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art perrotin gabriel de la mora interview

Artist Gabriel de la Mora, now 57, reflects on how his childhood dyslexia and autism shaped his artistic practice in an interview tied to his latest exhibition "Repeated Original" at Perrotin in New York, on view through April 11. The show features meticulous geometric works made from fragmented eggshells and curved reflective glass, with each piece titled after the exact number of fragments used. De la Mora sources eggshells from Mexico City restaurants and churches that serve free meals, and he recently closed a major career survey at Museo Jumex, where he led 79 guided tours over six months, including for deaf children.

bad bunny backlash artifact mexico museum 1234768524

Bad Bunny, the Puerto Rican musician, touched a Mayan stela on display at the National Museum of Anthropology in Mexico City and posted an image of the act on Instagram. Mexico’s National Institute of Anthropology and History (INAH) publicly reprimanded him, stating that physical contact with archaeological property is prohibited and that security staff had repeatedly warned him. The post has since been deleted.

mrbeasts ancient mexico temple stunt followed the rules but 1234742255

YouTube megastar MrBeast (James Donaldson) released a video titled "I Survived 100 Hours in an Ancient Temple" on May 10, amassing over 55 million views in four days. Mexico's National Institute of Anthropology and History (INAH) confirmed that the production had full permission from federal and state authorities to film at Mayan archaeological sites including Chichén Itzá, Calakmul, and Balamcanché, and that all shoots occurred in public areas without disrupting other visitors. However, INAH also pointed out several inaccuracies in the final cut: no drones were flown inside El Castillo, no helicopter descents occurred, no one spent the night at a site, and a funerary mask shown in the video was a contemporary reproduction, not an authentic artifact.

THREE PERUVIAN GALLERIES AT PINTA LIMA 2026 A DIALOGUE BETWEEN THE LOCAL AND THE GLOBAL

Three prominent Peruvian galleries—Galería Enlace, Forum, and Livia Benavides—are presenting curated selections of artists at the Pinta Lima 2026 art fair. Their proposals blend emerging and established artists from Peru and abroad, working across painting, sculpture, installation, and new media, to foster a dialogue between local traditions and global contemporary practices.

'Rooted Strong' exhibition at New Mexico Museum of Art explores visions of America from New Mexico

The New Mexico Museum of Art has launched "Rooted Strong: Visions of America from New Mexico," an exhibition timed to coincide with the United States semiquincentennial in 2026. Co-curated by Alexandra Terry and Katie Doyle, the show features 86 objects primarily drawn from the museum’s permanent collection, supplemented by key loans. The exhibition is organized into four thematic sections—Community, Land, Domestic Life, and Celebration—and exclusively features artists who have lived in the state for at least a decade, including figures like Nikesha Breeze, Sabra Moore, and Luis Tapia.

Exhibition 'The House of Pikachu: Art, Anime, and Pop Culture' Opens October 17 at Asia Society Texas

Asia Society Texas (AST) in Houston announces its upcoming exhibition 'The House of Pikachu: Art, Anime, and Pop Culture,' opening October 17, 2025 and running through March 15, 2026. The show features 25 artists from Japan, Brazil, China, Mexico, Côte d'Ivoire, Texas, and beyond, exploring the influence of Japanese animation on contemporary art. Highlights include works by Yoshitaka Amano, Houston-based artist Gao Hang, and Monsieur Zohore, who is creating a new monumental painting titled 'Houston, We Have A Problem (2025)' that depicts a melee of postwar anime characters. The exhibition includes playful nods to classics like Astro Boy, Dragon Ball, Sailor Moon, and an immersive homage to Pikachu.

The House of Pikachu: Art, Anime, and Pop Culture

Asia Society Texas (AST) in Houston announces its upcoming exhibition "The House of Pikachu: Art, Anime, and Pop Culture," opening October 17, 2025, and running through March 15, 2026. The show features 25 artists from Japan, Brazil, China, Mexico, Côte d'Ivoire, Texas, and beyond, exploring the influence of Japanese animation on contemporary art. Highlights include works by Yoshitaka Amano, Gao Hang, and Monsieur Zohore, with nods to classics like Astro Boy, Dragon Ball, Sailor Moon, and an immersive homage to Pikachu.

Mexico City: El Desagüe by Luis Ortega Govela

Francis Alÿs’s 1997 performance piece, *Paradox of Praxis I*, serves as a starting point for an exploration of Mexico City’s violent hydrological transformation. By pushing a block of ice through the streets until it evaporates, Alÿs retraces the vanished canals of Tenochtitlán, the Aztec capital that was systematically drained by Spanish colonizers to establish a terrestrial, European-style urban grid.

Linocuts by Eduardo Robledo Celebrate Mexican Heritage and Community

Eduardo Robledo, a Mexico City-based artist from Xochimilco, creates detailed linocuts that celebrate Mexican heritage, community, and spiritual motifs. His work features traditional symbols like skulls, skeletons, and Sacred Hearts alongside regional animals and cultural references such as Xochimilco's canal boats. Robledo also engages in social activism through printmaking, viewing it as a democratic medium for spreading messages about causes he supports. His prints are available at Hecho a Mano in Santa Fe, and he co-founded Lugar de Huida, a gallery in Mexico City that highlights Mexican printmakers.

What We Saw at Buffalo Prescott’s 'Vernal 2026'

Buffalo Prescott’s Detroit headquarters is hosting 'Vernal 2026,' a spring-inspired contemporary arts exhibition running through June 27, with a public opening on May 22. The exhibition features works by resident artists including Jessica Wildman Katz, Halima Afi Cassells, Cyrah Dardas, Sara Nickleson, and Tony Printz, alongside metro Detroit and international artists. Highlights include Katz's botanical rabbit sculpture 'Kindling,' Cristina Umaña's whimsical 'Mesa De Centro' (a stack of white tables with human-like limbs), and Amelia Burns's photographic diptych 'Evil Eye' and 'Evil Eye Transmuted onto Organza, 2026,' which explores contemporary American culture through collage.

Fifteen must-see design events during Mexico City art week 2026

Mexico City's annual art week, anchored by the Zona Maco fair, is expanding its focus to include a significant design component in 2026. The event features 15 highlighted design-focused exhibitions and installations, including site-specific shows in modernist houses, a dedicated collectible design category at Zona Maco, and exhibitions by international names like Lee Broom and Lanza Atelier.

9 Up-And-Coming Gallerists Chart the Path To—and Beyond—Showing at Art Basel Miami Beach

Nine emerging galleries from around the world are showing in the Positions sector of Art Basel Miami Beach 2025, a dedicated platform for up-and-coming exhibitors. The article profiles several of these gallerists, including Allann Seabra and Ian Duarte of Verve in São Paulo, and Mauricio Aguirre of N.A.S.A.L. in Mexico City and Guayaquil. They discuss their gallery's growth, key milestones such as artists participating in the 36th Bienal de São Paulo, and their hopes for gaining international exposure and deepening understanding of their local art scenes.

During Guadalajara Art Week, exhibitions and fairs raise city’s profile

During the fourth annual Guadalajara Art Week, held in late September 2025, Mexico's art world converged on the city for five days of fairs, exhibitions, public programs, and studio tours. Key events included Estación Material, a boutique fair launched by Material Fair director Brett Schultz, where galleries presented single-artist installations; a performance art showcase by Salón Acme's Estudio Acme program; and a new edgy fair called Temporal, held in a dilapidated downtown building. Standout artists included Sebastián Hidalgo (showing with Saenger Galería) and Othiana Roffiel (with Galería Karen Huber). The week also featured exhibitions in distinctive venues such as a 1940s garment factory, a 19th-century cemetery, and Casa Cristo, an early work by architect Luis Barragán.

US Border Wall Construction Damages 1,000-Year-Old Indigenous Land Art in Arizona

Construction crews building a barrier between the United States and Mexico have damaged a 200-foot-long etching of a fish embedded in the land in Arizona, known as the Las Playas Intaglio, which is thought to be 1,000 years old. According to a report in the Washington Post, workers destroyed a 60-to-70-foot portion of the ancient Indigenous land art as part of President Donald Trump’s $46.5 billion border-wall project. Satellite imagery confirmed the destruction, showing bulldozer marks running through about a third of the fish formation. U.S. Customs and Border Protection acknowledged the incident, stating that a contractor inadvertently disturbed the cultural site on April 23, 2026, and that the remaining portion has been secured.

Native Americans Played Dice Games Far Earlier Than Previously Known, Study Shows

A groundbreaking study from Colorado State University reveals that Native Americans in the western Great Plains were using dice for gaming over 12,000 years ago. Researcher Robert J. Madden identified two-sided dice made of bone or wood from archaeological sites in Wyoming, Colorado, and New Mexico, pushing the known history of games of chance back significantly further than previously recorded.

france mexico celebrate 200th anniversary pre hispanic manuscripts 1234768914

In May 2025, French President Emmanuel Macron visited Mexico City for his first official trip to Mexico, where President Claudia Sheinbaum announced a temporary exchange of two pre-Hispanic codices. The Codex Azcatitlán, held at the Bibliothèque Nationale de France in Paris, will travel to Mexico City, while the Codex Boturini, housed at Mexico's Biblioteca Nacional de Antropología e Historia, will go to Paris. Both illustrated manuscripts, rarely displayed due to conservation concerns, recount the Aztecs' migration to Tenochtitlan. The exchange comes amid ongoing Mexican efforts to repatriate Mesoamerican codices from European collections, including the Codex Borgia and Codex Vaticanus in the Vatican and the Codex Borbonicus in France.

1,000-year-old archaeological site bulldozed during construction of Mexico-US border wall

On 24 April, a Department of Homeland Security contractor bulldozed a 1,000-year-old intaglio—a 280ft by 50ft etching in the desert sand—during construction of the US-Mexico border wall in Arizona's Cabeza Prieta National Wildlife Refuge. The site, sacred to local Indigenous communities including the Hia-Ced O’odham, was part of a UNESCO biosphere and contained over 3,000 petroglyphs. Despite warnings from tribal members and refuge staff, the contractor destroyed a 70ft stretch of the fish-shaped intaglio, which elders and archaeologists describe as an irreplaceable cultural and archaeological treasure.

Petroglyphs and cave paintings, some more than 4,000 years old, discovered in Mexico

Archaeologists from Mexico’s Instituto Nacional de Antropología e Historia (INAH) have identified 16 petroglyphs and cave paintings near the Tula River in Hidalgo. The artworks span over 4,000 years, ranging from prehistoric times through the Mesoamerican Postclassic period and into the early colonial era. The discovery, which includes depictions of the rain god Tláloc and various anthropomorphic figures, was made during archaeological salvage work for a new passenger rail line connecting Mexico City and Querétaro.

Native Americans created dice more than 12,000 years ago, study finds

Archaeological research from Colorado State University has identified the world's oldest known dice, created by Native American hunter-gatherers on the western Great Plains over 12,000 years ago. These two-sided "binary lots," found at Folsom-period sites in Wyoming, Colorado, and New Mexico, predate the earliest known Old World dice by more than 6,000 years. The study reclassifies artifacts previously overlooked or misidentified, highlighting that these objects were the only decorated, non-utilitarian items found at these late-Pleistocene sites.

lower pecos cave paintings radiocarbon date 2723015

Three Texas-based researchers have successfully radiocarbon dated ancient cave paintings in the Lower Pecos Canyonlands along the Rio Grande border between Mexico and West Texas, using a novel combination of technologies. By dating the deer bone marrow used as a paint binder—rather than the mineral pigments themselves—and employing plasma oxidation to extract carbon, the team analyzed 53 figures across 12 sites. Their findings, published in *Science Advances*, reveal that individual murals were created in single painting events, not accumulated over centuries, and that the paintings span four millennia, from about 5,760 to 1,035 years ago.

mrbeast mexico ancient mayan sites outrage 2646169

Mexico’s National Institute of Anthropology and History (INAH) has filed an administrative lawsuit against the production company of YouTuber MrBeast (James Donaldson) over a video titled “I Explored 2000 Year Old Ancient Temples,” uploaded on May 10, 2025. The video shows MrBeast and his companions exploring Mayan sites in Yucatán, including Chichén Itzá, Calakmul, and Balamcanché, and features a scene where he promotes his snack brand Feastables as “the only Mayan-approved snack on the planet.” INAH alleges that the permit granted to Full Circle Media did not authorize commercial advertising or false information, and it demands compensation and a public retraction. The controversy escalated after Mexico’s President Claudia Sheinbaum called for further investigation into whether the permit was violated.

Israeli Artist’s Show in Mexico City Closes After Antisemitic Harassment

An exhibition by Israeli artist Amir Fattal at König gallery in Mexico City was forced to close a week early after a campaign of antisemitic harassment escalated from online abuse to physical protests and vandalism. Vandals spray-painted swastikas, Stars of David, and the phrase "here there are terrorists" on the gallery's facade, and protesters gathered outside calling the artist a murderer and Mossad agent.

Sidle House Gallery Presents: “Anne Hebebrand: A World That Is”

Sidle House Gallery in Freeport, Maine, opens its 2026 season with a solo exhibition titled “Anne Hebebrand: A World That Is,” on view from May 1 through June 13. The show features cold-wax and oil paintings created over the past seven years, described by the artist as intuitive maps of memory. Related events include an opening reception, an artist talk, a cold wax and oil workshop, and a violin performance by Katherine Liccardo.

Asking New and Better Questions with Cheryl Pope

Artist Cheryl Pope has opened a solo exhibition titled "All There Is" at Monique Meloche Gallery in Chicago. The show features new, large-scale works made from needle-punched wool roving on cashmere that depict landscapes, marking a shift from her previous focus on the human form, memory, and identity. The exhibition runs through May 16.

New exhibit honors groundbreaking Pueblo potter Jody Folwell

The New Mexico Museum of Art has launched "O’Powa O’Meng: The Art and Legacy of Jody Folwell," the first solo exhibition dedicated to an Indigenous woman in the institution's history. This career retrospective, organized in collaboration with the Minneapolis Institute of Art and the Fralin Museum of Art, features over 30 works by the Santa Clara Pueblo potter. The display includes a newly debuted piece, "Buffalo Hunt," and highlights Folwell’s innovative use of relief techniques and narrative surfaces that address contemporary political and social issues.

Architects respond to "excess and demolition" at reuse exhibition in Mexico

Fifteen international architecture studios have created installations from reused building materials and found objects for the exhibition "Reuse: Architectures of Almost Nothing" at artspace Laguna in Mexico City during art week. The show, curated by Laguna's curatorial director María Muñoz and architect Edgar Rodríguez, features works made from windshields, tarps, barrels, and even a complete car, all arranged across the former factory space. Participating studios include Sam Chermayeff Office, Ex-Soup, Parabase, Bangkok Tokyo, and others, with each piece designed as an "architectural accessory" that resignifies a single object through redeployment.

Yvette Mayorga & MASS Gallery Announce Open Call for Austin Artists

Chicago-based multidisciplinary artist Yvette Mayorga, in collaboration with Austin’s nonprofit MASS Gallery, has announced an open call for artists living in the Greater Austin area to submit existing works for an exhibition titled *Lost and Found*, scheduled for January 17 through February 14, 2026, at MASS Gallery. The open call is part of the community engagement phase of Mayorga’s major public art project for the new concourse at Austin-Bergstrom International Airport (ABIA), set to open in 2030. Her project draws on her ancestral ties to the Bracero Program, exploring the emotional resonance of personal objects carried across borders and generations. The exhibition aims to give visibility to local artists while building community around themes of migration, ecology, and the flora and fauna of Texas and Mexico.

Collectible design fair’s second New York outing marries ‘folly’ and practicality

The Collectible design fair returns to New York for its second edition, taking place from September 4-7 at the WSA building in the Financial District during Armory Week. Founded in Brussels in 2018 by Clélie Debehault and Liv Vaisberg, the fair brings together international galleries, designers, and architects for a curated showcase of 21st-century design. This year's edition occupies the 39th floor, spanning over 30,000 square feet, and features six curated sections including a buzzy section titled "In Praise of Folly" curated by Architectural Digest's Hannah Martin. Around 60% of exhibitors are from the United States, with the rest from Europe and beyond, including Australia, Brazil, Colombia, Mexico, South Korea, and Turkey.

Mexico City street market gallery makes art accessible

Artist Luis Valverde launched Galería Tianguis Neza in 2021 at Mexico City's La Lagunilla street market, selling artworks directly from artists at affordable street-market prices. The project, born during the pandemic to generate income for artists, operates every Sunday and features a rotating selection of artists, including Tania Candiani, Teresa Margolles, and photographer Pim Schalkwijk, who set up an improvised photo studio using a gelatin silver process.

Philadelphia Art Museum exhibit on surrealism features monsters from Greek mythology and a lobster telephone

The Philadelphia Art Museum (PhAM) opens "Dreamworld: Surrealism at 100," a traveling exhibition celebrating the centennial of surrealism. The show features works by Salvador Dalí, Pablo Picasso, Frida Kahlo, Max Ernst, René Magritte, Leonora Carrington, and Man Ray, including Dalí's lobster telephone and pieces inspired by Greek mythology. It is the final and only American stop on the tour, previously shown in Brussels, Paris, Hamburg, and Madrid, and runs through February 16, 2026.