

LMU’s Laband Art Gallery Presents “Seeing Chicanx: The Durón Family Collection,” a Visual History of L.A.’s Chicanx Art Scene

Loyola Marymount University’s Laband Art Gallery is presenting “Seeing Chicanx: The Durón Family Collection,” a fall 2025 exhibition on view from September 25 to December 6. Curated by scholar Karen Mary Davalos, the show features nearly 50 works by Chicanx artists from Southern California, drawn from the private collection of alumni Armando Durón and Mary Salinas Durón. The exhibition spans the 1970s to the present, including paintings, drawings, photography, and sculptures by artists such as Roberto Gutierrez, Judy Baca, Chaz Bójorquez, Gilbert “Maju” Luján, and Shizu Saldamando. Originally shown at the Monterey Museum of Art in 2024, the traveling exhibition aims to challenge stereotypes and provide a visual history of the Chicanx art scene in Los Angeles.

The Next Wilmington Art Loop Opens Friday, June 6, 2025

The next Wilmington Art Loop, a free citywide art exhibition, opens on Friday, June 6, 2025, from 5–9 PM. Now in its 38th year, the event is a partnership between the Mayor’s Office of Cultural Affairs and Out & About Magazine. Participating venues include The Delaware Contemporary (featuring RADIUS and ARC 25 exhibitions), Wilmington’s Redding Gallery (hosting the City of Wilmington Employee Juried Art Show and a display on the Tubman-Garrett statue), The Mezzanine Gallery (showcasing Jen Hintz Eggers), MKT Gallery (presenting Troy Jones’s “Ancestral Echoes: Masks We Wear”), and Bridge Art Gallery. A free shuttle, provided by the City of Wilmington Parks & Recreation Department, will run from The Delaware Contemporary parking lot, with riders voting on additional gallery stops.

Pavilions of the Venice Biennale go on strike

Pavillons der Venedig-Biennale werden bestreikt

Cultural workers and participants of the Venice Biennale went on strike on Friday, protesting Israel's participation in the art exhibition. Organized by the Art Not Genocide Alliance (ANGA) alongside several cultural groups and Italian grassroots unions, the 24-hour walkout led to the closure of several national pavilions on the final preview day. A rally was planned near the Arsenale grounds. The strike aims to oppose the "normalization of genocide in culture" and poor working conditions at the Biennale, following an earlier open letter signed by over 230 artists and curators demanding the exclusion of the Israeli pavilion. Israel is represented by sculptor Belu-Simion Fainaru, who opposes cultural boycotts and advocates for dialogue. The Biennale's leadership has distanced itself from the strike, emphasizing adherence to regulations and support for freedom of speech and pluralism.

Can we practice for crises in art?

"Können wir in der Kunst für die Krisen üben?"

Belgian theater director Miet Warlop is presenting her work "It never SSST" at the Belgian Pavilion during the Venice Biennale. The installation combines performance, sculpture, a radio show, and objects, featuring six performers, musicians, dancers, and a sculptor who periodically calls "Freeze" to capture movements in plaster reliefs. Warlop, known for her physically exhausting ritualistic performances like "One Song," discusses the piece's themes of ceaseless activity and the body as a resource, as well as the challenge of engaging visitors who often rush through the pavilion.