Andrew Durbin reviews national pavilions at a major biennial, contrasting a vacuous US presentation with incisive and moving installations from Britain and Germany. The review critiques the lack of meaningful content in the US pavilion while praising the depth and emotional resonance of the British and German contributions.
Frieze critic Andrew Durbin reviews national pavilions at an unnamed biennial, contrasting a vacuous US presentation with incisive and moving installations from Britain and Germany. The US pavilion is criticized for lacking meaning, while the British and German pavilions feature incisive and moving works, including a defiant rave and provocative content like porta-potties and porn.
Johannesburg-based artist Nyakallo Maleke presents her solo exhibition, 'A Soft Language of Distance,' at Bode in Berlin. The show features an expanded practice of drawing that incorporates textiles, wax paper, and intricate stitching to explore themes of movement, memory, and spatial experience. Maleke, who was recently named the recipient of the 2025 Standard Bank Young Artist Award, utilizes these unconventional materials to create a tactile vocabulary that bridges the gap between intimate gesture and architectural form.
Gabrielle Goliath’s exhibition "Elegy" is presented as South Africa’s unofficial pavilion at the 61st Venice Biennale, after the country’s Culture Minister Gayton McKenzie overrode an independent committee’s selection of Goliath, citing her proposed inclusion of a memorial for Palestinians killed in Gaza. The installation features three video works in which singers sound a single note in tribute to victims of violence: a South African femicide victim, two women killed in Germany’s colonial genocide in Namibia, and Palestinian poet Heba Abunada. The show occupies the Chiesa di Sant'Antonin in Venice, curated with Ingrid Masondo, after a legal challenge against McKenzie was dismissed.
The German government has established a new council, the Coordination Council for Returns of Cultural Property and Human Remains from Colonial Contexts, to oversee the restitution of artifacts acquired during the colonial era. The council will include representatives from federal, state, and municipal authorities and is intended to provide a structured, national approach to handling these complex returns.
An exhibition titled 'ART FROM WAR TO WAR: CHASING BUTTERFLIES OVER THE VERGE OF A CLIFF' is on view at Beck & Eggeling International Fine Art in Düsseldorf, Germany, from 28 May to 15 August 2026. Curated by Antonio Geusa and Kay Heymer, the show features selected works from the Valeria Rodnianski collection, spanning artists from Germany and the Soviet/post-Soviet space. It is structured around two historical turning points—the construction of the Berlin Wall in 1961 and Russia's full-scale invasion of Ukraine in 2022—and organized into three thematic sections: Topos, Anthropos, and Logos, exploring place, human experience, and language.
The Netherlands has signed an agreement to return 119 Benin Bronzes to Nigeria, one of the largest repatriations of looted artifacts to date. The transfer, formalized on February 19 by Dutch culture minister Eppo Bruins and Nigerian official Olugbile Holloway at the Wereldmuseum in Leiden, includes 113 bronzes from the Dutch National Collection held at the museum and six additional objects from the municipality of Rotterdam. The artifacts were plundered by British forces in 1897 and later acquired by Dutch institutions, with provenance research confirming the museums were aware of their looted origins.
Carla Acevedo-Yates has curated "Dancing the Revolution: From Dancehall to Reggaetón," a major exhibition at the Museum of Contemporary Art Chicago, which will be her final show before departing for a role on the Documenta 16 team in Germany. The exhibition, which occupies the museum's entire fourth floor through September 20, features over 40 artists and explores the social and political histories of Caribbean music genres.
The Wilkes Art Gallery in North Wilkesboro, North Carolina, is hosting a career-spanning exhibition titled “From Reality to Realism, A Lifetime Perspective,” featuring the works of veteran artist Ward Nichols. The opening reception on April 17 will include a jazz performance and an indoor/outdoor celebration that involves the closure of Ward Nichols Way, a street recently renamed in the artist's honor.
The German Art Gallery (GAG), a Dutch-run gallery specializing in art once owned by Nazi leaders including Adolf Hitler, has sparked controversy by advertising on Truth Social, the right-wing platform founded by Donald Trump. The gallery’s founder, who uses the pseudonym Marius Martens, defends the move as a cost-effective way to reach a broad American audience, including conservatives, and denies any ties to neo-Nazi ideology. Critics, including a Truth Social user who alerted The Art Newspaper, argue the ads—taglined “Art of the German Elite, 1933-1945”—appear to celebrate Nazism. Curator and historian Gregory Maertz notes that while the GAG holds one of the most complete private collections of Third Reich art, the rising market for such works may reflect a global revival of right-wing sentiment.
The Kimbell Art Museum in Fort Worth has announced two major exhibitions for 2026. From March 15 to June 28, the museum will host "The Holy Sepulcher: Treasures from the Terra Sancta Museum, Jerusalem," featuring over 60 silver, gold, and bejeweled objects gifted by Holy Roman Emperors and European monarchs to the Church of the Holy Sepulcher. In the fall, from October 4, 2026, to January 17, 2027, the Kimbell will present "Photography's First Century: Masterworks from the Bibliothèque nationale de France," its first-ever photography exhibition, showcasing more than 150 early images from pioneers like Henri Le Secq, Gustave Le Gray, and Félix Tournachon.
Documenta has announced the first all-woman curatorial team for its 16th edition, set to take place in Kassel, Germany, from June 12 to September 19, 2027. Artistic director Naomi Beckwith, deputy director and chief curator of the Solomon R. Guggenheim Museum, selected four curators—Carla Acevedo-Yates, Romi Crawford, Mayra A. Rodríguez Castro, and Xiaoyu Weng—to develop the exhibition, publications, and programming. Each curator brings distinct expertise: Acevedo-Yates focuses on diaspora and cultural production; Crawford on race and American visual culture; Rodríguez Castro on writing and editing; and Weng on globalization, feminism, and decolonization.
Sotheby's has announced that its new headquarters in the iconic Breuer Building at 945 Madison Avenue will open on November 8. Originally designed by Marcel Breuer for the Whitney Museum of American Art in 1966, the building later housed the Met Breuer and the Frick Collection during its renovation. Sotheby's purchased the Brutalist landmark from the Whitney two years ago and has renovated it with Pritzker Prize-winning architects Herzog & de Meuron and PBDW Architects, adding auction rooms and state-of-the-art gallery spaces while preserving original features like bluestone floors and concrete walls. The opening will coincide with a major modern and contemporary art exhibition, followed by fall marquee sales the week of November 17.
The Musée d’Orsay in Paris has opened a new room in its permanent display featuring 13 artworks recovered from Germany and Austria after World War II, whose provenance remains unknown. The museum is inviting visitors to help identify the original owners of these pieces, which were looted or displaced during the war and later restituted to France.
The Salzburger Kunstverein and ArtReview have announced the four writers selected for their 2026 Writer-in-Residence Programme. The winners—Hana Elhaddad, Sharmilla Ganesan, Olga Hohmann, and Eshwari—were chosen from a large pool of applicants for their distinctive voices and engagement with the conceptual theme 'CAPTCHA Realism'.
ArtReview has released its 2025 Power 100 list, ranking the most influential figures in the art world over the past year. Artists dominate the top ten, with Ghanaian artist Ibrahim Mahama taking the first place for using his art profits to build institutions and community spaces in Tamale. Other top artists include Wael Shawky, Ho Tzu Nyen, Amy Sherald, Kerry James Marshall, Forensic Architecture, and Wolfgang Tillmans. Gulf royalty also feature prominently: Sheikha Al-Mayassa bint Hamad bin Khalifa Al-Thani of Qatar ranks second, and Sheikha Hoor Al Qasimi of Sharjah ranks third, reflecting the region's growing art-world influence. The list also includes academic Saidiya Hartman as a "thinker" in eighth place.
Italian lawmakers have approved a reduction of VAT on art sales from 22% to 5%, the lowest rate in the European Union. The decision, announced by culture minister Alessandro Giuli after a cabinet meeting on June 20, is expected to take effect this week. The reform follows intense lobbying by art market groups and a letter signed by 500 art world figures, including artists Maurizio Cattelan and Michelangelo Pistoletto, who warned the high rate was turning Italy into a "cultural desert." The tax cut must be passed by parliament within 60 days to remain in force, and may also apply to import VAT, potentially making Italy the most competitive art market in Europe from a tax standpoint.
The Walters Art Museum in Baltimore has opened "If Books Could Kill," an exhibition exploring the toxic history of medieval manuscripts. The show reveals how pigments like white lead, red mercury, and arsenic were commonly used by scribes, artists, and bookbinders, exposing them to serious health risks. Co-curated by Dr. Lynley Anne Herbert and Dr. Annette S. Ortiz Miranda, the exhibition features 24 rarely displayed manuscripts from the museum's collection, including a Thai treatise on elephants with arsenic-based yellows and a 15th-century Armenian Gospel with vermillion pigments. It also includes a conservator-led video demonstrating how portable X-ray fluorescence (pXRF) is used to identify toxic materials.
Quella del 2026 è una Biennale di Venezia leggera e consapevole
The 2026 Venice Biennale, titled "In Minor Keys" and curated by the late Koyo Kouoh, has opened with a focus on ecology and humanity's relationship with nature. The central pavilion at the Giardini presents a festive, craft-heavy exhibition that emphasizes connections with plants and animals, while the Arsenale offers a more spacious, symphonic experience featuring standout works such as Alfredo Jaar's "End of the World" (2023-2024) and Kader Attia's "Whisper of Traces" (2026). National pavilions, including those of Austria, Denmark, France, Germany, and Spain, explore themes of the body, memory, and ruin with notable installations.
The Kelterborn Collection, a German private collection focused on video art and experimental installations, will be exhibited in Italy for the first time at Venice's Contemporary Forces platform from May 7 to September 27, 2026. The exhibition, titled "Who’s a good boy??," is curated by Anastasia Stravinsky and Mario von Kelterborn in collaboration with IKT – International Association of Curators of Contemporary Art, and features works by twelve artists including Joseph Beuys, Gary Hill, Laure Prouvost, and Ulay. The show aligns with the theme of the 61st Venice Biennale, exploring power "in minor keys."
Knust Kunz Gallery Editions in Munich, Germany, will host 'Cunningham Capsule,' an exhibition running from 15 May to 6 Jun 2026. The gallery, founded in 1982 as Galerie Sabine Knust, has a long history of collaborating with major artists such as Georg Baselitz, Per Kirkeby, A.R. Penck, Markus Lüpertz, Jörg Immendorff, and Imi Knoebel, focusing on their print and graphic works. Matthias Kunz joined as a partner in 1998.
Contemporary Fine Arts in Berlin is presenting 'Had a Farm', a solo exhibition by New Zealand-born artist Travis MacDonald, opening during Gallery Weekend Berlin 2026. The show features new paintings that explore countercultural aesthetics through long-haired, androgynous figures set in a rural-subcultural landscape, drawing on photographic archives of 1970s experimental communes and referencing Pier Paolo Pasolini's essay on hair as a political sign.
Esther Schipper Berlin presents 'Hyperarousal', Celeste Rapone's first exhibition with the gallery, featuring three new paintings that explore the intersection of sensuous stimulation and nervous tension. The works depict female protagonists in narratively dense, ambiguous scenes that allegorize millennial angst, using techniques like alla prima painting and color-based formal constraints. Key pieces include 'While Waiting' (2025), showing a figure with pepper spray and a digital camera, and 'Den' (2026), where intertwined figures follow a self-defense tutorial on an iPad.
Luxembourg’s Culture Minister, Éric Thill, is defending the country’s €540,000 budget for the upcoming 61st Venice Biennale following criticism from the right-wing Alternative Democratic Reform Party (ADR). Lawmakers questioned the high cost and the provocative nature of artist Aline Bouvy’s project, "La Merde," a feminist commentary centered on a personification of excrement. Critics argued the expenditure is unjustifiable given current social challenges and compared it unfavorably to the smaller budget of the national cultural observatory.
Bulgarian authorities, with support from Europol, arrested 35 individuals and conducted 131 searches across Bulgaria, seizing over 3,000 cultural artifacts valued at more than €100 million. The operation targeted a criminal network trafficking artifacts from Thracian and Greco-Roman civilizations across Europe, with connections to illegal excavations in Bulgaria and the Balkans. The investigation, which began after a 2020 house raid that uncovered 7,000 artifacts, involved law enforcement from Albania, France, Germany, Greece, Italy, and the UK, and was coordinated from Sofia and Eurojust in The Hague.
RM Sotheby's is hosting an online auction titled "The Champions – Schumacher and F1 Legends" from July 24 to 30, featuring 280 lots of Formula 1 memorabilia. Highlights include a Cartier Automatic watch gifted by Enzo Ferrari to Fiat executive Gianni Agnelli in 1988, estimated at €10,000–€20,000, and over 150 lots related to Michael Schumacher, such as racing suits, helmets, and boots from his career. Other notable items include watches presented to Jean Todt and Michael Schumacher, as well as memorabilia from drivers like Lewis Hamilton, Ayrton Senna, and Fernando Alonso. A selection of 35 lots will be displayed at the Concours of Elegance in Tegernsee, Germany.
Germany's culture minister Monika Grütters has released a 130-page code of conduct for museums, titled "Guide to Dealing With Collection Goods From Colonial Contexts," which outlines methods for identifying and confronting colonial-era artifacts in German collections. The guidelines, published by the German Association of Museums, include best practices for provenance research, a list of former and current colonies, and alternatives to full restitution such as long-term loans and joint custody agreements. The release coincides with the Prussian Cultural Heritage Foundation's official ceremony returning nine artifacts to Indigenous Alaskan communities, and follows increased pressure from public outcry over the Humboldt Forum and similar restitution efforts by French president Emmanuel Macron.
Researchers from Otto-von-Guericke University in Magdeburg, Germany, and the Saxony-Anhalt-State Museum of Prehistory, in collaboration with engineering firm DeltaSigma Analytics and coppersmith Herbert Bauer, have successfully replicated the manufacturing process of the Nebra Sky Disk, a 3,600-year-old bronze artifact depicting the cosmos. By analyzing a small sample of the disk using advanced techniques like energy dispersive X-ray spectroscopy and electron backscatter diffraction, the team determined the disk was cast and then forged at least 10 times through repeated heating and hammering. Bauer replicated this by annealing a similar metal mixture 55 times, revealing that the disk's microstructure matches a stage after 10 forging cycles, not the final 55, indicating the original preform was thinner and wider than assumed.
Archaeologists and volunteers in Haldensleben, Germany, have reconstructed the Küsterberg megalithic tomb, a Neolithic burial chamber dating back roughly 5,500 years. The project, based on excavations by the German Research Foundation between 2010 and 2013, involved reassembling 19 upright stones and seven capstones, restoring the tomb's original form after it was altered by Iron Age peoples and damaged over millennia. The restored tomb was unveiled on the European Day of Megalithic Culture in April.
GRACIELA ITURBIDE: OJOS PARA VOLAR
The C/O Berlin gallery is presenting "Eyes to Fly With (Ojos para volar)," the first major retrospective in Germany of renowned Mexican photographer Graciela Iturbide. The exhibition, curated by Sophia Greiff and Melissa Harris in close collaboration with Iturbide, runs from February 7 to June 10 and features her iconic works like "Nuestra Señora de las Iguanas" alongside lesser-known series on fashion, the cholo community in Los Angeles, and her travels in India and Bangladesh.