Kazuhito Kawai & Alexa Kumiko Hatanaka "Tsuitayo: Becoming by Making" @ KOTARO NUKAGA (Roppongi)

川井雄仁&アレクサ・クミコ・ハタナカ「ついたよ：Becoming by Making」@ KOTARO NUKAGA（六本木）

Artists Kazuhito Kawai and Alexa Kumiko Hatanaka are presenting a joint exhibition titled "Tsuitayo: Becoming by Making" at KOTARO NUKAGA in Roppongi, Tokyo. Running from March 14 to April 10, 2026, the show features Kawai’s expressive ceramic sculptures alongside Hatanaka’s textile-based works, including her signature "Noren" and "Tabi" pieces. The exhibition highlights a dialogue between Kawai’s tactile, often grotesque ceramic forms and Hatanaka’s exploration of heritage and craft through traditional Japanese materials.

WAYS OF REMEMBERING YAHUARCANI AND MUNOZ AT MASP

The Museu de Arte de São Paulo (MASP) is currently presenting two distinct exhibitions that explore memory, identity, and historical violence in Latin America. 'Santiago Yahuarcani: The Beginning of Knowledge' features 35 works by the Peruvian artist that weave together Uitoto cosmology with the traumatic history of the Amazon rubber boom, while 'Video Room: Oscar Muñoz' showcases three video works by the Colombian artist that use ephemeral materials to reflect on political disappearance and the instability of the image.

Marvel at Manabu Kosaka’s Hyperrealistic Paper Sculptures of Retro Objects

Japanese artist Manabu Kosaka creates hyperrealistic, scale replicas of everyday and retro objects using only paper. His meticulously crafted sculptures—ranging from 35mm film cameras and vintage transistor radios to luxury wristwatches and fast food—feature functional internal components like gears, levers, and moving hatches that mimic the mechanics of the original items.

Kazuko Miyamoto @ Take Ninagawa

宮本和子 @ Take Ninagawa

Kazuko Miyamoto is the subject of a comprehensive solo exhibition at Take Ninagawa in Tokyo, running from February 14 to April 11, 2026. The showcase features a diverse array of the artist's signature string constructions, maquettes, and drawings, spanning several decades of her career from the early 1970s through the late 2000s. Key works on display include her intricate string maquettes from 1973 and large-scale geometric explorations like "Study of Lines in Ring #3" and "Mariana."

ARTS AND HUMANITIES: Aiken Center for the Arts exhibition focuses on the shaping of identity

Artist Lucy Bailey is presenting a solo exhibition titled "Roots and Wings" at the Aiken Center for the Arts, running through April 29. The show features nearly 50 mixed-media works created on vintage early 20th-century infant gowns, exploring the complex origins of human identity through themes of genetics, genealogy, community, and nature. Bailey utilizes diverse materials—ranging from DNA-inspired patterns and family photographs to resin-dipped cicada wings—to symbolize the foundational "roots" of selfhood and the "wings" of individual expression.

Devlin Starr Memorial Art Award Opens Applications for Emerging Multimedia Artists

The Huntington Arts Council has officially opened applications for the 2026 Devlin Starr Memorial Art Award, a $3,000 grant designed to support emerging multimedia artists between the ages of 18 and 28. Established to honor the legacy of the late artist Devlin Starr, who passed away in 2025, the award provides financial assistance for materials, studio space, and equipment. Applicants are required to submit a portfolio of recent work and a personal statement by the May 8 deadline.

Jazlyne Sabree at Rowan University Museum of Contemporary Art

Philadelphia-based artist Jazlyne Sabree has debuted her solo exhibition, "The Spectrum of Resilience," at the newly rebranded Rowan University Museum of Contemporary Art (RUMOCA) in Glassboro, New Jersey. The show features large-scale, textured collages that utilize paint, paper, and found materials to portray members of the African Diaspora as spiritual figures and vessels of memory. The exhibition includes three new works and is scheduled to run through July 30, 2026.

Admiring memories and more in Rollins museum’s ‘Souvenir’

The Rollins Museum of Art has unveiled "Souvenir," a new exhibition that explores the intersection of physical objects and personal or collective memory. Featuring works such as Cruz Castillo’s "Loss Came First"—a piece constructed from discarded lottery tickets—the show examines how everyday items, from kitsch keychains to historical relics, serve as vessels for nostalgia and reminders of the past.

Admiring memories and more in Rollins museum’s ‘Souvenir’

The Rollins Museum of Art has launched "Souvenir," a thematic exhibition that explores the intersection of physical objects and personal or collective memory. Featuring works such as Cruz Castillo’s "Loss Came First"—a piece constructed from discarded lottery tickets—the show examines how everyday items, from kitsch keychains to historical relics, serve as vessels for nostalgia and reminders of the past.

Art exhibitions in Chiang Mai this April

Chiang Mai’s art scene is hosting a diverse range of exhibitions this April, anchored by a major retrospective of Araya Rasdjarmrearnsook at the MAIIAM Contemporary Art Museum. The survey, curated by Kittima Chareeprasit and Roger Nelson, spans four decades of the artist's provocative video and installation works. Other highlights include Myrtille Tibayrenc’s installation of 108 Buddha paintings at the Museum of Something (MOS), Chatchai Notananda’s process-oriented solo show at Haan Studio, and Houda Bakkali’s digital compositions at Alliance Française.

CAT Museum unveils 1st-ever abstract painting, glass sculpture exhibition

The Cafesjian Art Trust (CAT) Museum in Shoreview has launched "Abstraction and Ourselves," an exhibition marking the first time the institution has paired abstract painting with glass sculpture. Curated by Jill Ahlberg Yohe, the show was inspired by the discovery that renowned glass artists Stanislav Libenský and Jaroslava Brychtová were deeply rooted in Cubist traditions and abstract theory, leading to a broader exploration of international abstraction across different media.

Ancient Roman Cargo Lost for 2,000 Years Resurfaces in Swiss Lake

A team of Swiss archaeologists and the nonprofit Octopus Foundation have recovered a 2,000-year-old Roman cargo from Lake Neuchâtel. The haul consists of approximately 600 remarkably preserved artifacts, including stacks of brand-new ceramic plates, bowls, goblets, weapons, tools, chariot wheels, and a wicker basket, dating from between 50 B.C.E. and 50 C.E. The ship itself was not found.

Clutch City Craft at Houston Center for Contemporary Craft, Houston

The Houston Center for Contemporary Craft (HCCC) has opened the exhibition 'Clutch City Craft,' which explores the craft traditions and material cultures that define Houston. The show features a diverse range of making practices, from mosaic street signs and cowboy boot making to fiber artists involved in aerospace design, framing the city's creative density as an extension of its industrial identity.

Desmond Williams obituary

Architect Desmond Williams, known for designing modern Catholic churches, has died at age 93. His work, which includes four listed churches, was celebrated for its innovative integration of liturgical function, architectural ambition, and artistic collaboration, placing him among the leading figures of postwar British architecture.

Pearl Fryar, a Picasso of Plants, Dies at 86

Pearl Fryar, the visionary self-taught topiary artist who transformed his yard in Bishopville, South Carolina, into a world-renowned botanical masterpiece, has died at age 86. Starting in the 1980s with no formal training, Fryar used a gas-powered hedge trimmer to sculpt salvaged plants into gravity-defying, abstract geometric forms that drew thousands of international visitors to his three-acre property.

THE TRANSFORMATIVE SOUND ACCORDING TO BENGOLEA AT C3A

Argentine artist Cecilia Bengolea has unveiled her latest project, "El Ruido que Habita" (The Noise That Dwells), at the Centro de Creación Contemporánea de Andalucía (C3A) in Córdoba. Developed during a residency in early 2025, the exhibition features site-specific drawings and ceramic works created in collaboration with the Dionisio Ortiz School of Art. The installation integrates visual art, technology, and performance, inviting visitors to engage with sound as a transformative language that bridges cultural and material divides.

AFFECTIVE CARTOGRAPHIES AND ARCHITECTURES BY SOFIA SALAZAR AT C3A

Ecuadorian artist Sofía Salazar Rosales has debuted a site-specific solo exhibition titled "Travesías de una lágrima" at the Centro de Creación Contemporánea de Andalucía (C3A) in Córdoba, Spain. The installation-heavy showcase utilizes sculpture and architecture to explore themes of migration, memory, and colonial legacies. Through materials like wax, charcoal, and iron grilles, Salazar Rosales creates a physical itinerary that invites visitors to navigate the complex emotional and political landscapes of displacement and territory.

AFFECTIVE CARTOGRAPHIES AND ARCHITECTURES BY SOFIA SALAZAR AT C3A

Ecuadorian artist Sofía Salazar Rosales has debuted a site-specific solo exhibition titled "Travesías de una lágrima" at the Centro de Creación Contemporánea de Andalucía (C3A) in Córdoba, Spain. The installation-heavy showcase utilizes sculpture and architecture to explore themes of migration, memory, and colonial legacies. Through materials like wax, charcoal, and iron grilles, Salazar Rosales transforms the gallery into a performative space where visitors navigate physical representations of borders, displacement, and the historical weight of territory.

A library of sensations in Rome in the exhibition of Gabriele Simei: The interview

Una biblioteca di sensazioni a Roma nella mostra di Gabriele Simei. L’intervista

Artist Gabriele Simei has transformed the VOLUME! art space in Rome into an immersive installation titled "LABiblioteca Sottotevere." Curated by Silvano Manganaro, the exhibition features metal sculptures shaped like books, alongside found objects such as old lace, blankets, and tools. Simei uses acid to etch the textures of leaves gathered from the banks of the Tiber River and vintage textiles onto iron and brass plates, creating a "library of sensations" that bridges the gap between nature and domestic memory.

Friend of X. A Conversation with Raque Ford by Qingyuan Deng

Artist Raque Ford discusses her recent exhibitions, "The Barkeeper’s Friend" at Greene Naftali and "Cry Baby" at Kunstverein Gartenhaus, highlighting her unique approach to language and materiality. Ford utilizes industrial materials like reflective acrylic, Mylar, and thermal printers to transform pop lyrics, overheard speech, and diaristic fragments into physical installations. Her work explores the tension between public performance and private interiority, often using scale to manipulate the viewer's emotional response to text.

On Showing My Paintings in Auschwitz

Artist and Holocaust survivor Yehudis Barmatz-Harris has installed a series of paintings within the barracks of Auschwitz-Birkenau, marking a profound personal and artistic return to the site of her family's trauma. The works, which utilize materials like salt and organic textures, are placed directly on the wooden bunks where prisoners once slept, creating a visceral dialogue between contemporary Jewish life and the void left by the Shoah.

Peabody Essex Museum Celebrates America250 With New Declaration of Independence Exhibition

The Peabody Essex Museum (PEM) in Salem, Massachusetts, is launching a new exhibition titled "Pressing Importance: Salem and the Declaration of Independence" on May 2, 2026. Curated by Dan Lipcan, the show features rare materials from the museum's Phillips Library, including two of the earliest surviving broadside editions of the Declaration. The display focuses on the Revolutionary-era manuscripts, newspapers, and pamphlets that were instrumental in circulating the message of independence throughout the colonies.

Crawford Supported Studios: Cork exhibition shows work of artists with disabilities

An exhibition at the Crawford Art Gallery in Cork, Ireland, is showcasing the work of artists from the Crawford Supported Studios program. The program provides studio space, materials, and professional support for artists with intellectual disabilities, fostering their creative development and professional practice.

Golden Foundation Welcomes Public To 'Made In Paint' Art Gallery Opening In New Berlin

The Sam & Adele Golden Foundation for the Arts is launching its 13th annual 'Made in Paint' exhibition at the Sam & Adele Golden Gallery in New Berlin, New York. The show features over 20 works created by the foundation’s 18 artists-in-residence from the 2025 cycle, who traveled from global locations including Chile and Puerto Rico. This year’s opening is notable for the high attendance of participating artists and the inclusion of digital art for the first time, alongside sculpture, textiles, and mixed-media works.

Bob’s Art Blog: Arts Spring To-Do List—Millworks, the AAH and the JNS Gallery and CALC

The Millworks Art Studios in Harrisburg has introduced a new cohort of resident artists dubbed "The New Guard," featuring a diverse range of local talent. This group includes photorealistic racecar painter Annika Koser, found-objects sculptor and former architect Jeff Scorza, and woodworker Kelly Anoka, alongside the recent addition of narrative artist Marina Radanovic. Each artist brings a distinct material focus—from industrial glass and metal to upcycled local timber—strengthening the collaborative creative community within the studio complex.

Conduit Gallery presents Kendall Glover: "Dynamatic" opening reception

Conduit Gallery in Dallas is hosting "Dynamatic," a solo exhibition by Brooklyn-based artist Kendall Glover featuring sculptures and textiles produced within the last year. The show highlights three distinct series: large-scale tubular steel sculptures, experimental bronzes cast from rattan and thread, and a collection of silver-leafed crocheted works known as "Quasars."

Water's Way: A Conversation with Brazilian Conceptual Artist Daniel de Paula About His Expo Chicago Debut

Brazilian conceptual artist Daniel de Paula is set to make his Expo Chicago debut with a solo presentation hosted by gallery Yehudi Hollander-Pappi. The installation features industrial thousand-liter water tanks filled with water from the San Francisco Bay, a site chosen for its symbolic and material convergence of neoliberal history and digital infrastructure. The water contains both the scattered ashes of economist Milton Friedman and chemical effluents from Silicon Valley data centers, creating a visceral link between economic theory and environmental reality.

New Exhibition Showcases Evolution of Virgin Islands Contemporary Art

The group exhibition "Virgin Islands Contemporary" is set to open at Salt of the Earth Tattoo in St. Thomas, featuring the work of ten local artists. Curated by Lucien Downes, the show highlights a diverse range of visual mediums that move beyond traditional Caribbean iconography like seascapes and historical narratives. The participating artists, including Brenda L. Cotto and Jon Euwema, explore themes of cultural evolution and identity through experimental materials and modern techniques.

Bohol artist Jjawzip debuts solo exhibit “April’s Fool” at Dajon Art Gallery Bohol

Boholano mixed-media artist Joseph “Jjawzip” Ingking has launched his debut physical solo exhibition, “April’s Fool,” at Dajon Art Studio & Gallery in Baclayon, Bohol. The showcase features a series of paired paintings and toy sculptures that explore the recurring character "Energy Kid," a figure shaped by the artist’s personal history. Utilizing vibrant colors and recycled materials, the works—such as “Fragile Freedom” and “Radiance Reimagined”—blend fantasy with social commentary on themes ranging from the fragility of peace to the vitality of creative discovery.

Luca Vanello at Z33

The contemporary art center Z33 in Hasselt is hosting a solo exhibition by artist Luca Vanello titled "Withering into breath, wetness undoes itself." Running from February 12 through April 12, 2026, the presentation features a series of sculptural installations documented through extensive photography by Silvia Cappellari. The exhibition explores themes of materiality and transformation, characteristic of Vanello's practice of manipulating organic and inorganic substances.