The 22nd edition of SP-Arte has opened at São Paulo’s Oscar Niemeyer-designed pavilion, featuring over 180 galleries and design studios. While global art markets face a period of recalibration, the Latin American sector—and Brazil in particular—is reporting significant growth, including a 21% year-on-year increase in sales for Brazilian dealers according to the latest Art Basel and UBS report.
The Hopi-Tewa artist Nampeyo (1859–1942) is being celebrated as a foundational figure in modern ceramics for her role in the Sikyátki Revival. By studying ancestral pottery shards from archaeological excavations, Nampeyo revitalized centuries-old techniques and motifs, transforming Pueblo pottery into a globally recognized art form. Her career spanned from selling works at regional trading posts to becoming a celebrated figure who demonstrated her craft at the Grand Canyon and exhibited at major fairs in Chicago.
Séries, documentaires, films… Tout l’art à voir sur les plateformes en ce moment
Beaux Arts Magazine has curated a comprehensive selection of art-focused films, documentaries, and series currently available on major streaming platforms like Netflix, Arte.tv, and France.tv. The selection highlights diverse narratives, including the investigative documentary regarding a rediscovered Gustav Klimt portrait of a Ghanaian prince, an AI-assisted exploration of Andy Warhol’s diaries, and the cinematic dramatization of Varian Fry’s efforts to rescue artists like Chagall and Duchamp from Nazi-occupied France.
Crystal Bridges Museum of American Art has unveiled a monumental Tiffany Studios window, "Mountain Landscape (Root Memorial Window)," which was previously housed in a San Antonio church. The 1917 stained-glass masterpiece, designed by Agnes Northrup, had been roped off for a decade due to insurance liabilities before the church sought a public institution to ensure its preservation and display. Following a meticulous conservation process, the nine-foot-tall window is now a centerpiece of the museum’s Visions of America Galleries.
Latin American Art: Structural Growth between Market and Institutions
Latin American contemporary art is experiencing structural growth and increased global visibility between 2024 and 2026, moving beyond speculative trends toward deep-seated institutional legitimacy. This shift is highlighted by the prominent inclusion of regional artists in major international platforms, most notably the 2026 Venice Biennale and the Pinault Collection. Key figures such as Rosanna Paulino, Adriana Varejão, and Paulo Nazareth are leading this movement, utilizing diverse media to explore themes of post-colonialism, racial violence, and ecological memory.
Artists Niquu Eyeta and Ghizlane Sahli are featured in a dual presentation titled ‘House of Galleries (Volume 11),’ showcased by the gallery Sakhile&Me. The exhibition creates a dialogue between Eyeta’s organic compositions, which utilize plant pigments and clay, and Sahli’s intricate 'alveoli' structures made from silk and repurposed plastic. Both artists emphasize the concept of material as a living archive, focusing on themes of ecological consciousness, ritualistic repetition, and the reanimation of discarded matter.
Cal State Fullerton recently hosted its biannual Associated Students Inc. (ASI) Art Show at the Titan Student Union Center Gallery, centered on the theme of "Memory and Nostalgia." The exhibition showcased 20 student works spanning traditional oil paintings, digital illustrations, and 3D-printed media. Awards were presented across multiple categories, highlighting pieces such as Michael Butorac’s acrylic painting "Unforgotten Friday’s" and Victor Castaneda’s digital photograph "Becoming."
Michaela Yearwood-Dan has unveiled her first major UK institutional exhibition, 'The Practice of Liberation,' at the Whitworth. The immersive installation integrates fourteen new paintings with ceramic vessels and soundscapes, reimagining traditional religious motifs through a contemporary, secular lens. By deconstructing elements like stained glass and the Stations of the Cross into abstract forms, the artist creates a sanctuary that explores themes of ritual, memory, and personal identity.
Deborah Roberts’s solo exhibition, 'Consequences of Being,' at The FLAG Art Foundation showcases a significant evolution in her practice, featuring new large-scale paintings, works on paper, and her debut in ceramic sculpture. Her signature collage-based figures are presented as fragmented, composite bodies that challenge fixed notions of Black identity and subjecthood. By blending archival imagery with vernacular signage, Roberts explores how colonial legacies and historical narratives continue to influence the perception of Black bodies across the globe.
Watercolor artist Judy Thompson and her daughter, poet Kristin Gifford, have launched a collaborative exhibition titled “Becoming Midwest: Life Between” at the Washington Pavilion Visual Arts Center in Sioux Falls. The show features 27 artworks and 12 poems that explore shared themes of motherhood, the natural landscape of the Great Plains, and the complexities of regional identity. The project marks the first formal partnership between the pair, blending Thompson’s established watercolor practice with Gifford’s contemporary poetry.
Mexican artist Elina Chauvet has accused Romanian news anchor Alessandra Stoicescu of plagiarizing her famous installation, "Zapatos Rojos" (Red Shoes). The dispute arose after Stoicescu organized a public intervention titled "Dragostea poartă pantofii roșii" outside the Romanian Athenaeum to mark new femicide legislation, featuring hundreds of red shoes in a manner nearly identical to Chauvet’s long-running global project. Chauvet claims this is the second time Stoicescu has co-opted her work without authorization or credit, following a similar incident in 2018.
Millon reprend Pierre Bergé & Associés
The Millon Auction Group has acquired Pierre Bergé & Associés (PBA), becoming the sole shareholder of the historic house founded in 2002. This acquisition follows a turbulent period for PBA, which was placed in receivership in 2023 and briefly owned by Alexandre Landre after being embroiled in a high-profile antiquities trafficking scandal. Under the leadership of Alexandre Millon and newly appointed Managing Director Marc Chochon, the firm plans to return to Drouot and focus on prestigious collections and rare books.