Adrien Brody, fresh off his second Best Actor Oscar for *The Brutalist*, opened his first art exhibition in nearly a decade at Eden Gallery in New York. Titled "Made in America," the show features large-scale mixed-media paintings, a sound installation, and an interactive gum wall. The event drew a Hollywood-style crowd, with Brody mingling with guests and discussing his lifelong art practice, which he says preceded his acting career.
A major retrospective of Beryl Cook's work, titled "Pride and Joy," is on view at The Box in Plymouth, UK. The exhibition showcases the self-taught artist's vibrant paintings of plus-sized, joyful women in social settings, challenging the long-held art-world snobbery that previously excluded her work from major institutions like the Tate.
The article explores the annual ritual of the Archibald Prize, Australia's most famous portrait competition, through the lens of the 2026 edition. The author, Dee Jefferson, describes the predictable cycle of public enthusiasm, critical disdain, and media coverage that surrounds the prize, noting recurring trends like brown suits, oversized heads, and the dominance of male artists painting male subjects. The piece highlights specific works in this year's exhibition, including a portrait of musician Keli Holiday by Sindy Sinn that the author finds disorienting, and contrasts the main exhibition with the Salon des Refusés, the showcase of rejected entries, which includes a provocative portrait of Patricia Piccinini by Wendy Sharpe featuring exaggerated anatomy.
"Es hat niemals eine unpolitische Venedig-Biennale gegeben"
The Venice Biennale is embroiled in political controversy, with the US Pavilion's selection process criticized for bypassing traditional curatorial expertise in favor of a politically connected outsider. Simultaneously, a collective of artists and academics is protesting Russia's return to the Biennale, arguing it uses art as a political instrument to normalize its actions amid the war in Ukraine. An analysis in ArtReview contends the Biennale has never been apolitical, serving as a stage for geopolitical power plays since its inception.
The 2025 Outsider Art Fair in New York City, featuring 68 exhibitors at the Metropolitan Pavilion, showcased a vibrant range of work by self-taught and autodidactic artists. The event was marked by strong sales and enthusiastic attendance, serving as an egalitarian counterpoint to more traditional blue-chip art fairs.
Yoshiko Mori, the founding chairperson of Tokyo's Mori Art Museum, died on December 23 from pneumonia at age 85. Alongside her husband, real estate developer Minoru Mori, she opened the museum in 2003, which has since become one of Japan's premier contemporary art institutions. Mori served as chairperson from 2003 to 2024, then as chairperson emerita until her death. She also founded the Mori Contemporary Art Foundation in 2025 and held numerous international board positions, including trustee at the Royal Academy of Arts and member of the International Council at MoMA and Tate.
The San Francisco Museum of Modern Art (SFMOMA) has announced a major reinstallation of its Fisher Collection galleries, titled “Reimagined: The Fisher Collection at 10,” opening April 18, 2026. The overhaul will feature 250 artworks by 35 modern and contemporary artists across 60,000 square feet of gallery space, organized by thematic and monographic floors. The project is led by curator Ted Mann and chief education officer Gamynne Guillotte. The Fisher Collection, a 100-year loan from the Fisher Art Foundation, includes blue-chip works by Alexander Calder, Gerhard Richter, Andy Warhol, and others, assembled by Gap Inc. founders Donald and Doris Fisher.
David Hockney, the legendary British artist, turns 88 on July 9, and Artnet News reflects on his seven-decade career of rule-breaking. The article highlights eight key moments of defiance, including his openness about his homosexuality before decriminalization in the U.K., his public smoking habit that led to a Paris Metro ad being pulled, and his controversial "Hockney-Falco thesis" arguing that Old Masters used optical tools like the camera lucida. Hockney currently ranks third on the Artnet Intelligence Report for best-selling and most bankable postwar artists, and his largest-ever exhibition is on view at the Fondation Louis Vuitton in Paris.
The Christophers is a new film starring Ian McKellen as Julian Sklar, a once-celebrated 1970s painter who has become a social pariah and reality TV villain. The plot follows a 'reverse art heist' where Sklar’s estranged children hire a restorer and former forger, played by Michaela Coel, to secretly finish a series of nine incomplete portraits of his former lover. The goal is to inflate the works' market value so they can be 'discovered' as masterpieces upon the aging artist's death.
Nnena Kalu, a 59-year-old Scottish artist with a learning disability, has won the 2025 Turner Prize, one of the world's most prestigious art awards. Her winning works include vast, swirling abstract drawings and sculptures made from wound VHS tape and found fabric, described as direct, honest, and compelling. The article argues that Kalu won not because of or despite her disability, but on the merit of her art, which stands out for its aesthetic simplicity and emotional power.
The article recounts the author's personal rediscovery of Art Nouveau, sparked by encountering an iron doorknob shaped like a Belgian endive at the Bröhan Museum in Berlin. It explores the movement's history, its German variant Jugendstil, and the philosophical debate between Walter Benjamin and Theodor Adorno over its merits—Benjamin criticizing it as a superficial escape from industrial reality, Adorno defending its utopian desire to reconcile art, nature, and technology. The piece also notes a contemporary resurgence of interest in the style.
Sotheby's has secured a major consignment of approximately $400 million in art from the collection of the late Leonard Lauder, who died in July at age 92. The highlight is Gustav Klimt's "Portrait of Elisabeth Lederer" (1914–16), expected to fetch over $150 million, potentially shattering Klimt's auction record. The sale also includes two other Klimt landscapes, six bronzes by Henri Matisse, a $20 million Edvard Munch painting, and an Agnes Martin work, totaling 55 artworks. The auction will inaugurate Sotheby's new space in the former Whitney Museum building, designed by Marcel Breuer.
Leonard Lauder, the eldest son of Estée Lauder and a billionaire cosmetics executive, died at age 92. He served as chairman emeritus of Estée Lauder Companies, having previously been president and CEO, and grew the company's sales from $800,000 to over $16 billion. A major art philanthropist, in 2013 he donated 81 Cubist works worth over $1 billion to the Metropolitan Museum of Art, including pieces by Picasso, Braque, Léger, and Juan Gris. He also served as chairman emeritus and trustee at the Whitney Museum.
Leonard Lauder, the 85-year-old chairman emeritus of Estée Lauder Companies, has amassed a collection of approximately 130,000 postcards, many of which are a promised gift to the Museum of Fine Arts, Boston. A selection of 350 propagandist postcards from the World War I and World War II eras is now featured in a new exhibition at the MFA titled “The Art of Influence: Propaganda Postcards from the Era of World Wars” (through January 21), accompanied by a publication. Lauder began collecting as a boarding school student in Miami Beach, drawn to the idealized images and vibrant colors of Art Deco hotel postcards, and later expanded to historical and propagandist cards that he describes as “living history.”
The Prado Museum in Madrid has launched a new exhibition series called "A Work, a Story," beginning with José Aparicio's 1818 painting "El año del hambre de Madrid" (The Year of the Famine in Madrid). Once the museum's most popular attraction, the propagandistic work celebrating Spanish resistance to Napoleon fell from favor and was removed from display for over 150 years, residing in government buildings and other museums before returning to the Prado.
The Pérez Art Museum Miami (PAMM) is presenting "Language and Image: Conceptual and Performance-Based Photography from the Jorge M. Pérez Collection," an exhibition curated by Fabiana Sotillo that traces the evolution of photography as a fine art form. Featuring works by artists including Thomas Struth, Marina Abramović, Zanele Muholi, Wolfgang Tillmans, Isaac Julien, and María Teresa Hincapié, the show explores photography’s shift from documentary tool to conceptual medium, with a focus on performance art and the camera’s ability to preserve ephemeral moments. The exhibition also draws parallels between historic photographic innovation and contemporary developments like artificial intelligence.
Art Problems: How Do I Get Gallery Representation?
Paddy Johnson, in a Hyperallergic advice column, demystifies the process for artists seeking gallery representation. She explains that galleries primarily seek artists with proven sales records to mitigate their own high financial risks, such as exorbitant rent and operational costs. Johnson advises artists to build this track record independently by selling work themselves or securing spots in low-pressure group shows, then aggressively promoting those exhibitions to demonstrate market potential to dealers.
Wie Tech-Milliardäre Couture zu Content machen
The Met Gala, long considered the premier event for fashion and cultural influence, has become increasingly dominated by tech billionaires. This year, Jeff Bezos and Lauren Sánchez Bezos purchased their role as co-hosts, sparking protests in New York and raising questions about whether money alone now buys entry into the highest echelons of fashion. Individual tickets cost $10,000 and a table $350,000, with sponsors including OpenAI, Snapchat, and Meta. The event, organized by Anna Wintour to raise funds for the Costume Institute at the Metropolitan Museum of Art, raised $31 million last year but has transformed from a benefit into a spectacle optimized for viral moments and algorithmic appeal.
The National Endowment for the Arts (NEA) has updated its 2026 fiscal year grant guidelines, cancelling the Challenge America grants that targeted underserved communities and replacing them with a focus on projects celebrating the 250th anniversary of the United States (America250). The changes, announced in response to executive orders by President Donald Trump, eliminate DEI-related funding and require applicants to have a five-year history of arts programming. Organizations that had applied for the $10,000 Challenge America grants must now resubmit under the broader Grants for Arts Projects category, with extended deadlines.
Pop star Ed Sheeran is launching his debut painting collection, "Cosmic Carpark Paintings," at HENI Gallery in London's Soho district from July 11 to August 1. The series of multicolored drip and splash works was created in a disused carpark using house paint, inspired by Jackson Pollock. Sheeran, who began painting in 2019, will sell original canvases and prints for £900 ($1,200) each, with 50 percent of proceeds going to the Ed Sheeran Foundation to support youth music programs in the U.K. The exhibition was encouraged by Sheeran's friends Damien Hirst and HENI founder Joe Hage.
Lubaina Himid has been selected to represent the United Kingdom at the 61st International Art Exhibition of La Biennale di Venezia in 2026 with a major solo installation titled 'Predicting History: Testing Translation' at the British Pavilion. The exhibition, running from May 9 to November 2026, features a new series of large, multipaneled paintings in dazzling colors, surreal settings, and a soundscape created in collaboration with artist Magda Stawarska. Himid, a Turner Prize-winning pioneer of the Black British Art Movement and Emeritus Professor at the University of Central Lancashire, explores themes of belonging, migration, and making a home in a new place.
The article examines the meteoric rise of artist Mike Winkelmann, known as Beeple, who broke auction records in 2021 by selling an NFT for $69.3 million at Christie's, becoming the third most expensive living artist. His robot dogs, featuring heads of figures like Elon Musk and Mark Zuckerberg, debuted at Art Basel Miami Beach and are now on view at Berlin's Neue Nationalgalerie during Gallery Weekend. The show, titled "Regular Animals," has sparked controversy, with critics like Markus Lüpertz denouncing the works as trivial entertainment unworthy of a museum, while curators Carolyn Christov-Bakargiev and Lisa Botti defend the exhibition.
Agnes Gund, the influential American arts philanthropist and collector, has died at age 87. Gund was a transformative figure at the Museum of Modern Art (MoMA) in New York, serving on its board from 1976, as president from 1991 to 2002, and later as president emerita. She helped raise funds for MoMA's $858m expansion, donated around 100 works to the museum, and pushed for acquisitions of women and artists of color. Beyond MoMA, she founded Studio in a School in 1977 to bring art education to New York City public schools and co-chaired a Sotheby's auction to support Miss Porter's School. Her death was first reported by The New York Times; she is survived by four children.
Alejandra Phelts presents her new exhibition 'Echoes of Movement' at the Crain Art Gallery in Crowell Public Library, opening with a free public reception on May 9, 2026. The show features paintings that explore the body as a space of transformation, drawing on Phelts' background in music, philosophy, and sewing. Phelts, a Mexican border artist, shifted from studying philosophy in France to fine arts after realizing art was a necessity, and her work has been shown internationally, including at the Venice Biennale and the Louvre.
The U.S. Congress has passed an extension of the Holocaust Expropriated Art Recovery (HEAR) Act, a 2016 law designed to help heirs of Holocaust victims recover looted art. The new legislation aims to limit the ability of museums and other current holders to use time-based legal defenses, such as statutes of limitations, to block restitution claims, thereby pushing more cases to be decided on their factual merits.
Sasha Suda, the former director and CEO of the Philadelphia Museum of Art, has filed a lawsuit against the institution less than a week after her abrupt firing. The legal complaint alleges breaches of contract, bad faith, unfair treatment, and abuse. Suda, who served for three years, is seeking two years' severance and damages, represented by high-profile art world attorney Luke Nikas of Quinn Emanuel. Her ouster came shortly after the museum unveiled a controversial rebranding, changing its name from the Philadelphia Museum of Art to the acronym PhAM and introducing an unpopular griffin logo. The museum has stated the lawsuit is without merit. Louis Marchesano, deputy director of curatorial affairs and conservation, is currently serving as interim leader.
The Museum of Contemporary Art, Los Angeles (MOCA) held its annual gala, presented by BVLGARI, at the Geffen Contemporary space in Little Tokyo. The evening introduced a new format called MOCA Legends, honoring artist Theaster Gates, architect Frank Gehry, and philanthropist Wendy Schmidt. Guests included actors Jane Fonda, David Alan Grier, Sarah Paulson, director Ava DuVernay, and artists Andrea Bowers, Charles Gaines, Henry Taylor, and Olafur Eliasson, whose exhibition OPEN was on view. After a performance by the TAIKOPROJECT Japanese drum ensemble, House Speaker Emerita Nancy Pelosi surprised attendees by introducing Gehry. Rapper Tierra Whack performed during dinner, and the event raised $3.1 million for museum operations.
Belu-Simion Fainaru, the artist representing Israel at the 2026 Venice Biennale, issued legal warnings to the Biennale, the Italian Ministry of Culture, and the Italian Prime Minister’s office after the Golden Lion jury announced it would not consider pavilions from countries whose leaders are charged with crimes against humanity by the International Criminal Court, including Israel and Russia. Fainaru’s legal threats cited alleged antisemitism and nationality-based discrimination. Shortly after, the Biennale jury resigned, prompting organizers to postpone the awards ceremony to the closing day and replace the Golden and Silver Lions with two 'Visitors’ Lions' voted on by attendees, with all national participations eligible.
An experiment using a custom AI model to evaluate artistic value independent of market context found that the model assigned a seven-figure price to an unknown street artist's work while valuing a Picasso at under $1,000. The project, run by an art journalist with a data scientist and an AI expert, trained a Fine Art Large Vision Model on millions of images and price data. Without metadata like artist name or gallery affiliation, the model's predictions were technically interesting but commercially useless; only when those market signals were added did predictions align with real auction outcomes.
Art Basel has announced the 33 medalists for the second edition of its annual awards program, honoring a diverse group of artists, curators, collectors, and institutions. The cohort is divided into categories including emerging, established, and icon artists, as well as cross-disciplinary figures and art-world allies. Notable honorees include Julie Mehretu, Barbara Kruger, and the Studio Museum in Harlem, representing a broad cross-section of the global art ecosystem.