On Paranoid Time

Film Notes has published Qingyuan Deng's essay exploring the intersection of Lacan's concept of retroactive meaning and Eve Kosofsky Sedgwick's distinction between paranoid and reparative reading, as applied to recent artists' films and moving-image installations. The essay examines how works like Alison Nguyen's installation "Perforation, Ellipse" at New York's Storefront for Art and Architecture use cinematic techniques—such as perforations, splices, and missing scenes—to hold the temporal gap between an event and its belated political comprehension, focusing on the censorship of Vietnamese bolero songs after the American War.

Let It Work If It Works. In Conversation with Rose Wylie by David Kohn

Rose Wylie, the first female painter to receive a solo exhibition at London's Royal Academy of Arts, discusses her career and the RA show in an interview with architect David Kohn. Wylie reflects on the historic nature of the invitation, crediting artist Cornelia Parker for championing the opportunity, but emphasizes that she wants her work to be judged as painting first, not through the lens of gender. She explains her choice of large-scale canvases as a response to the male-dominated art world when she returned to painting, and describes her decision to paint the RA's gallery walls white to maintain architectural coherence and avoid what she calls 'fashionable' colored interiors.

At this year's Venice Biennale, a clash of politics and art exposes the need for a rethink

The 2026 Venice Biennale is plagued by controversy and structural issues. Curator Koyo Kouoh died of cancer in 2025, leaving her team to execute the main exhibition "In Minor Keys" without her. The Biennale's jury resigned after refusing to judge entries from countries charged with war crimes, and media coverage during preview week focused on protests against the Israeli and Russian pavilions rather than the art. The sprawling exhibition features 96 national pavilions and 110 artists, with works ranging from Daniel Lind-Ramos's found-material figures to María Magdalena Campos-Pons's tribute to Toni Morrison and Kouoh.

DOGE Cuts to National Endowment for the Humanities Were Unconstitutional, Court Rules

A federal judge ruled that the cancellation of over 1,400 grants by the National Endowment for the Humanities, carried out by Elon Musk's Department of Governmental Efficiency (DOGE), was unconstitutional. Judge Colleen McMahon of the Federal District Court in Manhattan ordered DOGE to rescind the cancellations, finding that the cuts violated the First Amendment and the equal protection component of the Fifth Amendment. The lawsuits were filed after the NEH chairman was dismissed and the agency was redirected under President Donald Trump's "America First" cultural campaign, with acting chair Michael McDonald cutting most grants awarded by the previous administration. The cuts, totaling more than $100 million, disrupted research, publications, and humanities programming, and were reportedly flagged using ChatGPT to target grants related to diversity, equity, and inclusion.

Local artists’ works in national IHC exhibition

An exhibition showcasing artwork by 20 local artists with intellectual disabilities will be held at The Loan & Merc in Oamaru next Friday. The North Otago IHC Association Art Exhibition features works by artists including Lisa Graham, Dan Joyce, Katie Mcrae, Christopher Wright, and Katrina Hewitt, with all participants also set to appear in a national exhibition in Wellington next month as part of the IHC National Art Awards. Artists receive 100% of proceeds from sales, and the group attends weekly art classes throughout the year.

Man Arrested for Allegedly Planning Terrorist Attack at Louvre

French authorities arrested a 27-year-old Tunisian man, identified as Dhafer M., on May 7 for allegedly planning a terrorist attack at the Louvre in Paris. The arrest, confirmed by the National Anti-Terrorism Prosecutor’s Office (PNAT) and first reported by Le Monde, followed an investigation that began in late April after a traffic stop. Investigators found jihadist propaganda videos, photos of weapons, and searches for bomb-making instructions on his phone, as well as messages discussing access points to the Louvre and plans to make poison. The man has denied the allegations and was brought before an anti-terrorism judge to be formally charged.

Un agent du Louvre devant le juge

A Louvre agent appeared before a judge. The article, published in Le Journal des Arts on May 2, 2026, covers multiple art world stories including the Whitney Biennial's perceived neutrality, the increasing complexity of art taxation in 2025, a resized project for Bourges 2028 by Yann Galut, a new contemporary gallery at Angers Cathedral, the abandonment of the Frigos artist site in Paris, and auctioneer Hubert L'Huillier's emergency sales.

Building Through Change, Jean-David Malat, Founder of JD Malat Gallery on resilience, risk and the evolving art scene in Dubai

Jean-David Malat, founder of JD Malat Gallery, opened a new outpost in Downtown Dubai in early 2025, expanding from his established Mayfair space in London. The gallery launched with a group show, *Carte Blanche*, and has since hosted solo exhibitions, with plans for a *Made in UAE* initiative that received over 1,000 applications. Malat cites the slowing London market and growing momentum in the UAE as key factors in his decision to invest in Dubai, where he spent a month building relationships with collectors and the local community before opening.

The Paradox of Contemporary Art: The World Is Violent, but the Works Are Correct and Inoffensive

Il paradosso dell’arte contemporanea: il mondo è violento, ma le opere sono corrette e inoffensive

The article examines a paradox in contemporary art: as the world grows more violent and chaotic, art has become increasingly 'correct,' morally irreproachable, and inoffensive. The author argues that over the past fifteen years, artworks have been judged primarily by their moral and identity credentials, with curators acting as moral gatekeepers and censors. This shift coincides with a period when geopolitics, history, and public behavior have spiraled out of control, creating a strange compensatory dynamic where art is expected to be perfectly controlled and polite while reality grows brutal.

Art on the Square returns for 24th year with art, food and entertainment

Belleville Art on the Square returns for its 24th year from May 15-17, 2026, in downtown Belleville. The festival features over 100 artists from more than 27 states and one international artist, showcasing works in multiple mediums. Highlights include artist demonstrations by the Gateway East Artists Guild, a high school art show with judged awards, a Children's Art Garden with interactive activities, live entertainment at the Wine Court, and food vendors offering a variety of cuisines. Admission is free, and the event runs Friday evening through Sunday afternoon.

Israeli Artists Slam Venice Biennale Participation: 'Again, Israel as a Victim'

The 61st Venice Biennale opened on Saturday amid significant upheaval, including the unexpected death of its curator Koyo Kouoh and the passing of German artist Henrike Naumann. Israeli artists have publicly criticized their country's participation in the event, with one artist quoted as saying, 'Again, Israel as a victim,' reflecting ongoing anti-Israel protests and the resignation of the Biennale's judges.

'World-renowned' photo exhibition returns to city

The Wildlife Photographer of the Year competition, now in its 61st year, has returned to Brighton Museum and Art Gallery on loan from the Natural History Museum. The exhibition runs from 9 May to 6 September and features over 60,000 entries from photographers across 113 countries and territories, judged anonymously on creativity, originality, and technical excellence.

Ormond Memorial Art Museum hosts 'Tradewinds' Seabreeze art show

Ormond Memorial Art Museum is hosting the 2026 'Tradewinds' art show, featuring 138 artworks by Seabreeze High School students. The juried exhibition includes 2D and 3D pieces created in media such as acrylic, ceramic, clay, colored pencil, and glass, with awards distributed at a May 7 reception. The show runs through May 24 and was judged by museum guest curator Ruth Grim.

Grind – Charity Skateboard Art Exhibition Ramps Up For Its Third Year In Loganholme

FIRST Disability Support & Training Service in Loganholme, Queensland, is hosting the third annual Grind skate deck art exhibition in July 2026, with over 100 entrants from across Australia. The exhibition features custom-designed skateboard decks by members of the public, school students, and people living with disabilities, under the theme 'Myths, Monsters & Mayhem'. Judges include skateboard deck artist Brett Clifton, Skate Advantage ambassador Matilda Wilson, and metalwork artist Colleen Lavender, with a live skate demonstration by professional skater Jesse Noonan.