art jota mombaca aspen air festival

Jota Mombaça, a Brazilian multidisciplinary artist known for fusing critical theory with drawing, poetry, installation, and performance, has created a new three-act opera titled "The Muted Saints" commissioned for the Aspen Art Museum's AIR Festival. The work will premiere on July 29 at the Hallam Lake Nature Preserve in Aspen, Colorado. Inspired by Mombaça's 2023 short story about a protagonist transitioning from human to geological form, the opera explores themes of planetary interconnectedness, environmental catastrophe, and the transformation of beings into rocks, ghosts, or wind. Mombaça discusses their creative process, the influence of the local Colorado environment, and the importance of site-responsive work in an interview with CULTURED.

Trippy Film by British-Ethiopian Artist Theo Eshetu Hits the Venice Biennale

British-Ethiopian artist Theo Eshetu is presenting a new installation, *The Garden of the Broken-Hearted* (2026), at the Venice Biennale. The work features a live olive tree mounted on a rotating dais, with a video of the tree projected onto itself, marking a shift from his decades-long practice of multi-screen video installations. Eshetu discusses the project's origins in conversations with the late Biennale curator Koyo Kouoh, framing the tree as a space for mourning, human consciousness, and elemental storytelling.

Lost Lincoln Portrait From Teddy Roosevelt’s Office Reemerges After a Century

A long-lost portrait of Abraham Lincoln by American realist Ernest Wells has reemerged after more than a century. The painting, which hung in President Theodore Roosevelt’s office throughout his term and served as a source of personal inspiration, was recently identified in the collection of the descendants of antique dealers Ann and Jack Rouchaud. The work’s provenance was confirmed via a letter from Roosevelt’s friend and Lincoln’s former bodyguard, Colonel William H. Crook, which remains affixed to the back of the canvas.

paris art dealer found guilty harassing brigitte macron 1234768919

A Paris art dealer, Bertrand Scholler, cofounder of gallery 55 Bellechasse, was among 10 people found guilty of online harassment for falsely claiming that French First Lady Brigitte Macron was born male. The court issued suspended sentences, fines, and a six-month ban from X, with the defendants also ordered to pay compensation. Scholler, who has over 108,000 followers on X, announced he would close his account for six months in compliance with the court order.

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The Art Angle podcast hosted eight cultural critics, theorists, and artists throughout 2025 to reflect on key tensions and transformations in the art world. The roundup features voices including Nadia Asparouhova on the value of intimate 'antimemetic' art spaces, Andrea Fraser on the fragmentation of the art field, Alison E. Gingeras on the necessity of all-women exhibitions as resistance, Dean Kissick on the problems of social justice art, and Sean Monahan on social surveillance in the art world. Each thinker offers a snapshot of the debates, anxieties, and aspirations shaping contemporary cultural discourse.

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Recent evidence suggests that Mayken Verhulst (ca. 1518–1599), the mother-in-law of Pieter Brueghel the Elder, authored works long attributed to the anonymous Brunswick Monogrammist. A key painting, *Ecce Homo* from the National Museum in Gdańsk, bears a unique double signature combining the initials of her husband, Pieter Coecke van Aelst, with her family name “Bessemer,” indicating her authorial role within the workshop. This discovery, detailed in an essay from the exhibition *The Woman Question 1550–2025* at the Museum of Modern Art Warsaw, challenges centuries of art-historical attribution.

on art history in times of war gaza islamic nasser rabbat 1234744329

This essay by Nasser Rabbat reflects on the persistence and precarity of writing art history in times of war, specifically focusing on the field of Islamic art and architectural history. Rabbat draws a parallel to Gabriel García Márquez's novel *Love in the Time of Cholera* to frame his discussion, arguing that war is not a passing crisis but a persistent condition for the Islamic world. He traces how colonial conquests, postcolonial conflicts, and the ongoing Israeli genocide against Gaza have shaped the formation and theoretical orientation of Islamic art history as a Western scholarly endeavor, beginning with Napoleon's invasion of Egypt in 1798 and continuing through the "War on Terror."

From men on dog leads to public breast-fondling, Valie Export’s art demanded a total feminist revolution

Valie Export, the pioneering Austrian feminist artist known for her provocative and confrontational performances from the 1960s onward, is the subject of a reflective essay by writer and academic Hettie Judah. The article revisits Export's radical works such as *Hyperbulia* (1973), where she crawled naked through electrified wires; *From the Portfolio of Doggedness* (1968), in which she led a man on a dog lead through Vienna; and *Action Pants: Genital Panic* (1969), where she walked through a cinema with exposed genitals. Judah draws on her own interviews with Export, who died in 2023, and discusses the artist's manifesto demanding that women use art to reshape consciousness and achieve liberation.

We the People: Iowa City’s ‘library lady’ lives on through art collection

The article details the enduring legacy of Hazel Westgate, a pioneering children's librarian who served the Iowa City Public Library for nearly 40 years until her death in 1988. Westgate's most visible contribution is a unique collection of original children's book illustrations, acquired through personal correspondence with legendary authors and illustrators like Dr. Seuss and Charles M. Schulz, many inscribed directly to her or the children of Iowa City. Her mission was to ensure the artwork reflected the children themselves, fostering a lifelong love of reading and literature.

Simultaneous or Poly-Cinema

The Bauhaus artist László Moholy-Nagy proposes a radical departure from traditional filmmaking in his 1925 text, "Simultaneous or Poly-Cinema." He envisions a cinematic experience that moves beyond the static, rectangular screen, suggesting instead curved, spherical, or multi-planar surfaces that can accommodate multiple simultaneous projections. By utilizing rotating prisms and intersecting film strips, Moholy-Nagy describes a system where different narrative threads—such as the lives of multiple characters—can physically overlap and merge, creating a dynamic architectural arrangement of light and movement.

Introduction to the Dark Forest Theory of the Internet

The article explores the conceptual origins of the internet, tracing its development to figures like Douglas Engelbart and Jacques Vallée, whose work blended computing with cosmic and paranormal inquiry. It argues that early internet pioneers were deeply influenced by ideas of remote viewing, extrasensory perception, and the search for extraterrestrial intelligence, framing the network as a project of cognitive augmentation and alien encounter.

Alexander Kluge, filmmaker, writer, philosopher, 1932–2026

Alexander Kluge, the influential German filmmaker, writer, and philosopher, has died at the age of 94. A key figure in the New German Cinema movement and a major intellectual heir to the Frankfurt School, Kluge's career spanned law, film, television production, and literature, leaving a significant mark on postwar German culture.

Studio SALES presents Concetto Pozzati. 50 years later exhibition in Rome

Studio SALES in Rome presents "Concetto Pozzati. 50 years later," an exhibition revisiting the artist's 1976 retrospective at the Palazzo delle Esposizioni. Organized in collaboration with the Archivio Concetto Pozzati, the show focuses on Pozzati's experimental work from the 1970s, featuring four large canvases from the original exhibition alongside works on paper displayed using plexiglass. The pieces, some unseen since 1976, explore mixed techniques like spray painting and screen-printing, highlighting a period when Pozzati moved away from his signature style.

Legendary Looks: My Ballroom Story Felix Rodriguez

Filmmaker Felix Rodriguez's archival work is featured in "Legendary Looks: My Ballroom Story," a multi-site exhibition running across Pioneer Works, ArtsWestchester, and City Lore throughout summer 2025. Co-curated by prominent ballroom leaders Jonovia Chase Lanvin, Twiggy Pucci Garçon, and Michael Roberson Maison-Margiela, the exhibition explores the artistry and cultural legacy of the house ballroom community. Rodriguez has documented this community since 1991, amassing an encyclopedic archive of New York's ballroom figures, and his multimedia installation at Pioneer Works highlights the role of commentators who live-narrate balls, presented along a red carpet evoking ball runways.

Jürgen Habermas, philosopher famed for and within the public sphere, 1929–2026

Jürgen Habermas, philosopher famed for and within the public sphere, 1929–2026

Jürgen Habermas, the highly influential German philosopher, has died at the age of 96. A key figure of the Frankfurt School, his work on communication, rationality, and the public sphere extended far beyond academia, making him a prominent public intellectual who frequently commented on contemporary politics.

In this Milan exhibition, the viewer can modify the spaces. The great artist-architect Gianni Pettena explains why

In questa mostra a Milano lo spettatore può modificare gli spazi. Il grande artista-architetto Gianni Pettena ci spiega perché

Gianni Pettena, a pioneer of the Italian Radical Architecture movement, has unveiled his immersive installation "Paper/Northern Lights" at the BiM urban regeneration project in Milan's Bicocca district. Originally conceived in 1971 as a pedagogical exercise at the Minneapolis College of Art and Design, the work consists of 49 kilometers of white paper strips hanging from the ceiling. Visitors are invited to physically interact with the installation by cutting through the paper, effectively reshaping the architectural environment and challenging traditional notions of fixed space and authorship.

Lost Page of Archimedes Palimpsest Found

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Researchers from France’s National Centre for Scientific Research (CNRS) have identified a missing page from the Archimedes Palimpsest at the Musée des Beaux-Arts in Blois. The leaf, identified as page 123, contains geometric diagrams and passages from the mathematician’s treatise on the sphere and the cylinder, which were scrubbed and overwritten by monks with religious texts in the 13th century. The discovery was confirmed by comparing the leaf to 1906 photographs taken by scholar Johan Ludvig Heiberg before the manuscript was broken up and partially forged by an art dealer in the 1930s.

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The Museum of Fine Arts, Boston (MFA) has laid off 33 employees, approximately 6.3% of its staff, to address a projected $13 million structural deficit. Among those let go were the museum's only Black, Muslim, and Indigenous curators, leading to accusations that the cuts disproportionately targeted staff of color and undermined diversity initiatives.

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The Museum of Fine Arts, Boston, has laid off 33 employees and eliminated 23 vacant positions, a 10% overall staff reduction, to address a projected $13 million budget deficit. The cuts affect a range of roles, including three endowed curatorial positions, and have sparked renewed tensions with the museum's unionized workforce, which is seeking to bargain over the decision.

Five-Minute Tours: “IN SEARCH OF HISTORY” at Throughline, Houston

Glasstire's Five-Minute Tours series features a video walk-through of "IN SEARCH OF HISTORY" at Throughline in Houston, an exhibition juried by Lisa Volpe and presented in conjunction with FotoFest 2026. Running from February 19 to March 21, 2026, the show includes works by 15 artists—Kelly Berry, Angela Cappetta, Brian Edwards Jr., William Gerst, Cynthia Greig, Abbey Hepner, Finn Hewes, Charles Muir Lovell, Julie Mardin, Marilyn Marzella, Liz Obert, Brynne Quinlan, Julia Gabriel Weber, Suzanne Theodora White, and Morgan Ford Willingham—exploring the evolution of lens-based art in the 21st century.

PHOTOS: Celebrities interpret 2026 Met Gala theme ‘Fashion is Art’

On May 4, 2026, celebrities including Emma Chamberlain, Anna Wintour, Nicole Kidman, Kylie Jenner, and Janelle Monae attended the Met Gala at The Metropolitan Museum of Art in New York, celebrating the opening of the "Costume Art" exhibition. The event featured arrivals at the museum and departures from The Mark Hotel, with performances by Joshua Henry, and was captured by photographers Evan Agostini, Andy Kropa, and Jamie McCarthy.

Exhibition brings together Art Nouveau and Art Deco through a century of chairs

The Horta Museum in Saint-Gilles is set to launch a new exhibition titled 'Art Nouveau versus Art Deco? 1850-1950: A Century in 32 Chairs,' running from June 25 to January 11, 2027. The showcase utilizes 32 chairs designed by prominent architects and designers alongside archival documents to trace the stylistic and ideological evolution of Western design. A unique collaborative element features students from La Cambre, who will present chair designs in Victor Horta’s workshop for a public vote.

Greek PM Mitsotakis at the ‘Thalatta’ Art Exhibition Opening at UN

Greek Prime Minister Kyriakos Mitsotakis and Foreign Minister Giorgos Gerapetritis attended the opening of the art exhibition 'Thalatta' at the United Nations in New York on May 20, coinciding with Greece's Presidency of the UN Security Council. The exhibition features 11 contemporary paintings by Greek artists from the National Gallery in Athens, curated around the theme of the sea. Ambassador Evangelos Sekeris delivered welcoming remarks, and Syrago Tsiara, Director of the National Gallery – Alexandros Soutsos Museum, spoke about the sea's role in cultural diplomacy and international cooperation.

‘We are all part of this intergalactic universe’: Saya Woolfalk’s solo show immerses viewers in her “Empathic Universe”

Saya Woolfalk's solo exhibition "Empathic Universe" at the Museum of Arts and Design (Mad) in New York presents two decades of her visionary world-building practice. The show unfolds in five chapters, featuring sculptures made from textiles, videos, performances, and immersive digital installations that trace the evolution of fictional plant-and-human hybrid races. Woolfalk discusses the origins of her project, which began after her return from Brazil with works like "Winter Garden: Hybrid Love Objects" (2005) at MoMA PS1, and how the Empathic Universe came into focus during her time in the Whitney Independent Study Program around 2006, drawing on mythology, anthropology, technology, and feminist theory.

Got an Idea About Who Robbed the Gardner Museum? Get in Line.

The 1990 theft of 13 artworks from Boston's Isabella Stewart Gardner Museum remains unsolved, generating countless theories about the perpetrators. A new book by the former FBI agent who led the investigation for over a decade systematically debunks many prominent public theories, arguing they distract from the actual investigation.

National Museum of Asian Art Explores the Power of Water in New Exhibition Featuring Hiroshi Senju and Bingyi

The Smithsonian’s National Museum of Asian Art will present “Into the Waters with Senju and Bingyi: Two Contemporary Paintings,” a new exhibition opening April 2 and running through Aug. 23. It features two recent paintings by Hiroshi Senju (born 1958) and Bingyi (born 1975), each offering hypnotic visualizations of water. Senju’s pair of folding screens reimagines waterfalls using traditional Japanese techniques and contemporary methods, while Bingyi’s hanging scrolls, created with cloth and paper wrapped around an uprooted tree, incorporate natural elements like sea breeze and humidity. The exhibition marks the first showing of these works, which were acquired to expand the museum’s contemporary collections.

1-54 Contemporary African Art Fair highlights Afro-Brazilian art

The 1-54 Contemporary African Art Fair will return to New York's Starrett-Lehigh Building from May 13 to May 17, 2026, for its 12th edition. Featuring over 20 exhibitors from 12 countries, the fair introduces a curated section titled "1-54 Presents: Brazil Beyond Brazil," led by Brazilian curator and professor Igor Simões, marking the fair's first focus on Afro-Brazilian art and the cultural connections between Africa and Latin America. New participants include Adegbola Gallery (Lagos), Aura (São Paulo), and Black Pony Gallery (Bermuda), alongside returning exhibitors such as 193 Gallery and Galerie Myrtis.

7 new art and culture books in bookstores. Maps of the present: between art, work, memory and forms of perception

7 nuovi libri d’arte e cultura in libreria. Mappe del presente: tra arte, lavoro, memoria e forme della percezione

This article from Artribune presents a curated selection of seven new art and culture books recently released in Italy. The featured titles range from a theoretical lexicon for 21st-century arts edited by Nicolas Martino, which redefines key terms like 'author,' 'AI,' and 'care,' to a poetic pop-up book by Japanese designer Katsumi Komagata titled 'Piccolo Albero,' which uses paper engineering to narrate the cycle of life. Other works explore themes of labor, memory, domestic space (Giorgio Morandi), inner labyrinths (Andrea Bocconi), and direct testimony from Gaza, all aiming to provide new frameworks for understanding a fractured present.

Body as Device. Guide and Reflection on the Performances of the Venice Biennale

Corpo come dispositivo. Guida e riflessione sulle performance della Biennale di Venezia

The article analyzes the role of performance art at the 2026 Venice Biennale, arguing that performance is no longer a rediscovered genre but a structurally institutionalized primary form of experience production. It examines how the body reemerges not as an alternative to image-based works but as an internal interruption of the artwork system, preventing closure and reintroducing instability. Key pavilions are discussed: Austria's Florentina Holzinger with "Sancta" draws on 1970s radical performance and feminist body art, creating an immersive environment of continuous movement; Belgium's Miet Warlop with "IT NEVER SSST" engages post-dramatic theater and postmodern dance repetition; Japan's Ei Arakawa-Nash with "Grass Babies, Moon Babies" activates Gutai avant-garde legacies through viewer interaction with soft dolls.

What is the international exhibition of the Venice Biennale like? Review of "In minor keys" by Koyo Kouoh

Com’è la mostra internazionale della Biennale di Venezia? Recensione di “In minor keys” di Koyo Kouoh

The 2026 Venice Biennale, titled "In minor keys" and curated by the late Koyo Kouoh, opens to the public on May 9 amid controversies including the absence of the president's name in the colophon at the Arsenale entrance. The exhibition, organized by Kouoh's team (Rory Tsapayi, Siddharta Mitter, Marie Helene Pereira, Gabe Beckhurst Feijoo, and Rasha Salty), unfolds across the Giardini and the Arsenale's Corderie, featuring works that balance strength and beauty with a harmonious mix of voices and themes. The Giardini section is particularly compelling, with a non-linear, polycentric layout that feels like a living organism, while the Arsenale offers further depth.