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art terry jo harvey allen artists santa fe home

Terry and Jo Harvey Allen, a multidisciplinary artist couple now in their 80s, have donated their entire archive to Texas Tech University. The collection includes countless paintings, scripts, hundreds of audio tapes recorded with collaborators like David Byrne and Steve Earle, and personal letters exchanged over decades. The couple, who met at a dance in Lubbock, Texas, over 70 years ago, continue to live and work in a rambling adobe home in Santa Fe, surrounded by their art and memories.

parties kyle maclachlan aesop los angeles 2

CULTURED magazine's Editor-in-Chief Sarah Harrelson hosted a candlelit dinner at her Los Angeles home to celebrate the release of the Artists on Artists issue. The event was co-hosted by actor Kyle MacLachlan, the issue's digital cover star, and skincare brand Aēsop. Guests included artists Alex Israel, Jennifer Guidi, Callida Rawles, and Lauren Halsey; actors Jeanne Tripplehorn, Jordan Firstman, and Lisa Rinna; art dealers Sara Lee Hantman and Robert Goff; collector Sonya Yu; and other creative Angelenos. The evening featured Ruinart champagne, seasonal fare by Chris Kronner's Mayday group, and Aēsop gift kits as parting favors.

fashion anthony vaccarello saint laurent designer

Anthony Vaccarello, creative director of Saint Laurent, has opened a new Paris flagship store at 37 Avenue Montaigne, housed in the former Canadian embassy. The store reflects his vision with a mix of modern design and vintage furniture, including pieces by Jean-Michel Frank and François-Xavier Lalanne, alongside contemporary artworks by Mark Bradford, Camille Henrot, and Thomas Houseago on loan from the Pinault Collection. Vaccarello discusses the two-year transformation, his approach to retail as a context for the clothes, and his broader creative expansions into film with Saint Laurent Productions and the revival of Charlotte Perriand furniture designs.

parties art contemporary austin art dinner

The Contemporary Austin hosted its annual Art Dinner 2025 at the historic Driscoll Villa along the Colorado River, transforming the museum grounds into a festive gala reminiscent of Studio 54. The event featured an auction with works by RF. Alvarez, Sarah Crowner, Lubaina Himid, and Ed Ruscha, where participating artists could receive up to 50 percent of the winning bid. Attendees included film producer Bettina Barrow, Nike CEO Elliot Hill, athletes Chris Bosh and Zach Martin, collector Suzanne Deal Booth, and actors Jamie-Lynn Sigler and Elizabeth Reaser, with live performances by TheBrosFresh and Mama Duke.

parties art swiss institute 2025 gala

The Swiss Institute held its 2025 Benefit Gala at the Rainbow Room in Rockefeller Center, honoring artists Theaster Gates and Andro Wekua, patron Yan Du, Printed Matter (under Executive Director Lesley A. Martin), and the late curator Koyo Kouoh. The evening featured an a cappella performance by Tonewall, a paddle raise, a seated dinner, and an art auction led by Simon de Pury, with works by Chloe Wise and Michèle Sandoz. Attendees included collectors Maja Hoffmann, Eva Dichand, and Carola Jain; artists Chloe Wise, Tschabalala Self, and Sarah Morris; and other cultural figures.

parties art artwalk sheree hovsepian auction gala

The Artwalk NY gala and auction raised over $8 million on Tuesday, November 19, 2025, to support the Coalition for the Homeless. Presented by Max Mara, the event at the Grill and the Pool in the Seagram Building featured a live auction of artist-designed plates from the Artist Plate Project, along with works by Sheree Hovsepian and Ed Ruscha. Honorees included artist Sheree Hovsepian and Artist Plate Project Founder Michelle Hellman, with remarks from Coalition Executive Director Dave Giffen and a DJ set by AKU. The evening drew a crowd of artists, collectors, and philanthropists, including Rashid Johnson, Joel Mesler, Thelma Golden, and Don Lemon.

travel le royal monceau paris hotel

Le Royal Monceau — Raffles Paris has partnered with Art Basel Paris to offer guests an immersive art experience, featuring over 300 works in its collection and a curated exhibition of paintings by French-American artist Jaouad Bentama. Bentama's latest series, "Déchirures," includes sliced canvases that explore themes of physical vulnerability and resilience, inspired by a life-threatening accident. The works are displayed in the hotel's lobby through October 30, and the hotel provides a dedicated Art Concierge service to guide visitors through Paris's art scene.

dale chihuly exhibition kentucky makers mark

Dale Chihuly has opened a new exhibition titled 'Chihuly x Maker’s Mark' at the Maker’s Mark distillery in Kentucky, featuring nine sculptural glass works installed across the grounds of Star Hill Farm. The show includes pieces such as the 12-foot 'Sapphire and Platinum Waterdrop Tower' (2017) and 'Moonbow Fiori' (2025), with the permanent installation 'Spirit of the Maker' (2013) at its center. The exhibition is accompanied by after-dark tours, limited-release whisky pours, and a revamped restaurant, Star Hill Provisions.

gaetano pesce glass house summer party

The Glass House in New Canaan, Connecticut, hosted its annual Summer Party on a recent Saturday, honoring the late designer Gaetano Pesce. The event featured the debut of Big Surprise 2, a limited-edition resin vase created with Italian furniture firm Meritalia and inspired by two Feltri chairs from the host's collection. Guests enjoyed a site-responsive performance by dance company Pilobolus, the exhibition “Barbara Kasten: Structure, Light, Land,” a DJ set by Pete Brockman, and activations by Max Mara. Notable attendees included artists Deborah Brown and Naudline Pierre, architect Paul Goldberger, and museum director Cybele Maylone.

orlebar brown summer collection hamptons

Orlebar Brown and CULTURED magazine hosted a launch event in the Hamptons for the British brand's summer collection, held at Il Buco's Amagansett outpost. Guests included photographers, gallerists, a collector, an investor, a designer, and an artist, who mingled over drinks despite rainy weather.

FROM SÃO PAULO TO NEW YORK: THE MUSEUM OF ERRANCY OF ÉDOUARD GLISSANT

DE SÃO PAULO A NUEVA YORK: EL MUSEO DE LA ERRANCIA DE ÉDOUARD GLISSANT

The exhibition "La tierra, el fuego, el agua y los vientos: Por un Museo de la Errancia con Édouard Glissant" has traveled from the Instituto Tomie Ohtake in São Paulo to the Center for Art, Research and Alliances (CARA) in New York, marking its first U.S. presentation. Curated by Manuela Moscoso with Marian Chudnovsky, and building on prior work by Ana Roman and Paulo Miyada, the show engages with the philosophy of Martinican poet and philosopher Édouard Glissant, particularly his concepts of errantry, Relation, opacity, and the Tout-Monde. It centers on Glissant's unrealized idea of a museum as a fluid, porous space that resists colonial frameworks and fixed origins, featuring works by artists such as Melvin Edwards, Gerardo Chávez, and Eduardo Zamora.

Rocío Sáenz: Wild Order

ROCÍO SÁENZ: ORDEN SALVAJE

Mexican artist Rocío Sáenz presents "Orden salvaje" (Wild Order) at the Museo de las Artes de la Universidad de Guadalajara (MUSA), an exhibition featuring over 60 works created over three years. Spanning painting, ceramics, photography, and drawing, the collection explores the tension between beauty and horror, specifically addressing the harrowing reality of forced disappearances in Mexico. The exhibition is designed as an open studio, showcasing the artist's creative process alongside finished pieces that utilize black humor and satire to navigate themes of death and reconstruction.

ELENA DAMIANI, XIMENA GARRIDO-LECCA AND ISHMAEL RANDALL-WEEKS: SIGNAL AND STRATA

ELENA DAMIANI, XIMENA GARRIDO-LECCA E ISHMAEL RANDALL-WEEKS: SIGNAL AND STRATA

An exhibition titled 'Signal and Strata' featuring Peruvian artists Elena Damiani, Ximena Garrido-Lecca, and Ishmael Randall-Weeks was presented at the Carpenter Center for the Visual Arts from February 5 to April 5, 2026. The show, examined in an accompanying essay by curator Madeline Murphy Turner, focuses on how the artists use materials like travertine, copper, and concrete to interrogate narratives of modernity, resource extraction, and the climate crisis.

Jamie Robertson’s soft heat at Houston Center for Photography, Houston

Jamie Robertson’s solo exhibition, "soft heat," at the Houston Center for Photography presents a series of infrared photographs documenting Southern wetlands, including Caddo Lake and the Great Dismal Swamp. Using archival pigment prints and a zine titled "Alligatorwatergreen," Robertson utilizes thermosensational imagery to transform dense marshlands into ethereal, snow-like landscapes. The work incorporates archival figures, such as a liberated formerly enslaved man named Osman, to highlight the historical role of swamps as sites of maroonage and Black resistance.

And who are you?

Und wer seid ihr?

The article is a brief interview conducted at the Venice Biennale, where a visitor named Franzi explains her presence at the event and discusses her favorite pavilion. She cites the Austrian Pavilion by Florentina Holzinger as her absolute favorite after five days of art, and clarifies that her bare chest is not a political protest against Putin but a homage to Holzinger's work. She also mentions missing the Vatican Pavilion due to long queues.

The 10 Best Venice Films

Die 10 besten Venedig-Filme

Monopol magazine has published a ranking of the ten best films set in Venice, timed to coincide with the opening of the Venice Art Biennale. The list includes titles such as Steven Spielberg's "Indiana Jones and the Last Crusade" (1989), Joseph L. Mankiewicz's "The Honey Pot" (1967), and Kenneth Branagh's "A Haunting in Venice" (2023), highlighting how the lagoon city serves as a central character in action films, comedies, and love dramas.

The Great Shitshow

Die große Shitshow

Florentina Holzinger has transformed the Austrian Pavilion at the Venice Biennale into a radical performance installation titled "Seaworld Venice." The piece features naked performers suspended from meat hooks, a performer ringing a bell while dangling upside down from a crane, a woman on a jetski circling inside a flooded pavilion, and a system where visitors are invited to urinate into portable toilets, with the waste processed and recirculated into the water. The work combines extreme physical stunts, nudity, and bodily fluids to create a visceral, immersive experience that has drawn long queues and stunned reactions from the art world.

History Made Material

Material gewordene Geschichte

The German Pavilion at the 61st Venice Biennale has been transformed by artist Sung Tieu, who clad its Nazi-era facade with millions of small marble tiles to replicate the look of a prefabricated East German apartment block—specifically the Gehrenseestraße housing complex in Berlin where she spent part of her childhood. Inside, the exhibition features glass casts of her mother's limbs, aluminum beams evoking cramped living quarters, and works by the late Henrike Naumann, all curated by Kathleen Reinhardt to explore bureaucracy, migration, and systemic violence.

I Try to Allow Chaos

"Ich versuche, Chaos zuzulassen"

Florentina Holzinger presents her exhibition "Seaworld Venice" at the Austrian Pavilion of the Venice Biennale, a spectacular underwater-themed installation that combines a theme park, sacred building, and sewage treatment plant. The work explores transformation from dirt to cleanliness, featuring water, dolphins in the lagoon, and boundary-pushing performance elements.

Environmental painter Janice Kasper to speak at 'Bartlett Art Talk' series

Maine-based environmental painter Janice Kasper will headline the first 'Bartlett Art Talk' of the 2026 season on April 22 at the Bartlett Woods Retirement Community. The event coincides with the exhibition "Chickadees, Alligators, and Stonehenge," which showcases Kasper’s dramatic oil paintings alongside works by Cicely Aikman and Dirk McDonnell. Kasper’s practice focuses on the tension between human technology and the preservation of wildlife and natural landscapes.

Once a Year: Shock Trauma!

"Ein Mal im Jahr: Schock-Trauma!"

Artist Nik Nowak is exploring the "Sound Horeg" phenomenon in East Java, Indonesia, where massive DIY loudspeaker systems are mounted on trucks and boats for extreme mobile discos. These parades, characterized by towering walls of speakers and intense bass, represent a global evolution of sound culture influenced by social media rather than traditional folklore. Nowak's research into these unregulated, high-tech spectacles has culminated in a new body of work featuring sculptures and photographs.

aspen summer activities season guide

This article from Cultured magazine features a series of short interviews with several art-world figures about their favorite summer activities in Aspen, Colorado. Participants include jewelry designer Jenna Blake, gallerist Marianne Boesky, collector Lesley Slatkin, art advisor Meredith Darrow, and gallerist Richard Edwards, who share personal recommendations for hikes, restaurants, spas, and the unique lifestyle Aspen offers during the summer season.

The Ten Best Books to Complement Your Viewing of This Year’s Oscar-Nominated Movies

Smithsonian magazine has curated a list of ten books to enhance the viewing experience of this year's Oscar-nominated films, published ahead of the 2026 Academy Awards. The selections include direct source material for nominated adaptations, such as Thomas Pynchon's *Vineland* for Paul Thomas Anderson's *One Battle After Another*, as well as thematic companions like *Frankenstein* and *The Vegetarian* for other recognized movies.

Endre Koronczi on Representing Hungary at the 61st Venice Biennale

Endre Koronczi, the artist representing Hungary at the 61st Venice Biennale (2026), discusses his upcoming exhibition in the Giardini pavilion. His project, titled "Pneuma Cosmic," explores the movement of air as both a physical and metaphysical phenomenon, drawing on decades of research into invisible forces like wind and breath. The exhibition also references his long-term experimental zone, Ploubuter Park, inspired by drifting plastic bags. Koronczi notes a strong resonance with the Biennale's curatorial theme, "In Minor Keys" by Koyo Kouoh, describing it as a "cosmic zeitgeist."

Chang-Ching and Rhett Tsai’s Tricks of the Light

Artists Rhett Tsai and Chang-Ching Su have presented tandem projects at Chicago's Watershed Art & Ecology, inspired by a joint research trip to fishing villages on China's Huangqi Peninsula. Their works explore the practice of light-lure fishing, with Su creating photographic exposures using the green LED lights from squid-fishing boats and translating satellite fishing data into sculptural installations. Tsai's contributions include CGI films and a VR video that depict the rhythms and social realities of coastal communities, focusing on the Tanka boat-dwelling people.

Marcos Kueh in Turbulent Seas

Artist Marcos Kueh presents his solo exhibition 'Smooth Sailing' at ESEA Contemporary in Manchester. The show features new sculptures, tapestries, and a large-scale installation that reflect on the histories of Chinese labour and migration, particularly to northwest England, drawing inspiration from 19th-century trade union banners found in Manchester's People's History Museum.

Colectivo Los Ingrávidos wins Schering Stiftung Award

The Colectivo Los Ingrávidos, an anonymous film collective based in Tehuacán, Mexico, has been named the winner of the 2026 Schering Stiftung Award for Artistic Research. The group will receive a €15,000 prize, a solo exhibition at Berlin's KW Institute of Contemporary Art featuring a newly produced work, and a publication.

À la Biennale de Venise, le pavillon de l’Ouzbékistan fait revivre la mer d’Aral

The Uzbekistan Pavilion at the 61st Venice Biennale, curated around the figure of author Allayar Darmenov, brings together artists including Vyacheslav Akhunov, Zi Kakhramonova, A. A. Murakami, Zulfiya Spowart, and Nguyen Phuong Linh to explore the ecological disaster of the Aral Sea. Once the world's fourth-largest lake, it was drained by Soviet irrigation projects for cotton farming; the pavilion's installations—such as Kakhramonova's participatory salt-fish molding piece and Spowart's cradle-like sculpture—imaginatively revive the vanished sea and its endemic species.

From simple blue to haute couture suit: workwear studied at the Musée Postal

Du simple bleu au tailleur haute couture, le vêtement de travail étudié au musée Postal

The Musée Postal in Paris has reopened with a new name and identity, launching its first exhibition titled "Sous toutes les coutures" ("Under All Seams"). Curated by Elodie Goëssant and Didier Filoche, the show brings together 420 pieces, artworks, and archival objects to explore the history of workwear in France, from uniforms and protective clothing to high-fashion collaborations. It traces the evolution of work attire from the 18th century to the present, highlighting how women lacked dedicated work clothing until the 1970s and how airlines like Air France pioneered partnerships with luxury houses such as Christian Dior to dress flight attendants as national ambassadors.

In La Défense, a Plunge Between Art and Science into Abyssal Wonder

À La Défense, une plongée entre art et science d’un émerveillement abyssal

The exhibition "Sous l’horizon" (Under the Horizon) has opened in the Salle des colonnes, a massive underground space beneath the La Défense business district in Paris. Guided by a poetic narrative from writer Mariette Navarro and the voice of singer Emily Loizeau, visitors navigate a darkened 1,000-square-meter environment equipped with headlamps and audio headsets. The immersive journey features works by artists including Antoine Bertin, Ugo Schiavi, Jérémie Brugidou, and Shivay La Multiple, exploring the mysteries of the deep sea through bioluminescence, oceanic soundscapes, and futuristic sculptures.