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A significant number of New York art galleries, including major players like Pace Gallery, David Zwirner, and Marian Goodman, will close on January 30 to join a nationwide general strike protesting expanded Immigration and Customs Enforcement (ICE) operations. The strike is a response to allegations of federal overreach, including the use of deadly force against protestors and the detention of Native Americans, which have fueled widespread outrage.

big name artists donate works to auction benefitting gaza courtauld unveils plans for two new contemporary art galleries morning links for january 27 2026 1234771112

A group of 21 artists, including Antony Gormley, Brian Eno, and Mona Hatoum, have donated works to “Seeds of Solidarity,” an art auction organized by Health Workers 4 Palestine to support medical professionals in Gaza. The sale will take place on February 1 at The Savoy in London, with proceeds benefiting the Gaza Medics Solidarity Fund, which provides stipends for doctors, supports mobile clinics, and helps rebuild maternity wards. Separately, the Courtauld in London announced plans for two new contemporary art galleries and a reading room at Somerset House, funded by a £10 million donation from the Blavatnik Family Foundation, as part of an £82 million redevelopment set to open in 2029.

rashid johnson painting howard lutnick tequila video 1234747564

United States Commerce Secretary Howard Lutnick posted a video on social media showing off a new tequila bottle, but the backdrop featured a painting from Rashid Johnson's "Anxious Red" series. The artwork, confirmed by Hauser & Wirth as an authentic Johnson piece purchased on the secondary market, sparked criticism online due to the irony of Lutnick—a Trump appointee whose administration has cut public health funding—owning a work born from pandemic-era anxiety. The series originally supported the WHO's Covid-19 Solidarity Response Fund through a 2020 charity auction, the same organization Trump withdrew the U.S. from on his first day in office.

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Sara Nadal-Melsió, the former associate director of the Whitney Museum's Independent Study Program (ISP), has spoken out about her termination in June 2025, which occurred shortly after the museum's director Scott Rothkopf announced a suspension of the 50-year-old program. In an essay published in Hyperallergic, Nadal-Melsió describes her dismissal as retaliation for her public protest against the Whitney's cancellation of a pro-Palestinian performance titled "No Aesthetic Outside My Freedom: Mourning, Militancy, and Performance." She characterizes the museum's actions as part of a broader pattern of institutional obfuscation, corporate culture, and disregard for workers' rights.

Hydrojustice: A Review

A Non-Aspirational Justice: Review of Hydrojustice

The article is a critical review of Andreas Philippopoulos-Mihalopoulos's book 'Hydrojustice,' which uses the concept of water as a lens to critique traditional, top-down legal justice and propose a more fluid, collective, and embodied alternative. The review frames this analysis through the recent erasure of a Banksy graffiti piece on the London Courts of Justice, which depicted a judge violently silencing a protester.

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More than 100 artists and scholars, including Emily Jacir, Hans Haacke, and Michael Rakowitz, have signed an open letter defending Dr. Sara Nadal-Melsió, the former associate director of the Whitney Museum of American Art's Independent Study Program (ISP), whose position was eliminated in June 2025. The termination followed the cancellation of a pro-Palestine performance titled "No Aesthetic Outside My Freedom: Mourning, Militancy, and Performance" by artists Fadl Fakhouri, Noel Maghathe, and Fargo Tbakhi, scheduled for May 12, 2025. The museum canceled the event after viewing a recording where a performer asked attendees who "believe in Israel in any incarnation" to leave. Nadal-Melsió had published a protest letter against the cancellation, leading to her dismissal. The open letter also demands the reopening of the ISP, which was suspended for the 2025-2026 program.

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Michael Rakowitz's survey exhibition "Allspice" at the Acropolis Museum in Athens explores themes of cultural displacement, looting, and historical narrative through works like his series "The invisible enemy should not exist" (2007–), which reconstructs looted artifacts from Baghdad's National Museum of Iraq using Arabic food wrappers and newspapers. The show also features his 2004 video "Return," documenting his effort to import Iraqi dates labeled as "product of Iraq" to the US after decades of sanctions, and includes interventions with the museum's own collection, such as a Cypriot head he linked to Assyrian art.

art world rallies after deadly texas floods morning links july 29 2025 1234748499

Flash flooding over the July 4 weekend in Texas killed at least 137 people, devastating the Hill Country region between Austin and San Antonio. The town of Kerrville, home to roughly 25,000, was hit hardest. Darrell Beauchamp, executive director of the Museum of Western Art, was awakened by rescue efforts and joined emergency crews and volunteers searching the Guadalupe River for victims and debris. The museum's collection, located on high ground, was unharmed, but Beauchamp noted the outpouring of support from fellow art-world institutions.

Participating Artists and Curators Push Back on Venice Biennale’s Relocation of Israeli Pavilion, Call for Exclusion of Russia, Israel, and US

Seventy-three artists and curators participating in the main exhibition of the 2024 Venice Biennale have issued an open letter objecting to the organizers' decision to relocate the Israeli national pavilion to the Arsenale. They argue this move creates an intimidating atmosphere contrary to the late curator Koyo Kouoh's vision of "radical solidarity" and will necessitate a heightened security presence. The signatories, which include key curators tasked with realizing Kouoh's exhibition, also call for the exclusion of Israel, Russia, and the United States from the event, citing their governments' alleged commission of war crimes.

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Bint Mbareh, a Palestinian sound artist and stage name assumed around 2019, creates installations and performances that use water and sound as metaphors for Palestinian experience. Growing up in Ramallah and later studying at Goldsmiths in London, she learned geographically specific Palestinian rain-summoning songs, which she twists and destabilizes using digital technology in works like *Time Flows in All Directions: Water Flows Through Me* (2020). After October 7, 2023, she expanded her practice to include a “choir” of collaborators performing collective grief, with appearances at an Artists for Aid benefit concert in London and at Tate Modern. Recent installation works such as *Bodies of Knowledge* (Royal College of Art) and *What’s Left?* (Sharjah Biennial) incorporate water tanks vibrated by sound, evoking both childhood and displacement.

lotty rosenfeld must see columbia wallach chile 1234771245

A major retrospective of Chilean artist Lotty Rosenfeld's work is on view at Columbia University's Wallach Art Gallery through March 15. The exhibition, curated by Julia Bryan-Wilson and Natalia Brizuela, focuses on Rosenfeld's clandestine, antifascist art created during the Pinochet dictatorship, highlighting her use of coded public gestures—like altering street lane dividers into crosses and Xes—to build solidarity and protest political and economic oppression.

berlin biennale evasive palestine paul klee angel histor 1234747787

The 13th Berlin Biennale opened amid controversy over its handling of the Gaza conflict. In a tense press conference, curator Zasha Colah faced questions about whether any invited artists had withdrawn in solidarity with the Strike Germany campaign, and whether she had experienced state repression for addressing the genocide in Gaza. Colah acknowledged one artist’s withdrawal but denied experiencing state repression, while the biennial’s title, “passing the fugitive on,” and its theme of “the fox” were criticized as evasive. The article describes the event as a case study in how German cultural institutions navigate political pressure and censorship.

whitney museum cancels palestine performance independent study program 2646893

The Whitney Museum of American Art canceled a performance piece titled "No Aesthetics Outside My Freedom: Mourning, Militancy, and Performance" scheduled for May 14 as part of the Independent Study Program's exhibition "A Grammar of Attention." The performance, by artists Fadl Fakhouri, Noel Maghathe, and Fargo Tbakhi, was grounded in the struggle for Palestinian freedom. The museum cited a zero-tolerance policy for harassment after reviewing a video of a previous iteration where an artist called for anyone who believes in Israel or America to leave the audience and valorized specific acts of violence. Participants and the program's associate director accuse the museum of censorship and seeking greater control over the historically autonomous program.

"The Great Camouflage" Rockbund Museum of Art / Shanghai

"The Great Camouflage" at the Rockbund Museum of Art (RAM) in Shanghai, curated by X Zhu-Nowell and Kandis Williams, is a multilevel exhibition that responds to global political and social exhaustion. Anchored in Black feminist thought and taking Suzanne Césaire's writings as a starting point, the show revisits revolutionary attitudes and builds new networks of solidarity across Asia, Africa, and Latin America, deliberately decentering Euro-American narratives. It features works by artists including Christine Tien Wang, Hao Jingban, and Wang Tuo, and highlights figures such as Amy Ashwood Garvey, Eslanda Robeson, Shirley Graham Du Bois, and Grace Lee Boggs.

Remembering Koyo Kouoh, one of the most influential curators in the global art world, and one of its most original thought leaders

Koyo Kouoh, the influential curator and executive director of the Zeitz Museum of Contemporary Art Africa (Zeitz Mocaa) in Cape Town, has died at age 57, just ten days before she was to announce the title and themes of the 2026 Venice Biennale, for which she had been appointed curator of the international exhibition in December 2024—the first African woman to hold that role. Kouoh transformed Zeitz Mocaa from a fledgling institution into a globally respected museum, securing the donation of Jochen Zeitz's collection, expanding the board, and launching community-focused initiatives like the exhibition *Home is Where the Art is* (2020-21) and the online summit Radical Solidarity.

Of the Love that Moves the Sun and the Other Stars: An Interview with Amalia Cross

DEL AMOR QUE MUEVE EL SOL Y LAS OTRAS ESTRELLAS. ENTREVISTA A AMALIA CROSS

The Museo de la Solidaridad Salvador Allende (MSSA) in Santiago has inaugurated a major collection-based exhibition titled "Del amor que mueve el sol y las otras estrellas," curated by art historian Amalia Cross. The show revisits the museum's unique history—from its origins during Salvador Allende’s presidency and the international "Operation Truth" to its period of exile following the 1973 coup and its eventual return to Chile. Featuring works by global icons such as Alexander Calder, Lygia Clark, and Yoko Ono, the exhibition emphasizes movement and collective action across various mediums including sculpture, video, and installation.

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On a frigid December evening, eleven women artists gathered in the lobby of 125 Maiden Lane in downtown Manhattan to view and discuss Langdon Graves's exhibition "Mental Model," produced by Art in Buildings. The group, called Gossip, is a long-running artist crit collective founded in 2009 by Cranbrook Academy of Art graduates including Jessica Stoller and Kelli Miller, originally named "Get Out" before being renamed by member Virginia Wagner after Silvia Federici's writings on gossip. The group now has about 20 members, including Jenna Gribbon, Erin M. Riley, and Julie Curtiss, and meets regularly in studios and galleries for critical feedback and creative exchange.

Must-See: Rosa Loy Finds a Durable Form of Togetherness

Rosa Loy, a German painter associated with the New Leipzig School, presents a new body of work at a solo exhibition that explores themes of togetherness, collaboration, and female solidarity through her signature figurative, dreamlike style. The show features large-scale paintings and works on paper that depict pairs or groups of women engaged in shared activities, rendered in muted earth tones with subtle surrealist undertones.

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The Venice Biennale is facing intense international backlash following its decision to allow Russia to return for the 2026 edition after a hiatus caused by the invasion of Ukraine. High-ranking politicians from 22 European nations, along with thousands of artists and curators, have signed open letters condemning the move as a platform for state-directed cultural diplomacy and war-crime whitewashing. The Biennale has defended its stance by claiming a policy of non-censorship, asserting that it accepts any nation recognized by the Italian government.

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Fifty-seven curators and museum directors, including Christophe Cherix of MoMA and Michael Govan of LACMA, signed an open letter published by Le Monde expressing solidarity with Louvre director Laurence des Cars following the theft of the museum's crown jewels. The letter emphasizes that museums are not immune to global violence and that such thefts represent a profound fear for museum professionals, while reaffirming that museums must remain open and accessible despite security risks.

10 Art Shows to See in the Bay Area This Spring

The San Francisco Bay Area's spring art season features a robust lineup of exhibitions highlighting local artists, history, and community resilience amid a challenging cultural climate. Shows include Cece Carpio's first solo exhibition at SOMArts blending street art and folklore, a major Theresa Hak Kyung Cha retrospective at BAMPFA, and Trina Michelle Robinson's two-venue exploration of Black migration at 500 Capp Street and Root Division.

The Top 10 Exhibitions to See Around the World This November

This article presents a curated list of the top 10 exhibitions to see around the world in November, highlighting key shows such as 'Project a Black Planet' at MACBA, which explores Pan-Africanism through art and culture, Sylvie Fleury's installation 'She-Devils On Wheels Headquarters' in New York, and Araya Rasdjarmrearnsook's survey at Jameel Arts Centre. Other featured exhibitions include Karolina Jabłońska's paintings of pickled beets and severed limbs, among others, each offering unique perspectives on identity, gender, and mortality.

Art Dubai Downsizes Dramatically as War Reshapes Plans

Art Dubai has announced a significantly scaled-back 20th-anniversary edition, reducing its exhibitor list by 57 percent following regional conflict and logistical disruptions. Originally scheduled for April, the fair has been postponed to May 15–17 at Madinat Jumeirah and will now feature only 50 galleries, with a heavy emphasis on regional participants. To support dealers during this period of uncertainty, organizers have implemented a "risk-sharing" booth fee model where galleries pay a percentage of sales capped at their original fee.

Art Dubai announces details for revised 2026 edition

Art Dubai has unveiled the details for its 2026 "special edition," which features a significantly reduced scale in response to ongoing regional conflict. The fair will host 50 galleries—a sharp decline from the 120 participants in 2025—with a strategic focus on regional representation, as nearly two-thirds of the exhibitors hail from the Middle East. To compensate for the smaller commercial footprint, the event will deepen its ties with local institutions like the Sharjah Art Foundation and Alserkal Avenue through expanded collaborative programming.

Israeli art spaces and workers join nationwide strike and protests, calling for hostage deal and end to war in Gaza

On 17 August, a nationwide strike and protests swept across Israel, with organizers estimating 2.5 million participants demanding a hostage deal and an end to the war in Gaza. Israeli art spaces and workers joined the action: the Tel Aviv Museum of Art closed operationally but opened its lobby to protesters and projected Michal Rovner's video work *Signaling (2024)* on its façade; the Israel Museum illuminated its Shrine of the Book in yellow; the Bezalel Academy of Arts and Design and Shenkar College also struck, while the Mishkan Museum of Art ceased activities in solidarity.

Queer Arts Festival opens Portals for emerging artists and contrasting journeys

The Queer Arts Festival (QAF) in Vancouver opens its 16th annual edition from June 6 to 28, featuring a signature visual exhibition titled "Portals" at Centre A: Vancouver International Centre for Contemporary Asian Art from June 21 to August 23. Curated by Mark Takeshi McGregor and Diane Hau Yu Wong, the exhibition showcases six emerging and local artists—Arkah, Evan Matchett-Wong, Sena Cleave, Miles Saraswat, Christian Yves Jones, and Naomi Maya Leung—whose works explore themes of queerness, migration, diaspora, and belonging through photography, sculpture, embroidery, film, and mixed media. The festival also includes concerts, media screenings, and community events, serving as a sanctuary for 2SLGBTQIA+ communities amid rising anti-trans and anti-queer rhetoric.

Solidarity and shared optimism take centre stage at 1-54 fair in London

The 1-54 Contemporary African Art Fair in London, held at Somerset House until 19 October, showcases a wide range of African and diaspora artists. Galleries from Nigeria, Kenya, Zambia, and beyond present works that highlight both historical and contemporary practices, with notable sales and institutional interest already reported. The fair coincides with Tate Modern's Nigerian Modernism exhibition and the opening of the Museum of West African Art (MOWAA) in Benin City, creating a moment of heightened global attention on African art.

petition to block loan of bayeux tapestry to londons british museum garners 50000 signatures 1234749759

Nearly 50,000 people have signed a petition to block the loan of the Bayeux Tapestry from France to the British Museum in London. The petition, launched in July by French art historian Didier Rykner, cites warnings from textile restorers that transporting the 1,000-year-old embroidered linen could cause irreparable damage. The tapestry is scheduled to be displayed at the British Museum from September 2026 to July 2027 while its home, the Bayeux Tapestry Museum in Normandy, undergoes renovation. The loan was announced by UK Prime Minister Keir Starmer and French President Emmanuel Macron. Prominent French cultural figures, including former Bayeux Tapestry Museum director Isabelle Attard, and British conservation watchdog ArtWatch UK director Michael Daley have voiced concerns. Rykner hopes to unite French and British opposition to stop the exchange, which also includes Anglo-Saxon and Medieval objects from the British Museum moving to France.

washington post art critic sebastian smee laid off 1234772489

The Washington Post laid off approximately 30% of its newsroom staff, including Pulitzer Prize-winning art critic Sebastian Smee, as part of broader cuts to sports, local news, and international coverage. Smee, who joined the Post in 2018 after working at the Boston Globe and The Australian, confirmed his departure in a statement to ARTnews, expressing gratitude to former editor Marty Baron and solidarity with affected colleagues. Another Pulitzer-winning critic, Philip Kennicott, reportedly remains on staff. The layoffs come shortly after the release of a documentary produced by Amazon MGM Studios, owned by Post owner Jeff Bezos.

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British Ghanaian artist Larry Achiampong responded to controversy after two of his pan-African flags from the "Relic Traveller: Phase 1" series replaced a portrait of Queen Elizabeth II in the UK Foreign Office. The flags, titled "Pan African Flag For The Relic Travellers’ Alliance (Motion)" and "Pan African Flag For The Relic Travellers’ Alliance (Community)", were hung by Deputy Prime Minister David Lammy. Conservative MP Lee Anderson criticized the move, while Achiampong dismissed the outrage as "deeply problematic" in an interview with the Guardian.