IMMA in Dublin is presenting the first Irish solo exhibition of Lebanese sound artist and composer Tarek Atoui, titled "Souffle Continu and Sunflowers." The exhibition opens on February 21, 2026, showcasing Atoui's innovative work in sound, performance, and custom instrument creation, which focuses on the physical experience of listening.
The historic Hopton Hall Estate has opened a new gallery in Ashbourne, England, called the Hopton Hall Gallery. The gallery, housed in an 18th-century building that previously served as a butcher's, clockmaker's, and draper's shop, is the creation of estate owners Chris and Andi Harvey. Its inaugural exhibition, 'Brushed Light: Atmospheric Watercolours,' features works by local artists, and the gallery will host a rotating program of exhibitions and events through at least May 2027.
Paul Kroner, an award-winning contemporary visual artist and gallerist, is presenting his first solo exhibition, "What Have I Done?," at his artist-run gallery, Studio Kroner. The show marks his 25th exhibition at the space and coincides with the gallery's fifth anniversary. Featuring nearly 50 works, some begun as early as 2020, the exhibition reflects on themes of creation, responsibility, and inner life. Kroner purchased the studio in 2021 after it was previously owned by Dick Waller, and the exhibition represents a full-circle moment following the challenges of the COVID-19 pandemic and the 2020 protests in Over-the-Rhine.
On April 20, 2026, the Italy-Mozambique project "A Bridge Made in Art" launched in Maputo, Mozambique, running until June 2027. Sponsored by Italy's Ministry of Culture and the National Museums of Perugia, the initiative includes workshops, exhibitions, and training in contemporary art, involving Mozambican institutions such as Universidade Eduardo Mondlane, Fundação Leite Couto, and Núcleo de Arte. The program is part of the Mattei Plan for Africa, aiming to redefine Italy-Africa relations through cultural cooperation.
The Butler Institute of American Art in Youngstown, Ohio, recently hosted the opening reception for the 31st annual Accessible Expressions Ohio (AEO) exhibition. Featuring over 50 works by artists with disabilities from across the state, the event included live music from The Feral Cats and workshops for the Remember Love Recovery Project. The exhibition, which runs through June 7, showcases winners across various categories including youth, professional, and emerging artists.
The "Yokai Immersive Experience Exhibition Tokyo" has opened at Warehouse Terrada, utilizing projection mapping and 3D technology to bring over 300 supernatural creatures from Japanese folklore to life. The exhibition features digital recreations of historical emaki scrolls and ukiyo-e prints by masters such as Utagawa Kuniyoshi and Katsushika Hokusai, alongside contemporary works from the Yokai Art Museum in Shodoshima.
Art House Gallery in Jersey City is set to host "Expanded Metamorphosis: Contemporary Approaches to Process," a group exhibition curated by Andrea McKenna. Running from April 4 to April 26, 2026, the show features ten artists—including Jan Huling, Valerie Huhn, and Dan Payton—who utilize industrial, organic, and repurposed materials. The collection emphasizes the physical act of creation, showcasing works that have been shaped through rigorous methods of alteration, accumulation, and construction.
The Brooklyn Museum is presenting "Iris van Herpen: Sculpting the Senses," a major exhibition dedicated to the Dutch fashion designer known for her avant-garde, sculptural garments that blend art, science, and technology. The show features over 80 of van Herpen's most iconic creations, alongside works by contemporary artists and scientific artifacts that inspired her designs.
The "Art Macao: Macao International Art Biennale 2025" has unveiled a new public artwork titled "Time Tower" at the Macao Cultural Centre Plaza. Created collaboratively by artists Guan Huaibin (China), Hirotoshi Sakaguchi (Japan), and Kim Sang-yeon (South Korea), the piece commemorates Macao's designation as a "Culture City of East Asia" this year. The biennale features over 30 exhibitions across six sections, including the "Public Art Exhibition" themed "Waves & Ways," which integrates art into Macao's urban fabric. Additionally, the Community Co-Creation and Mutual-Aid Project at San Mei On Building has launched residencies with artists like Jason Ho, Wang Ying, Shen Jialu, and Zhang Xiao, engaging local residents through interactive works.
The Faizi Rahmeen Art Gallery in Karachi, Pakistan, remains unfinished over 35 years after its inception, despite being initiated during the tenure of former MQM Mayor Dr. Farooq Sattar. Construction of the ground-plus-three-storey structure was completed by 1992 at an estimated cost of Rs80 million, but work stalled after the launch of "Operation Clean-Up" against the MQM and the dissolution of the local government. A brief revival in 2007 only saw installation of glass panels and floor tiling; core civil works are only 70% complete, and key systems like electrical, mechanical, revolving stage, and sound system are still pending. The site, formerly the residence of renowned author Atiya Begum and artist Faizi Rahmeen, was donated to the Karachi Metropolitan Corporation (KMC) in trust with the explicit intention of establishing an art gallery. KMC's Culture, Sports and Recreation office now operates from the property, but the gallery itself remains stalled due to lack of political priority for arts and culture.
Descanso Gardens in Los Angeles opens a new exhibition titled “Roots of Cool: A Celebration of Trees and Shade in a Warming World,” co-curated by climate researcher Edith de Guzman and artist Jolly de Guzman. The all-women show features outdoor installations and gallery works that address shade equity—the unequal access to cooling shade across urban neighborhoods. Highlights include Leslie K. Gray’s three-part “Bus Stop” series depicting the climate challenges of female bus riders, Chantée Benefield’s “Cool Canopy” of suspended umbrellas (a recreation after her original was lost in the Eaton fire), and works by Kim Abeles and Diana Kohne inside the Sturt Haaga Gallery and Boddy House.
The next Wilmington Art Loop, a free citywide art exhibition, opens on Friday, June 6, 2025, from 5–9 PM. Now in its 38th year, the event is a partnership between the Mayor’s Office of Cultural Affairs and Out & About Magazine. Participating venues include The Delaware Contemporary (featuring RADIUS and ARC 25 exhibitions), Wilmington’s Redding Gallery (hosting the City of Wilmington Employee Juried Art Show and a display on the Tubman-Garrett statue), The Mezzanine Gallery (showcasing Jen Hintz Eggers), MKT Gallery (presenting Troy Jones’s “Ancestral Echoes: Masks We Wear”), and Bridge Art Gallery. A free shuttle, provided by the City of Wilmington Parks & Recreation Department, will run from The Delaware Contemporary parking lot, with riders voting on additional gallery stops.
Sámi artists from Norway are gaining international recognition, with milestones including the rebranding of the Nordic Pavilion as the Sámi Pavilion at the 2022 Venice Biennale, a major mural by Outi Pieski in Oslo, and a forthcoming Hyundai commission by Maret Anne Sara at Tate Modern. Despite this visibility, decades of advocacy have failed to establish a dedicated Sámi art museum; thousands of works purchased with government funds remain in storage. The Norwegian parliament's recent truth and reconciliation report acknowledged historical injustices, but activists like Synnøve Persen and scholars like Katrine Rugeldal argue that existing institutions are insufficient and that a museum must be built on Sámi terms, potentially nomadic or pan-Nordic.
MASP CONTESTED NARRATIVES BETWEEN REPLICA AND WEAVING
The Museu de Arte de São Paulo (MASP) has opened two simultaneous exhibitions that critically examine how narratives in Latin American art are formed. 'Réplica (Replica)' is a retrospective of Peruvian artist Sandra Gamarra Heshiki, featuring over 70 works that appropriate and alter historical pieces to expose the exclusionary mechanisms of museums. 'Vivir, tejer (Living, Weaving)' presents the collaborative textile work of Claudia Alarcón and the Silät collective, a group of over one hundred Wichí women weavers, foregrounding ancestral knowledge and collective creation.
The College of New Jersey (TCNJ) Art Gallery has opened a new exhibition titled 'What Images,' curated by faculty member and artist John O'Connor. The show features works by nine contemporary artists—including John O'Connor, John Baldessari, and Penelope Umbrico—that examine the nature of image creation and consumption in an era of overwhelming digital proliferation.
The 24th edition of Guatemala’s Bienal de Arte Paiz, titled "The World Tree" and curated by Eugenio Viola, runs until 15 February across 11 venues in Antigua and Guatemala City. It features 46 artists from 30 countries, with 31 commissioned works, making it the largest and longest edition in the biennial's history. The organizing non-profit, Fundación Paiz, has also created its first permanent exhibition venue, which soft-launched with a performance by Cuban artist Carlos Martiel.
The Centro Atlántico de Arte Moderno (CAAM) in Gran Canaria has opened a new group exhibition titled 'Construyendo Colección. Últimas adquisiciones,' featuring five recently acquired works. The show highlights pieces by artists Carlos Garaicoa and Karlo Andrei Ibarra, as well as Canarian artists Esther Aldaz, Teresa Arozena, and Yapci Ramos, presenting a mix of photography, sculpture, and site-specific installation.
Due artisti americani hanno inventato un campo da basket a pedali che ora arriva a Milano per rigenerare le periferie
Artists Marisa Morán Jahn and Rafi Segal, both faculty members at MIT, have brought their 'HOOPCycle' project to Milan for Design Week. The installation consists of a mobile basketball hoop mounted on a cargo bike, designed to transform urban spaces into spontaneous playgrounds and community hubs. This Italian iteration features backboards made from recycled plastic by the design collective IlVespaio and includes a vertical hoop inspired by the ancient Mesoamerican game of pok-ta-pok.
Tokyo City View is hosting 'Leiji Matsumoto Exhibition: A Creative Journey', the first large-scale retrospective dedicated to the legendary manga artist who died in 2023. The show, running until September 7, traces his seven-decade career through original drawings discovered after his death, immersive installations, and recreations of his creative space, highlighting iconic works like 'Space Battleship Yamato', 'Galaxy Express 999', and 'Space Pirate Captain Harlock'.
The Carmen Durazo Cultural Arts Center, in partnership with the Calexico Recreation Department, has launched the "Creative Young Minds" exhibition. The showcase features diverse works including paintings, photography, ceramics, and mixed media from 51 student artists hailing from Calexico, El Centro, Imperial, Brawley, and Mexicali. The opening ceremony was attended by local dignitaries and the Mexican consul, highlighting the cross-border cultural participation of the region's youth.
The Arts Council Korea (ARKO) is accepting applications for its ARKO Art Studio residency program in Seoul, which will host 10 visual artists—six international and four local—for two rounds in 2025. Selected artists receive private studio space in Pyeongchang-dong, cultural tours, mentorship, networking events, and studio visits with curators, culminating in a two-month group exhibition at the ARKO Art Center. The application deadline is February 18, with successful applicants announced on March 11.
An art exhibition called The Crow Gallery is opening in Westport, County Mayo, during the Westival 2025 arts and music festival. Housed in the vacant The Local public house on Castlebar Street, the show features work from local artists with disabilities and participants of an Open Call centered on disability justice. The exhibition explores perceptions of disability, challenges ableism, and aims to spark dialogue about inclusion. It is the first phase of a long-term project to establish a permanent gallery, coffee shop, gift shop, and artist studios where disabled and non-disabled artists collaborate, with people with disabilities leading the space. The project was inspired by local artist Maitiu Quinn and Amber Walsh, and is driven by Anna Wall, who participated in Social Entrepreneurs Ireland's Ideas Academy and a Mayo County Council Arts Office workshop facilitated by artist Kari Cahill.
The City of Boulder has opened applications for local artists to display and sell their artwork at three recreation centers—North Boulder Recreation Center, East Boulder Community Center, and South Boulder Recreation Center—through a 2026 exhibition program. Artists working in painting, photography, mixed media, and other mediums are encouraged to apply by October 8, with selected works displayed for at least one month in these public community hubs.
San Antonio Parks and Recreation, alongside the San Antonio Street Art Initiative, announced the creation of Texas' first-ever street art park at Healy Murphy Park on the East Side. The park features a breakdancing pad with a mosaic designed by J Muzacz and crafted by over 100 community members, San Antonio's first street-art basketball court, and the "Dream Walls"—ten concrete walls that will be painted by 10 local artists during the Oct. 4 opening ceremony. The walls will be repainted annually during LOGIT to keep the park evolving.
The Center for Creativity in Redwood City, California, is launching a new fall series called Art+Sound on Broadway, held on three Sunday afternoons in September and October 2025. The series combines live concerts by local musicians, a juried visual arts exhibition titled "Art of the Community: Redwood City 2025," and hands-on art-making activities led by local artists. Performers include Alex and Maya Valdivia, Melissa Modifer, Andy Z, The Corner Laughers, Ol' Blue Genes, and Redwood Souls, while artists such as Elizabeth Gomez, Gadget, and Corinne Feldman lead community workshops. The series is funded by a grant from the Redwood City Arts Commission and takes place on a pedestrian-only block of Broadway outside the historic Hotel Sequoia, where the Center for Creativity is temporarily housed until 2027.
Auburn Parks and Recreation is hosting the Artist’s Harvest Gallery Reception, Costume Sale and Market on October 9, 2025, from 5:30-8 p.m. at the Jan Dempsey Community Arts Center (JDCAC) in Auburn, Alabama. The event features autumn- and Halloween-themed artwork by local artists, a market with handcrafted goods from JDCAC-affiliated artists, and a costume sale by the Auburn Area Community Theatre. Artists can submit family-friendly works for the exhibition at no cost, with registration closing September 19.
The Palmer Museum of Art at Penn State has opened a new exhibition titled “Shaping American Histories, Dreaming American Futures,” on view through July 27. The show features works that explore diverse American histories, including Billy Morrow Jackson's lithograph “The Tattooed Man,” which references the 1963 Birmingham church bombing. Visitors are invited to contribute reflections on a community response wall, answering questions about the nation's past, present, and future via sticky notes.
The Chungnam Provincial Council is hosting a folk painting exhibition titled "Taking a Rest in Folk Paintings" at Daum Art Hall in its council building from July 1 to July 31. The exhibition features six artists from Hyuhyuhan Minhwa Studio—Kang Mi-ae, Kim Eung-mi, Kim Myung-sook, Koo Min-seo, Park Jin-sook, and Woo Soo-ji—displaying works such as Vase Paintings, Lotus Paintings, Ilwolobongdo, and Tiger Paintings that reflect traditional Korean folk art symbolism.
Bengaluru-based artist Mohit Mahato has opened his debut solo exhibition, "Bring Me Flowers," at an undisclosed venue in Bengaluru. The series features drawings and bookforms that explore the quiet journeys of plants and people amid a rapidly changing urban landscape, with delicate lines and technical accuracy that evoke an ethereal realm. In an interview, Mahato discusses the emotional power of flowers, the role of time and night-time creation, and his choice of drawing as a foundational medium.
A group of military veterans and a historical preservationist have filed a lawsuit to block the construction of the proposed 'Independence Arch' in Washington, D.C. The legal challenge, filed by Public Citizen, argues that the 250-foot structure would obstruct the symbolic views from Arlington National Cemetery toward the capital's historic monuments. The plaintiffs contend the Trump administration is attempting to bypass necessary congressional approvals and federal review processes for the project.