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Mary Lovelace O’Neal, Abstract Painter Who Refused to Conform, Dies at 84

Mary Lovelace O’Neal, an abstract painter known for her gestural, unruly works that defied categorization, died on Sunday in Mérida, Mexico, at age 84. Her galleries, Jenkins Johnson and Marianne Boesky, announced her passing. O’Neal produced sprawling paintings characterized by tangles of drippy strokes, often using lamp black pigment to create intensely black canvases. She rejected labels like Abstract Expressionist or Minimalist, insisting she was simply a painter. Her series "Whales Fucking" (1979) and a 2020 exhibition at Mnuchin Gallery revived her profile, leading to inclusion in the 2024 Whitney Biennial.

Tiny Cranach Painting That Vanished During WWII Returns to Dresden

A miniature portrait of Friedrich III (Frederick the Wise) by Lucas Cranach the Elder, missing since World War II, has been returned to the State Art Collections of Dresden, Germany. The painting was last documented in May 1945 in a limestone quarry shelter near Pockau-Lengefeld before vanishing. It resurfaced in 2024 when consigned to Parisian auction house Artcurial, whose provenance investigation revealed a matching inventory number from 1722–1728. The Dreyfus family in France, the modern owners, returned the work after negotiations and a financial agreement. It is now on view at the Coin Cabinet of the Royal Palace in a special exhibition marking the 500th anniversary of Friedrich III's death, and will later be permanently displayed in the Semper Gallery.

Authorship Dispute Erupts Over ‘Hair Dress’ at the Met’s Costume Institute

British artist Anouska Samms has publicly claimed that the Metropolitan Museum of Art's Costume Institute exhibition "Costume Art" includes a dress, Corpus Nervina 0.0 (2023-24), that was based on her collaborative work with Israeli fashion designer Yoav Hadari. Samms alleges that she co-created the original "Hair Dress" with Hadari in 2023 while both were residents at the Sarabande Foundation, and that the Met initially sought to acquire that piece. After negotiations fell through, Hadari instead provided a similar garment attributed solely to him, prompting Samms to demand proper credit via Instagram posts and through her lawyer.

Tuan Vu Paints Vietnam Through the Haze of Memory and Imagination

Self-taught Vietnamese artist Tuan Vu presents his solo exhibition "Annam" at Kristin Hjellegjerde Gallery in Berlin, featuring paintings that blend memory, imagination, and history. The show includes works such as *Tranquil South* (2026), *A Usual Day* (2026), and *The Official Portrait* (2026), which explore Vu's childhood recollections of Vietnam and the country's colonial past. Vu, who relocated from Ho Chi Minh City to Quebec, Canada, for his studies and now resides there, uses the exhibition's title to reference the term used for Vietnam during Chinese and French colonial periods, highlighting the distance and interpretive nature of memory.

The US pavilion's curator on the controversial choice of Alma Allen for the Venice Biennale

The US pavilion at the Venice Biennale has selected Alma Allen, a Utah-born, Mexico-based sculptor, as its representative artist—a controversial and surprising choice given his relative obscurity compared to past pavilion artists. The selection process was unusually fraught: the first artist chosen was dropped before official announcement, and the announcement was delayed by the US government shutdown. The pavilion's curator, Jeffrey Uslip, discusses the exhibition titled "Call Me the Breeze," which will feature Allen's sculptures in stone, bronze, and wood that appear to defy their own weight, emphasizing artistic autonomy despite the State Department's framing of the choice as showcasing "American excellence."

Alma Allen’s US Pavilion Is One of the Emptiest Shows at the Venice Biennale

Alma Allen represents the United States at the 2026 Venice Biennale with a subdued, apolitical exhibition inside the US Pavilion. The show features roughly 25 sculptures—mostly in bronze, wood, and stone—many titled "Not Yet Titled," and deliberately avoids overt political messaging. This marks a stark departure from the previous two US pavilions, curated by Simone Leigh (2022) and Jeffrey Gibson (2024), which directly confronted colonialism and empire. The Trump administration’s call for proposals explicitly asked for work that "reflects and promotes American values," and Allen’s presentation has been criticized as safe, unremarkable, and lacking the incisive edge of contemporary American art.

Artist Mel Kendrick Is Mining New Possibilities From Wood and Color

American artist Mel Kendrick, who began his career in the early 1970s integrating Minimalism and architecture, presents his ninth solo exhibition at David Nolan Gallery in New York. Titled “Mel Kendrick: Tilt,” the show runs through June 6, 2026, and features new and recent wood sculptures alongside older works, including pieces like *Walnut Shelf* (2026), *Gemstone* (2026), and *Yellow Drum* (2025). Kendrick works without pre-planning, allowing the material to guide his process, and treats color as a material with its own weight, inspired by Gothic and medieval architecture.

Lévy Gorvy Dayan Bets on Urgency With New LGD Hammer Sales Platform

Lévy Gorvy Dayan has launched LGD Hammer, a new sales platform that blends gallery exhibition with auction-style urgency. The first work offered is Willem de Kooning's *Milkmaid* (1984), estimated at $10–$15 million, which will be on view by appointment from May 2 until the sale on May 16. Gallery cofounder Dominique Lévy will serve as auctioneer, drawing on her Christie's experience, while bidding occurs by phone with online observation. Cofounder Brett Gorvy emphasized the platform is not a market overhaul but a response to slowed private sales and cautious collectors who still respond to competitive pressure.

Isabel Nolan’s Work Challenges Everything We Think We Know About Creativity

Artist Isabel Nolan recently discovered she has aphantasia, a rare neurological condition that prevents her from visualizing mental images. Despite this, Nolan has built a successful career creating abstract sculptures, drawings, and tapestries, and her work is featured in the Irish Pavilion at the Venice Biennale. Her exhibition, "Dreamshook," explores themes of imagination versus reality and draws inspiration from late medieval history and the printer Aldo Manuzio.

Fraenkel Gallery Partners with New York’s Metrograph for Artist-Curated Series

Fraenkel Gallery has partnered with New York's Metrograph theater to present a film series curated by six of its represented artists. The series, titled "Fraenkel Gallery Presents," runs from May 8–17, with each artist selecting a film and several introducing their screenings. The collaboration includes an opening event featuring artist Carrie Mae Weems and director Joel Coen.

Barbara Chase-Riboud Says She Declined US Pavilion Offer Because It Was ‘Not the Moment’

Sculptor Barbara Chase-Riboud has revealed she declined an offer to represent the United States at the 2025 Venice Biennale, stating that for her, "this was not the moment." The offer was made by the American Arts Conservancy, the nonprofit organization commissioning the US Pavilion. The revelation comes amid ongoing scrutiny of the selection process that ultimately led to artist Alma Allen being chosen, following reports that the Trump administration removed diversity language from application materials.

The Netherlands is confronting its history of Nazi occupation – but many stolen objects remain unreturned

Arthur Brand, a Dutch art detective, was contacted by a man who discovered that his family descended from Hendrik Seyffardt, a high-ranking Nazi collaborator, and that a painting looted from Jewish art dealer Jacques Goudstikker remained in their possession. The painting, Toon Kelder's *Portrait of a Young Girl*, had hung in a relative's home near Utrecht for years. The family, who changed their name after WWII, handed the painting to Brand after the story broke in Dutch media, expressing shame and outrage over the silence surrounding their history.

‘I told his family he was HIV positive’: Keith Haring’s best friend on life with the artist as unseen works go on show

A collection of unseen Keith Haring works, including a crib he painted for his best friend's unborn child, is going on display at Sotheby's New York before being auctioned in May 2025. The collection belongs to Kermit Oswald, Haring's childhood friend, and features 20 works, with a 1985 self-portrait estimated at $3m-$5m and the crib valued at $250,000-$350,000. Oswald shares intimate stories of their friendship, from childhood pranks in Kutztown, Pennsylvania, to their move to New York to study at the School of Visual Arts, and Haring's later collaboration with William Burroughs.

Salon review – like getting to know fascinating guests at a fabulous party

The article reviews a salon-style exhibition curated by Matthew Higgs, director of New York's White Columns gallery, at an unnamed gallery space. The show features 43 paintings by a diverse group of artists including Denzil Forrester, Andrew Cranston, Kaye Donachie, Merlin James, Margot Bergman, Gillian Carnegie, Bill Lynch, and Adam Keay, arranged around mismatched chairs facing white windows painted on the walls. The reviewer describes moving through the space, engaging with individual works, and highlights the eclectic, unthemed curation that prioritizes personal taste and conversation over academic or political messaging.

Ghosts, nudes and lesbian pageant queens: highlights from NYC’s Photography Show – in pictures

Aipad: The Photography Show is taking place at the Park Avenue Armory in New York from April 22-26, 2026, featuring works from over 70 galleries. The exhibition highlights include Bill Brandt's 1952 nude, Rania Matar's portrait of a young woman in Lebanon, and Zanele Muholi's 2009 portrait of a lesbian pageant queen, alongside works by Tania Franco Klein, Ruth Thorne-Thomsen, and others that explore themes of identity, anxiety, and alternative realities.

City Life Org - New York Art World Celebrates Angela Davis, Amy Sherald, Clara Wu Tsai, Crystal McCrary, Raymond McGuire at Awards Dinner in NYC

The Gordon Parks Foundation held its annual Awards Dinner and Auction at Cipriani 42nd Street in New York City, raising nearly $2 million to support its mission of social justice through the arts. The gala honored a distinguished group of changemakers, including activist Angela Davis, painter Amy Sherald, philanthropist Clara Wu Tsai, producer Crystal McCrary, and businessman Raymond McGuire. Hosted by Kaseem Dean (Swizz Beatz) and Executive Director Peter W. Kunhardt, Jr., the event celebrated the enduring legacy of Gordon Parks and his commitment to documenting and advancing civil rights.

Bruno Bischofberger stirbt im Alter von 86 Jahren

Bruno Bischofberger, the influential Swiss gallerist and art collector, has died at age 86. His gallery announced the news. Bischofberger was a key figure in the international art trade, known for introducing American post-war art to Europe. He formed a close partnership with Andy Warhol, who granted him a lifelong first-refusal right on his works. In 1984, Bischofberger initiated the collaboration between Warhol and Jean-Michel Basquiat, and also facilitated joint works with Francesco Clemente. He opened his first gallery in Zurich in 1963, showing artists like Roy Lichtenstein, Robert Rauschenberg, Claes Oldenburg, and Gerhard Richter, and later expanded to Männedorf and St. Moritz.

Ralph Lemon: The Physical Traces of Racism

Ralph Lemon's exhibition at Paula Cooper Gallery presents 13 black-and-white photographs and three short videos focusing on sites in the Mississippi Delta connected to the 1955 lynching of Emmett Till. Rather than dramatizing the incident, Lemon records physical traces of the locations—such as Bryant's Grocery and Meat Market, the barn where Till was killed, the Tallahatchie River, and a funeral home—capturing dilapidated buildings and landscapes that suggest history slipping away. The show includes the titular video "From Out of Space" (2018–21), which offers closeups and drone footage of these sites, creating a meditative, detective-like examination of memory and erasure.

Khaled Sabsabi on Representing Australia at the 61st Venice Biennale

Khaled Sabsabi, the artist representing Australia at the 61st Venice Biennale (2026), will exhibit works both in the Australia Pavilion in the Giardini and in the main Biennale exhibition titled "In Minor Keys." His pieces explore spirituality, migration, and shared humanity through Tasawwuf (Sufi) sensibilities, emphasizing flux and collective experience. Sabsabi is the first Australian artist to have work in both the national pavilion and the main exhibition in the same year, and he honors the curatorial vision of the late Koyo Kouoh.

At Frieze New York With the Art-World Elite

Frieze New York 2026 opened at the Shed with 68 galleries from 26 countries, marking the fair's 15th year. The event drew art-world elite including curators, gallery owners, and advisers, with notable attendees such as Paulina Kolczynska, Jim Kelly, Larry Ossei-Mensah, and Ludlow Bailey. Latin American and African galleries had a strong presence, and conversations highlighted increased diversity and representation from the Global South. The fair is part of a broader art sprint that includes the Whitney and Venice Biennials, TEFAF, and the Independent Art Fair.

Theatre, production, performance: fashion invests in art

Fashion houses like Chanel are increasingly investing in contemporary art, not merely as inspiration for prints or patterns but as a strategic tool for brand positioning and cultural credibility. Gallery owner Tristan Paprocki, who recently opened a Milan space with partner Guido Romero Pierini, notes that brands now seek out emerging artists to demonstrate foresight and support new talent. Chanel has collaborated with Berlin's Hamburger Bahnhof museum for large-scale installations by artists such as Klára Hosnedlová and Lina Lapelytė, and has announced ten artists for the third edition of its Next Prize 2026, including Bárbara Sánchez-Kane, Pan Daijing, and Álvaro Urbano. These artists work across fashion, sculpture, and performance, blurring the lines between clothing and contemporary art.

A Time of Transition

During the preview week of the 61st Venice Biennale, escalating protests targeted the national pavilions of Israel and Russia, with demonstrations by Pussy Riot, ANGA (Art Not Genocide Alliance), and Baltic pavilions. A major protest on May 8 drew over 3,000 people in solidarity with Palestine, and 27 national pavilions—including Austria, the Netherlands, France, and Japan—staged a strike, the first at the Biennale since 1968. The Golden Lion jury resigned after declaring they would not consider countries under ICC investigation (Israel and Russia), and the Biennale administration replaced the prize with a visitors' award, from which half the artists in the main exhibition have withdrawn.

FAD News: Trevor Paglen to co-curate Zero 10 at Art Basel Basel 2026.

Art Basel 2026 has announced that artist Trevor Paglen will co-curate the latest edition of Zero 10, the fair's global initiative dedicated to digital art, alongside digital art strategist Eli Scheinman. Making its debut at Art Basel's flagship Swiss edition, Zero 10 will take over the Event Hall on Messeplatz from June 17–21, 2026, with a Preview Day on June 16. The expanded presentation will feature 19 exhibitors showcasing artists working at the forefront of digital, generative, and media-based practices, and is themed "The Condition," examining life within algorithmic systems and AI. Highlights include works by Hito Steyerl, Avery Singer, Andreas Gursky, Vera Molnar, Ryoji Ikeda, John Gerrard, and Rafael Lozano-Hemmer, presented by galleries such as Hauser & Wirth, Marian Goodman Gallery, Sprüth Magers, Esther Schipper, Almine Rech, bitforms gallery, Art Blocks, and HEK (Haus der Elektronischen Künste).

Seattle Art Museum continues Alexander Calder exhibition series

The Seattle Art Museum (SAM) has announced a new exhibition, "Monochrome: Calder and Tara Donovan," as part of its ongoing Calder at SAM initiative. Opening May 13, 2026, and running through January 17, 2027, the show is co-curated by artist Tara Donovan and Catharina Manchanda, SAM's Jon and Mary Shirley Curator of Modern and Contemporary Art. It explores how both Alexander Calder and Donovan use monochrome—particularly black—to examine materials, movement, and perception. Donovan's works from five series, including installations made from tar paper and Mylar, will be displayed alongside two of Calder's matte black pieces: the mobile "Jacaranda" (1949) and the stabile "Mountains" (1976).

Art Basel announces Trevor Paglen as co-curator of Zero10’s Swiss edition

Art Basel has announced that artist Trevor Paglen and digital art strategist Eli Scheinman will co-curate the third edition of Zero10, the fair's initiative dedicated to digital art, at its flagship Swiss edition in Basel from June 17–21, 2026 (with a preview on June 16). The presentation will feature 20 exhibitors, including major galleries such as Hauser & Wirth, Marian Goodman, and Sprüth Magers, and will be freely accessible to the public in the Event Hall on Messeplatz. The curatorial theme, "The Condition," explores life in a world saturated by digital imagery, computational systems, and artificial intelligence, bringing together historical and contemporary voices across digital, generative, and media art.

6 Rising Artists to Watch at This Year’s Venice Biennale

The article profiles six rising artists at the 2026 Venice Biennale, focusing on Sung Tieu and Gala Porras-Kim. Tieu transforms the German Pavilion with a tile shell recreating a former housing complex for Vietnamese contract workers, while inside she scatters chocolate ladybugs as a symbol of occupation. Porras-Kim presents work in the Arsenale examining 'institutionally defined damage' and how decay can realign objects with their natural state.

34 Of The Best London Art Exhibitions To See In May 2026

The article highlights 34 of the best London art exhibitions to see in May 2026, focusing on three major shows: the V&A's 'Schiaparelli: Fashion Becomes Art', the first UK exhibition dedicated to designer Elsa Schiaparelli; Tate Modern's 'Tracey Emin: A Second Life', the largest retrospective of the YBA artist's 40-year career; and the Design Museum's 'NIGO: From Japan with Love', a retrospective of Japanese creative NIGO spanning over 700 objects. These exhibitions showcase fashion, contemporary art, and street culture, with the V&A show running until November, Tate Modern until August, and the Design Museum until October.

We visited the 2026 Venice Art Biennale: the exhibitions and pavilions you shouldn’t miss

The 2026 Venice Art Biennale has opened across the Giardini, Arsenale, and venues throughout the city, with geopolitics, climate collapse, and national identities dominating the exhibitions. Notable pavilions include Austria's "Seaworld Venice" by Florentina Holzinger, the Czech and Slovak Pavilion's "Il Silenzio della Talpa" by Jakub Jansa and Selmeci Kocka Jusko, India's "Geographies of Distance: remembering home" featuring multiple artists, and the Taiwan Pavilion's "Screen Melancholy" by Li Yi-Fan. The Russian Pavilion has become a focal point of controversy, with guards and empty beer bottles outside, and the Pussy Riot collective staging a protest nearby.

How Sweden Built One of Europe’s Most Stable Art Markets

The article examines Stockholm's art scene and its role in building one of Europe's most stable art markets. It highlights Market Art Fair, the city's main contemporary fair founded in 2006 by Nordic galleries, which has become the leading commercial art fair in the region and the anchor of Stockholm Art Week. The piece profiles several galleries, including Steinsland Berliner and ISSUES Gallery, and artists such as Linnéa Sjöberg and Arvida Björström, whose work explores identity, digital culture, and emotional labor. The scene is described as small but lively, with galleries collaborating closely and collectors showing patience.

The 61st Venice Biennale: 'artists who confront difficult realities in unusual ways' at Palazzo Grassi and the Punta della Dogana

Curators Emma Lavigne and Jean-Marie Gallais have organized exhibitions for the Pinault Collection at Palazzo Grassi and Punta della Dogana during the 61st Venice Biennale, featuring artists Lorna Simpson, Paulo Nazareth, Michael Armitage, and Amar Kanwar. The shows respond to global tensions, with Nazareth using salt to trace a ghost ship referencing the slave trade, and Simpson creating nocturnal paintings and collages from Ebony and Jet magazines that explore identity and history. The exhibitions are part of the Biennale's broader global outlook, engaging with Venice's mercantile past and contemporary migration routes.