According to the Turner Prize, one of the year’s best British artists is… French

The 2026 Turner Prize shortlist has been announced, featuring four nominees including French-born artist Marguerite Humeau, who is considered the front-runner despite the award's requirement of honoring a "British artist." Humeau, known for her futuristic biomorphic sculptures made from unusual materials like wasp venom and seaweed, lives in London but was born and raised in the Loire Valley. Other nominees include London-born Kira Freije, Simeon Barclay for his spoken-word performance "The Ruin," and Tanoa Sasraku, whose ICA show is described as "dreary" by the critic. The winner will be announced at Middlesbrough Institute of Modern Art in December.

Magazzino Italian Art to feature works by pivotal figure of 1960s Arte Povera movement

Magazzino Italian Art in Cold Spring, New York, is launching a major exhibition titled “Tutto Boetti 1966–1993,” dedicated to the influential Arte Povera artist Alighiero Boetti. The show features approximately 30 works, including large-scale sculptures like the 1966 'Pavimento Luminoso' and his signature textiles, tracing his career from his 1967 debut in Turin to his final years. The museum will also host a symposium in collaboration with the Fondazione Alighiero e Boetti to discuss the artist's enduring legacy.

Two Exhibits, Four Artists and a Lot to Think About

The Maude Kerns Art Center is currently hosting two concurrent exhibitions, "Witness: Earth & Sky" and "Consume & Dispose," curated by Liberty Rossel. The shows feature the work of four artists—Rich Bergeman, Amanda Thomas, Rolf Huber, and Jennifer Bucheit—whose practices converge on themes of environmental stewardship, colonial history, and social justice. From Bergeman’s infrared photography documenting indigenous Kalapuya lands to Thomas’s use of toxic mine drainage in her ceramic glazes, the works utilize specific materials and historical research to challenge viewers' perceptions of the landscape and industrial impact.

Georges Rouault: Memories of the Artist’s Studio | Panasonic Shiodome Museum | Art in Tokyo

The Panasonic Shiodome Museum in Tokyo is set to host "Georges Rouault: Memories of the Artist’s Studio," an exhibition drawing from the museum’s extensive collection of approximately 270 works. The show features a chronological exploration of Rouault’s career, specifically highlighting recent acquisitions from his Fauvist period and a partial reconstruction of his final Paris studio using original tools and materials.

The Prizes

Los premios

Artist Gala Berger presents a three-act exhibition titled "Los premios" (The Prizes), which revisits the radical spirit of the 1968 Latin American avant-garde. The show specifically references two historic 1968 exhibitions at the National Museum of Fine Arts in Buenos Aires—the Georges Braque Prize and "Materials, new techniques, new expressions"—where artists staged protests involving egg-throwing, stink bombs, and manifestos against censorship and institutional tutelage.

MCA Chicago show explores the power of Dancehall and Reggaeton

The Museum of Contemporary Art Chicago has launched "Dancing the Revolution: From Dancehall to Reggaetón," an interdisciplinary exhibition exploring the political and cultural impact of Caribbean music genres. Curated by Carla Acevedo-Yates, the show was inspired by the 2019 "perreo combativo" protests in Puerto Rico that led to the governor's resignation. The exhibition features a diverse array of media, including paintings by Jean-Michel Basquiat and Denzil Forrester, sculptures by Michael Richards, and archival materials like Dancehall posters and sound system equipment.

Bridgeport Gallery Hosts Emerging Artists, Brings in ‘Big Deal’ Curator for October Show

Artist Linda Colletta has transformed her studio practice within Bridgeport’s historic American Fabric Arts building, a former lace factory, by blending painting with labor-intensive weaving. Drawing inspiration from the site’s industrial history and the teachings of Bauhaus artist Anni Albers, Colletta repurposes drop cloths and tears apart her own canvases to weave them back together. Her recent work explores the materiality of paint and the concept of "Thought Forms," a visual language for emotions influenced by early 20th-century Theosophy.

From fields to fire: Lee Bae brings 30 years of charcoal art to Museum SAN

South Korean artist Lee Bae has opened a major solo exhibition titled "En attendant" at Museum SAN in Wonju, marking the first time the institution has dedicated its entire grounds to a single Korean artist. The retrospective spans thirty years of Lee’s career, showcasing his deep engagement with charcoal as a medium that bridges his heritage as a farmer’s son with the traditions of East Asian ink painting. The exhibition features monumental sculptures, installations, and video works that transform the museum’s indoor and outdoor spaces into a meditative journey.

Blood, mud and cobwebs create ache of heartbreak at Asian Art Museum

Artist Rina Banerjee has opened a major solo exhibition, "Make Me a Summary of the World," at the Asian Art Museum in San Francisco. The immersive installation features fantastical sculptures and environments constructed from materials like blood-red resin, mud, feathers, and synthetic cobwebs, exploring themes of migration, colonialism, and diaspora.

TCNJ exhibit ‘What Images’ explores the art-making process in a world of digital saturation

The College of New Jersey (TCNJ) Art Gallery has opened a new exhibition titled 'What Images,' curated by faculty member and artist John O'Connor. The show features works by nine contemporary artists—including John O'Connor, John Baldessari, and Penelope Umbrico—that examine the nature of image creation and consumption in an era of overwhelming digital proliferation.

Open Studio #4 ARNALDO POMODORO. Places, Memories and Visions

Open Studio #4 ARNALDO POMODORO. Luoghi, memorie e visioni

Fondazione Arnaldo Pomodoro has launched the fourth edition of its "Open Studio" exhibition series, titled "Luoghi, memorie e visioni." This recurring program, initiated in 2022, provides the public with intimate access to the sculptor’s creative process by showcasing lesser-known themes and archival materials from his long career. The current iteration focuses on the intersection of memory and physical space within Pomodoro's monumental practice.

HOW TO READ A POROUS WORK AT PINTA LIMA 2026

Casa Miraflores presents the RADAR section titled "Porous Systems" at Pinta Lima 2026, curated by Ilaria Conti. The section features Guatemalan center La Galería Rebelde and artist Angélica Serech, whose textile works draw from Maya Kaqchikel knowledge, alongside artists Diana Eusebio, Luciano Giménez, Alberto Casari, and Carlos Luis "Pajita" García Bes. The exhibition explores permeability, process, and the meeting of inherited knowledge with contemporary languages.

DANCING OUR PROBLEMS LATIN AMERICAN PRESENCE AT MOCA S ART ON THE PLAZA 2026 AWARDS IN MIAMI

Peruvian multidisciplinary artist Joan Jiménez Suero, known as Entes, has been named one of three winners for the Museum of Contemporary Art North Miami’s (MOCA) Art on the Plaza 2026. His winning installation, "Bailando Nuestros Problemas" (Dancing Our Problems), features kinetic metal sculptures inspired by Afro-Peruvian traditions and salsa culture. The work, which officially opens on April 15, 2026, transforms rigid industrial materials into fluid figures of musicians and dancers to celebrate the resilience of the Latin American diaspora.

Kazuhito Kawai & Alexa Kumiko Hatanaka "Tsuitayo: Becoming by Making" @ KOTARO NUKAGA (Roppongi)

川井雄仁&アレクサ・クミコ・ハタナカ「ついたよ：Becoming by Making」@ KOTARO NUKAGA（六本木）

Artists Kazuhito Kawai and Alexa Kumiko Hatanaka are presenting a joint exhibition titled "Tsuitayo: Becoming by Making" at KOTARO NUKAGA in Roppongi, Tokyo. Running from March 14 to April 10, 2026, the show features Kawai’s expressive ceramic sculptures alongside Hatanaka’s textile-based works, including her signature "Noren" and "Tabi" pieces. The exhibition highlights a dialogue between Kawai’s tactile, often grotesque ceramic forms and Hatanaka’s exploration of heritage and craft through traditional Japanese materials.

Rocío Sáenz: Wild Order

ROCÍO SÁENZ: ORDEN SALVAJE

Mexican artist Rocío Sáenz presents "Orden salvaje" (Wild Order) at the Museo de las Artes de la Universidad de Guadalajara (MUSA), an exhibition featuring over 60 works created over three years. Spanning painting, ceramics, photography, and drawing, the collection explores the tension between beauty and horror, specifically addressing the harrowing reality of forced disappearances in Mexico. The exhibition is designed as an open studio, showcasing the artist's creative process alongside finished pieces that utilize black humor and satire to navigate themes of death and reconstruction.

This art exhibition in Delhi evokes nostalgia around the houses we once lived in

An exhibition titled 'Houses I Almost Lived In' is currently on view at Latitude 28 gallery in Delhi's Defence Colony, running until May 25. The show brings together works by five artists—Shalina Vichitra, Pooja Iranna, Raj Jariwala, Samit Das, and Mahen Perera—who explore how architecture, memory, and belonging intertwine. Through layered cartographies, cement grids, stitched forms, and material fragments, the artists evoke nostalgia for the houses and spaces we once inhabited, examining how physical structures persist in personal and collective memory long after they vanish.

Milan Design Week 2026: A Guide to What to See in the Isola District (Celebrating its 10th Anniversary)

Milano Design Week 2026: guida sulle cose da vedere al distretto di Isola (che compie 10 anni)

The Isola Design Festival is celebrating its 10th anniversary during Milan Design Week 2026 with the theme "TEN: The Evolving Now." Originally founded to provide an affordable platform for independent and young designers, the festival has expanded from a local neighborhood initiative into a global organization with a permanent presence in Dubai. The 2026 edition centers on the historic Fabbrica Sassetti, a 1930s wool mill, alongside various venues across the Isola district including Fondazione Catella and Stecca3.

Trees are a model to follow: A festival in Modena confirms it

Gli alberi sono un modello da seguire. A Modena c’è un festival che lo conferma

The Alberi Festival in Modena transforms the Villaggio Artigiano Ovest into an open-air laboratory focused on the intersection of botany, architecture, and urban planning. Inspired by the seminal 1960s research of Cesare Leonardi and Franca Stagi, the event features exhibitions, installations, and discussion tables centered around the "Officina Botanica," an experimental green regeneration project housed in a former industrial warehouse.

François Ozon’s 'The Stranger': A Film Between Surface Aesthetics and Political Reinterpretation

“Lo straniero” di François Ozon. Un film tra estetica delle superfici e rilettura politica

Director François Ozon has adapted Albert Camus’s existentialist masterpiece 'The Stranger' into a new feature film, premiering at the 82nd Venice Film Festival. Shot in stark black and white by cinematographer Manuel Dacosse, the film departs from the 1967 Luchino Visconti adaptation by leaning into a cold, clinical aesthetic inspired by Michelangelo Antonioni. The narrative follows Meursault, an emotionally detached clerk in colonial Algiers, whose impassive reaction to his mother's death and the subsequent senseless murder of an Arab man leads to his legal and moral condemnation.

We Interviewed Pixar's Historic Archivist: The History and Secrets of the Legendary Production House

Abbiamo intervistato la storica archivista della Pixar: storia e segreti della mitica casa di produzione

Christine Freeman, Senior Historian and Archivist at Pixar Animation Studios, provides an inside look at the evolution of the pioneering animation house. The interview traces Pixar's origins from Ed Catmull’s early work at Lucasfilm and the development of the Pixar Image Computer to the pivotal meeting with animator John Lasseter and the eventual acquisition by Steve Jobs. Freeman details the preservation of early CGI milestones, including the first computer-animated short, 'The Adventures of André & Wally B.', and the transition from proprietary secrets to open-source contributions like RenderMan.

Patricia Fernandez at Whistle

Artist Patricia Fernandez presents a solo exhibition titled "A constellation of its other" at Whistle in Seoul. The exhibition, which runs from March 20 to May 2, 2026, features a body of work documented through extensive installation photography by Ian Yang and is supported by Commonwealth and Council in Los Angeles.

Roar materials: the ‘uncanny’ art of dinosaur puppetry – in pictures

The Australian puppetry company Erth is preparing for a new immersive dinosaur show at the Sydney Opera House. The article provides a behind-the-scenes look at their workshop in Marrickville, where a team of artists and designers hand-craft highly realistic, large-scale dinosaur puppets using animatronics, 3D printing, and traditional craftsmanship.

Oviedo to host the world's first philosophy museum

Oviedo accueillera le premier musée de philosophie au monde

The Gustavo Bueno Foundation has announced plans to open the world's first museum of philosophy in Oviedo, Spain, scheduled for January 2027. Housed in the historic Miñor sanatorium, the institution will serve as a physical extension of the Oviedo School of Philosophy, focusing on the "philosophical materialism" developed by the late thinker Gustavo Bueno. The museum aims to move beyond academic circles to engage the general public in critical thinking and the rigorous analysis of social structures.

Gaylen Gerber at Hans Goodrich

Artist Gaylen Gerber presented a solo exhibition at Hans Goodrich gallery in Chicago from April 4 to May 17, 2026. The show featured his work "Support" (n.d.), an installation of cremated remains, a felt pen, and a zipper bag, alongside a 1990 painting by Georg Herald.

Gaylen Gerber at Hans Goodrich

Artist Gaylen Gerber presented a solo exhibition at Hans Goodrich gallery in Chicago from April 4 to May 17, 2026. The show featured his work "Support" (n.d.), an installation using cremated remains, a felt pen, and a zipper bag, alongside a 1990 painting by Georg Herald.

Stained Glass Objects by Pia Hinz Reflect the Contrast Between Strength and Fragility

Artist Pia Hinz creates sculptures of tools and objects from construction and farming sites using stained glass, transforming items like hammers, screws, and tractor doors into fragile, light-filled artworks. Her work, developed during a 2024 residency at La Menuiserie 2, subverts the utilitarian nature of these forms, exploring the interplay between strength and vulnerability, and questioning the use value and narrative potential of everyday objects.

Marvel at Manabu Kosaka’s Hyperrealistic Paper Sculptures of Retro Objects

Japanese artist Manabu Kosaka creates hyperrealistic, scale replicas of everyday and retro objects using only paper. His meticulously crafted sculptures—ranging from 35mm film cameras and vintage transistor radios to luxury wristwatches and fast food—feature functional internal components like gears, levers, and moving hatches that mimic the mechanics of the original items.

Alex Thake “I Know This Much is True” at Triangolo, Cremona

Alex Thake presents a solo exhibition titled "I Know This Much is True" at Triangolo gallery in Cremona. The show features new works by the artist, continuing his exploration of material and conceptual themes.

Echoes from the Margins: Guinea’s Debut Pavilion Resonates in Venice.

Guinea has presented its first-ever national pavilion at the 61st Venice Biennale. Titled 'Le Son de l’Art,' the exhibition is installed on the island of San Servolo and is curated by Koyo Kouoh, featuring a multidisciplinary group of artists exploring memory, materiality, and postcolonial identity.

‘Apoi’ and Weaving What Remains

Ugandan artist Acaye Kerunen presents her first solo museum exhibition in Germany, titled 'Apoi,' at the Kunstmuseen Krefeld. The show, installed across the modernist spaces of Haus Lange and Haus Esters, features handwoven textiles, sculpture, sound, and film that draw on Indigenous knowledge systems and intergenerational exchange. It is part of the museum's ongoing 'HL HE Dialog: What Comes After Art' series.