A new ‘anti-biography’ rips apart the myth of Leonardo as a solitary genius

Stephen J. Campbell, a professor of art history at Johns Hopkins University, has published a new book titled *Leonardo da Vinci: An Untraceable Life*, which he frames as an "anti-biography." The book aims to dismantle the mythology surrounding Leonardo da Vinci, arguing that the fragmentary archival record has led to speculative and often outlandish theories that portray him as a solitary genius ahead of his time. Campbell repositions Leonardo within the artistic and intellectual context of late 15th- and early 16th-century Europe, critiquing how media, the art market, and popular culture have commercialized his legacy.

“Conspiracies” Aby Warburg Institute / London by Frank Wasser

The exhibition “Conspiracies” at the Warburg Institute in London, curated by Larne Abse Gogarty, brings together works by Hannah Black, Caspar Heinemann, Sam Keogh, and Shenece Oretha alongside panels from Aby Warburg’s Bilderatlas Mnemosyne. Through sculpture, drawing, collage, installation, and sound, the show resists the idea that conspiracy can be solved by exposure or critique, instead constructing unstable relations between historical images, speculative narratives, and material processes. Key works include Heinemann’s drawings reimagining Ted Kaczynski as “Theodora” and Keogh’s large-scale collage referencing medieval tapestries and surveillance systems.

The Space Between. Adam Patrick Grant by Michela Ceruti

Adam Patrick Grant’s artistic practice is rooted in a meticulous and devotional process of observation, transitioning from a background in film to a dedicated focus on oil painting over the last three years. Working from his London studio, Grant utilizes an extensive archive of personal sketches, photographs, and found imagery—such as anonymous postcards and family photos from markets—to capture fleeting moments of intimacy and the unspectacular everyday. His work is characterized by a rhythmic dialogue between the act of walking, the gathering of visual fragments, and the translation of these memories into tender, precise compositions.

Is the art world’s big summer break a thing of the past?

As the art market continues to experience softer demand for a third summer, galleries in the US and the Americas are rethinking the traditional August break. Dealers like Wendi Norris (San Francisco), Omayra Alvarado-Jensen (Instituto de Visión, Bogotá and Manhattan), Pali Kashi (Europa, New York), and Davida Nemeroff (Night Gallery, Los Angeles) describe varied approaches: some remain open to meet traveling collectors, others close for weeks to regroup, and many launch offsite pop-ups to maintain momentum. There is no industry consensus, with decisions shaped by geography, cultural heritage, and collector migration patterns.

MARILYN BOROR BOR, SEBA CALFUQUEO, JULIETH MORALES. PERFORMANCE Y DISIDENCIAS

On April 18, 2026, the performance cycle "Atravesar el lago" (Crossing the Lake) took place in open spaces of Casa del Lago UNAM in Chapultepec Park, curated by Adonay Bermúdez. Artists Marilyn Boror Bor, Seba Calfuqueo, and Julieth Morales activated performances that destabilize dominant knowledge frameworks and confront narratives imposed by colonial modernity. Boror Bor's "Lo que el cemento no puede cubrir" turned the body into a living archive summoning ancestral memories; Calfuqueo's "Guardo mis semillas para el futuro" opened fissures in imposed borders; and Morales's "Enchumbarnos: Cuerpo, Norma y Territorio. Ritual para dos cuerpos" configured a threshold of listening and transformation. The article includes a curatorial text fragment exploring water as a dissident force, drawing on Silvia Rivera Cusicanqui's thought.

An Italian Photographer Traveled to Palestine to Document the Growth of Two Bedouin Twins

Una fotografa italiana ha viaggiato in Palestina per documentare la crescita di due gemelle beduine

Italian photographer Monica Biancardi presents a nearly two-decade-long photographic project documenting the growth of two Bedouin twins, Sara and Sarah, in Palestine. The exhibition, titled 'Il capitale che cresce' (The Capital That Grows), opens at the MAN museum in Nuoro on April 24, 2026, and features black-and-white pigment prints from 2009 to 2023, alongside plexiglass maps and a travel video.

Dice Are 6,000 Years Older Than Previously Believed, Study Says

Archaeologist Robert J. Madden has published a groundbreaking study in the journal American Antiquity identifying over 600 prehistoric objects as two-sided dice. These artifacts, found across 57 sites in the American West, date back more than 12,000 years to the Late Pleistocene era. By applying criteria from historic Native American gaming traditions to these bone and wood fragments, Madden argues that dice-based games of chance existed 6,000 years earlier than previously recorded in the archaeological record.

New U of A gallery to host unseen work opening in 2027

The University of Alberta (U of A) is renovating the Telus Centre on its campus to create a new gallery space called The Kenneth and Sandra Wong Gallery, with an estimated opening in 2027. The gallery will display works from the university's 30 registered collections, which include art, scientific specimens, and historical artifacts, such as the Southern Inspection Scroll from the MacTaggart Art Collection—a 100-foot-long survey of the Grand Canal from 1770 that will be shown for the first time in Canada.

Les États-Unis restituent près de 300 biens culturels à l’Italie

Italy presented 337 cultural artifacts repatriated from the United States at the Caserma "La Marmora" in Rome, following operations between December 2025 and April 2026. The objects span from the 5th century BCE to the 3rd century CE, including Roman sculptures, bronze works, pottery, jewelry, coins, and architectural fragments. Among the notable pieces is a marble head attributed to Alexander the Great, stolen from a Roman museum in 1960, and a bronze sculpture looted from Herculaneum. The recovery involved the Manhattan District Attorney's office, the FBI, Homeland Security Investigations, and Christie's New York, with 221 items seized through the DA's collaboration and 116 returned in April.

In Venice you can adopt a magazine to support the periodicals library of the Querini Stampalia Foundation

A Venezia puoi adottare una rivista per sostenere l’emeroteca della Fondazione Querini Stampalia

The Fondazione Querini Stampalia in Venice has launched an initiative called 'Adotta una rivista' (Adopt a Magazine) to support its periodicals library (emeroteca). The campaign invites individuals to sponsor subscriptions to the approximately 200 Italian and international magazines the library receives annually, covering topics from art and architecture to politics and society. The goal is to double the number of donors and ensure the continuity of this dynamic resource for students, scholars, and readers.

Consequences of Being and the Process of Becoming.

Deborah Roberts’s solo exhibition, 'Consequences of Being,' at The FLAG Art Foundation showcases a significant evolution in her practice, featuring new large-scale paintings, works on paper, and her debut in ceramic sculpture. Her signature collage-based figures are presented as fragmented, composite bodies that challenge fixed notions of Black identity and subjecthood. By blending archival imagery with vernacular signage, Roberts explores how colonial legacies and historical narratives continue to influence the perception of Black bodies across the globe.

オノ・ヨーコ「A statue was here　一つの像がここにあった」@ 小山登美夫ギャラリー六本木／天王洲

Yoko Ono's solo exhibition "A statue was here" is being held simultaneously at Tomio Koyama Gallery's Roppongi and Tennozu spaces from June 10 to July 5, 2025. The show features conceptual objects and participatory works spanning Ono's career, including early pieces like *Mind Object I* (1960/1966) and *Mind Object II* (1966/1967), as well as *Mend Piece* using porcelain fragments damaged in the Noto Peninsula earthquake, and the debut of *Three Lives* (2019). The Roppongi space focuses on conceptual objects, while Tennozu emphasizes audience participation and performance.

Forest Tales: Lélia Demoisy's exhibition at Domaine de Chamarande

Lélia Demoisy presents 'Forest Stories' (Récits de forêts), a solo contemporary art exhibition at the Domaine départemental de Chamarande in Essonne, France, from May 10 to August 30, 2026. The exhibition features sculptures and installations across the orangery, park, and domain spaces, using materials such as wood, fibers, organic fragments, hides, charcoal, and animal tracks to explore the forest as a living network of relations, traces, and transformations. Key works include 'Laissés sur la rive', 'Le Foyer', 'Les chairs froides', 'Cedrus deodara – Forêts futures', and 'Créature'.

Al Museo Egizio di Torino ora c’è un centro di ricerca per studiare la scrittura dell’Antico Egitto attraverso tremila anni di storia

The Museo Egizio di Torino has launched ME-Scripta, a new research center dedicated to the study, restoration, and digitization of ancient Egyptian written sources, including papyri, ostraca, and Coptic bindings. Funded by a €3 million grant from the Fondazione CRT, the center will operate under the direction of Susanne Töpfer and employ a dedicated team of curators, collaborators, a data manager, and an apprentice. ME-Scripta will pursue three major projects: reassembling and studying papyri from Assiut and Gebelein, analyzing ostraca, and restoring 17 Coptic bindings, with a goal of launching an integrated digital platform by 2034.

Student-curated exhibition to explore ‘The Shape of Being’ at Washington Gallery

A student-curated exhibition titled 'The Shape of Being' opens Friday at Washington Gallery in Waco, Texas. Organized by Baylor University senior Aleah Burns, the show features work from five female Baylor student artists, each contributing three pieces plus a collaborative installation centered on hands. The exhibition focuses on figurative painting, exploring themes of identity, memory, human connection, and technology-mediated relationships. Featured works include Kate Swayze's 'Left Unsaid,' which uses layered materials like reused painting rags, and Burns' own 'Unstable Connection,' depicting fragmented figures embracing through screens.

Suman Dey’s new solo in Kolkata gives form to the abstract notions around us

Artist Suman Dey presents his second solo exhibition, titled *Chance, Remains of Another Time*, at Emami Art in Kolkata. The show features large-scale works on wood and other materials that explore abstract notions of memory, time, and nature through fragmented forms, textures, and narrative. Key pieces include a series of frames capturing everyday surface textures and a work titled *Journey* that uses boat shapes to depict transformation. The exhibition runs until May 9.

Exhibition | Dini Nur Aghnia, 'What Gathers, What Holds' at Gajah Gallery, Yogyakarta, Indonesia

Indonesian artist Dini Nur Aghnia presents her solo exhibition 'What Gathers, What Holds' at Gajah Gallery in Yogyakarta, opening April 25, 2026. The exhibition features a new body of work exploring landscape through layered compositions of clay, resin, and patchwork textiles, moving away from a totalized vista to focus on fragments and accumulative change.

Dual Exhibitions at Emami Art Kolkata Explore Memory, Materiality, and City Life

Emami Art in Kolkata is set to launch two concurrent exhibitions on March 20, 2026, titled "Nothing Twice" and "Chance Remains of Another Time." "Nothing Twice," a group show curated by Ushmita Sahu, features nine emerging women artists exploring themes of impermanence and domesticity through diverse media including textiles, ceramics, and video. Running alongside it is a solo presentation by Kolkata-based artist Suman Dey, whose new polyptych works utilize abstract fragments to mirror the complexities and decay of contemporary urban life.

Illuminating strength, poetry of African womanhood in Olamilekan’s Bloom & Essence

Nigerian contemporary artist Okunade Olamilekan has opened his debut solo exhibition, "Bloom & Essence," at the British Council in Lagos. Curated by Paul Ayihawu, the show celebrates the resilience, dignity, and evolving identity of African women through portraits that blend African heritage with classical elegance. Standout works include the two-part painting "The One Who Paints Her Future I & II," which addresses education and aspiration. Olamilekan employs a distinctive pixel technique and bold color grids to fragment forms, inviting viewers to reflect on identity and cultural memory.

David Krut Projects showcases artist’s latest exhibition | Rosebank Killarney Gazette

Artist Pebofatso Mokoena opened his latest exhibition, "Diamond Dust Apostrophes," at The Blue House in Parkwood on July 19, hosted by David Krut Projects. The show draws on his recent residency in Oranjemund, Namibia, where the landscape, history, and soundscapes influenced his creative direction. During the residency, Mokoena began creating ink drawings on A4 paper while waiting for oil paints, a limitation that shaped the exhibition's meditative tone. He also collaborated with fellow resident Ericke Tjiueza, using music—particularly the album "Floating Points" by Pharoah Sanders and the London Symphony Orchestra—as a tool to understand the town. The exhibition marks a shift from his 2020 solo show "Internal Probes," which focused on Johannesburg's urban chaos, toward stillness and reflection.

A quartet of key art market players join forces to form ‘super group’ consultancy

Four prominent art market figures—Ed Dolman, Brett Gorvy, Patti Wong, and Phillip Hoffman—have launched a new consultancy called New Perspectives Art Partners. The group, which also includes Dolman's son Alex, aims to provide a white-glove, case-by-case service for top-tier clients, covering buying and selling art, estate management, financing, and insurance. Each member brings specialized expertise and geographic reach across Europe, America, the Middle East, and Asia, and they will maintain their existing roles in their own businesses.

Juancho Cano Shares Heritage Through Art Exhibition ‘FRAGMENTARIO’

Colombian artist and musician Juancho Cano presents his exhibition “FRAGMENTARIO: Visions in Pieces” at Athentic Brewing Co. in Athens, Georgia. The show features two sets of paintings: one created in Colombia and the other after his move to the United States three years ago. The works draw heavily on the heritage and culture of Pasto, Colombia, including imagery from the annual Carnaval de Negros y Blancos, such as the Andean devil figure. Cano also plans a multimedia event on June 7 incorporating music, stage art, and video, with contributions from his band BAMBARABANDA and colleagues.

Archaeologists Discover 19th-Century Shipwreck in Copenhagen Harbor

Marine archaeologists from Denmark's Viking Ship Museum have discovered the wreck of the 18th-century Danish warship Dannebroge in Copenhagen harbor. The ship was destroyed during the Battle of Copenhagen in 1801, when the British fleet under Admiral Horatio Nelson attacked to dismantle the League of Armed Neutrality. Divers have recovered cannons, uniform fragments, bottles, and sailors' remains from the site.

pompeii hercules fresco location 2730508

Archaeologists have identified the original location of a looted fresco fragment from Pompeii that was repatriated from the U.S. to Italy in 2023. The fragment, depicting baby Hercules wrestling a snake, was found to have once decorated the upper lunette of a private chapel (sacellum) at the ancient villa of Civita Giuliana. The discovery was made during excavations in 2023 and 2024, and the fragment will be exhibited at the Antiquarium of Boscoreale from mid-January.

remnants enaissance equestrian statue french dig 2662751

Archaeologists from INRAP (the National Institute of Preventive Archaeological Research) have unearthed a Renaissance-era limestone equestrian statue in Toul, northeastern France. The statue, broken into 27 pieces, was found buried under a roadway among the remains of a medieval gate demolished around 1700. The largest fragment measures about three-and-a-half feet, and the intact work would have stood over five feet high. The horse's trunk and head are preserved, along with the rider's hips and upper thighs, but the rider's head and limbs are missing, making identification uncertain. INRAP suggests the rider may have been Henry II, King of France, or more likely John III of Lorraine, Cardinal of Lorraine and Bishop of Toul, and that Italian artists may have been involved in its creation.

viking gold metal detectorist declared treasure 2652917

Ronald Clucas, a metal detectorist with 50 years of experience on the Isle of Man, discovered an intricately plaited gold fragment identified as a Viking arm-ring from roughly 1,000 years ago. The artifact, found folded and measuring 1.5 inches, was declared treasure by the Isle of Man Deputy Coroner of Inquests on May 29 and is now displayed at the Manx Museum's Viking gallery. Archaeologist Allison Fox noted cut points indicating the arm-ring was portioned for use as currency, reflecting the Viking dual economy of coins and bullion.

Vhils: the street artist presents his exhibition “L'interstice” at the Danysz Gallery in Paris

Portuguese street artist Vhils, also known as Alexandre Farto, presents his latest solo exhibition titled "L'interstice" at the Danysz Gallery in Paris from May 22 to June 20, 2026. The exhibition features works crafted from materials sourced in the capital, including fragmentary posters, metal structures from political billboards, subway doors, and ceramic tiles, exploring Paris as a "fragmented experience" centered on public transport and daily transitions.

Pictures: Emma Lamb opens Dartmoor-inspired 3D art exhibition near Ivybridge

Emma Lamb, a South Devon-based 3D mixed-media artist, has opened a new exhibition titled *Long Live the Wilderness Yet* at Lukesland Gardens near Ivybridge. The show features two of her major series, *Reviving Mires* and *Fragmented Forest*, both inspired by Dartmoor’s fragile ecosystems. Lamb uses handmade paper, natural fibers, pigments, and experimental techniques such as inks made from air pollution to create works that explore peatlands and temperate rainforests. The exhibition runs until early June, and Lamb will also host a workshop in June teaching participants to create collages using natural materials.

Angela de la Cruz Breaks the Frame

The art world is witnessing a significant shift toward the 'one-work exhibition,' a format that rejects the traditional gallery model of high-volume displays in favor of singular, immersive encounters. By isolating a single masterpiece or installation, institutions are encouraging 'slow looking' and recasting the act of viewing as a deliberate spatial experience. This trend serves as a direct response to the digital age's relentless pace and the overwhelming 'glut' of contemporary visual culture.

Dive into the works of artist Badri Narayan and the Vitrum Studio at this art exhibition in Mumbai

Curator Puja Vaish discovered ceramic works by artist Vijoo Sadwelkar in the Jehangir Nicholson Art Foundation's collection, leading her to Haresh Mehta, who preserved original works from the Vitrum studio. This resulted in the exhibition "A Glazed History: Badri Narayan & the Vitrum Studio" at the JNAF Gallery at CSMVS Museum in Mumbai, the first retrospective of the studio that operated from the 1950s to the 1970s. Vitrum, founded by emigre glass expert Simon Lifschutz and his wife Hanna, blended art, craft, and design by having artists create hand-painted ceramic tiles and Venetian glass mosaics for everyday homes.