filter_list Showing 32 results for "Why" close Clear
dashboard All 32 museum exhibitions 14article culture 6person people 4article policy 3article news 2trending_up market 1rate_review review 1article local 1
date_range Range Today This Week This Month All

‘A fresh look at contemporary culture’: Gus Casely-Hayford, director of V&A East, takes us inside the new London museum

The Victoria and Albert Museum is expanding its footprint with the opening of V&A East Museum in London’s Queen Elizabeth Olympic Park on April 18. Led by Director Gus Casely-Hayford, the new five-story institution joins the recently opened V&A East Storehouse as part of the East Bank cultural quarter. The museum will debut with the "Why We Make" galleries, featuring over 500 objects and new commissions by artists such as Tania Bruguera, Carrie Mae Weems, and Thomas J. Price, whose 18-foot bronze sculpture anchors the museum's entrance.

Why Filmmaker Ming Wong Is the Ultimate Shape-Shifter

Berlin-based Singaporean artist Ming Wong premiered a new film, *Dance of the Sun on the Water | Saltatio Solis in Aqua*, at London's National Gallery. The work, created during a residency, reimagines Saint Sebastian as a queer, shape-shifting figure, with Asian performers of multiple genders enacting the martyrdom amidst the museum's collection of historical paintings of the saint.

Why Was Sarah Miriam Peale, Pioneering Member of America’s First Art Dynasty, Left Behind?

Sarah Miriam Peale, a member of the prominent Peale art dynasty and arguably the first professional woman artist in the United States, is finally receiving long-overdue institutional recognition. Despite a prolific sixty-year career painting portraits of political figures and still lifes in Baltimore and St. Louis, her legacy was largely overshadowed by her uncle Charles Willson Peale and her male cousins. Her independence as an unmarried woman who supported herself entirely through her craft marked a radical departure from the gender norms of the 19th century.

Why I Wanted to Meet Thaddeus Mosley

The author recounts their personal journey to meet the self-taught sculptor Thaddeus Mosley, driven by a profound impression left by his 2004 New York debut exhibition. After a late-night phone call revealed Mosley's vibrant spirit, the author reflects on the artist's decades-long practice of carving salvaged wood into towering, abstract sculptures in Pittsburgh, inspired by jazz, African visual culture, and modernist art, yet operating largely outside the mainstream art world.

Jean-Marc Bottazzi on why good collecting is not about 'ticking boxes'

Jean-Marc Bottazzi, a Japanese bond trader and collector based in Hong Kong, discusses his philosophy of collecting in an interview with The Art Newspaper. He emphasizes deep, focused support of artists rather than acquiring a superficial variety, citing his extensive holdings of over 100 works by the 96-year-old Japanese artist A-Yo and deep collections of Abstract Expressionism, Gutai, and conceptual photography.

Salvador Dalí’s Frustrating Vision of the Divine

A feature article examines Salvador Dalí's controversial religious painting "Christ of Saint John of the Cross" (1951), which was physically attacked by vandals on two separate occasions—once with a rock in 1961 and later with an air rifle. The painting, part of Dalí's "Nuclear Mysticism" phase, depicts a floating, unblemished Christ from an aerial perspective, based on a drawing by the mystic St. John of the Cross and modeled by a Hollywood stunt double.

Why Beatriz González’s Haunting Paintings Are More Relevant Than Ever

Why Beatriz González’s Haunting Paintings Are More Relevant Than Ever

A major retrospective of Colombian artist Beatriz González, "Beatriz González: A Retrospective," is touring internationally, with recent stops at the Pérez Art Museum Miami and the Museo de Arte Miguel Urrutia in Bogotá. The exhibition, the largest of her 60-year career, showcases over 150 works, including her iconic paintings that appropriate and rework images from art history and mass media to critique political violence, social inequality, and cultural memory in Colombia.

MoMA Delivers with First American Marcel Duchamp Retrospective in 50 Years

The Museum of Modern Art (MoMA) has launched a comprehensive retrospective of Marcel Duchamp, marking the first major American survey of the artist's work in five decades. The exhibition follows a chronological path through Duchamp’s radical career, featuring early pen-and-ink drawings, his transition through Cubism and Dadaism, and his revolutionary "readymades" like the urinal titled Fountain. Highlights include the rare gathering of all three versions of Nude Descending a Staircase and documentation of his final, secretive installation, Étant donnés.

Why the Photo Market Is Moving Closer to Painting, With Unique Works Leading the Way

Artnet Auctions has launched its Spring Photographs sale, running through April 16, 2026, featuring works by blue-chip artists such as Peter Beard, Adam Fuss, and Diane Arbus. The auction highlights a significant shift in the photography market toward unique, one-of-a-kind works—including photograms, hand-painted images, and collages—that blur the lines between photography and painting. This trend is evidenced by increasing auction prices, with several works recently crossing the $1 million and $2 million thresholds.

‘Old masters too’: Ghent exhibition celebrates female artists of the baroque

The Ghent Museum of Fine Arts (MSK) has opened the exhibition 'Unforgettable: Women Artists from Antwerp to Amsterdam, 1600-1750,' featuring over 40 female artists from the Baroque period in the Low Countries. The show highlights painters like Judith Leyster and Maria van Oosterwijck, as well as practitioners of crafts like paper-cutting and lace-making, aiming to restore these women to a historical narrative dominated by male 'Old Masters' like Rembrandt and Vermeer.

Why Felix Gonzalez-Torres’s Go-Go Dancer Piece Remains Subversive

The New York Times examines the enduring power of Felix Gonzalez-Torres's 1991 performance piece "Untitled" (Go-Go Dancing Platform), in which a go-go dancer performs on a pedestal for a brief, scheduled period each day. The work, currently on view at the Art Institute of Chicago, uses the dancer's absence as a central component, creating a poignant metaphor for queer presence and loss.

Why This Storied London Gallery Is Planning Its Future in Paris

Waddington Custot, a cornerstone of London’s art scene, is formalizing its leadership succession as Victor Custot joins his father, Stéphane, as board director. The younger Custot, who transitioned from a career in tech, is now spearheading the gallery’s strategic expansion. Central to this new chapter is a significant move toward Paris, reflecting a broader shift in the European art market landscape following Brexit.

V&A East Museum: Inside London’s New Venue In Stratford

The V&A East Museum is set to open in Stratford’s Queen Elizabeth Olympic Park as a major new cultural hub for East London. Housed in a striking five-story building designed by O’Donnell + Tuomey—inspired by the couture tailoring of Cristóbal Balenciaga—the museum features two permanent galleries titled "Why We Make" and a dedicated space for major temporary exhibitions. The site emphasizes accessibility with a barrier-free entrance and a collection of over 500 objects spanning art, design, and performance, curated to highlight themes like social justice and environmental action.

Why do we like watching women die, asks Marina Abramović in Copenhagen

Marina Abramović has unveiled her latest immersive exhibition, "Seven Deaths," at Cisternerne in Copenhagen, a subterranean former reservoir. The installation features seven films where Abramović reimagines the tragic ends of famous operatic heroines—such as Tosca and Madame Butterfly—originally made famous by Maria Callas. Accompanied by actor Willem Dafoe, Abramović uses these cinematic vignettes to explore themes of heartbreak, endurance, and the cultural fascination with the "tragic feminine."

Princeton University Art Museum show focuses on de Kooning's explosive 'Breakthrough Years'

The Princeton University Art Museum has opened "Willem de Kooning: The Breakthrough Years, 1945-50," an exhibition featuring 22 pivotal works from a transformative period in the artist's career. The show highlights de Kooning’s unique ability to balance abstraction with representational elements, showcasing masterpieces like "Gansevoort Street" and "Dark Pond." Unlike his contemporaries who moved toward pure abstraction, de Kooning’s work from this era remains anchored in the physical world, capturing the energy of mid-century Manhattan and the natural landscape through a radical use of line and gesture.

The New Victoria & Albert Museum Opens in April: Once Again in East London

Ad aprile inaugura il nuovo museo del Victoria&Albert. Ancora una volta nell’East London

The Victoria & Albert Museum has announced the official opening date for the V&A East Museum, a new five-story cultural landmark in London’s Queen Elizabeth Olympic Park. Designed by architects O’Donnell + Tuomey, the museum will debut on April 18, 2026, featuring two permanent galleries titled "Why We Make" that showcase over 500 objects ranging from Renaissance paintings to contemporary fashion by Vivienne Westwood. The entrance will be anchored by a monumental bronze sculpture by Thomas J Price, marking the start of a robust contemporary commission program.

Comment | Why doesn't Tefaf Maastricht move to Brussels?

The European Fine Art Fair (Tefaf) continues to be held in the relatively remote Dutch city of Maastricht, despite logistical challenges like transport strikes and limited hotel options. The fair's organizers and the city actively resist recurring suggestions to relocate to a more accessible hub like Brussels, citing a commitment to the location and undisclosed financial support from local authorities.

‘The way the world is, something daft is appealing’ – why everything from pizzas to podcasts has a cartoon character on it

A distinctive cartoon illustration style, rooted in 1920s 'rubber hose' animation and influenced by graffiti, vintage Americana, and underground comics, has become ubiquitous in contemporary branding. This aesthetic, characterized by exaggerated, jointless limbs and friendly faces, now adorns everything from independent pizza shops like London's Yard Sale Pizza to wine labels for Top Cuvee, podcasts, and even global fashion collaborations.

Dallas Art Prize winner on pink trees, Texas museums and why ‘it's OK to be kind of hokey’

Massachusetts-based painter John McAllister has been named the winner of the inaugural Dallas Art Prize. The award includes a $20,000 cash prize and the consideration of his work for the permanent collection of the Dallas Museum of Art. McAllister, who is represented by James Fuentes Gallery, is recognized for his vibrant, non-traditional landscapes that utilize a palette of pinks, purples, and yellows to evoke emotional responses rather than literal depictions of nature.

LGBTQ folks have always engaged with magic, spirituality. Here's why

The Palm Springs Art Museum is launching "A Queer Arcana: Art, Magic, and Spirit," an ambitious exhibition exploring the intersection of LGBTQ+ identities and spiritual practices. Spanning over a century of creative production from 1906 to 2026, the show features 35 artists who have utilized occultism, tarot, and magical traditions to navigate societal oppression and foster community. The collection includes a diverse array of media, ranging from historical occult drawings by Austin Osman Spare to contemporary paintings by Devan Shimoyama and feminist tarot decks.

Why Did Trump Officials Award $2 Million to a Small Art School in Queens?

The Trump administration's National Endowment for the Humanities awarded a $2 million grant to a small art school in Queens with only three full-time employees. This grant was part of a new pattern of large, handpicked awards, a significant departure from the agency's typical grant-making process which historically avoided such large sums to very small institutions.

Comment | Why museum leadership needs to decentralise

Aindrea Emelife argues that the traditional model of museum leadership, centered on a single, heroic director, is buckling under contemporary pressures. She calls for a shift away from this top-down, individualistic structure towards a decentralized, collaborative model that distributes authority.

Why Does the “Rocky” Statue Draw Crowds? This Show Investigates.

The Philadelphia Museum of Art is launching a new exhibition centered on the cultural phenomenon of the "Rocky" statue, a bronze monument originally created as a movie prop that has become one of the city's most visited landmarks. By bringing the narrative of the fictional boxer inside the museum's walls, the show investigates the public's emotional connection to populist monuments and the tension between cinematic myth and traditional art history.

Why Aguirre's works remained out of the public eye

Two Madrid galleries, Malvin Gallery and Espacio Jovellanos, have launched a dual exhibition titled 'Mi perro tiene memoria' to showcase the long-overlooked work of Spanish artist Luis Fernando Aguirre. Following his death in 2021, Aguirre’s family worked to bring his extensive archive out of his studio and into the public eye, featuring both his courtroom illustrations for El País and his evolution through expressionism and figurative painting.

Vermont Visual Arts

The Highland Center for the Arts in Greensboro is hosting "Salt, Stone & Stars," a multidisciplinary event celebrating the Vermont pastoral tradition through literature and visual art. The program highlights the connection between two books centered on shepherding, Helen Whybrow’s "The Salt Stones" and Jody Gladding’s translation of "The Serpent of Stars," alongside the opening of the exhibition "Seasons & Cycles."

Archaeologists Identify Lost Medieval Village in Polish Forest

Archaeologists from Poland's Relicta Foundation have located the lost medieval village of Stolzenberg in a dense forest near Sławoborze in northwestern Pomerania. The 15-acre site, identified through a combination of historical research, metal detecting, and advanced geophysical surveys, has yielded 1,500 surface anomalies and 400 artifacts, including coins and belt buckles from the 13th-14th centuries, confirming its medieval origins. Radiocarbon dating places the height of its activity in the 14th century.

New book shows why physical maps have an important role to play in our digital world

Professor James Cheshire spent three years cataloging forgotten maps in a University College London storage room, resulting in the book 'The Library of Lost Maps.' The volume presents 96 historically significant maps, ranging from a pre-atomic bomb Hiroshima map to a Victorian geological survey of India, highlighting their physical fragility and hidden stories.

Why your moon photos look so bad (and how to fix it): the best Australian photos of March - video

Guardian Australia's picture editor Carly Earl selected the publication's top three photographs for March, highlighting a total lunar eclipse, the Iranian women's football team's tense departure, and a portrait of a man displaced by Cyclone Narelle. The monthly series provides insight into the craft of photojournalism, showcasing the technical skill and narrative power behind compelling images while elevating the work of Australian photographers and the stories they capture.

Why Interior Design Magazines Are Booming

The New York Times reports a significant resurgence in print interior design magazines, with titles like Architectural Digest, Elle Decor, and House Beautiful experiencing substantial growth in advertising pages and newsstand sales. This revival is occurring despite the broader print media downturn and a shift towards digital content consumption.

I’m an NYU Contract Professor. This Is Why We Plan to Strike.

Contract faculty at New York University, represented by the union Contract Faculty United - UAW, have voted overwhelmingly to authorize a strike after 15 months of contentious bargaining. The union, comprising over 900 professors, accuses the NYU administration of violating labor law and failing to address core demands regarding job security, pay, and academic freedom.