Filthy fossil fuels, a dizzying debut and the ominous side of the moon – the week in art

The Guardian’s weekly art roundup highlights the opening of 'Extraction' at Jupiter Artland, an exhibition featuring artists like Marguerite Humeau and John Gerrard that explores the environmental impact of fossil fuels. Other notable UK openings include Michaela Yearwood-Dan’s museum debut at The Whitworth, a survey of Paula Rego’s drawings at Victoria Miro, and a showcase of Thérèse Oulton’s textured landscapes at Vardaxoglou.

Time Magazine’s 100 Most Influential List Includes Artist Cao Fei and Photojournalist Lynsey Addario

Time magazine has named artist Cao Fei and photojournalist Lynsey Addario to its 2026 list of the 100 most influential people in the world. Cao Fei is recognized for her multidisciplinary work exploring digital technology and modernity, while Addario is honored for her decades of courageous reporting from global conflict zones, including her Pulitzer Prize-winning coverage of the war in Ukraine. The list also acknowledges prominent art patrons Susan and Michael Dell.

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Italian artist Maurizio Cattelan has launched a global hotline inviting the public to confess their sins to mark the 21st anniversary of the death of Pope John Paul II. The project, which may coincide with April Fools' Day, culminates in a livestreamed event on April 23 where Cattelan intends to perform a secular act of absolution. Other major developments include a federal judge halting construction on a controversial White House ballroom and the death of British illustrator Glen Baxter at age 82.

Non-European artists are sorely under-represented in Paris galleries; Spanish minister officially rejects Guernica loan request by Basque government

non european artists are sorely under represented in paris galleries spanish minister officially rejects guernica loan request by basque government morning links for april 8 2026 1234780465

A new study by curator Louise Thurin and 193 Gallery founder César Lévy reveals significant demographic imbalances in Paris's commercial art scene. While female representation has tripled over the last decade to nearly 35%, artists born outside of Europe and North America remain marginalized, accounting for less than 15% of gallery rosters combined. Additionally, Spain’s Culture Minister Ernest Urtasun has officially denied a request to loan Pablo Picasso’s 'Guernica' to the Guggenheim Museum Bilbao, citing the masterpiece's extreme fragility and the need to follow conservation expert advice.

politicians trade barbs over guernica loan request artist thomas zipp dies henry taylor in paris morning links for april 7 2026 1234780242

Spanish political leaders are embroiled in a heated dispute following a formal request from the Basque regional government to loan Pablo Picasso’s 'Guernica' to the Guggenheim Museum Bilbao for its 90th anniversary. Officials in Madrid have dismissed the request as provincial, while Basque leaders argue for the work's return to the region it depicts; meanwhile, the Museo Reina Sofía maintains its long-standing policy against moving the fragile masterpiece.

Shreg the green ogre, a grey obsessive and Vermeer’s boiled egg – the week in art

This week's art roundup from The Guardian highlights a range of exhibitions across the UK, including Bruce Asbestos's 'Bootleg Shreg 2' at Exeter Phoenix Gallery, a playful show featuring a green ogre that parodies copyright rules. Other notable shows include Roy Oxlade's primitive paintings at Alison Jacques, May Morris's craft legacy at Lady Lever Art Gallery, a 30-year anniversary group show at Timothy Taylor, and Alan Charlton's monochrome grey works at Annely Juda Fine Art. The article also features an image of a naturally sculpted rock on Kangaroo Island, a review of the Turner Prize nominees, and a masterwork analysis of Vermeer's 'The Guitar Player' at Kenwood House, which was stolen in the 1970s and recovered with the help of a clairvoyant.

The Robots Were Never the Problem

The New Museum has reopened with 'New Humans: Memories of the Future,' a massive survey featuring over 150 contributors including Hito Steyerl, Precious Okoyomon, and H.R. Giger. Spanning 13 sections across the museum's new 5,500 square-meter extension, the exhibition traces the intersection of art, technology, and the human body from the early 20th century to the present. It juxtaposes interwar European works, such as Hannah Höch’s photomontages and Bauhaus ballets, with contemporary installations like Simon Denny’s sculpture of an Amazon worker's cage.

Edvard Munch Paintings for a Chocolate Factory Go on View in Norway

The Munch Museum in Oslo will open an exhibition titled “Edvard Munch and the Chocolate Factory” in May, featuring a series of large-scale paintings by Edvard Munch created in 1923 for the canteen of the Freia chocolate factory. Known as the Freia Frieze, these works depict summer life in a Norwegian coastal town and have never before been shown to the public outside the factory. The exhibition runs from May 21 to November 10 and includes related sketches from the museum’s collection.

frances lower house unanimously backs colonial era art restitution bill trial begins in stolen golden helmet case morning links for april 14 2026 1234781147

The French National Assembly has unanimously passed a landmark bill designed to streamline the restitution of cultural property looted during the colonial era between 1815 and 1972. While the legislation fulfills a long-standing promise by President Emmanuel Macron to return African heritage, the debate revealed deep political divisions; critics noted the bill avoids the word "colonialism," while conservative factions expressed concerns about depleting national museum collections.

Riyadh’s New Black Gold Museum Attempts to Convey ‘The Legacy of Oil Through Art’

The Black Gold Museum has officially opened in Riyadh, Saudi Arabia, as a flagship project of the nation’s Vision 2030 initiative. Housed in a Zaha Hadid-designed complex and directed by Jack Persekian, the institution features over 350 artworks by 170 international and local artists, including Manal AlDowayan and Doug Aitken. The museum explores the history and cultural impact of oil through four thematic sections—Encounter, Dreams, Doubts, and Visions—blending historical narrative with contemporary artistic reflection.

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Meg Molloy, founder of the Working Arts Club, discusses the systemic barriers facing working-class professionals in the art world. Launched last year, the independent network provides social and professional support for arts workers from lower socioeconomic backgrounds, a demographic often excluded by the industry's reliance on unpaid internships, low entry-level salaries, and expensive urban hubs like London.

Radiohead Hits the Road With a Haunting Immersive Installation

Radiohead has announced a North American tour for "Motion Picture House," a massive 17,000-square-foot immersive audiovisual installation. The project features a 75-minute film titled Kid A Mnesia, directed by Sean Evans, which incorporates art created by frontman Thom Yorke and longtime collaborator Stanley Donwood. Launching at the Coachella festival before traveling to cities like Brooklyn and Mexico City, the experience combines surround-sound studio recordings with physical galleries displaying the original source art from the band's seminal turn-of-the-century albums.

Where to go this weekend?

Wohin am Wochenende?

Major international exhibitions and events are launching this week, headlined by a massive Marcel Duchamp retrospective at the Museum of Modern Art in New York, the first of its scale in the U.S. since the 1970s. In Milan, Cao Fei debuts a research-heavy project at Fondazione Prada exploring the intersection of high-tech agriculture and tradition, while Berlin’s Georg Kolbe Museum recovers the legacy of British constructivist Marlow Moss. Additionally, the inaugural Art Cologne Palma Mallorca art festival opens in Spain, attempting to stimulate the market during a challenging economic period.

Inside ‘Prince of Prints’ Jordan Schnitzer’s Sprawling Collection

Jordan Schnitzer, the Portland-based philanthropist often called the 'Prince of Prints,' recently provided a rare tour of his massive 50,000-square-foot art warehouse. The facility utilizes a sophisticated 'floating bin' logistics system, similar to those used by major retailers, to manage over 22,000 works, including extensive holdings by Andy Warhol, Joseph Beuys, and Richard Prince. Schnitzer’s foundation operates as a lending library, frequently shipping works to museums and hosting educational tours for students from districts where arts funding has been eliminated.

What If Every City Provided Artists With Free Supplies?

Materials for the Arts (MFTA), a program of the New York City Department of Cultural Affairs, provides free art supplies and tools to over 4,500 organizations, including public schools, nonprofits, and social justice groups. By diverting millions of pounds of materials from landfills—ranging from film production sets to high-end fabrics—the organization has reallocated over $40 million worth of goods to the creative community. The program's leadership is now advocating for an expansion of this model, envisioning dedicated reuse centers in every borough to meet the growing demand for accessible creative resources.

At the Grand Palais, the Art Paris Fair Focuses on Language, with a BNP Paribas Private Bank Prize at Stake

Au Grand Palais, la foire Art Paris s’intéresse à la question du langage, avec un Prix BNP Paribas Banque Privée à la clé

The 28th edition of the Art Paris fair is set to return to the Grand Palais in 2026, featuring a mix of 60% French and 40% international galleries. This year’s edition emphasizes emerging talent through its 'Promesses' sector and introduces a strong curatorial focus with two thematic paths: 'Reparation,' curated by Alexia Fabre, and 'Babel,' curated by Loïc Le Gall. The latter explores the intersection of language, signs, and translation through the work of 20 artists from the French scene.

A Century of Esoteric and Occult Artistry in “A Queer Arcana” at Palm Springs Art Museum

The Palm Springs Art Museum has unveiled "A Queer Arcana," an ambitious exhibition exploring the intersection of LGBTQ+ culture, occultism, and esoteric spirituality. Spanning the 20th and 21st centuries, the show features a diverse array of media—including a major four-banner commission by the collective Hilma’s Ghost—and is organized into thematic sections such as Tarot, Sex Magick, and healing. The project emerged from the museum’s Q+Art initiative, a unique program dedicated to queer art histories within a general art museum context.

Hyperallergic’s Guide to the 2026 Venice Biennale

Hyperallergic has published its guide to the 2026 Venice Biennale, detailing what to see and do at this year's edition. The guide covers the three main categories of the Biennale—the Giardini with 29 permanent national pavilions, the Arsenale with temporary rented spaces, and collateral events across the city. Key developments include the return of Russia to its permanent Giardini pavilion and Israel's participation with a new contractual stipulation preventing its artist from closing the pavilion, after Ruth Patir's protest in 2024. South Africa withdrew following the cancellation of Gabrielle Goliath's video installation 'Elegy,' which mourns victims of Israel's genocide in Gaza and will now be shown at a historic church. The United States will be represented by Alma Allen after Barbara Chase-Riboud stepped down, and Qatar is set to become the first country in decades to build a new pavilion in the Giardini.

Art and Springtime in Upstate NY

This regional update highlights a diverse array of developments, ranging from the seasonal art circuit in Upstate New York to significant human rights actions. Lebanese artist Ali Cherri, a former Venice Biennale Silver Lion winner, has filed a formal war crimes complaint against Israel following a strike in Beirut that killed his parents. Simultaneously, a new report reveals systemic staffing crises within POC-led arts organizations in the Northeast, where over a third of institutions operate without a single full-time employee.

Top Collector John Phelan Fired as Navy Secretary, After Reports of Pentagon Infighting

John Phelan, a prominent figure on ARTnews's Top 200 Collectors list, has been fired from his position as Secretary of the Navy. His departure follows reported disagreements with senior Pentagon officials over a shipbuilding initiative, including a proposal for a "Trump-class" of battleships. Undersecretary Hung Cao will serve as acting secretary.

Erewhon, Grocery Store Known for $20-Plus Smoothies, to Set Up Shop in LACMA’s New Building

The Los Angeles County Museum of Art (LACMA) has announced a partnership with the high-end grocery chain Erewhon to open a café within its new Peter Zumthor-designed building, the David Geffen Galleries. Scheduled to open to the public on May 4, the outpost will be located in the W.M. Keck Plaza and will offer the brand's signature organic snacks and viral $20-plus smoothies. The collaboration is currently framed as a seasonal residency lasting through the summer.

Andrew Lloyd Webber Is Writing a Musical About the Heist that Made ‘Mona Lisa’ Famous

Renowned composer Andrew Lloyd Webber has announced he is developing a new musical centered on the 1911 theft of Leonardo da Vinci’s Mona Lisa. The production will dramatize the true story of Vincenzo Peruggia, a Louvre employee who stole the masterpiece and hid it for two years before it was recovered in Italy. Lloyd Webber revealed the project following the Broadway opening of Cats: The Jellicle Ball, noting that he is beginning the writing process immediately.

Edvard Munch’s Paintings for a Chocolate Factory Get a Rare Museum Outing

A series of 12 monumental paintings by Edvard Munch, created for the workers' canteen of the Freia chocolate factory in Oslo, have been temporarily removed from their original location for the first time. The works, known as the Freia Frieze, are now on display at the nearby Munch Museum in an exhibition titled "Edvard Munch and the Chocolate Factory," which also includes preparatory sketches and examines the artist's output in the 1920s.

Stealing the show: Mona Lisa heist inspires Andrew Lloyd Webber musical

Renowned composer Andrew Lloyd Webber has announced he is developing a new musical based on the 1911 theft of Leonardo da Vinci’s Mona Lisa. The production will dramatize the true story of Vincenzo Peruggia, a Louvre employee who stole the masterpiece and kept it hidden for over two years before attempting to sell it to an antiques dealer in Florence. Lloyd Webber, the creative force behind global hits like Cats and Phantom of the Opera, is currently in the writing phase of the project.

Artists, clowns, runaways: a stay at the Chelsea Hotel – in pictures

Photographer Albert Scopin has released a new book through Kerber Verlag documenting his residency at New York’s iconic Chelsea Hotel between 1969 and 1971. The collection features rare, intimate portraits of the hotel's legendary inhabitants, including a young Patti Smith and Robert Mapplethorpe before their rise to global fame, alongside long-time manager Stanley Bard and avant-garde figures like Vali Myers and Holly Woodlawn. Scopin’s lens captures the 'creative chaos' of the era, from the art-filled lobby to the eccentric private quarters of residents like composer George Kleinsinger.

Art as seen by… Louise Bourgoin

L’art vu par… Louise Bourgoin

French actress Louise Bourgoin discusses her deep-rooted connection to the visual arts, stemming from her studies at the Beaux-Arts de Rennes. She reflects on her first art purchase in the Czech Republic, her obsession with line drawing, and how the abstract works of Mark Rothko have informed her acting performances. Bourgoin also reveals her upcoming project: illustrating a children's book written by Arthur Dreyfus, set for release in September.

Fraenkel Gallery Partners with New York’s Metrograph for Artist-Curated Series

Fraenkel Gallery has partnered with New York's Metrograph theater to present a film series curated by six of its represented artists. The series, titled "Fraenkel Gallery Presents," runs from May 8–17, with each artist selecting a film and several introducing their screenings. The collaboration includes an opening event featuring artist Carrie Mae Weems and director Joel Coen.

LR Vandy’s Rope Sculptures Disentangle Histories of Colonialism and Transportation

London-based artist LR Vandy has opened her first solo museum exhibition, "Rise," at the Yorkshire Sculpture Park. The show features a series of sculptures crafted from nautical materials like Manila rope, ship's helms, and hull-shaped wooden forms, many of which were created in her studio at the Chatham Historic Dockyard. The works explore the complex intersections of maritime history, trade, and the labor systems that powered the Age of Discovery.

Marcel Duchamp - Hommage à Caissa (for the Marcel Duchamp Fund of the American Chess Foundation), 1966

Marcel Duchamp - Hommage a Caissa (for the Marcel Duchamp Fund of the American Chess Foundation) , 1966

This rare 1966 silkscreen poster commemorates the "Hommage à Caissa" exhibition at New York’s Cordier & Ekstrom Gallery, a fundraiser organized by Marcel Duchamp for the American Chess Foundation. The event featured contributions from 36 iconic artists, including Salvador Dalí, Jasper Johns, and Alexander Calder, and is famously remembered for Andy Warhol’s uninvited "guerrilla attack" appearance with the Velvet Underground. The poster's design incorporates RSVP cards sent to participating artists, some featuring personal notes and autographs.

Art Card: Helen Frankenthaler at the Milwaukee Art Museum (Hand Signed by Helen Frankenthaler) , 1985

A rare, hand-signed offset lithograph invitation card from a 1985 Helen Frankenthaler exhibition at the Milwaukee Art Museum has surfaced on the market. The two-sided card, which served as an invitation for the show "Frankenthaler, Works on Paper, 1949-1984," was signed by the artist in ink during her talk at the opening reception on October 3, 1985. It is currently presented in a double-sided frame to preserve the integrity of the signature and the exhibition text.