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Kenny Schachter's column reports on the fallout at Michael Werner Gallery following the departure of star artist Peter Doig. Co-owner Gordon VeneKlasen is accused of expensing luxury items—including private jets, Hamptons helicopter rides, and even a solo helicopter trip for his Labrador Retriever—while the gallery faced financial strain. The partnership is dissolving, with VeneKlasen moving to Los Angeles to open his own gallery and listing his West Village home for $20 million. Meanwhile, Schachter also notes Pace Gallery's financial troubles, with founder Arne Glimcher stepping in to stabilize operations.

Theaster Gates gifts David Drake pot from his collection to enslaved ceramicist’s descendants

Artist Theaster Gates has gifted a 19th-century ceramic vessel by the enslaved potter David Drake, known as Dave the Potter, to Drake's descendants. The gesture is part of Gates's exhibition "Dave: All My Relations" at Gagosian in New York, which also features a second Drake pot recently restituted by the Museum of Fine Arts, Boston. Gates pulverized 45 of his own ceramic works to create a plinth for the vessel, framing the act as a "poetic justice" that elevates Drake's legacy above his own.

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The Louvre has released images of Empress Eugénie's crown for the first time since it was stolen and crushed during a heist of French crown jewels. Thieves used an angle grinder to cut into a display case, jammed the crown through a narrow opening, and dropped it while fleeing. Restorers, overseen by an expert committee, will repair the mostly intact crown without needing to reconstitute it. In other news, a rare Rembrandt drawing of a lion sold for $17.9 million at Sotheby's, breaking the artist's record for a work on paper, with proceeds benefiting the nonprofit Panthera. Thaddaeus Ropac is expanding to New York with a project space, hiring Emilio Steinberger as senior director. Calls are growing for former French culture minister Jack Lang to resign from the Institut du Monde Arabe over ties to Jeffrey Epstein. The historic Variety Arts Theater in Los Angeles reopened with a video art exhibition organized by collector Julia Stoschek and curator Udo Kittelmann.

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A Swedish court acquitted six climate activists who smeared red paint on a Claude Monet painting at Sweden's Nationalmuseum in June 2023, ruling they had no intent to damage the artwork. Separately, Claire Tabouret's designs for new stained-glass windows at Notre-Dame de Paris go on public display at the Grand Palais, despite controversy over replacing original 19th-century windows. Other news includes Pantone defending its 2026 Color of the Year choice, Brussels closing its Centrale for Contemporary Art due to budget cuts, the San Francisco Asian Art Museum returning looted Thai sculptures, and curator Pi Li leaving Hong Kong's Tai Kwun to help found a new museum in Shenzhen.

Art Basel’s Parent Company Plans New ‘Ideas Festival’—and More Art Industry News

MCH Group, the parent company of Art Basel, is launching a new global ideas festival called the Futurific Institute in Basel in 2028, backed by billionaires James and Kathryn Murdoch. Art Dubai has postponed its 20th edition due to regional conflict, while several galleries are opening, closing, or changing locations, including Brooke Benington in London and Timothy Taylor in New York. Additionally, Mexico is demanding eBay remove listings for pre-Columbian artifacts, and institutions like the Royal Academy of Arts and MCA Chicago are announcing key leadership changes.

Jeweled Snuffboxes Stolen in Brazen Paris Heist Go on Display

Jeweled Snuffboxes Stolen in Brazen Paris Heist Go on Display

Two 18th-century jeweled snuffboxes, stolen in a 2024 axe-wielding heist at Paris's Musée Cognacq-Jay, have been restored and will go on display at London's Victoria and Albert Museum. The boxes, part of the Rosalinde and Arthur Gilbert Collection, were among seven luxury objects stolen; five were later recovered after an insurance payment, but a third snuffbox remains missing.

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The city of Aix-en-Provence has trademarked the name of Paul Cézanne and the phrase “Cézanne chez lui” as part of a major cultural tourism initiative called “Cézanne 2025.” The city has invested €30 million ($35 million) in a summer-long program of events, centered on a monumental retrospective of 130 works at the Musée Granet, titled “Cezanne au Jas de Bouffan.” The exhibition focuses on the artist’s family home, Bastide du Jas de Bouffan, which has undergone recent conservation and now allows visitors to see murals Cézanne painted on the walls in his twenties. Other highlights include the reopening of his first studio and the restored Atelier des Lauves, his last studio.

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The Art Institute of Chicago has been granted an emergency stay by an appellate judge, pausing the restitution of Egon Schiele's drawing "Russian War Prisoner" (1916) to the heirs of Fritz Grünbaum, a Jewish cabaret performer and art collector who died in a Nazi concentration camp. The museum is appealing a New York Supreme Court judge's April 23 order to surrender the artwork, which has been off view since September 2023 when it was seized by the Manhattan District Attorney's office. The museum disputes that the work was looted, citing evidence that Grünbaum's sister-in-law recovered the collection after the war and sold it to a dealer.

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The French National Assembly has unanimously passed a landmark bill designed to streamline the restitution of cultural property looted during the colonial era between 1815 and 1972. While the legislation fulfills a long-standing promise by President Emmanuel Macron to return African heritage, the debate revealed deep political divisions; critics noted the bill avoids the word "colonialism," while conservative factions expressed concerns about depleting national museum collections.

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Vinegar Syndrome has released a new 4K UHD and Blu-ray restoration of 'Office Killer', the only feature film directed by renowned photographer Cindy Sherman. Originally released in 1997 to critical derision and box-office failure, the film follows a meek magazine editor who begins murdering her colleagues during a period of corporate downsizing. The restoration highlights Sherman's transition from her iconic 'Untitled Film Stills' to the more visceral, abject imagery of her 'Disasters' and 'Sex Pictures' series.

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Bonhams has opened its new U.S. headquarters at 111 West 57th Street in New York, moving from its longtime Madison Avenue location into a 42,000-square-foot space within the restored Steinway Hall. The design features an 80-foot glass atrium, a grand staircase, and restored historic elements, aiming to create a transparent, cultural-center-like atmosphere rather than a traditional salesroom.

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French senators have adopted a bill to facilitate the restitution of art looted during the colonial era, moving towards fulfilling a 2017 promise by President Emmanuel Macron. Meanwhile, Switzerland has appointed former president Simonetta Sommaruga to head a new independent panel examining claims for artworks looted during the Nazi era and colonial period.

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The McNay Art Museum in San Antonio mounted the exhibition "Rasquachismo: 35 Years of a Chicano Sensibility" to mark the 35th anniversary of scholar Tomás Ybarra-Frausto's foundational 1989 essay theorizing rasquachismo. The show, curated by Mia Lopez and on view from December through March, featured works by major Chicanx artists including Yolanda M. López, Carmen Lomas Garza, Santa Barraza, Celia Álvarez Muñoz, Carlos Almaraz, Frank Romero, Patssi Valdez, Luis Jiménez, and younger artists like Ruth Buentello, Juan de Dios Mora, and Jimmy James Canales. Ybarra-Frausto credited Mi Tierra Cafe y Panaderia in San Antonio's Historic Market Square as a key influence on his critical eye, describing the restaurant as a "hotbed of rasquachismo."

Titian's ‘Bacchus and Ariadne’ to get a refresh with bank conservation grant

Bank of America’s annual art conservation program has awarded grants to 18 projects this year, including the restoration of Titian’s *Bacchus and Ariadne* (1520-23) at the National Gallery in London. The painting will be removed from display next month for conservation work that involves placing it on a new fabric support and repairing paint loss. Other funded projects include Rembrandt’s *The Night Watch* at the Rijksmuseum, bronze palms at the Arc de Triomphe in Paris, *Gaki Zōshi* at the Tokyo National Museum, Matisse’s *La Négresse* at the National Gallery of Art in Washington, DC, and works at the Museo de Arte de Lima and the Montreal Museum of Fine Arts.

They Painted the American West. History Painted Them Out

The exhibition "Women Artists of the American West: Colorado and Utah: 1885–1935" at History Jackson Hole spotlights seven forgotten female artists, including the adventurous mountaineer and painter Helen Henderson Chain. Curated by the founders of the Paris-based nonprofit AWARE, the show uncovers the lives of women who documented the Rocky Mountains and local communities while navigating the restrictive social norms of the late 19th century. Through paintings and photographs, the exhibition challenges the traditional, male-dominated "heroic" narrative of Western expansion.

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Performance Space New York is auctioning naming rights to the stalls in its fourth-floor unisex restroom as a fundraising campaign. Artist Bailey Hikawa will create custom resin toilet seats and commemorative plaques for each stall, collaborating with donors to reflect their personal aesthetics. One stall remains available and will be auctioned online this summer. The campaign coincides with a sound installation by Kevin Beasley that transforms the restroom into an immersive acoustic environment. Senior director Pati Hertling produced a promotional video using AI tools, featuring a synthetic newscaster announcing the fundraiser.

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The Frick Collection in New York has opened its first-ever restaurant, Westmoreland, named after founder Henry Clay Frick's private train car. Located on the museum's newly renovated second floor, the 50-seat dining room features interiors by Bryan O'Sullivan Studio, a mural by artist Darren Waterston, and a menu of comforting, unadventurous fare like caesar salad, club sandwich, and avocado toast. The kitchen is led by Skyllar Hughes, a veteran of Danny Meyer's Ci Siamo, and operated by Union Square Events. Only museum ticket holders can dine, and reservations must be made in person.

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The Museum of Fine Arts in Bilbao has completed a restoration of Pedro Berruguete's *The Annunciation* (1485–1490), a painting that once formed part of an altarpiece likely for a church in Palencia, Spain. The work, on a five-year loan from the Arburu collection, had suffered from cracks, dirt, and oxidized varnish over centuries. Two specialists—Elisa Mora Sánchez for the paint layer and Mayte Camino Martín for the gilding—cleaned, repaired, and re-gilded the panel, revealing Berruguete's blend of Italian Renaissance, Flemish, and Castilian Gothic influences.

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Castle Howard, the historic North Yorkshire estate known for its role in Netflix's *Bridgerton* and the 1981 film *Brideshead Revisited*, is reopening to the public after major restoration work. The centerpiece is the tapestry drawing room, which had stood as an empty shell since a 1940 fire devastated much of the house. The room has been fully reconstructed with a new ceiling, floor, fireplace, paneling, and window casings, overseen by architect Francis Terry. Four 18th-century tapestries by John Vanderbank, depicting the seasons, have been restored and reinstalled in their original locations for the first time since the early 1700s. The restoration also prompted a rehang of the Long Gallery and a reimagining of the grand staircase, which now displays artifacts collected by the earls of Carlisle.

Congress Adopts HEAR Act, Hockney to Celebrate 90th Birthday at Tate Modern’s Turbine Hall: Morning Links for March 17, 2026

The U.S. House of Representatives passed the HEAR Act, a bipartisan bill designed to extend and strengthen laws for the restitution of Nazi-looted art. The bill's new amendments, which declare looted art a violation of international law and expand U.S. jurisdiction, have drawn both praise for aiding restitution and concern over potentially unfair burdens on current owners.

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London’s Lightroom venue has announced a major new immersive multimedia experience titled “David Bowie: You’re Not Alone,” scheduled to open in April 2026. Developed in partnership with the Bowie estate and designed by 59 Studio, the hour-long spectacle utilizes 36-foot walls to project rare performance footage, interviews, and never-before-seen archival material. The production is led by Mark Grimmer, who previously co-curated the Victoria & Albert Museum’s landmark 2013 retrospective of the artist.

Art Movements: Dozens Laid Off at Artnet and Artsy

Digital art giants Artnet and Artsy have implemented significant layoffs following their recent merger under the investment firm Beowolff Capital. The cuts, which occurred on April 16, impacted dozens of employees across both organizations, including senior editorial staff such as Sarah Cascone and Eileen Kinsella. The restructuring follows a reported 12% revenue decline for Artnet in early 2025 and involves the shutdown of Artnet's German entity as the two companies consolidate into a single team led by CEO Jeffrey Yin.

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The Musée d'Orsay in Paris is undertaking a full public restoration of Gustave Courbet's monumental painting "A Burial at Ornans" (1849–50), 175 years after its scandalous debut at the Paris Salon. The 20-foot canvas will be cleaned, its poorly applied varnish layers thinned, and structural issues addressed—including cracks, tears, and deformations caused by the coarse fabric and heavy impasto. The restoration will also reveal previously hidden border portions of the canvas folded in the late 1800s, potentially adding new details to the composition.

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Nine jewels stolen from the Louvre are valued at $102 million, according to Paris prosecutor Laure Beccuau, contradicting earlier French claims that they were of “incalculable” value. The stolen items include a diadem worn by Queen Marie-Amélie and Queen Hortense, an emerald necklace of Empress Marie-Louise, and a diadem once held by Empress Eugénie, the latter containing nearly 2,000 diamonds. One crown belonging to Empress Eugénie was recovered after being dropped by the thieves, but the rest remain missing. The robbers entered through windows using small chainsaws and exited in under eight minutes. The Louvre has been closed since the heist, and cultural minister Rachida Dati defended the museum’s security systems before the National Assembly, calling the theft “a wound for all of us.”

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Artist Lucy Raven has completed her film trilogy, "The Drumfire," with the release of Murderers Bar (2025). The 42-minute film documents the historic removal of four dams along the Klamath River, capturing the dramatic release of water and the restoration of a river system flowing from Oregon through Northern California. The work is currently on view at the Power Plant in Toronto and is scheduled to travel to the Institute of Contemporary Art Boston in May.

France Restitutes Talking Drum to Ivory Coast; Will Free Entry to UK Museums End Soon? Morning Links for February 23, 2026

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France has officially repatriated the 'talking drum,' or Djidji Ayokwe, to the Ivory Coast after it was seized by colonial officers in 1916. The restitution required a specific act of French law to remove the artifact from the national collection at the Musée du Quai Branly. Simultaneously, the Spanish art community is staging sit-in protests at the Reina Sofia Museum to demand a reduction in the 21 percent VAT on art sales, while the UK faces a growing debate over ending free museum entry due to a significant deficit at the National Gallery.

Discover 10 Highlights from Art Basel Paris 2025

Art Basel Paris 2025, now in its fourth edition, took place from October 22–26 at the restored 1900 Paris Exposition venue, a Beaux-Arts landmark with Art Nouveau iron and glasswork. The fair hosted 206 international galleries and introduced a new 'Avant-Première' V.V.I.P. day on October 21, where each gallery could allocate six guest passes. Blue-chip sales were swift, led by Hauser & Wirth selling Gerhard Richter's *Abstraktes Bild* (1987) for $23 million to a European collector. Other notable sales included Bruce Nauman's neon sculpture *Masturbating Man* for over $4.7 million and Amedeo Modigliani's *Jeune fille aux macarons* (1918) for $10 million at Pace Gallery. The fair also featured curatorial sectors Emergence (16 solo presentations by emerging artists) and Premise (ten historical projects with works predating 1900).

LACMA Got a Makeover

The Los Angeles County Museum of Art (LACMA) has unveiled its new David Geffen Galleries, featuring an unconventional open-plan design that encourages non-linear exploration. The building's layout, which eschews traditional chronological narratives in favor of free-floating associations, has sparked debate among critics regarding its navigability and the restoration of key works like Alexander Calder’s "Three Quintains (Hello Girls)."

Monumental Bellini Altarpiece Undergoes Major Restoration in Public View

Giovanni Bellini's monumental 15th-century altarpiece, the San Giobbe altarpiece, is undergoing its most extensive restoration in over 500 years at the Gallerie dell'Accademia in Venice. Deemed too fragile to move, the two-year, €500,000 project will stabilize the cracked wood panel and analyze pigments using advanced imaging, all performed behind glass in full public view.

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The V&A East, a new museum complex in London's Olympic Park, will open on April 18, 2025, with director Gus Casely-Hayford aiming to engage Gen Z audiences. The museum spans two sites: the V&A Storehouse, which opened in May and exceeded visitor targets, and the V&A East Museum, a five-story building by Irish architects O'Donnell & Tuomey. Casely-Hayford, who felt excluded from museums as a Black British child, wants the institution to spark creative passion in young people. Separately, Gideon Taylor of the World Jewish Restitution Organization calls for US museums to return Nazi-looted artworks, highlighting the case of Paul and Alice Leffmann's Picasso painting *The Actor* (1904), now at the Metropolitan Museum of Art, and urging passage of the 2025 HEAR Act to remove legal barriers to restitution.