A quartet of key art market players join forces to form ‘super group’ consultancy

Four prominent art market figures—Ed Dolman, Brett Gorvy, Patti Wong, and Phillip Hoffman—have launched a new consultancy called New Perspectives Art Partners. The group, which also includes Dolman's son Alex, aims to provide a white-glove, case-by-case service for top-tier clients, covering buying and selling art, estate management, financing, and insurance. Each member brings specialized expertise and geographic reach across Europe, America, the Middle East, and Asia, and they will maintain their existing roles in their own businesses.

Juancho Cano Shares Heritage Through Art Exhibition ‘FRAGMENTARIO’

Colombian artist and musician Juancho Cano presents his exhibition “FRAGMENTARIO: Visions in Pieces” at Athentic Brewing Co. in Athens, Georgia. The show features two sets of paintings: one created in Colombia and the other after his move to the United States three years ago. The works draw heavily on the heritage and culture of Pasto, Colombia, including imagery from the annual Carnaval de Negros y Blancos, such as the Andean devil figure. Cano also plans a multimedia event on June 7 incorporating music, stage art, and video, with contributions from his band BAMBARABANDA and colleagues.

The Space Between. Adam Patrick Grant by Michela Ceruti

Adam Patrick Grant’s artistic practice is rooted in a meticulous and devotional process of observation, transitioning from a background in film to a dedicated focus on oil painting over the last three years. Working from his London studio, Grant utilizes an extensive archive of personal sketches, photographs, and found imagery—such as anonymous postcards and family photos from markets—to capture fleeting moments of intimacy and the unspectacular everyday. His work is characterized by a rhythmic dialogue between the act of walking, the gathering of visual fragments, and the translation of these memories into tender, precise compositions.

Archaeologists Discover 19th-Century Shipwreck in Copenhagen Harbor

Marine archaeologists from Denmark's Viking Ship Museum have discovered the wreck of the 18th-century Danish warship Dannebroge in Copenhagen harbor. The ship was destroyed during the Battle of Copenhagen in 1801, when the British fleet under Admiral Horatio Nelson attacked to dismantle the League of Armed Neutrality. Divers have recovered cannons, uniform fragments, bottles, and sailors' remains from the site.

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Archaeologists have identified the original location of a looted fresco fragment from Pompeii that was repatriated from the U.S. to Italy in 2023. The fragment, depicting baby Hercules wrestling a snake, was found to have once decorated the upper lunette of a private chapel (sacellum) at the ancient villa of Civita Giuliana. The discovery was made during excavations in 2023 and 2024, and the fragment will be exhibited at the Antiquarium of Boscoreale from mid-January.

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Archaeologists from INRAP (the National Institute of Preventive Archaeological Research) have unearthed a Renaissance-era limestone equestrian statue in Toul, northeastern France. The statue, broken into 27 pieces, was found buried under a roadway among the remains of a medieval gate demolished around 1700. The largest fragment measures about three-and-a-half feet, and the intact work would have stood over five feet high. The horse's trunk and head are preserved, along with the rider's hips and upper thighs, but the rider's head and limbs are missing, making identification uncertain. INRAP suggests the rider may have been Henry II, King of France, or more likely John III of Lorraine, Cardinal of Lorraine and Bishop of Toul, and that Italian artists may have been involved in its creation.

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Ronald Clucas, a metal detectorist with 50 years of experience on the Isle of Man, discovered an intricately plaited gold fragment identified as a Viking arm-ring from roughly 1,000 years ago. The artifact, found folded and measuring 1.5 inches, was declared treasure by the Isle of Man Deputy Coroner of Inquests on May 29 and is now displayed at the Manx Museum's Viking gallery. Archaeologist Allison Fox noted cut points indicating the arm-ring was portioned for use as currency, reflecting the Viking dual economy of coins and bullion.

Meet artist Sanya Kantarovsky as he creates an immersive world in a Venetian palazzo

Sanya Kantarovsky presents 'Basic Failure,' an exhibition of paintings, ceramics, and a glass sculpture at Palazzo Loredan in Venice, running concurrently with the Venice Art Biennale 2026. The show features haunting, figurative works that resist linear narrative, drawing on themes of religion, history, philosophy, and human emotion, with the artist describing his intuitive, fragmentary approach to composition.

Vhils: the street artist presents his exhibition “L'interstice” at the Danysz Gallery in Paris

Portuguese street artist Vhils, also known as Alexandre Farto, presents his latest solo exhibition titled "L'interstice" at the Danysz Gallery in Paris from May 22 to June 20, 2026. The exhibition features works crafted from materials sourced in the capital, including fragmentary posters, metal structures from political billboards, subway doors, and ceramic tiles, exploring Paris as a "fragmented experience" centered on public transport and daily transitions.

Pictures: Emma Lamb opens Dartmoor-inspired 3D art exhibition near Ivybridge

Emma Lamb, a South Devon-based 3D mixed-media artist, has opened a new exhibition titled *Long Live the Wilderness Yet* at Lukesland Gardens near Ivybridge. The show features two of her major series, *Reviving Mires* and *Fragmented Forest*, both inspired by Dartmoor’s fragile ecosystems. Lamb uses handmade paper, natural fibers, pigments, and experimental techniques such as inks made from air pollution to create works that explore peatlands and temperate rainforests. The exhibition runs until early June, and Lamb will also host a workshop in June teaching participants to create collages using natural materials.

Angela de la Cruz Breaks the Frame

The art world is witnessing a significant shift toward the 'one-work exhibition,' a format that rejects the traditional gallery model of high-volume displays in favor of singular, immersive encounters. By isolating a single masterpiece or installation, institutions are encouraging 'slow looking' and recasting the act of viewing as a deliberate spatial experience. This trend serves as a direct response to the digital age's relentless pace and the overwhelming 'glut' of contemporary visual culture.

Dive into the works of artist Badri Narayan and the Vitrum Studio at this art exhibition in Mumbai

Curator Puja Vaish discovered ceramic works by artist Vijoo Sadwelkar in the Jehangir Nicholson Art Foundation's collection, leading her to Haresh Mehta, who preserved original works from the Vitrum studio. This resulted in the exhibition "A Glazed History: Badri Narayan & the Vitrum Studio" at the JNAF Gallery at CSMVS Museum in Mumbai, the first retrospective of the studio that operated from the 1950s to the 1970s. Vitrum, founded by emigre glass expert Simon Lifschutz and his wife Hanna, blended art, craft, and design by having artists create hand-painted ceramic tiles and Venetian glass mosaics for everyday homes.

Man who pocketed tiles from medieval priory as boy returns them 60 years later

Simon White, now 68, returned three fragments of medieval clay tiles he took as a nine-year-old from Wenlock Priory in Shropshire during a family outing in the late 1960s. The tiles, dating from the late 13th to early 14th century, were discovered in an old toffee tin during a house move. White contacted English Heritage, which confirmed the provenance using family diaries and historical analysis. One fragment features a previously unknown dragon motif, exciting medievalists.

Il duo di artisti internazionali Gawęda/Kulbokaitė sono a Roma per la prima volta con una mostra su identità e percezione

The international artist duo Dorota Gawęda and Eglė Kulbokaitė present their debut exhibition in Rome, titled "Spit and Image," at the Basement gallery. The show, on view until July 10, 2026, features sculptures, installations, and videos that explore identity construction in the digital age, using mirrors, fragmented bodies, and olfactory elements. Works like "Yield (twinning)" (2025) and "Spit and Image 1 and 2" (2025) evoke surveillance, metamorphosis, and duplication, while the Slavic vampire figure of the upiór serves as a metaphor for fluid, non-binary identities.

In Salento c’è una residenza che mette gli artisti in contatto con territorio e storia della Puglia. Intervista

In Casamassella, in the heart of Salento, Red Lab Gallery's residency program has produced "Chiedete al vento, all’onda, alla stella, all’uccello," a project by artists Agata Ferrari Bravo and Thomas Michael Saccuman with an intervention by Flavio Favelli, curated by Leonardo Regano. The centerpiece is a large bird-cart, a hybrid sculpture and performative device made from papier-mâché, fragments of festive lights, and objects collected from the local area, designed to be disassembled and reactivated. Favelli's installation transforms decommissioned luminarie into a suspended environment that amplifies the work's ambiguous, almost ritualistic quality.

Vulnerability Seen Through the Eyes of Two Artists on Display in Romagna

La vulnerabilità vista dallo sguardo di due artiste in mostra in Romagna

The Galleria d’Arte Contemporanea Vero Stoppioni in Santa Sofia is hosting "Corpi invisibili, fuori controllo" (Invisible Bodies, Out of Control), a dual exhibition featuring artists Claudia Amatruda and Carla Giaccio Darias. Part of the broader "Un Problema del Genere" festival, the show explores the concept of vulnerability through contrasting artistic methods. Amatruda utilizes photography, sculpture, and video to depict bodies in risky, natural environments that highlight relational dependency, while Giaccio Darias uses archival imagery and painting to present fragmented, anatomical forms that challenge the viewer's gaze.

Art and Design Capstone Exhibition goes on display at Marietta College

Marietta College's Art Department is presenting its Art and Design Capstone Exhibition, featuring work by graduating seniors in graphic design and studio art. The show opened January 13 and runs through March 4 at the Atrium Gallery in the Hermann Fine Arts Center, with an artist reception on January 24. Projects include paintings, digital designs, branding, and textile works, such as Jazlyn Ingold's multi-canvas oil painting "Fragmented Skies" and Renee Mulvaney's mobile app concept "Studiio."

A review within a play. Play by Josiane M.H. Pozi and Emily Pozi  by Nasra Abdullahi

Josiane M.H. Pozi's exhibition "PORTRAIT O.A.Y.G." at Carlos/Ishikawa in London is reviewed through an unconventional, fragmented narrative that blends a play script with critical observation. The review describes Pozi's video works, including "Rhythmic Stimming" (2025) and "Restaurants" (2023), which capture mundane domestic scenes and personal artifacts. The text shifts between a first-person account of meeting the artist and a scripted dialogue between characters J and E, reflecting the exhibition's themes of identity, selfhood, and the poetic potential of everyday objects.

Fragments of Belonging in ‘Black Bricolage’.

Photographer and writer Johny Pitts presents 'Black Bricolage' at MEP Studio, a visual essay spanning two decades of work documenting Black life across European cities like Paris, Lisbon, and Berlin. The exhibition utilizes a mix of photography, personal notes, and lived encounters to map the 'Afropean' experience, focusing on the quiet textures of daily life rather than grand spectacles.

59th Carnegie International, titled ‘if the word we,’ set to open Saturday

The 59th Carnegie International, titled 'if the word we,' is set to open this Saturday at the Carnegie Museum of Art in Pittsburgh. The exhibition, one of the oldest and most prestigious surveys of contemporary art in North America, will feature works by a diverse group of international artists, curated around themes of collective identity and language.

Monthlong celebration dedicated to museums, raising awareness of culture and the arts to kick off in May

South Korea's Ministry of Culture, Sports and Tourism announced a monthlong celebration called "2026 Museum Week," running from late April to May 31, 2026, to coincide with International Museum Day on May 18. A total of 310 museums will participate under the theme "Museums uniting a divided world," with programs divided into three sections: Museum X Encounter (highlighting stories behind artifacts), Museum X Enjoy (special exhibitions and performances), and Museum X Stroll (expanding cultural access beyond Seoul). The event is hosted by the ministry and ICOM Korea, organized by the Korean Museum Association.

Mapped by Tide and Time art exhibition in Mumbai

The solo exhibition "Mapped by Tide and Time" has opened in Mumbai, showcasing over three decades of work by Indian artist Vishakha Apte. Curated by Ina Puri, the show features a diverse range of mediums including painting, printmaking, paper constructions, and ceramics. The collection highlights Apte’s career-long investigation into tactile depth and material dialogue, moving away from artistic spectacle in favor of quiet, process-led inquiry.

Travel back in time on an immersive journey through Italy’s rich mosaics at Miami’s Frost Art Museum

The Frost Art Museum at Florida International University in Miami has opened "MOSAICO: Italian Code of a Timeless Art," an exhibition featuring ancient Italian mosaics, including fragments from a ship belonging to Roman emperor Caligula and 11th-century stone slabs from the tombs of Saints Benedict and Scholastica. These artifacts, on view in the US for the first time, are loaned from the Capitoline Museums in Rome and are presented alongside immersive digital projections by Magister Art that recreate sites like the Mausoleum of Galla Placidia and the Basilica of San Vitale. The exhibition is organized by region, highlighting Unesco World Heritage sites and spanning techniques from the Hellenistic period to Roman opus sectile.

Latent Energy: A Review of Bernard Williams at Elmhurst Art Museum

Bernard Williams' solo exhibition "Crossings" is on view across the Elmhurst Art Museum campus, including its parking lot and the Mies van der Rohe house. The show features sculptures, paintings, and installations that reference African American history, such as the "Spirit of Bessie Coleman" works honoring the pioneering aviator, and "Cowboy Dream" with its roosters and cowboy figure. The exhibition's title and layout deliberately avoid linear narratives, instead forcing viewers to navigate a fragmented path that mirrors the complexities of historical memory and racial injustice.

UK Heritage Department feared ‘mass restitutions’ when Stone of Scone was returned to Scotland

Newly released UK government files reveal that in 1996, the Department of National Heritage strongly opposed Prime Minister John Major's decision to return the 13th-century Stone of Scone to Scotland. The department's cultural property unit head, Lynn Gates, warned that the return would set a 'precedent to mass restitution,' triggering claims from Greece for the Parthenon Marbles, Egypt for the Rosetta Stone and Sphinx's Beard fragment, and Nigeria for the Benin Bronzes, with fears of further demands from Ethiopia, India, Pakistan, and other nations. The internal memo criticized Major for failing to consult the department before agreeing to the transfer from Westminster Abbey.

Adam Welch offers a solo show that looks like a group exhibition.

Adam Welch presents his first solo exhibition, "Terminal Moraine," at The Mine Factory, a newly opened gallery in Pittsburgh's Point Breeze neighborhood. The show runs through August 10 and features a dense installation of new, repurposed, and reconfigured paintings, drawings, sculptures, projections, and assemblages. Welch, best known as a curator at Pittsburgh Filmmakers/Pittsburgh Center for the Arts, fuses his dual roles by arranging the works in a way that initially resembles a group exhibition, with semi-random clusters and conglomerations that emphasize fragmentation over a singular theme.

María Lucía Alemán: Cultural Expressions Are Uniting the Region More

MARIA LUCIA ALEMAN CULTURAL EXPRESSIONS ARE UNITING THE REGION MORE

A panel discussion titled "Building Institutional Narratives" was held as part of the FORO initiative during Pinta Panama Art Week. It featured museum directors María Lucía Alemán (MAC Panama), Manuel Segade Lodeiro (Museo Reina Sofía, Spain), and Rafael Tamayo Franco (MAMM, Colombia), moderated by Elena González. The conversation focused on how museums construct their institutional stories and programming to better represent and connect with their local and regional contexts.

Lamentation and Celebration

Quilt artist Lois Klassen presents her first Manitoba exhibition, "Lamentation and Celebration," featuring a series of collaged textile works that explore the duality of grief and beauty. The exhibition showcases Klassen’s signature style of juxtaposing found, recycled, and commercial fabrics with traditional needlework fragments to create complex visual patterns and textures.

Artist confronts experience as Sixties Scoop adoptee in Salmon Arm exhibition

Indigenous artist Scott Kwah is set to debut a deeply personal exhibition titled "A.R.E.N.A. babies" at the Salmon Arm Art Gallery, running from April 11 to June 16, 2026. The installation centers on 18 hand-cast concrete figures seated on vintage chairs that emit audio of fragmented, childlike voices questioning their origins and loss of language. The work directly confronts Kwah’s history as a survivor of the Sixties Scoop, specifically referencing the Adoption Resource Exchange of North America (ARENA) program that facilitated the cross-border displacement of Indigenous children.

Türkiye's Topkapi Palace unveils new tile art gallery along historic Mabeyn route

Topkapi Palace in Istanbul has opened the Mabeyn Route Tile Art Gallery, a new permanent exhibition space inside a historic corridor that once connected the imperial reception area with the Imperial Harem. The gallery displays around 250 ceramic tiles, tracing the stylistic and technical evolution of Ottoman tile art from Iznik to Kutahya, with many pieces previously kept in storage and rarely seen by the public. The corridor was restored as part of a long-term program by the National Palaces Administration, and the gallery also features large-scale tiles inscribed with the names of Ottoman sultans and verses from a 11th-century poem.