Gagosian Relocates to Ground Floor at Historic 980 Madison Avenue

Gagosian gallery has relocated to a new street-level space at 980 Madison Avenue in New York, opening on April 25, 2026. Designed by architect Jonathan Caplan of Caplan Colaku Architects, the 12,000-square-foot ground-floor gallery replaces the previous upstairs headquarters, offering direct public access from the street and featuring a restaurant, Kappo Masa, on the lower level. The inaugural exhibitions focus on Marcel Duchamp, including works from his 1960s readymades produced with Arturo Schwarz, and a selection of early Robert Rauschenberg pieces from the Cy Twombly Foundation.

“Drifting Until Caught” at Brooklyn Navy Yard: Three Artists and the Objectivity of Method

Three artists—Veronika Georgieva, Stephen j Shanabrook, and Shura Skaya—have transformed an industrial venue at the Brooklyn Navy Yard into a pop-up exhibition titled “Drifting Until Caught.” The show, accessible only by appointment, features works that range from pressed plastic sculptures and chocolate casts to wax crayon drawings and acrylic paintings, all exploring the boundary between figuration and abstraction. Each artist employs mechanical or chance-based methods, such as Shanabrook’s hydraulic press or Georgieva’s video projections, to create images that embrace distortion and materiality.

The US Pavilion Is Taking Online Donations

The American Arts Conservancy (AAC), the nonprofit tasked with executing Alma Allen's 2026 US Pavilion at the Venice Biennale, is soliciting online donations from the public after receiving no corporate or foundation funding. Unlike previous pavilions backed by major foundations like Ford and Mellon, AAC's fundraising relies on private citizens, with a minimum $100 donation requested via its website. The State Department provided $375,000 but requires additional funding, and AAC's Executive Director Jenni Parido, a former pet food store owner, declined to name specific donors, though Instagram posts suggest wealthy Trump allies attended benefit events. Perrotin Gallery, which represents Allen, is providing operational support but not funding.

The southernmost contemporary art fair in Italy is about to debut in the town of Fiuggi

Sta per debuttare nella cittadina di Fiuggi la fiera d’arte contemporanea più a sud d’Italia

A new contemporary art fair called ArteFiuggi is set to debut in September 2026 in Fiuggi, a small town in Lazio, south of Rome. Organized by Nicola Monti, son of renowned dealers Pio Monti and Liliana Maniero, the fair aims to become the southernmost art fair in Italy. It will be held at the Fiuggi Convention Centre, designed by Studio Valle and previously host to the 2024 G7, and will offer included hospitality for exhibitors at two local hotels.

New Jersey Father and Daughter Plead Guilty to $2 M. Counterfeit Art Scheme

Two New Jersey residents, Erwin Bankowski and his daughter Karolina Bankowska, pleaded guilty to running a counterfeit art scheme that funneled over 200 fake works into the legitimate market between 2020 and 2025. The pair consigned forgeries attributed to artists including Andy Warhol, Pablo Picasso, Banksy, and Luiseño artist Fritz Scholder to galleries and auction houses across the United States, defrauding buyers of at least $2 million. They fabricated ownership histories, forged gallery stamps and certificates of authenticity using antique books and aged paper, and now face up to 20 years in prison plus restitution.

Exhibit reimagines the work of W.E.B. Du Bois

An exhibit at the African Diaspora Art Museum pairs the original sociological work of W.E.B. Du Bois with contemporary photographs of Black Atlantans, reimagining his early 20th-century data visualizations and writings through a modern lens. The show juxtaposes Du Bois's pioneering studies on Black life in America with current imagery, creating a dialogue between past and present.

Arts Collective to Open New Arts Center in Northampton England

Arts Collective will open a new arts center in Northampton, England on May 1st, following a £5.2m renovation of the city's municipal offices and town hall annex. The complex will feature 17 artist studios, community spaces, a gallery, and "The Northampton Rooms," a series of public spaces designed by artist Giles Round as a "living work of art." The inaugural exhibition will showcase Northamptonshire-born artist Rose Finn-Kelcey.

DACA Artist Uses Thread to Weave Immigration Stories

Arleene Correa Valencia, a DACA recipient and Bay Area artist, presents her debut solo exhibition "CÓDICE •• SOBREVIVIENDO A LA PERSECUCIÓN" at Fridman Gallery in Manhattan, on view through May 2. The show features large-scale acrylic and textile works on amate bark paper, including a 16-foot-long piece depicting border-crossing narratives. Valencia collaborates with her father, mother-in-law, and papermaker Jose Daniel Santos de la Puerta, and incorporates childhood letters that poignantly reflect family separation and undocumented life.

A parking structure transforms to public art gallery

A parking structure at Lido Marina Village in Newport Beach is being transformed into a walkable public art gallery featuring murals by eleven artists. The project, organized by City of Hope Orange County and Lido Marina Village, centers on the theme “Hope is a Rising Tide.” Murals include depictions of City of Hope cancer patients and themes of science and innovation. The final mural, “Hope on the Horizon” by artist RFX1, measures 64 by 8 feet and is currently being completed. The space is free and open to the public.

New exhibition brings rare Charles Russell artwork to Fort Worth

The Sid Richardson Museum in Fort Worth, Texas, will open a new exhibition titled "Russell’s Retreat: Summers at Glacier National Park" on May 2, 2026. The show focuses on Charles M. Russell’s life and work at his summer home, Bull Head Lodge, and features objects borrowed from museums and private collections, many displayed in Fort Worth for the first time. Highlights include the landscape painting "Storm Over Lake McDonald" (1906), birchbark paintings, and a replica of gnome figures Russell made from moss and twigs.

50 Works 50 Weeks: Millard Sheets’s “Angel’s Flight”

LACMA is running a 50-week series called '50 Works 50 Weeks' leading up to the 2026 opening of its new David Geffen Galleries. The fourth installment highlights Millard Sheets's 1931 painting *Angel's Flight*, which depicts a historic Los Angeles funicular and tenement life. The work was inspired by George Bellows's *Cliff Dwellers* (1913), one of the first acquisitions by LACMA's predecessor, and was painted for the 1931 Carnegie International Exhibition. Sheets's painting won a prize at the Los Angeles Museum in 1932 and is now displayed alongside Bellows's work in the new galleries.

The Newest Docent at This Historic Italian Palace Is a Robot

Palazzo Madama in Turin, Italy, has introduced a four-foot-tall robot named R1 as a docent for its Baroque collection. The robot, developed by the Italian Institute of Technology (IIT) under Project Convince with €4 million in EU funding, guides visitors through the former royal apartments, narrating the history of the House of Savoy and detailing paintings, tapestries, and furniture. R1 can interact with visitors via LED eyes, answer questions, and autonomously navigate the museum's first floor, though it cannot climb stairs. It has been learning on the job since 2025, completing 30 tours in December 2025, and uses corrective software to relocalize itself if lost.

What Does Damien Hirst Have to Do With This Giant McDonald’s Ball Pit in Milan?

An installation called "POOL. Ti sblocco un ricordo" was on view during Milan Design Week, organized by Nicolas Ballario and presented as part of the Tortona Rocks offsite exhibitions. The centerpiece is a giant swimming pool-shaped pit filled with hundreds of thousands of colorful balls, celebrating McDonald's 40th anniversary in Italy. The installation claims to be "informed by" Damien Hirst's "Spot Paintings" and also features a work from Vedovamazzei's "Early Works" series, which imagines how famous artists might have drawn as children. Other elements include vitrines of Happy Meal toys, a Ronald McDonald replica, and nostalgic McDonald's memorabilia.

Miniature Model and Giant Buddha

This Hyperallergic newsletter covers multiple New York art stories: Joe Macken's 50-foot hand-built wood replica of New York City now on long-term view at the Museum of the City of New York, Tuan Andrew Nguyen's towering Buddha sculpture on the High Line referencing the destroyed Bamiyan Buddhas, and the MoMA PS1 survey "Greater New York." It also reports on CONDUCTOR, New York's first art fair committed to the global majority, a new experimental artist-run space called The Gallery in Brooklyn, and reviews of Mark Milroy at JJ Murphy and Kim Gordon at Amant.

Two New Italian Paintings for the Bemberg Collection in Toulouse

Deux nouveaux tableaux italiens pour la Collection Bemberg à Toulouse

The Collection Bemberg in Toulouse has acquired two new Italian paintings, including a still life by Bernardo Strozzi (1581-1644) purchased at the Maastricht art fair from Galerie Canesso. The work, a vibrant depiction of peonies and fruit, was previously sold at Sotheby's London in July 2013 and first published in 1985. The acquisition continues the museum's decade-long strategy of enriching its holdings with major works sourced from the art market, guided by its scientific council.

Amplifying Indigenous Voices with Phil Cash Cash and the Portland Art Museum

The Portland Art Museum is launching a program to bring on a team of Native American co-curators to revitalize its Native American art collection, led by curator Kathleen Ash-Milby. The museum has partnered with multi-disciplinary artist and scholar Phil Cash Cash, a member of the Nez Perce and Cayuse tribes, who will contribute Indigenous perspectives to the collection's evolution. Cash Cash, who holds a PhD in Anthropology and Linguistics and co-founded the Crow's Shadow Institute of the Arts, gave a talk to the museum's Native American Art Council in early 2026, marking a new collaborative phase.

Row Over Russia’s Return to the Venice Biennale Deepens

Newly leaked emails reveal that the Venice Biennale has been secretly coordinating with Russia since last summer to facilitate its return to the 2025 edition, despite ongoing international sanctions. The correspondence, published by Italian outlets Open and La Repubblica, shows Biennale president Pietrangelo Buttafuoco, director Andrea Del Mercato, and Russian commissioner Anastasia Karneeva working together on visa issues, pavilion logistics, and a legal strategy to bypass E.U. sanctions prohibiting collaboration with state-backed Russian entities. Russia's pavilion will be open during preview days with performers activating the space, while footage will play for the public from a closed pavilion thereafter.

Israel’s foreign ministry accuses Venice Biennale's jury of ‘politicising’ exhibition

Israel’s foreign ministry has accused the Venice Biennale's jury of politicizing the exhibition after jurors announced they would not consider for prizes countries whose leaders face International Criminal Court charges for crimes against humanity. The jury’s statement, which did not name specific nations, is broadly understood to apply to Israel and Russia, both returning to the Biennale for the first time since the Gaza war and the Ukraine invasion, respectively. The Israeli ministry posted on X that the jury had decided to 'boycott' Israeli sculptor Belu-Simion Fainaru, calling it 'a contamination of the art world.' The Biennale distanced itself from the jury’s announcement, stating the jury acts autonomously, while the Russian pavilion is reportedly set to open only for a limited pre-opening period due to budget constraints amid sanctions.

Venice Biennale 2026: all the national pavilions, artists and curators so far

The 61st edition of the Venice Biennale, the world's oldest and most prestigious art biennial, will open on 9 May 2026 and run through 22 November. The main exhibition follows the curatorial plan of the late Koyo Kouoh, while national pavilions have been announcing their participating artists and organizers. The article provides a comprehensive list of confirmed pavilions so far, including artists such as Genti Korini (Albania), Matías Duville (Argentina), Khaled Sabsabi (Australia), Florentina Holzinger (Austria), Faig Ahmed (Azerbaijan), and many others, with details on venues and organizers.

Fellow Painters and Also Friends. Zandomeneghi and Degas Are on Show in Rovigo

Colleghi pittori e anche amici. Zandomeneghi e Degas sono in mostra a Rovigo

Palazzo Roverella in Rovigo is hosting the exhibition "Zandomeneghi e Degas. Impressionismo tra Firenze e Parigi," curated by Francesca Dini. The show brings together works by Italian 19th-century painter Federico Zandomeneghi and French Impressionist Edgar Degas, featuring about fifteen paintings and sculptures by Degas alongside works by Zandomeneghi. It explores their friendship, mutual artistic influence, and shared commitment to realism, tracing their connections from Florence's Caffè Michelangiolo to Paris, where their paths fully converged. Themes such as dance and the nude are highlighted, with works like Degas's "Classe de ballet" (1888) and Zandomeneghi's "Visita in camerino" and "Donna che si asciuga" on view.

Saudi Arabia Museum of Contemporary Art Gets $490 M. from Powerful Real Estate Firm

The forthcoming Saudi Arabia Museum of Contemporary Art has received a $490 million construction grant from Diriyah Company, a real estate firm chaired by Crown Prince Mohammed bin Salman. Designed by Dubai-based Godwin Austen Johnson, the museum will span 883,000 square feet—larger than the Louvre in Paris—and will be located in Diriyah, with additional exhibitions in Riyadh. The grant supports Saudi Arabia's Vision 2030 plan to diversify the economy away from oil.

Russian Pavilion Will Be Closed to the Public During Venice Biennale: Report

The Russian Pavilion will be closed to the public for most of the 2025 Venice Biennale, opening only during the pre-opening vernissage (May 5–8) for live performances tied to the exhibition “The Tree Is Rooted in the Sky.” After May 9, the pavilion will remain closed, with digital documentation displayed in the windows. The compromise follows weeks of pressure from European cultural and political figures—including Italy’s culture minister—to shutter the pavilion due to Russia’s ongoing war in Ukraine. Plans were confirmed via email correspondence between Biennale Foundation president Pietrangelo Buttafuoco, general director Andrea Del Mercato, and Russian Pavilion commissioner Anastasia Karneeva, as reported by Italian outlets Open and La Repubblica.

A Roma fotoromanzi e cliché sono i protagonisti di una mostra femminista a Villa Medici

A retrospective exhibition titled "Fotoromanzo" by French artist Nicole Gravier (born 1949) is on view at Villa Medici, the French Academy in Rome. The show explores Gravier's semiotic dissection of Italian photo-romance magazines from the 1970s, using irony and staged self-portraiture to deconstruct the fabrication of femininity and patriarchal narratives. The exhibition runs concurrently with a separate show dedicated to filmmaker Agnès Varda at the same venue, highlighting parallel feminist inquiries into women's representation.

Skateboard Art Exhibit to display 80 students’ artwork

The Tioga Arts Council, in partnership with the Floyd Hooker Foundation and the Tioga County Youth Bureau, is hosting a Skateboard Art Exhibition at Owego Free Academy featuring artwork from 80 students. Artist Mark Rivard, through his program Do Rad Things, will lead seminars from April 27-30 covering motivational speaking, art entrepreneurship, and skateboard design, culminating in a public exhibition on May 1 at the Tioga Arts Council in Owego, New York.

Kansas City’s Nelson-Atkins Museum Welcomes World Cup Fans in 2026

The Nelson-Atkins Museum of Art in Kansas City has introduced a new exhibition, "Personal Best," designed to welcome international visitors during the 2026 FIFA World Cup. The exhibition blends fine art and athletics, connecting the global sporting event with Kansas City's cultural scene. The museum offers free general admission, making it an accessible attraction for soccer fans attending six matches at Arrowhead Stadium starting June 16, 2026.

ArtReview Podcast | Episode 6: Hyeree Ro

ArtReview Podcast episode 6 features artist Hyeree Ro, who speaks with associate editor Jenny Wu about her practice, including her attraction to objects with ambiguous functions. Ro discusses her work *Niro* (2024), a skeletal car installation exploring her relationship with her late father, and her upcoming exhibition at the Korean pavilion for the 61st Venice Biennale. The episode also touches on gardens and maintaining friendships as artists, with references to the Soswaewon garden and Hua Hsu's memoir *Stay True*.

Mexican Cultural Workers Denounce Pedro Reyes Sculpture at LACMA

A group of nearly 80 Mexican cultural workers, including artists, critics, and academics, has signed an open letter denouncing the display of Pedro Reyes's sculpture "Tlali" at the Los Angeles County Museum of Art (LACMA). The colossal lava stone head, unveiled earlier this month at LACMA's new building, echoes a controversial 2021 public commission by Reyes that was scrapped by Mexico City's government after protests from feminist and Indigenous advocates. The signatories accuse LACMA of ignoring the previous activism against the artist's work in Mexico, calling the museum's decision to legitimize a new version of the polemic sculpture "deceiving." Reyes has not responded to requests for comment.

Two Brazilian curators selected to organise 2027 Bienal de São Paulo

The Fundação Bienal de São Paulo has appointed Brazilian curators Amanda Carneiro and Raphael Fonseca as chief curators for the 2027 Bienal de São Paulo, Latin America's largest and longest-running visual arts event. Carneiro, a curator at the Museu de Arte de São Paulo (MASP) since 2018, also organized the main exhibition at the 2024 Venice Biennale. Fonseca, based in Lisbon, works at Culturgest, serves as curator-at-large for Latin American art at the Denver Art Museum, and is curating the Taiwan Pavilion at the 61st Venice Biennale. The event will take place at the Pavilhão Ciccillo Matarazzo in Ibirapuera Park, with further details expected in coming months.

Watch: Wallace Chan returns to the Venice Biennale with ‘Vessels of Other Worlds’

Wallace Chan returns to the Venice Biennale for the fourth time with 'Vessels of Other Worlds', a two-city exhibition opening at the Chapel of Santa Maria della Pietà in Venice on 8 May 2026 and continuing at the Long Museum West Bund in Shanghai from 18 July, coinciding with the artist's 70th birthday. Curated by James Putnam, the project features large-scale titanium sculptures that explore material transformation, perception, and metaphysical space, including a live video link between the two venues and an inhabitable mirrored sculpture at the Long Museum.

Coalition’ art exhibition draws massive turnout in Ibadan, eyes Guinness World Records

Over 900 art enthusiasts attended 'The Coalition' art exhibition in Ibadan, Nigeria, held from April 24 to 26, 2026, at the International Institute of Tropical Agriculture (IITA). The three-day event featured more than 600 artworks by 60 Nigerian artists, showcasing abstract works, portraits, and contemporary pieces exploring identity and culture. Organizers, including Constance and Sons Art Gallery founder Dunmade Ayegbayo, reported strong visitor engagement and sales, highlighting the commercial potential of Nigerian art.