Size 2 who? Starry Met costume show features pregnant people, plus size models and dwarves for first time

The Metropolitan Museum of Art's upcoming Costume Institute exhibition, 'Costume Art,' will feature mannequins representing a diverse range of body types, including pregnant, disabled, and plus-size figures, instead of the traditional sample size 2. The mannequins were created using photogrammetry scans of real people, such as artist Michaela Stark and disability activist Sinéad Burke, and have reflective steel faces intended to allow visitors to see themselves in the display.

NI artist, Robyn Ward Announces New Global Exhibition ‘Shards of Dawn’

Northern Irish artist Robyn Ward has announced a major global exhibition titled 'Shards of Dawn,' set to premiere in 2026. The exhibition will debut at Mana Contemporary in New Jersey before traveling to Mana Contemporary Miami during Art Basel and concluding at the Modern Art Museum Shanghai in 2027. Curated by Shai Baitel, the body of work incorporates industrial fragments and discarded materials, marking the second installment of a trilogy that explores themes of memory, fracture, and resilience.

Une vétérane pour diriger un des musées du Smithsonian

Lynda Roscoe Hartigan, 75, will become the director of the Smithsonian American Art Museum (SAAM) in Washington, D.C., on September 8, ending a 17-month vacancy. Hartigan, currently the director of the Peabody Essex Museum in Salem, began her career at SAAM as chief curator, where she developed collections of modern, contemporary, African American, and self-taught art.

Calling Back 11 Forgotten Women Artists: Leeum’s "Inside Other Spaces"

Leeum Museum of Art in Seoul is presenting "Inside Other Spaces: Environments by Women Artists, 1956–1976," an exhibition that reconstructs immersive environmental artworks by 11 pioneering women artists. Originally curated in 2023 at Haus der Kunst Munich and later shown at MAXXI in Rome and M+ in Hong Kong, the show features restored pieces including Judy Chicago's "Feather Room" (filled with 136 kg of white goose feathers), Jung Kangja's "Muchejeon" (restored after 56 years), Lygia Clark's "House Is Body: Penetration, Ovulation, Germination, Expulsion," and Marian Zazila, La Monte Young, and Jung Hee Choi's "Dream House: Environment of Sound and Light" (shown in Asia for the first time).

"Consequences of being" at The FLAG Art Foundation by Daniel Belasco

Deborah Roberts presents her newest body of work in the exhibition "Consequences of being" at The FLAG Art Foundation, featuring eight canvases and nine mixed-media works on paper that blend collage, painting, and drawing. The works explore the postcolonial landscape of Europe and Africa, using fragmented imagery of Black children against stark-white backgrounds to address themes of colonialism, commerce, and identity. Key pieces include "Have a seat, this may take a while" (2025), which incorporates miniature sailing ships and a collaged tiara from Queen Elizabeth II, and "Hands in the air," which critiques racist packaging from a German ice cream company. The exhibition also includes a series of eight collages titled "Many thousands gone" and a sculptural edition, "Zuri," a ceramic bust with metallic glaze.

Beyond the Mona Lisa: MOSI’s Leonardo da Vinci exhibit showcases the ‘original innovator’ in Tampa

MOSI (Museum of Science & Industry) in Tampa, Florida, is hosting an exhibition titled "Machines in Motion" that features 20 working machines built from Leonardo da Vinci's 15th-century designs. Created by Italian engineers using period-appropriate materials, the interactive display includes inventions such as ball bearings, an olive oil press, a printing press, and wartime weapons. MOSI President & CEO John Graydon Smith describes da Vinci as "the original innovator" and notes the exhibit aims to inspire creativity in both children and adults. The temporary exhibition runs until May 3.

Janet Werner Is Distorting Fashion’s Beauty Ideals Through Painting

Janet Werner, an artist with a nearly four-decade career, has created a new body of work titled "Landscape with Legs" that distorts fashion imagery from Vogue archives and vintage campaigns by Marc Jacobs. Her paintings transform archetypal fashion models—thin, blonde, and emblematic of privilege—into unsettling, complex figures that expose a tension between glamor and the grotesque. The exhibition runs from May 1 to June 12, 2026, at Anat Ebgi Gallery in New York, marking her second solo show there. In an interview, Werner discusses her background as a dancer, her creative process of collaging photographic images with art historical references like Watteau and Caspar David Friedrich, and the political moment that makes the show feel urgent.

[Gallery Walk] The Vanished Rooms of Women Reopened

Leeum Museum of Art in Seoul is presenting "Into Other Spaces: Synesthetic Environments by Women Artists 1956-1976," a major exhibition opening May 5 that reconstructs immersive environmental artworks by 11 women artists from Asia, the Americas, and Europe. The show features full-scale recreations of works that were often dismantled or lost, including Jeong Gangja's "Muchejeon" (1970), which was shut down by authorities after just days. Curators Andrea Lissoni and Marina Pugliese used archival materials, photographs, and direct consultations with artists or their estates to piece together these ephemeral pieces.

From gunshots to gilded plates: Who are the real hooligans of the art world?

Alex Burchmore reviews 'The Hooligans,' an exhibition that explores the Maoist concept of hooliganism in the context of contemporary Chinese art. The show features works by artists like Xiao Lu, who famously fired a gun at her installation during the 1989 'China/Avant-Garde' exhibition, as well as Zhu Yu and He Yunchang, known for incorporating human body parts and surgical procedures into their art. The exhibition contrasts these transgressive acts with more market-friendly works, such as Zhu Yu's gilded plate paintings and Hu Yinping's commercial-style figurines, highlighting the tension between artistic rebellion and commercial success.

Beyond the Needle: Chilean Artist Felipe Abel on Chiaroscuro, Symbolism, and the Evolution of Modern Tattooing

Chilean tattoo artist Felipe Abel (born Felipe Arriagada), who has a background in graphic design and a decade of experience in black-and-grey micro-realism, is preparing to join Noble Art Studio in Brooklyn. He is also developing a new series of oil paintings focused on mythology, theology, and esotericism, expected to debut in a formal exhibition around 2027. Abel, who has held guest spots in over 20 cities across 10 countries including studios like Sasha Tattooing in Paris and The White Whale in Milan, uses chiaroscuro and a recurring floating orb motif in his work, drawing influence from photographer Sebastião Salgado and painter Guillermo Lorca.

The Update | Emerging Artist Program Exhibits Selectee’s Works

The New Castle Public Library in Pennsylvania is hosting an exhibition of works by Madeline Zimmer, an 18-year-old emerging artist, through June 17. The show, titled "Arbitrary Existence," features digital characters and pastel drawings inspired by comics and graffiti art, and is part of the Hoyt's Emerging Artist Program, which provides selected artists with hands-on support including exhibition development, installation, and promotion.

Nobody Can Defeat Me: The Brazilian Pavilion in Venice Between Spirituality, History and Nature

NOBODY CAN DEFEAT ME THE BRAZILIAN PAVILION IN VENICE BETWEEN SPIRITUALITY HISTORY AND NATURE

The Fundação Bienal de São Paulo has revealed the curatorial project for the Brazilian Pavilion at the 61st Venice Biennale in 2026. Titled 'Comigo ninguém pode' (Nobody Can Defeat Me), the exhibition is curated by Diane Lima and features a major two-person presentation of artists Rosana Paulino and Adriana Varejão, who will occupy the entire pavilion with an installation-based project designed by Daniela Thomas.

New exhibits start at Public Works Art Center

The Public Works Art Center in Summerville, South Carolina, opens five new exhibitions on May 21 with a reception from 5:30-8:30 p.m. The shows include "GODBODY: THE FEMME," a group exhibition celebrating Black women artists; Amy Stewart's "Intersections" exploring interconnectedness; Nick Cerrato's "Our Society Needs To…" featuring abstract works created with his feet; Sarah Mitchell's "Wildlife in Wool" with needle-felted animals; and the Summerville Artist Guild's annual "All Members Show." During the reception, guild members will create collaborative paintings for sale to benefit the Summerville Rocks Scholarship Fund.

Opening Reception | 21st Annual SDSU Art Council Scholarship Exhibition | Athenaeum Art Center

The Athenaeum Art Center in San Diego is hosting the 21st Annual SDSU Art Council Scholarship Exhibition from May 16 to July 3, 2026, with an opening reception on May 16. The exhibition features new work by five graduate and undergraduate students from San Diego State University's School of Art and Design: Andrea Mendoza, Tina Mardan, Todd Bradley, Ana Saad, and Isa Ybarra. Their works explore themes of the body as a site of history, resistance, and reinvention, addressing chronic pain, immigrant memory, queerness, and colonial boundaries through diverse media including painting, metalsmithing, photography, installation, clay, fiber, and printmaking.

The Austrian Pavilion at the Biennale brings performances and installations around the Venice Lagoon

Il Padiglione Austria in Biennale porta performance e installazioni in giro per la Laguna di Venezia

Austrian artist and choreographer Florentina Holzinger (Vienna, 1986) will represent Austria at the 61st International Art Exhibition of the Venice Biennale with a project titled "SeaWorld Venice." Curated by Nora-Swantje Almes, the interdisciplinary initiative combines a permanent installation at the Austrian Pavilion with a series of site-specific performances and actions spread across Venice and its lagoon. The project explores the body, water, and the tensions between nature and technology, drawing on mythological and classical imagery populated by aquatic creatures. It includes "Études," performative formats developed by Holzinger since 2020, which activate urban spaces through participatory and immersive experiences, engaging both spectators and citizens.

Evidence of Evolution at QUEUE Gallery, Miami

QUEUE Gallery in Miami is presenting 'Evidence of Evolution,' a two-person exhibition featuring Fharid LaTorre’s hand-carved wood and metal sculptures alongside Jamieson Pearl’s oil-on-linen paintings. LaTorre’s works, such as 'showing slivers & taking off skin for sake of dopamine layer of diophantine equations' (2026), use scavenged metal and burl wood to evoke surgical transformations and bodily stress, while Pearl’s paintings depict glitch-blocked internet microcelebrities and screenshots from LiveLeak pornos, rendered freehand in distorted blocks. The show runs at QUEUE’s new location above Tunnel Projects in Miami.

Student Show at the GRCC Art Gallery

The Paul Collins Art Gallery at Grand Rapids Community College is currently hosting its annual Student Show, featuring artwork created by GRCC students throughout the year. The exhibition, which runs until April 22, is the gallery's final rotation before the fall semester and includes pieces selected by the art department faculty from various classes, though some disciplines like interior design are underrepresented due to display challenges.

Can we practice for crises in art?

"Können wir in der Kunst für die Krisen üben?"

Belgian theater director Miet Warlop is presenting her work "It never SSST" at the Belgian Pavilion during the Venice Biennale. The installation combines performance, sculpture, a radio show, and objects, featuring six performers, musicians, dancers, and a sculptor who periodically calls "Freeze" to capture movements in plaster reliefs. Warlop, known for her physically exhausting ritualistic performances like "One Song," discusses the piece's themes of ceaseless activity and the body as a resource, as well as the challenge of engaging visitors who often rush through the pavilion.

The Porn Effect

Der Porno-Effekt

Maja Malou Lyse received a bizarre phone call nearly three years ago from the CEO of the world's largest sperm bank, who offered her 20 liters of discarded sperm for artistic purposes. She accepted and created an installation for the Danish Pavilion at the Venice Biennale, working with porn stars to explore how images shape bodies and desire.

‘Between A Memory and Me’: Navigating Belonging

Photographer Rahim Fortune has opened a new exhibition titled 'Between A Memory and Me' at the Museum of Fine Arts, Houston. The show presents a series of photographs that map memory, land, and Black life across the American South, creating a lyrical cartography where landscape and personal lineage intertwine.

Tabula Rasa: The Geometry of the Collective.

Peterson Kamwathi's exhibition 'Tabula Rasa: The Geometry of the Collective' opened at the Nairobi Contemporary Art Institute. The show features his work exploring how individual bodies accumulate and dissolve into larger social and political formations, mapping the dynamics of crowds, protests, and collective identity.

Exhibition | Yelena Popova, 'Moments of Grace' at Osnova gallery, Valencia, Spain

Yelena Popova's solo exhibition 'Moments of Grace' opens at Osnova gallery's new space in Valencia, Spain, marking a decade of collaboration between the artist and the gallery. The show brings together works from several of Popova's major series, including 'Painting Installations' (2012-2017), 'Evaporating Paintings', 'Post-Petrochemical Paintings', and three jacquard-woven tapestries, tracing her practice over the past fifteen years. Popova approaches each project as part of an interconnected body of work, comparing her logic to garden cultivation—a layered, cyclical process. Her cross-disciplinary research focuses on the material conditions of painting, exploring temporal transformations like evaporation, oxidation, and decay, as well as the dynamics between image, surface, and space.

Artistree Gallery hosts Unbound Vol. XIV exhibition

Artistree Gallery in South Pomfret, Vermont, is hosting "Unbound Vol. XIV," an annual exhibition of book art coinciding with the Bookstock literary festival. The show features works by artists including Andre Lee Bassuet, Carole McNamee, Larry Clifford, and Dorsey Hogg, who transform discarded books into sculptures, quilts, and wearable pieces. Notable works include Bassuet's "A Thin Veil," a shawl made from pages of Soviet writer Ilia Ehrenburg's collected works, and "Women in the Field," a cyanotype cloak honoring pioneering women naturalists.

Japanese artist Mari Ito debuts in India with bold, thought-provoking exhibition

Japanese contemporary artist Mari Ito has opened her first solo exhibition in India, titled 'Origin of Desire,' at Bikaner House in New Delhi. The show features recent paintings and a large-scale installation created between 2024 and the present, exploring themes of identity, resistance, and the human body. Ito's practice is rooted in Nihonga, a classical Japanese painting technique using mineral pigments and sumi ink on washi paper or silk, which she blends with contemporary subject matter. A highlight is the installation 'Flowers Blooming in Defiance of the Bombs,' previously shown in Spain and reimagined for the Indian context. The exhibition is supported by Galerie Geek Art, which aims to connect Asian contemporary artists with Indian audiences.

Exhibition | Lin Zhipeng, 'LIN ZHIPENG (NO. 223): Relationship Duplicates' at DE SARTHE, Hong Kong

DE SARTHE gallery in Hong Kong presents 'Relationship Duplicates', the second solo exhibition by Beijing-based photographer Lin Zhipeng (No.223). The show, on view from May 16 to June 27, explores the tactile, intimate dimensions of human relationships through large-scale photoprints, a smartphone installation, and curated collages. Lin redefines 'duplicates' as supplements that extend relationships rather than mere copies, using nudity and physicality to counter the alienation of digital connectivity.

KU students, teachers to show off form-defying ceramics at Off-Site Art Gallery exhibition

University of Kansas students and teachers are showcasing ceramics that defy gravity and traditional form at Off-Site Art Space in Lawrence. The exhibition, titled “Almost a Body: Not Quite a Thing,” features works by artists-in-residence Seuil Chung and SunYoung Park alongside their students, including pieces like Natalie Slutsky’s “Vital Exchange,” an anatomical heart with arteries forming a Möbius strip. The show highlights innovative techniques such as using sand-filled brick boxes for firing, French cleat mounting systems, and beeswax finishes inspired by natural forms from the McGregor Herbarium.

Public Tour | Graduation Weekend Tour: Looking Back Toward the Future

The Mildred Lane Kemper Art Museum at Washington University in St. Louis is hosting a public tour on May 14, 2026, as part of its Graduation Weekend programming. The tour will explore the exhibition "Looking Back Toward the Future: Contemporary Photography from China," which features over forty large-scale photographs by fourteen Chinese artists created between 1993 and 2006. The exhibition is organized into three thematic sections—The Presence of the Past, East and West, and Performance and the Body—examining how artists used photography and performance to critique China's post-1989 sociopolitical and cultural shifts. This is the first time these works are on view at the museum, and they represent a significant recent addition to its contemporary Chinese art collection.

DENMARK S PAVILION AT VENICE BIENNALE EXAMINES PORNOGRAPHY SCIENCE AND HUMAN REPRODUCTION

The Danish Arts Foundation has opened 'Things To Come', an exhibition by Danish artist Maja Malou Lyse at the Danish Pavilion in the Giardini, Venice, as part of the 61st International Art Exhibition – La Biennale di Venezia. Curated by Chus Martínez, the show runs until November 22, 2026, and features a film developed with the collective DIS, shot in a real sperm bank and special effects studio, alongside an installation titled 'Stars in My Pocket' that incorporates cryogenic fertility bank boxes and online 'sperm races' clips. The exhibition title references H.G. Wells' 'The Shape of Things to Come' and draws on scientific studies linking virtual sexual stimuli to increased sperm motility.

New art gallery, shop opens in downtown Belleville on Art on the Square weekend

A new art gallery and retail shop, Public Defender Art + Zines, will open in downtown Belleville on May 15, 2026, coinciding with the Art on the Square festival. Owned by local artists Danny Houk and Stacie Spaunhorst, the space at 123 W. Main St. will feature exhibitions, a retail shop selling indie comics and zines, and future plans for artist residencies and networking brunches. Opening exhibitions include ceramics by Alisha Porter and Sheri White.

Chandra Bhattacharjee magnifies lives pushed to the margins in his latest Kolkata showcase

Artist Chandra Bhattacharjee presents a new body of work titled "A Star Amongst Too Many" at the Sarala Birla gallery within the Birla Academy of Art and Culture in Kolkata. Curated by Uma Ray, the exhibition features large-scale charcoal drawings that depict marginalized figures such as ragpickers, trash collectors, beggars, and street vendors. The works use black-and-white charcoal with occasional bursts of yellow and rust—the latter symbolizing neglect—to highlight the overlooked lives of these individuals. The show runs until May 24, 2026.