For the 61st Venice Biennale, a quest for beauty despite a troubled world

Pour la 61e Biennale de Venise, une quête de beauté malgré un monde troublé

Koyo Kouoh, the Swiss-Cameroonian curator who was set to become the first African woman to direct the Venice Biennale, died suddenly on May 10, 2025, at age 57, just weeks before the opening of the 61st edition she had conceived. Titled "In Minor Keys," the exhibition at the Giardini and Arsenale will proceed posthumously based on her detailed directives, featuring 111 artists including Laurie Anderson, Wangechi Mutu, and Kader Attia, with a focus on beauty, resilience, and radical emotional connection amid global turmoil.

Willem de Rooij at Lumiar Cité

Artist Willem de Rooij presents a new exhibition titled "Hut Hut" at Lumiar Cité in Lisbon. The show, curated by Jürgen Bock, runs from February 21 to May 17, 2026, and is documented with 11 images on the Contemporary Art Daily platform.

Arts and cultural engagement ‘linked to slower pace of biological ageing’

A new study published in the journal *Innovation in Aging* finds that engaging in arts and cultural activities—such as singing, painting, visiting museums or galleries—is linked to a slower pace of biological ageing. Researchers from University College London analyzed blood test and survey data from 3,556 adults in the UK Household Longitudinal Study, using epigenetic clocks to measure biological ageing. Those who participated in arts activities at least weekly showed a 4% slower ageing process, while monthly engagement yielded a 3% slowdown. The effect was comparable to the difference between smokers and those who quit smoking.

“Human Being Human” at The Private Museum

The Private Museum in Singapore presents "Human Being Human: Selections from the Collection of John and Cheryl Chia," an exhibition running from January 19 to April 26, 2026. Organized into four chapters—"Stateless," "State," "Statehood," and "Rebirth"—the show features works by artists including Joseph Beuys, Lee Wen, Eadweard Muybridge, Sherman Ong, John Clang, Sun Xun, and Green Zeng, exploring the body as a central site of inquiry into identity, vulnerability, and societal conditioning. The collection, amassed over 25 years by doctors John and Cheryl Chia, uses the body to examine themes of statelessness, state control, collective ideology, and rebirth, with works that challenge linear narratives and embrace conceptual loops.

The Most Provocative Performance in Venice

Florentina Holzinger, a performance artist known for extreme feminist works involving nudity, bodily fluids, and physical endurance, is representing Austria at the 2026 Venice Biennale with a pavilion titled “Seaworld Venice.” Opening May 9, the installation transforms the Austrian Pavilion in the Giardini into an underwater theme park and a functioning sewage treatment plant, where audience urine collected from portable toilets is cleaned and recycled into the tanks. The work explores themes of the human body, ecology, and Venice’s own struggles with sinking infrastructure and mass tourism.

Nymphs, mermaids and rosy cherubs: mansion filled with hidden wall paintings makes Victorian Society’s endangered buildings list

A derelict mansion called Parndon Hall, located within the grounds of Princess Alexandra Hospital in Harlow, Essex, has been named to the Victorian Society’s annual list of the top ten at-risk buildings in England and Wales. The house, built in 1867, contains a hidden trove of wall paintings by the almost-forgotten Victorian artist Elizabeth Arkwright, who covered walls, ceilings, and doors with nymphs, mermaids, and cherubs—many still concealed under Edwardian whitewash. The building has been used for storage and has sat unoccupied since flood repairs in 2024.

Remembering Napoleon Jones-Henderson, an AfriCOBRA Founding Member Who Imbued Art and Life with Exuberant Energy

Napoleon Jones-Henderson, a founding member of the influential African American artist collective AfriCOBRA, has died. Born in Chicago in 1943, he studied at the Sorbonne and the School of the Art Institute of Chicago, where he was mentored by Bauhaus textile artist Else Regensteiner. In 1969, he co-founded AfriCOBRA, becoming known as "the weaver" of the group for his vibrant textile works that incorporated metallic threads and found objects. He later moved to Boston, taught at Massachusetts College of Art and Design, and maintained a prolific studio practice in Roxbury for over 50 years, creating works focused on empowerment, Pan-Africanism, and racial justice.

Khaled Sabsabi is finally at the Venice Biennale: ‘Being here is already a win’

Khaled Sabsabi has opened his exhibition 'conference of one’s self' at the Australian Pavilion of the 61st Venice Biennale, alongside a second installation 'Khalil' in the Arsenale. This follows a tumultuous period in which Creative Australia rescinded his appointment as Australia’s representative in February 2025, sparking widespread backlash from the art community. After being reappointed in July 2025, Sabsabi presents two monumental multimedia works inspired by Sufi practice, created in Bangkok and described as 'one body with two limbs'.

Paul Waldman, Creator and Curator of Art Museum for Birds, Dies at 89

Paul Waldman, a multifaceted artist known for his transgressive paintings and unique architectural birdhouses, has died at the age of 89. After overcoming childhood dyslexia and a stint as a competitive bodybuilder, Waldman established a significant career in the New York art scene, characterized by his meticulous technique and a fascination with the human form and avian structures.

Rafał Zajko Is Hatching a Plan

Rafał Zajko's exhibition 'The Egg Egg' at Arsenal Gallery in Białystok, Poland, brings together 50 works from the past decade across two floors of a former power station, organized into nine 'acts'. The show features modular installations like 'Funny Games' (2025), a set of pastel-colored platforms on wheels with ceramic reliefs, and monumental sculptures such as 'Sisyphus' (2025), a suspended ceramic bobbin evoking textile factory tools. Performances by Agnieszka Szczotka, including 'Song to the Siren' (2026), activate works like 'Amber Chamber III Echo' (2025), blending archaism, futurism, and themes of labor and technology.

Smithsonian American Art Museum Names a New Director

Lynda Roscoe Hartigan has been appointed as the new director of the Smithsonian American Art Museum. She is a former chief curator of the museum and most recently served as executive director of the Peabody Essex Museum in Salem, Massachusetts.

Seba Calfuqueo and the Colonized Body

Andrew Durbin reviews national pavilions at the 2026 Venice Biennale, critiquing the US presentation as vacuous while praising incisive and moving installations from Britain and Germany. The review highlights Seba Calfuqueo's work in the context of colonized bodies, though the article's main focus is on the comparative quality of the pavilions.

25 years later, artist David Adey continues to push the envelope

Artist David Adey is the subject of a mid-career survey, “David Adey: Sacrificial Bodies,” opening April 25 at the Oceanside Museum of Art. The 70-piece exhibition, curated by gallery owner Mark Quint in collaboration with Adey, spans 25 years of his career and includes a 2026 re-creation of his 2001 piece “The Lamb,” which features a reconstructed lamb carcass. Adey, now 53, originally created the work as a graduate student at Cranbrook Academy of Art. The show also features pieces like “Gravitational Radius” and “2,127 Rounds,” a sculpture made by firing an AR-15, Glock 34, and shotgun into cedar.

Paul Stopforth | HERE COMES EVERYBODY 5 (2026) | For Sale

Paul Stopforth's artwork "HERE COMES EVERYBODY 5" (2026) is being offered for sale through The Schoolhouse Gallery in Provincetown, Massachusetts. The piece is a unique gouache on panel measuring 16 × 16 inches, priced at US$900, hand-signed by the artist, and includes a certificate of authenticity. Stopforth, born in 1945 and originally from South Africa, emigrated to the United States 27 years ago and has since lived and worked in Boston, Cambridge, and Provincetown. His career includes teaching at Harvard University, the School of the Museum of Fine Arts in Boston, Massachusetts College of Art & Design, and the Fine Arts Work Center, with his works held in public collections including the Harvard Film Archive, the Constitutional Court of South Africa, and the National Gallery in Cape Town.

The 2026 Met Gala Theme and Dress Code, Explained

The 2026 Met Gala, held at the Metropolitan Museum of Art in New York City, is set for tonight with the theme "Costume Art" and the dress code "Fashion is Art." The event, which takes place annually on the first Monday in May, serves as a high-profile fundraiser for the Costume Institute and a fashion spectacle. Co-chairs include Beyoncé, Nicole Kidman, Venus Williams, and Anna Wintour. The theme is tied to the Met's upcoming exhibition of the same name, which will debut the Costume Institute's first permanent galleries—the Condé M. Nast Galleries—and explore "the centrality of the dressed body" by pairing garments with art spanning 5,000 years.

McEvoy Gallery Open House & Art Sale Planned

Newtown artist Dick McEvoy will open his studio and gallery at 51 Taunton Lake Road to the public for a weekend open house and art sale on June 13-14, 2026, from 1-4 pm each day. This is the first time in five years he has hosted such an event. McEvoy, known for his pastel landscapes and later large-scale oil paintings, synthesizes techniques from Impressionism and Abstract Expressionism, with curator Peter Hastings Falk praising his evolution into drip-action painting and his ability to reconcile seemingly opposing art movements.

'Come Closer' at Tang Contemporary Art, Hong Kong on 15 May–5 Jul 2026

Tang Contemporary Art in Hong Kong is presenting the exhibition 'Come Closer,' featuring works by artists Arik Levy and Zoé Ouvrier from May 15 to July 5, 2026. The show explores themes of intimacy, vulnerability, and the relational space between viewer and artwork, inviting audiences to engage deeply with pieces that address memory, the body, and identity.

The 10th Max Mara Art Prize for Women

第10回マックスマーラ・アート・プライズ・フォー・ウィメン

The 10th Max Mara Art Prize for Women has been awarded to Indonesian artist Dian Suci, marking the first time the prize has been held in Asia. Suci was selected from five finalists for her project "Crafting Spirit: Cultural Dialogues in Heritage and Practice," which examines the intersection of religious craftsmanship traditions and capitalist systems. The prize is organized in partnership with the Museum MACAN in Jakarta. Suci will undertake a six-month residency in Italy, followed by solo exhibitions in 2027 at both Museum MACAN and Collezione Maramotti in Reggio Emilia.

Finding art in the uncanny aesthetics of MAGA

Spielzeug gallery, founded in 2025 in Bushwick by Evan Karas and Eleanor Hicks, opened a pop-up show titled MAR-A-LAGO FACE on May 13 at a former restaurant on Allen Street in New York. The exhibition critiques the plastic-surgery aesthetics associated with Republican figures like Matt Gaetz, Laura Loomer, Kimberly Guilfoyle, and Kristi Noem, featuring works by queer, trans, and Latin American artists. The opening blurred the line between exhibition and party, with a DJ, themed drinks, and a bouncer checking bags.

The Metropolitan Museum of Art Unveils Its Fashion Galleries, Highlighting Fashion’s Place in Museums

The Metropolitan Museum of Art has unveiled the new Condé M. Nast Galleries, a nearly 12,000-square-foot suite of exhibition spaces designed by Brooklyn-based architecture firm Peterson Rich Office. Located adjacent to the museum's Great Hall, the galleries relocate fashion exhibitions from a previously tucked-away basement space to one of the museum's most visible and architecturally significant locations. The new spaces debuted with "Costume Art," an exhibition organized by The Costume Institute and curated by Andrew Bolton, which places roughly 200 garments and accessories in dialogue with 200 artworks from the museum's collection, exploring themes such as "The Classical Body," "The Aging Body," and "The Disabled Body." The design, by architects Miriam Peterson and Nathan Rich, uses a restrained material palette of grey marmorino plaster and oak doors framed by limestone arches to create permanent-feeling yet flexible spaces that harmonize with the museum's historic Beaux-Arts architecture.

How super-skinny red carpet trend at Met Gala clashes with own its body-positive Costume Art show

The Met Gala, organized by Vogue and themed around "costume art," was accompanied by an exhibition of the same name at New York's Metropolitan Museum of Art opening May 10, focusing on the dressed body. While the exhibition has been praised for using inclusive mannequins representing diverse body types—including variously abled, fat, thin, and pregnant forms—the red carpet was criticized for its overwhelming thinness and the involvement of honorary chairs Jeff Bezos and Lauren Sánchez Bezos, who reportedly sponsored the event for $10 million, sparking boycott calls. Fashion commentators like Diet Prada noted the Gala was more poorly received than ever, with some celebrities absent.

Met Inaugurates ‘Costume Art’ for the Spring 2026 Exhibition

The Metropolitan Museum of Art will open 'Costume Art' in spring 2026, a major exhibition that positions fashion as a lens for examining the human body across cultures and history. Housed in a new 12,000-square-foot gallery adjacent to the Great Hall, the show pairs garments from The Costume Institute with ancient statues, artworks, and paintings, organized around thematic body types such as idealized, distorted, exposed, and reclaimed. The exhibition design by Peterson Rich Office uses sheer scrims and varied ceiling heights to create an immersive, interconnected experience.

N.Y.'s Met museum to add Japanese designer Tamae Hirokawa to collection

The Metropolitan Museum of Art in New York will add garments by Japanese designer Tamae Hirokawa to its permanent collection. Seven bodysuits from her signature "Skin Series" line, which explores the concept of seamless knitwear as a "second skin," will be displayed in the spring 2026 Costume Art exhibition. Hirokawa joins fellow Japanese designers Issey Miyake, Rei Kawakubo, and Hanae Mori in the museum's Costume Institute collection. The exhibition, held in new galleries adjacent to the Great Hall, pairs garments with artworks to highlight the relationship between clothing and the body.

The Met's New 'Costume Art' Exhibition Is All About Real Bodies

The Metropolitan Museum of Art has opened a new exhibition titled "Costume Art," curated by Andrew Bolton, which aims to collapse the historical hierarchy between fine art and fashion by focusing on the act of dressing and real bodies. The show features nine new mannequin forms representing pregnant, trans, disabled, and larger bodies, largely absent from traditional fashion displays. Models including musician Yseult, Jade O’Belle, Charlie Reynolds, and designer Michaela Stark were 3D-scanned and translated into physical figures by sculptor Frank Benson, with mirrored faces added by Samar Hejazi to reflect viewers. The exhibition also highlights voices and designers outside the European sphere, and the mannequins will become part of the museum's permanent collection.

INSIDE THE 2026 MET EXHIBITION ON FASHION AS ART

The Metropolitan Museum of Art's 2026 exhibition 'Costume Art' explores how standards of form, modesty, and exposure have evolved across history and cultures. The show is organized into sections examining the classical body, distorted bodies through corsets and bustles, and reclaimed bodies by designers like Rei Kawakubo, Duran Lantink, and Michaela Stark. Another section focuses on the 'Anatomical' and 'Mortal' bodies, highlighting universal experiences such as aging and mortality. Mannequins represent diverse body types—pregnant, plus-size, disabled, and non-conforming—modeled after real people including Sinéad Burke, Aariana Rose Philip, Aimee Mullins, and Yseult, with reflective steel faces designed by artist Samar Hejazi.

Total Museum's 'Somebody Has to Collect It' examines collecting as a responsibility

The Total Museum of Contemporary Art in Seoul has opened "Somebody Has to Collect It," an exhibition featuring works from the collection of French art collectors Catherine and Renato Casciani. Running from April 30 to May 31, the show marks the couple's first major presentation in Korea and inaugurates the museum's new "Collector/tion" project, which reframes collectors not as buyers but as actors at the intersection of capital, memory, and value-making. The exhibition includes 22 artists and collectives, with a focus on video art addressing themes such as precarious labor, state violence, colonial inheritance, climate crisis, and queer intimacy. It is also an official program of the 140th anniversary of diplomatic relations between Korea and France.

Lauren Sánchez Bezos unveils Met’s new exhibit amid gala backlash

Lauren Sánchez Bezos appeared alongside Anna Wintour at a press conference in New York to unveil the Metropolitan Museum of Art's new Costume Art exhibit, which opens May 10 ahead of the Met Gala. Sánchez Bezos and her husband Jeff Bezos are primary sponsors of this year's gala and exhibit, a role that has sparked backlash and a boycott campaign from the activist group Everyone Hates Elon. The exhibit explores themes of the dressed body through garments paired with ancient artifacts, featuring categories like "the naked body," "classic body," and "disabled body."

First Look at the Met’s ‘Costume Art’ Where Every Body Matters, Really

The Metropolitan Museum of Art has unveiled its spring exhibition "Costume Art" in the Condé M. Nast Galleries, featuring around 200 pairings of garments and artworks that trace connections across centuries. The show prioritizes fashion over art, displaying dresses, jeans, body stockings, and bustiers to explore the human form through sections like "Naked and Nude Body," "Corpulent Body," and "Disabled Boy." Chief curator Andrew Bolton emphasizes celebrating body diversity amid threats from AI and politics, with nine individuals—including fashion designer Michaela Stark—scanned to create more realistic mannequins.

Missoula Art Museum opens new exhibit with acclaimed artist

The Missoula Art Museum has opened a new exhibition featuring acclaimed artist Sara Siestreem. Her latest body of work includes large, multi-panel paintings, basket weaving, ceramics, and sculpture, all unified by geometric designs inspired by traditional weaving patterns. A reception was held on opening night, with a second artist talk scheduled for Saturday morning.

Prokofiev Studio: new gallery devoted to the abstract art of Oleg Prokofiev son of the composer & father of composer Gabriel Prokofiev

Composer Gabriel Prokofiev has opened Prokofiev Studio in Hackney, London, a new gallery dedicated to the abstract art of his father, Oleg Prokofiev (1928-1998). Oleg, son of the famed composer Sergei Prokofiev, created abstract works in the 1950s that defied the Soviet Union’s strict socialist realism doctrine. His career was shaped by his relationship with British art historian Camilla Gray, whom he married in 1969 after hiding his art for a decade; she died two years later. Oleg moved to the UK but believed his abstract works lost until a 1994 return to Moscow revealed they had been preserved. The gallery houses Oleg’s archive, including 1950s abstract artworks, letters, sketchbooks, and sculptures, with an inaugural exhibition titled "Bending Time" reconstructing his 1990s studio in Hackney Wick.