Cash-Strapped Hong Kong Arts Hub Saved—Plus a Rundown of the Latest in Asia’s Art World
Hong Kong's financially struggling West Kowloon Cultural District, a major arts hub, has been rescued from its cash crisis. This development was part of a broader Asia art world update that also included leadership changes at Japan's Art Collaboration Kyoto and the announcement of a new art fair in Shenzhen.
During Hong Kong Art Week, beyond the dominant Art Basel Hong Kong fair, a series of intimate interventions and installations across the city explore the boundaries between art, design, and everyday life. One notable event is a 'Listening Session' organized by Guangzhou's Vitamin Creative Space in a private home in the New Territories, where Lebanese artist-composer Tarek Atoui debuted two new 'instruments' that transform the living room itself into an interactive sound sculpture. The gathering of about 30 people, mostly in town for art week, blurred the lines between performance, installation, and domestic space.
Post-Minimalist sculptor Joel Shapiro died on 14 June in Manhattan at age 83 from acute myeloid leukemia. Best known for vibrant, humanoid sculptures built from wooden beams that balance abstraction and figuration, Shapiro completed over 30 public commissions, including *Loss and Regeneration* (1993) at the United States Holocaust Memorial Museum. His career began with fingerprint drawings that caught gallerist Paula Cooper's attention, leading to a 1982 mid-career retrospective at the Whitney Museum of American Art. He later showed at Pace Gallery and other major venues, with his most recent solo exhibition at Pace in New York in September 2024.
Artist Ding Shilun's career is accelerating, marked by a major auction record for his 2021 work 'The Adoption of the Maiden' at Phillips London and a current solo exhibition, 'Spectres in Rehearsal,' at Bernheim Gallery in Zurich. His large-scale paintings blend theatrical compositions, Goya-esque and manga influences, and narrative structures from Chinese zhiguai tales to create accessible yet complex scenes.
The exhibition "Seeds of Exchange" at London's Garden Museum highlights a 1773 botanical collaboration between British amateur plant hunter John Bradby Blake and Cantonese painter Mak Sau. Centered on Blake’s unpublished "Flora Sinensis," the project attempted to systematically catalogue Chinese flora, including the Camellia japonica, through detailed watercolors that blended Western objective illustration with Chinese artistic expertise. These works served as the primary medium for introducing Chinese plant species to the West long before live specimens could survive the journey.
A visitor recounts their experience at the Eli and Edythe Broad Art Museum on the Michigan State University campus in Lansing, Michigan. The article describes the museum's striking architecture designed by Zaha Hadid, noting its curved, geometric form and use of glass and light. Inside, the visitor highlights several current exhibitions: "Nabil Kanso: Echoes of War" (on view through June 29, 2025), "Farmland" (through July 27, 2025), and the 2025 MFA Exhibition featuring works by graduating students Claire E. Heiney, Morgan Reneé Hill, and Megan Weaver. The author reflects on the emotional impact of the art and the educational value of the visit.
This article surveys four notable art spaces in and around Guangzhou, China. It profiles the He Art Museum in Foshan, a private nonprofit founded by He Jianfeng and designed by Tadao Ando, which houses the He family collection spanning Lingnan School ink painting to international modernists. It also covers the Bai’etan Greater Bay Area Art Center, a government-funded complex opened in April 2024 that includes branches of the Guangdong Museum of Art, the Guangdong Intangible Cultural Heritage Museum, and the Guangdong Literature Museum. Additionally, it highlights Vitamin Creative Space, a dual independent art space and commercial gallery founded by Zhang Wei and Hu Fang, and the ChunYangTai Arts and Cultural Centre, part of the Langtou Experiment village revitalization project.
Kong Lingyi has been appointed as the new CEO of the UCCA Center for Contemporary Art in Beijing, succeeding Philip Tinari who stepped down shortly before the Lunar New Year. A veteran of the institution since 2012, Kong previously served as vice president of brand and is now tasked with overseeing UCCA’s multiple branches in Beijing, Beidaihe, and Yixing. Her leadership marks a shift toward a new management structure focused on institutional sustainability and public accessibility.
The Greater Bay Area is hosting a diverse range of cultural events this week, highlighted by the exhibition "Blooming: The Art of Gardens in East and West" at the Hong Kong Museum of Art. This show features rare works by Claude Monet, including his iconic Water Lilies, alongside traditional Chinese garden-themed art. Other notable visual arts events include the "Fragrance of Youth" exhibition at the Guangdong Museum of Art, showcasing contemporary Lingnan female artists, and the Tap Siac Craft Market in Macao, which features over 200 artisanal stalls.
A delegation of senior UK museum directors, including Tim Reeve of the Victoria and Albert Museum, Doug Gurr of the Natural History Museum, Keith Merrin of North East Museums, Sara Wajid of Birmingham Museums Trust, and Laura Pye of National Museums Liverpool, accompanied Prime Minister Keir Starmer on a three-day diplomatic and trade mission to China. The trip aimed to strengthen bilateral relations, with the museum leaders highlighting existing partnerships and exploring new opportunities for cultural exchange and commercial collaboration in the Chinese market.
Art historian Winnie Wong’s new book, *The Many Names of Anonymity: Portraitists of the Canton Trade*, investigates the lives and legacies of 18th and 19th-century Chinese artists who produced works for Western traders under the Canton system. These artists, often dismissed by history as mere copyists or left anonymous in museum "tombstone" labels, created complex works that blended European techniques with Chinese traditions. Wong challenges the reductive category of "Asian export art," proposing instead the term "Canton trade painting" to better reflect the unique atmosphere of cultural exchange in Guangzhou.
The Guangzhou Image Triennial 2025, titled 'The Case for Sensitivity,' has opened at the Guangdong Art Museum. The exhibition, featuring over 50 artists and artist groups, directly addresses a perceived crisis of technological mediation, arguing that digital existence deprives us of direct contact with the natural world. It aims to foster new forms of attention by emphasizing the materiality of images—what they are made of—over what they represent.
China's private museum sector, which boomed in the 2010s with hundreds of new institutions often tied to property developments or vanity projects, is now contracting. Notable closures include Guangzhou's Times Museum (shuttered in 2022, later relaunched as a project space), OCAT Shanghai (closed indefinitely in 2021), and Qingdao's TAG Museum (suspended operations in 2024). Other prominent museums like Sifang Art Museum, Yinchuan MoCA, and Shanghai MoCA have scaled back, while Long Museum's future appeared uncertain after its owners auctioned part of their collection. The downturn follows the collapse of China's property sector, Covid-19 restrictions, and a broader economic slump.
Art Macao 2025, the Macao International Art Biennale, will run from July to October 2025, featuring nearly 30 exhibitions across six sections. Chief curator Feng Boyi has themed the Main Exhibition around the everyday question "Hey, what brings you here?", showcasing nearly 80 works by 46 artists from 13 countries at the Macao Museum of Art. The event is organized by the Cultural Affairs Bureau and co-organized by major casino-resort operators including Galaxy Entertainment Group, Melco Resorts & Entertainment, MGM, Sands China Ltd., SJM Resorts, and Wynn Resorts Macau.
Cultured magazine profiles 29-year-old artist Yasmine Anlan Huang, who is featured in the 2024 Whitney Biennial with her video poem "Her Love is a Bleeding Tank." The Guangzhou-born, New York- and London-based artist explores themes of girlhood, melodrama, fetish, and techno-capitalism through cross-media work. Her second book, "Becoming Everyone, Everywhere," is set for publication in early 2026. In the profile, Huang discusses her desire to create a medium-length film about a rosette cataract, a project requiring CGI and significant funding.
Beijing's Ullens Center for Contemporary Art (UCCA) will open a new museum, UCCA OneM Center for Contemporary Art, in Guangzhou in 2027. This marks the institution's first expansion into South China, created through a partnership with Guangzhou's existing OneM Center for Contemporary Art.