A Nashville art exhibition at Gallery 64 in the Nashville Arcade is showcasing works by artists who are currently or have previously experienced homelessness. Organized by Daybreak Arts, the show features artists including Chris Bandy, Edwin Lockridge, and Sydney Sparkle, whose pieces explore how public greenspaces can represent exclusion for unhoused individuals. The exhibition runs through August 16.
The New York Times has published a curated list of eight art exhibitions currently on view that are nearing their closing dates. The article provides recommendations for shows across various museums and galleries, highlighting key artists and themes to help readers plan their visits before the exhibitions end.
The William Way LGBT Community Center in Philadelphia has opened its 19th Annual Group Art Exhibition, featuring three local LGBTQ+ artists: Daniel de Jesús, Kenzi Crash, and James Rose. The artists were selected from participants in the center's January Juried Art Exhibition, with local artist Gabriel Martinez serving as the designated judge. Art Exhibitions Manager Jake Foster curated the show, which presents each artist's individual work without a unifying theme. De Jesús blends mysticism, Catholic iconography, and queer identity; Crash presents a photography installation exploring queer intimacy; and Rose debuts a new series of self-portraits examining identity and emotion. The exhibition runs through August 28 and is also viewable online, with 65% of sales going to the artists.
East Los Angeles College’s Vincent Price Art Museum is hosting an exhibition through August that spans three decades of Latina lesbian activism in Los Angeles, from the 1980s to the late 2000s. The show features photos, posters, letters, and ephemera highlighting the fight against anti-gay hate crimes, alongside struggles for LGBTQ+ healthcare, affordable housing, fair wages for janitors, and immigrants’ rights. Co-curated by Jocelyne Sanchez and Vanessa Esperanza Quintero, the exhibition is a collaboration with UCLA’s Latina Futures 2050 Lab and pays tribute to activists including the late archivist Yolanda Retter Vargas.
Artist and Madinah native Meshal Al-Hujaili discusses the expanding art scene in Madinah, Saudi Arabia, which blends traditional and contemporary influences rooted in Islamic heritage and cultural identity. His work, including the painting 'Flow' created during the Madinah International Symposium 2023, is currently displayed at the Madinah Art Center, where he also collaborates on exhibitions like 'Path' with curator Nouf Al-Balawi. Al-Hujaili describes how the center's programs, training sessions, and dialogues have fostered his artistic growth and exposure to other artists.
Ukrainian Railways (Ukrzaliznytsia) has partnered with the Howard G. Buffett Foundation to launch an 'art train' — three train cars converted into a traveling gallery — that is currently crossing Ukraine. The exhibition, titled *Courage of a Nation*, features photographs taken by billionaire Howard Buffett during his 19 trips to Ukraine between April 2022 and February 2025, documenting the country's resilience after Russia's full-scale invasion. Curated by Pulitzer Prize-winning National Geographic photographer Muhammed Muheisen, the show will make 63 stops over four months, starting in Odesa. Due to security risks, the exact timetable is not publicly announced. A book of the same name, with a foreword by Ukraine's first lady Olena Zelenska, has also been published.
Artography Studio's annual group art exhibition is currently on view at the AIFACS Art Gallery in New Delhi, running through June 12. Curated by Vijay Kumar R, the show features 41 emerging student artists from Delhi and across India, presenting works in painting, graphics, and photography. The exhibition aims to provide a platform for young talents to showcase their creativity and engage with the local art community.
Byungjun Kwon, a South Korean artist whose practice spans sound, technology, and performance, has been selected for the 2025 Korean Artists Today project. Kwon began his career as a singer-songwriter in the 1990s, later earning a degree in Art Science from the Royal Conservatoire in The Hague and working as a hardware engineer at the Studio for Electro-Instrumental Music in Amsterdam. His works include immersive sound installations, custom-built instruments, and robotic stage machinery, with pieces such as 'Self-sounding Town Resonant Village' (2019) exhibited at the Museum of Contemporary Art in Busan. He is currently preparing a new project, 'Speak Slowly, and It Will Become a Song', for the Aichi Triennale in Japan.
Mandarin Oriental, Macau launched a new contemporary Chinese art exhibition titled "Modern Vision, Timeless Technique" to mark its 15th anniversary at its current location. The exhibition, running until 31 August in the hotel's lobby and Lobby Lounge, features 15 works by local female artists Leong Kit Man and Tsang Tseng Tseng. Curated by Alice Kok, president of the Art For All Society (AFA), the show highlights how the artists blend traditional Chinese painting techniques with modern aesthetics. VIPs including government officials and cultural figures attended the ribbon-cutting ceremony, and the hotel's executive chef created canapés inspired by the artworks.
The Miller Art Museum in Sturgeon Bay, Wisconsin, will open "Women and Water: Woven Portraits from Around the World" on May 24, featuring 29 hand-woven Jacquard portraits by Wisconsin fiber artist Mary Burns. Guest curated by artist and photographer Suzanne Rose, the exhibit celebrates women globally who are dedicated to water advocacy, science, and stewardship. Concurrently, the museum will present "Magnus Opus: Masters of the Figure from the Permanent Collection" on its Ruth Morton Miller Mezzanine, honoring the museum's 50th anniversary with figurative works including a new acquisition by the late maritime artist Charles L. Peterson. A free artist reception is scheduled for May 30, and an artist talk with Burns will be held June 19.
The New York Times article profiles several immigrant artists in the United States who are responding to heightened anti-immigrant rhetoric and policy changes by doubling down on their creative practices and public engagement. Rather than retreating, these artists are using their work to assert their presence, explore themes of displacement and belonging, and challenge xenophobic narratives. The piece highlights specific artists and their recent projects, exhibitions, and statements that directly confront the current political climate.
The New York Times has published a guide to art fairs taking place in the New York City area during May. The article lists several major and smaller fairs, including Frieze New York, NADA New York, and the Independent Art Fair, providing details on dates, locations, and featured galleries. It serves as a practical resource for collectors, curators, and art enthusiasts planning their May art-viewing schedule.
Indiana University Bloomington's art galleries are presenting two exhibitions focused on South African and Indigenous visual culture. "Illusions of Identity: The Colonial Gaze," curated by student Joshua Sinnett at the Community Gallery in the Museum of Archaeology and Anthropology, contrasts early 20th-century photographs of Native Americans by Joseph K. Dixon with images of Indigenous South Africans by Alfred Duggan-Cronin, examining colonial perspectives. Concurrently, "Coloured Pots (Izinkamba kwamaKhaladi)" at University Collections at McCalla features contemporary ceramics by artist Fileve Tlaloc, who uses amaZulu pottery forms to explore her mixed-race ancestry and challenge colonial racial categories, displayed alongside historical amaZulu vessels.
Ton Witteman, grandson of Dutch resistance hero Bart Witteman, has laid an unauthorized 'stumbling stone' (stolpersteine) in front of his grandfather's former home in Haarlem, Netherlands. Bart Witteman, a policeman who sheltered two Jewish people during World War II, was arrested, deported, and murdered by the Nazis in 1945. The city council had refused to include non-Jewish resistance figures in its official memorial program, which only covers the 733 murdered Jewish, Sinti, and Roma residents. Witteman obtained the hand-stamped brass plaque from German artist Gunter Demnig's Stolpersteine project and installed it himself with the current homeowners' blessing.
Hamburger Kulturpreis heißt nicht mehr nach Biermann-Ratjen
The Hamburg Senate has renamed the Senator-Biermann-Ratjen Medal, a prestigious cultural award, to the "Medaille für Kunst und Kultur in Hamburg" (Medal for Art and Culture in Hamburg). The decision follows a 2024 review of historical records revealing that Hans Harder Biermann-Ratjen (1901–1969), the former culture senator for whom the medal was named, was a member of the Nazi Party (NSDAP). Historian Helmut Stubbe da Luz presented evidence in June 2024 that Biermann-Ratjen had disclosed his NSDAP membership in a 1943 application to the Reich Literature Chamber when seeking to publish a novel.
Der Auktionsmarkt atmet auf – aber nicht überall
The article reports that the auction market is showing signs of fragile recovery in 2025, with Christie’s, Sotheby’s, and Phillips all posting mid-double-digit percentage increases at their London sales in March compared to the previous year. However, the article notes that the prior year was exceptionally weak, and underlying issues such as high debt levels, aggressive commission models, and unresolved succession questions continue to threaten the stability of the major auction houses.
Res Publica Verlag sucht Projektmanager:in oder Chef vom Dienst Print
Res Publica Verlag, an independent publisher based in Berlin, is hiring a project manager or print production editor for its magazines Cicero and Monopol, as well as special publications. The role involves managing editorial workflows, asset management systems, ad coordination, and serving as a liaison between the publishing house and editorial teams. The position is for 30 hours per week, starting August 1, 2026, with an optional onboarding from July 1, 2026.
Biennale-Jury will Länder mit IStGH-Vorwürfen nicht berücksichtigen
The jury of the Venice Art Biennale has announced that it will not consider countries whose heads of state or government face allegations of crimes against humanity from the International Criminal Court (ICC) when awarding prizes this year. The jury, led by Brazilian art historian Solange Farkas, cited its commitment to defending human rights. While no specific countries were named, the ICC currently has arrest warrants against Russian President Vladimir Putin for alleged war crimes in Ukraine and Israeli Prime Minister Benjamin Netanyahu for alleged war crimes in Gaza. The Biennale leadership stated the jury acted in full autonomy and independence.
EU plant Strafe für Biennale-Teilnahme Russlands
The European Union has threatened to cut funding for the Venice Biennale if it allows Russia to reopen its national pavilion at the upcoming exhibition. EU foreign policy chief Kaja Kallas stated that Russia's return is "morally wrong" while the country is bombing Ukrainian museums and destroying cultural heritage. Russia, in coordination with the Biennale foundation, had announced plans to participate this year with works by Russian artists, marking its first appearance since the 2022 invasion.
Le Musée postal retrouve son nom
The Musée de La Poste in Paris has reverted to its original name, Musée postal, as part of a major rebranding effort. The institution, approaching its 80th anniversary, has introduced a new visual identity and aims to reposition itself within the Parisian cultural landscape, seeking to distance itself from the image of a corporate museum.
Une cargaison romaine du Ier siècle mise au jour dans le lac de Neuchâtel
Archaeologists have completed two major underwater excavation campaigns in Lake Neuchâtel, Switzerland, recovering over 1,000 artifacts from a Roman cargo shipment dating between 20 and 50 AD. The discovery, initially spotted via aerial photography in 2024, includes exceptionally well-preserved items such as Spanish olive oil amphorae, tableware, military weaponry, and rare organic materials like a wicker basket and chariot wheels. The site was kept secret for two years to prevent looting while divers meticulously retrieved the historical treasures.
Legendary auctioneer Jussi Pylkkänen offers insights into interpreting auction data, such as price estimates and results, to navigate the current transitional art market. He advises buyers to think critically about value and scrutinize auction house-provided figures.
The exhibition "Nachsommer" by artist Andrew Christopher Green is currently on view at Can in Vienna. Running from March 6 through April 16, 2026, the presentation features a series of new works, including untitled pieces from 2026, and is documented through a selection of images and video available via the Contemporary Art Library.
Artist Jean-Pierre Villafañe opened a solo exhibition titled "OFRENDAS" at Embajada gallery in San Juan. The show runs from January 30 to April 18, 2026, and is documented with 20 images on the Contemporary Art Daily platform.
Calla Henkel and Max Pitegoff have opened a new exhibition titled 'The End of THEATER' at Galerie Isabella Bortolozzi in Berlin. The show, which runs from February 7 to March 21, 2026, is documented with 26 installation images, providing a visual record of the artists' latest collaborative project.
Zin Taylor at Quartz Studio
Zin Taylor has opened a solo exhibition titled "Propylon Stela" at Quartz Studio in Turin, running from January 21 to March 31, 2026. The exhibition features new work, documented extensively through images on the platform, though specific details about the medium or themes are not elaborated in the provided text.
Artist Julien Bismouth presents his solo exhibition "Exonumia" at Layr gallery in Vienna. The show features new works that explore the transformation of meaning and the imposition of successive interpretations on the fabric of life, as suggested by the accompanying quote from philosopher Simone Weil.
OCEAN AND MEMORY MAC PANAMA PRESENTS TWO NEW EXHIBITIONS
The Museo de Arte Contemporáneo de Panamá (MAC Panamá) has opened two exhibitions. The first, 'otras montañas, las que andan sueltas bajo el agua,' features artists Nadia Huggins and Tessa Mars and is part of the international research program The Current IV. It uses video and audio installations to explore an oceanic perspective. The second is a retrospective of pioneering Panamanian surrealist artist Beatrix 'Trixie' Briceño, which includes a digital art response by contemporary artist Ix Shells.
Trapezium Arts, a community arts group in Bradford, UK, has issued a 'mayday' call for help to find a new home after being told it must vacate its current space in the Kirkgate Shopping Centre by June 18. The centre is slated for demolition to make way for a 1,000-home City Village development. The group, founded eight years ago by a collective of local artists, has been operating out of empty retail units and will open its final exhibition at 54 Kirkgate on Saturday, titled 'May Day!', running from May 2 to 30.
Ana Stapleton's exhibition "Persona" is on view at Red & White Gallery in Fayetteville, Texas, from March 7 to May 3, 2026. The show features recent paintings by the Austin-based artist that explore the tension between cultural expectations and authentic self-expression, particularly around growing up Mexican female.