Sculptor K. S. Radhakrishnan personally led an exclusive walkthrough of his exhibition "Once Upon a Sculptor" at Chawla Art Gallery. The event offered attendees an intimate look at his artistic evolution, from early works to his iconic Maiya and Musui figures, with the artist sharing insights into his ideas and processes.
The 61st Biennale di Arte Venezia opens under the posthumous curatorial vision of Koyo Kouoh (1967–2025), the late Cameroonian-born curator who reshaped contemporary African and diasporic art discourse. The central exhibition, spanning the Giardini and Arsenale, features 111 participants including artists, collectives, and artist-led organizations from across the Global South, with works in textiles, film, sculpture, and performance that interrogate colonialism, migration, and ecological repair. The Biennale is also marked by a pronounced presence of African and diasporic narratives across national pavilions, including several first-time pavilions from the African continent.
Brazil's 2026 Venice Biennale pavilion, curated by Diane Lima, presents a radical, sensorial exhibition titled 'Comigo ninguém pode' featuring artists Adriana Varejão and Rosana Paulino. The show transforms the modernist pavilion into an active participant, where historical and new works by the two artists create friction and resonance, exploring themes of colonial violence, the Black female body as archive, and spiritual resistance.
The Belarus Free Theatre, an exiled underground theater group, will stage its first official collateral exhibition at the 61st Venice Biennale, titled “Official. Unofficial. Belarus.” The show, held in the historic La Chiesa di San Giovanni Evangelista di Venezia, features site-specific paintings, a sound installation, and large-scale sculptures that aim to immerse visitors in the experience of repression under authoritarian rule. This marks only the fifth time Belarus has been present at the Biennale, and the first time it appears not as a state but as a self-governing cultural body, challenging the official narratives of nations like Russia.
Archaeologists in Egypt have discovered the upper half of a 7-foot-tall statue of Ramses II at the site of Tell El-Faraoun in the eastern Nile Delta. Weighing over 5 tons, the fragment is believed to have originally been carved for a temple in the ancient capital of Per-Ramesses and was later relocated. The find was announced by the Egyptian Ministry of Tourism and Antiquities, with Hisham El-Leithy of the Supreme Council of Antiquities noting its importance for understanding how statues were moved and reused during the New Kingdom.
British-Iranian artist Aria Shahrokhshahi's long-term photographic project "Wet Ground" captures daily life in Ukraine during Russia's full-scale invasion, focusing on moments of youth, subculture, and fragile continuity rather than traditional war imagery. The series, developed through repeated stays and volunteering since 2019, includes scenes from teenage discos, hospital wards, a birth during a missile attack, and a first kiss near the frontline, all shot in stark black and white.
Polly Samson, acclaimed author and wife of Pink Floyd guitarist David Gilmour, presents her first solo photography exhibition at Leica Gallery London, featuring intimate images taken over two decades of Gilmour on tour and in the studio. The show, titled 'Polly Samson – Between This Breath and Then,' runs until 7 May 2026 and coincides with the release of her book 'David Gilmour: Luck and Strange – Studio/Live,' published by Thames & Hudson. Samson's photographs capture candid moments of Gilmour, their family, and the creative process behind albums including 'Luck and Strange.'
The Metropolitan Museum of Art's 2025 Costume Institute exhibition, "Costume Art," features 25 mannequins modeled after nine real people with diverse body types and mobilities. Curator Andrew Bolton collaborated with artist Samar Hejazi, who created mirrored faceless heads for the mannequins, and artist Tanda Francis, who modeled features after historical figures like André Grenard Matswa. The mannequins are distributed across two thematic sections: "Disabled Body," featuring individuals such as writer Sinéad Burke, athlete Aimee Mullins, and models Aariana Rose Philip, Antwan Tolliver, and Sonia Vera, along with imagery of the late drag performer Goddess Bunny; and "Corpulent Body," featuring models Jade O'Belle, Charlie Reynolds, artist Michaela Stark, and singer Yseult. The living subjects underwent 3D photogrammetry scanning to recreate their likenesses.
The Metropolitan Museum of Art has revealed photos from inside the Costume Institute's latest exhibition, 'Costume Art,' ahead of the 2026 Met Gala. Curated by Andrew Bolton, the show explores the relationship between clothing and the body, organized around thematic body types such as the Naked Body, Pregnant Body, and Aging Body. It features garments and artworks from The Met's collection, both historical and contemporary, and will be the first exhibition held in the new Condé M. Nast Galleries, a 12,000-square-foot space adjacent to the Great Hall. The exhibition opens to the public on May 10, 2026, and runs through January 10, 2027.
Die vielen Häutungen der Valie Export
Valie Export, the Austrian media and performance artist known for using her body as a site of social critique, has died at age 85 in Vienna. Her final works include a black-and-white photo series of her forearm resting on a stone snake sculpture at the University of Vienna, exploring themes of skin, transformation, and mimesis. From the 1970s onward, she created iconic "Body Configurations" in which she placed her body on streets and against buildings along Vienna's Ringstrasse, tracing architectural forms to expose institutional power and patriarchal authority.
Denkmäler in Bewegung
Berlin-based artist Sarah Ama Duah, who transitioned from fashion to sculpture, creates works that explore Afro-German memory culture. Her practice includes beeswax portraits, found objects like Delft porcelain and baroque vases, and performances at venues such as the Humboldt Forum. In 2025, she received the Wolfram Beck Prize for Sculpture. Duah's early fashion work, including silicone garments shown at the Fashionclash Festival in Maastricht, evolved into sculptural investigations of clothing, body, and space, leading her to study performance and sculpture at the Berlin University of the Arts under Jimmy Robert.
Die große Shitshow
Florentina Holzinger has transformed the Austrian Pavilion at the Venice Biennale into a radical performance installation titled "Seaworld Venice." The piece features naked performers suspended from meat hooks, a performer ringing a bell while dangling upside down from a crane, a woman on a jetski circling inside a flooded pavilion, and a system where visitors are invited to urinate into portable toilets, with the waste processed and recirculated into the water. The work combines extreme physical stunts, nudity, and bodily fluids to create a visceral, immersive experience that has drawn long queues and stunned reactions from the art world.
Brigitte Meese stirbt mit 96 Jahren
Brigitte Meese, the mother, manager, and long-time artistic companion of German artist Jonathan Meese, has died at the age of 96. She was a formative figure in her son's artistic environment, providing organizational support for decades while also serving as his muse, model, and co-performer.
Hilma af Klint (1862–1944) is profiled as a pioneering Swedish abstract artist who created a vast body of visionary, large-scale abstract paintings decades before Kandinsky, yet kept them secret during her lifetime. The article traces her life from a childhood steeped in science and nature, through her studies at the Royal Academy of Fine Arts in Stockholm, to her dual artistic practice: conventional landscapes and portraits for income, and radically abstract works guided by spiritualist séances and theosophical beliefs. She founded the group "The Five" with fellow female artists, and from 1906 onward produced the monumental series "Paintings for the Temple" (193 works), convinced she was channeling a higher force. She stipulated in her will that her abstract works not be revealed until 20 years after her death, and they were only rediscovered in the late 1960s.
Artist Rabih Mroué's text "Bone Insurrection" is being published by Film Notes in conjunction with an upcoming screening of his films and videos at the e-flux Screening Room in New York. The text is a poetic, first-person narrative that explores the physical and psychological aftermath of historical violence, framing the self as an excavation site where trauma persists in the body.
The Metropolitan Museum of Art's 2026 Costume Institute exhibition, titled "Costume Art," will feature special mannequins with mirrored steel heads created by Toronto-born, Dubai-based artist Samar Hejazi. The mannequins, designed in collaboration with Curator in Charge Andrew Bolton, represent differently sized and abled bodies and replace traditional faces with reflective surfaces to disrupt the conventional presentation of fashion. Hejazi attended the Met Gala wearing a gown by Palestinian designer Zaid Farouki and described the project as a meaningful collaboration aimed at fostering empathy and self-reflection.
The Metropolitan Museum of Art's Costume Institute has announced its upcoming spring exhibition, titled '7 Body Types,' which will explore fashion through the lens of diverse physical forms. The show will feature garments designed for seven distinct body types, challenging traditional fashion norms and highlighting inclusivity in design. Curated by Andrew Bolton, the exhibition draws from the museum's extensive collection and includes works from contemporary designers.
Camille Guichard presents 'Corps littoral' (Coastal Bodies), her first solo exhibition in Paris, at the Rachel Hardouin Gallery from May 21 to June 21, 2026. The show blends contemporary photography, poetic texts, and the artist's own nude body against coastal landscapes, exploring themes of vulnerability, erosion, and the relationship between the body and the living world. Guichard, who also works as a filmmaker and writer, includes series such as 'Ces rivages perdus' documenting the Aquitaine coast and 'Pulsions, corps et figures' focusing on bodily fragments.
Iris van Herpen's exhibition "Iris Van Herpen: Sculpting the Senses" opens at the Brooklyn Museum from May 16 to December 6, 2026, featuring over 140 haute couture creations alongside contemporary art, design objects, and natural history specimens. The show, previewed by designboom, is organized around natural themes from water to planetary scale, with the Dutch designer leading a walkthrough that emphasized her inspirations from micro and macro worlds and her process of turning material experiments into wearable sculptures.
Amanda Heng Liang Ngim's exhibition 'A Pause' has opened at the Singapore Pavilion of the 61st International Art Exhibition – La Biennale di Venezia. The installation transforms the historic Sale d’Armi into a contemplative space using larch wood platforms, photographs, and a dual-channel video that observes everyday gestures of rest and renewal in Venice and Singapore. The presentation also includes a reprint of her 1990 series 'Parts of My Body' and is accompanied by a comprehensive monograph, 'Amanda Heng: On and On'.
The Metropolitan Museum of Art's Costume Institute has made a historic shift toward disability and body inclusivity in its annual exhibition, titled "Costume Art." For the first time, the exhibit includes a section called "The Disabled Body," featuring mannequins modeled on disabled bodies, such as those of activist Aimee Mullins, model Aariana Rose Philip, and accessibility consultant Sinéad Burke. Burke and her team at Tilting the Lens consulted on the exhibit for 18 months, suggesting disabled designers like Sugandha Gupta and Helen Cookman, and donated pieces to the permanent collection. The Met Gala also became accessible for the first time since 1948, with wheelchair user Aariana Rose Philip attending as the first ever.
At the 2026 Met Gala, Puerto Rican superstar Bad Bunny arrived in a transformative look that made him nearly unrecognizable. He wore a black pussy-bow blouse, wrap blazer, and trousers, with prosthetics and makeup by Mike Marin turning him into an old man, accessorized with a cane. The gala's theme, inspired by the Metropolitan Museum of Art's 'Costume as Art' exhibition, had a dress code of 'Fashion is Art,' and Bad Bunny's choice specifically highlighted the aging body, aligning with the exhibition's focus on the body at all stages.
The Metropolitan Museum of Art's Costume Institute will open its spring 2026 exhibition, "Costume Art," on May 10, 2026, running through January 10, 2027. The show features nearly 400 objects from the Met's collection, pairing couture garments with paintings, sculptures, and decorative works across centuries. Organized by "body types" such as "Classical Body" and "Mortal Body," the exhibition will be housed in the new 12,000-square-foot Condé Nast Galleries. The Met Gala, co-chaired by Beyoncé, Nicole Kidman, Venus Williams, and Anna Wintour, will kick off the exhibition with a dress code of "Fashion is Art."
The 2026 Met Gala, held on May 4, 2026, is co-chaired by Beyoncé, Nicole Kidman, Venus Williams, and Anna Wintour, with honorary chairs Jeff Bezos and Lauren Sánchez. The theme, "Costume Art," celebrates fashion as an embodied art form, with guests interpreting the dress code "Fashion is Art" through sculptural, architectural silhouettes. The accompanying exhibition, also titled "Costume Art," opens at The Met Fifth Avenue on May 10, 2026, and runs through January 10, 2027, pairing garments with artworks from the museum's collection to highlight the connection between fashion and fine art.
On May 4, 2026, the Metropolitan Museum of Art previewed the Costume Institute's new permanent galleries and its inaugural exhibition, "Costume Art," ahead of the Met Gala. The exhibition features over 400 objects from the Met's collections, organized around themes of the body such as "The Classical Body" and "The Disabled Body," with mannequins featuring mirrored faces to reflect viewers. Speakers at the press event included Anna Wintour, Venus Williams, and Lauren Sánchez Bezos, with the Met Gala raising over $42 million for the museum.
The Metropolitan Museum of Art in New York has introduced nine new mannequin bodies for its costume displays, replacing older models to better showcase fashion exhibitions. The new mannequins feature more diverse and realistic body shapes, including different skin tones and poses, aiming to modernize the museum's presentation of historical and contemporary garments.
Carlo D'Anselmi's solo exhibition 'Secrets and Mountains' opens at Fabienne Levy in Lausanne, Switzerland. The show presents a new body of work created during the artist's first stay in Switzerland, overlooking the French Alps, where he observed the transition from winter into spring. His dreamlike paintings blend figures, animals, and landscapes, exploring memory, light, nature, and the shifting boundary between reality and fiction. D'Anselmi holds an MFA from the New York Studio School and is represented by Thierry Goldberg Gallery in New York.
The article reviews a major exhibition of 17th-century Spanish painter Francisco de Zurbarán, highlighting his dramatic religious works such as a stark crucifixion, a depiction of St. Peter crucified upside down, and a series of saintly princesses. It notes the exhibition's effective hanging, the artist's use of vivid color and theatrical lighting, and includes recently attributed works like a mysterious giant head. The review emphasizes the blend of high drama, emotion, and Catholic piety in Zurbarán's paintings, as well as his still lifes that rival those of Velázquez.
The Dalí Museum in St. Petersburg, Florida, will open two exhibitions in May 2025: "Architecture of the Dalí" on May 2, tracing the museum's history from its 1980s origins to its current bayfront structure, and "Dalí in America" on May 9, featuring over 70 works exploring Salvador Dalí's vision of the United States. Other notable openings include "Wolves: Photography by Ronan Donovan" at the James Museum of Western & Wildlife Art (May 9), multidisciplinary artist Babs Reingold's solo show "After Venus" at the Museum of Fine Arts St. Petersburg (May 15), and "Cigars! Photography, Industry, and Identity" at the Florida Museum of Photographic Arts, commemorating Ybor City's cigar-rolling history. Additional events include Florida NOW at Florida CraftArt, Charles Morrison's "Head in the Sky, Feet on the Ground" at the Morean Center for Clay, and a photography contest sponsored by FloridaRAMA and St. Petersburg Month of Photography.
The 2026 Met Gala, scheduled for May 4, will serve as the fundraiser for the Metropolitan Museum of Art's Costume Institute, with a theme inspired by the new exhibition "Costume Art." The event is co-chaired by Beyoncé, Nicole Kidman, Venus Williams, and Anna Wintour, with lead sponsorship from Jeff Bezos and Lauren Sánchez Bezos, and will inaugurate the museum's new Conde M. Nast Galleries.