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An Art Lover’s Guide to Crystal Bridges Museum of American Art (and Its Expansion)

Crystal Bridges Museum of American Art in Bentonville, Arkansas, is preparing for the grand opening of a major expansion led by Safdie Architects. The project adds 114,000 square feet to the museum, bringing its total size to 314,000 square feet, with new galleries, studios, dining and event spaces, and educational centers. The expansion was prompted by record visitor numbers and growth in the collection, particularly in craft and Indigenous art. Executive director Rod Bigelow and curators discussed the museum's mission and how the new spaces will deepen engagement with American art and stories.

Galerie Gmurzynska’s Old-School Slow Art Model Is Newly Radical

Galerie Gmurzynska, a family-run gallery founded in 1965 by Antonina Gmurzynska, is celebrating its 60th anniversary by moving its New York operations to the historic Fuller Building at 595 Madison Avenue. The gallery inaugurated the space with an exhibition titled “Miró/Matta,” pairing works by Joan Miró and Roberto Matta, and has published a 400-page volume on the relationship between Wifredo Lam and Pablo Picasso. Known for its deep research, museum-quality exhibitions, and scholarly publications, the gallery operates primarily from Zurich and New York under the leadership of Krystyna Gmurzynska and her daughter Isabelle Bscher, representing a rare three-generation model of female leadership.

Erwin Wurm Transforms the Fortuny Museum into a Theater of the Absurd

Austrian artist Erwin Wurm has transformed the Fortuny Museum in Venice into a theatrical, absurdist exhibition, filling its historic rooms with his signature distorted sculptures and playful interventions. The show, titled "Erwin Wurm: The Absurdist," reimagines the museum's collection and architecture through Wurm's irreverent lens, featuring works that blur the line between art and everyday objects, such as his famous "One Minute Sculptures" and anthropomorphic forms.

Wallace Chan’s Dual-Site Exhibition Bridges Not Only Geography But Also Matter, Energy, Past and Future

Chinese artist Wallace Chan has opened a monumental two-chapter exhibition titled "Vessels of Other Worlds" across Venice and Shanghai, supported by the Long Museum. The Venice chapter is installed in the chapel of Santa Maria della Pietà, featuring stratified titanium vessels inspired by sacred oils, suspended sculptures, and works that blend jewelry, sculpture, and metaphysics. Curated by James Putnam, the show explores themes of time, transformation, and the interconnection of microcosm and macrocosm, with water as a central alchemical element.

One Fine Show: “Beyond Mysticism, The Modern Northwest” at the Seattle Art Museum

A new exhibition at the Seattle Art Museum, “Beyond Mysticism: The Modern Northwest,” reexamines the legacy of a 1953 LIFE magazine feature that anointed four Seattle artists—Mark Tobey, Morris Graves, Kenneth Callahan, and Guy Anderson—as the faces of a distinct regional Modernism. The show expands the original narrative by including Asian artists like Kamekichi Tokita, whose work challenges the magazine's oversimplified framing, and features 150 works across painting, drawing, photography, and sculpture. It also connects the movement to Abstract Expressionism and contemporary environmental concerns, pairing pieces by artists such as Malcolm Roberts with works by Salvador Dalí and Georgia O'Keeffe.

Kiran Nadar’s Ambition to Put Indian Art On the World Stage

Kiran Nadar, one of India's most influential arts patrons, is spearheading the development of the Kiran Nadar Museum of Art (KNMA) in Delhi, set to become the largest integrated cultural center in India at over one million square feet. The museum, supported by the Shiv Nadar Foundation, will feature multiple exhibition spaces, a performing arts center, a library, an education center, and restaurants. Nadar recently appointed Manuel Rabaté, former director of Louvre Abu Dhabi, as KNMA's director. She also made headlines by purchasing M.F. Husain's record-breaking painting *Untitled (Gram Yatra)* for $13.8 million at Christie's New York. On the occasion of Nalini Malani's collateral exhibition "Of Woman Born" at the 2026 Venice Biennale, supported by KNMA, Nadar discussed her vision for putting Indian art on the world stage.

One Fine Show: “Paula Rego, Dance Among Thorns” at MUNCH in Oslo

MUNCH in Oslo presents "Paula Rego: Dance Among Thorns," the first comprehensive museum survey of the Portuguese-British artist in the Nordic region and her largest since the 2021 Tate Britain retrospective. The exhibition brings together over 140 works spanning seven decades, from early abstract political collages to the grotesque papier-mâché tableaux of her final years. A central section traces previously undocumented links between Rego and Edvard Munch, including the discovery of a never-before-exhibited work by Rego's son, Nick Willing. Highlights include Rego's monumental "Oratorio" (2008-09) and "The Dance" (1988), which curator Kari J. Brandtzæg connects to Munch's "Dance of Life" (1898-1899).

50 Years of Groundbreaking Work: Kunstmuseum Basel Puts Helen Frankenthaler Front and Center

Kunstmuseum Basel has opened a major exhibition titled "Helen Frankenthaler," the first retrospective of the American artist's work at the museum in 50 years. The show, curated under the direction of Elena Filipovic, spans Frankenthaler's career from the 1950s onward, highlighting her pioneering soak-stain technique, her experiments with prints, woodblocks, sculpture, and her designs for the Royal Ballet. The exhibition includes key works such as *April Mood* (1974) and *Sesame* (1970), and was negotiated alongside the gift of Frankenthaler's *Riverhead* (1962) from the Helen Frankenthaler Foundation to the museum.

The Carnegie International Tests What “We” Still Means in a Fractured World

The 59th edition of the Carnegie International, the oldest survey of contemporary art in the United States, opens at the Carnegie Museum of Art in Pittsburgh, featuring 61 artists and collectives from around the world and 36 newly commissioned works. Curated by Ryan Inouye, Danielle A. Jackson, and Liz Park, the exhibition is titled “If the word we,” developed in collaboration with writer Haytham el-Wardany, and for the first time partners with local institutions including the Children’s Museum of Pittsburgh, Kamin Science Center, Mattress Factory, and the Thelma Lovette YMCA to engage different segments of the city’s community.

An Art-Lover’s Guide to Tunis’ Ground-Up Contemporary Scene

The article profiles Selma Feriani, a Tunisian gallerist who opened a new purpose-built gallery in the industrial El Kram district of Tunis in January 2024. Designed with architect Chacha Atallah, the three-story space features a concrete exterior referencing traditional Tunisian hand-application techniques and a garden of olive, palm, and orange trees. Feriani, who previously ran a gallery in London's Mayfair, returned to Tunisia after the Revolution to contribute to the country's cultural renaissance. The gallery currently hosts simultaneous exhibitions: Nadia Ayari's paintings of menacing plants and Nidhal Chamekh's "Frictions," part of his broader historical project "Et si Carthage…" exploring Mediterranean power dynamics.

Global Art Biennials: Renovation, Revelation—or Repetition?

The article examines the current state of global art biennials, arguing that recent controversies—such as the 2022 documenta antisemitism crisis and geopolitical tensions at the 61st Venice Biennale—reveal these exhibitions as deeply politicized platforms rather than neutral cultural events. It highlights how juries and curators have introduced geopolitical criteria, and cites ongoing debates in Artforum (April 2026) featuring voices like Daniel Birnbaum, Michelle Grabner, and Adam Szymczyk, who diagnose visible tensions but overlook deeper structural conditions.

Don’t Miss: Giles Duley’s “Distortion / Memory / Resilience” at Sutton Tower

Photographer and storyteller Giles Duley has opened a two-week exhibition titled “Distortion / Memory / Resilience” at Sutton Tower on the Upper East Side of New York. The show features his powerful images documenting life during war, alongside artistic touches such as wooden school desks filled with artwork by Ukrainian children. Duley, who lost two legs and one arm after an I.E.D. injury in Afghanistan in 2011, continues to work actively in war zones including Sudan, Afghanistan, and Ukraine. Proceeds from the exhibition support his NGO, the Legacy of War Foundation, which has raised over $4 million since 2017 to help communities rebuild after conflict.

Sotheby’s $304M Modern Evening Auction Confirms the Market Has Found Its Footing

Sotheby's Modern Evening Auction on May 19 achieved $304 million with a 98% sell-through rate across 45 lots, more than doubling the total from the equivalent sale in November. The auction was anchored by fresh-to-market masterpieces, including Henri Matisse's "La Chaise Lorraine" from the Barbier-Müller collection, which sold for $48.4 million—the second-highest price for a Matisse painting at auction. Other highlights included works from the Enrico Donati collection, which generated a combined $58.9 million, and Pablo Picasso's "Arlequin (Buste)" (1909) selling for $42.6 million. The sale contributed to a running combined total of $839.6 million for Sotheby's marquee sales, following strong results from the Mnuchin collection and Contemporary Day Auction.

Phillips’ $115.2 Million Evening Sale Was a Testament to the Power of Pre-Planning and Priority Bidding

Phillips’ Modern & Contemporary Art Evening Sale on May 19 achieved a white-glove result, totaling $115.2 million across 41 lots—a 122 percent increase from May 2025. The sale saw strong performances from works by Lee Bontecou, Salman Toor, and Cecily Brown, with Bontecou’s 1985 pastel on canvas setting a record for a two-dimensional work by the artist at $4.2 million. Other top lots included Andy Warhol’s *Sixteen Jackies* (1964) at $16.2 million, a Monet landscape at $9.3 million, and a Joan Mitchell at $6.9 million. Notably, less than half of the lots were guaranteed, with Phillips’ Priority Bidding incentive—offering a 4 percent discount on buyer’s premium—contributing to the strong results, as more than half of the lots attracted such bids.

At TEFAF New York, the Masterpiece Market Had Plenty to Celebrate

TEFAF New York returned to the Park Avenue Armory with record attendance on its Collector Preview day, May 14, featuring 90 exhibitors showcasing modern and contemporary masterpieces, antiques, decorative arts, and jewelry. Dealers reported strong sales across price tiers, including an Andy Warhol Mao sold by ML Fine Art within the first hour, a Lucio Fontana *Concetto Spaziale* for $2.3 million at Mennour, and works by Giorgio Morandi, Giosetta Fioroni, and Meret Oppenheim sold by Galleria d’Arte Maggiore g.a.m. A new secondary-market partnership, Pace Di Donna Schrader Galleries, debuted with a booth anchored by a 1956 Rothko, signaling renewed confidence in the market.

A Major Martin Puryear Retrospective Reveals an Artist Who Has Never Stopped Evolving

The Cleveland Museum of Art has opened "Nexus," a major retrospective of Martin Puryear featuring over 50 works, the first comprehensive survey of the artist's career in some time. The exhibition includes rarely displayed early pieces from Puryear's personal collection alongside recent works, organized in consultation with the 84-year-old artist. Highlights include the titular 1979 piece "Nexus" made of Alaskan yellow cedar, and other works like "Night and Day" and "Alien Huddle" that showcase his mastery of wood and cold-molding techniques.

Independent Opens With Solo Presentations, Early Sales and (Most Importantly) Breathing Room

Independent art fair opened on May 14, 2026, at a new location in Lower Manhattan’s Pier 36, offering a larger, less central venue than its previous Tribeca home. The fair emphasizes solo presentations, which make up 70 percent of the booths, and features tightly focused displays. Gallerist Susanne Vielmetter reported early sales and museum reservations for works by Samuel Levi Jones, Robert Pruitt, and Nate Lewis. Brazilian gallery Almeida & Dale shares a booth with David Nolan Gallery, showcasing Chakaia Booker and Miguel Rio Branco, while New York dealer Charles Moffett reported strong interest in late Swiss artist Silvia Heyden’s tapestries.

Sotheby’s $433 Million Contemporary Evening and Mnuchin Sales Kicked Off New York’s May Marquee Auctions

Sotheby's held two major evening sales in New York—the Mnuchin collection sale and The Now & Contemporary Evening Auction—generating a combined $433.1 million. The Mnuchin sale achieved a white-glove result of $166.3 million, led by Mark Rothko's *Brown and Blacks in Reds* (1957) which sold for $85.8 million, while the contemporary auction reached $266.8 million, with Jean-Michel Basquiat's *Museum Security (Broadway Meltdown)* as the top lot. The results fell within presale estimates but marked a 133% increase over last May's contemporary sales.

Frieze New York Opens Strong, But the Real Test Is Just Beginning

Frieze New York has opened with strong early sales, particularly in the Focus section, which is dedicated to emerging and underrepresented artists. This year's Focus prize was awarded to W Galería for its presentation of Seba Calfuqueo, a Mapuche artist whose work addresses colonialism, environmentalism, and gender identity through ceramic sculptures and hair-based materials. Her pieces are priced between $8,000 and $40,000, reflecting the market's growing interest in politically engaged contemporary art.

The Top Collections Leading the May Marquee Auctions

The article reports that the May 2025 marquee auctions at Christie's and Sotheby's are being driven by a resurgence of major single-owner collections, reversing a period of trophy scarcity in the secondary market. Key collections include the $130 million Robert E. Mnuchin collection at Sotheby's, the personal collection of gallerist Marian Goodman at Christie's, and the S.I. Newhouse collection expected to generate around $450 million, featuring Jackson Pollock's 'Number 7A (1948)' and Constantin Brancusi's 'Danaïde (1913)'. The article notes that the ultra-high tier above $10 million rose 30% year-on-year, and single-owner collections in New York auctions totaled $730.9 million, an 89.9% increase from Q1 2025.

Archie Rand On the Irreducibility of Painting in a Post-Digital Age

Archie Rand, now in his late 70s, recently held his first extensive solo show in years at Jarvis Art in New York, featuring his new body of work titled "Heads." The exhibition reclaims painting's primordial function, emphasizing the connection between brain and hands, imagination and reality. Rand, who emerged from the downtown New York scene in the late 1970s and early '80s, has witnessed the full postwar evolution of American art. His career includes a pivotal synagogue mural commission that led to backlash from the Orthodox community and a break with critic Clement Greenberg, pushing him toward representational forms. He found allies in figures like Philip Guston and John Ashbery, and after his wife's death ten years ago, began reflecting on mortality and childhood influences.

Koyo Kouoh’s Venice Biennale Looks to Ancient Wisdom to Mend a Fractured Present

Koyo Kouoh's Venice Biennale, titled after ancient wisdom, opens with a focus on healing and historical reimagination. The exhibition features works by artists such as Alexa Kumiko Hatanaka, Khaled Sabsabi, Daniel Lind-Ramos, Guadalupe Maravilla, Kennedy Yanko, and Ayrson Heráclito, alongside a strong emphasis on artist-led schools and institutions like Denniston Hill, blaxTARLINES KUMASI, and RAW Material Company. During the opening, the Koyo Kouoh Foundation was announced, set to launch in Basel to support Pan-African cultural infrastructure. The show includes Refaat Alareer's poem "If I Must Die" and addresses political realities, blending spiritual, ecological, and technological themes to explore collective care and restoration.

The 17 Gallery Shows to See During Frieze Week in New York

Frieze New York has drawn collectors, curators, and art enthusiasts to the city, but this article highlights 17 gallery shows across Manhattan that are worth seeing during the fair week. Featured exhibitions include Katharina Fritsch's return to Matthew Marks with monumental sculptures, Kim Dacres' tire-based busts at Charles Moffett, Sasha Brodsky's debut solo show at Margot Samel, Jasper Johns' "Copy/Trace" at David Zwirner, and Lucia Hierro's packing-box sculptures at Marc Straus, among others.

How Sweden Built One of Europe’s Most Stable Art Markets

The article examines Stockholm's art scene and its role in building one of Europe's most stable art markets. It highlights Market Art Fair, the city's main contemporary fair founded in 2006 by Nordic galleries, which has become the leading commercial art fair in the region and the anchor of Stockholm Art Week. The piece profiles several galleries, including Steinsland Berliner and ISSUES Gallery, and artists such as Linnéa Sjöberg and Arvida Björström, whose work explores identity, digital culture, and emotional labor. The scene is described as small but lively, with galleries collaborating closely and collectors showing patience.

De Pont Director Maria Schnyder On Why Financial Independence Is a Museum’s Greatest Asset

Maria Schnyder, who has served as deputy director of the De Pont Museum of Contemporary Art in Tilburg, Netherlands, since 2021, has been appointed as its new director, succeeding Martijn van Nieuwenhuyzen. In an interview, Schnyder discusses the advantages of rising from within, emphasizing continuity and deep knowledge of the institution's artist-first ethos. The museum, housed in a former woolen mill with 7,000 square meters of exhibition space, operates with only 18 full-time employees and is financially independent, allowing it to prioritize artistic vision over audience-driven agendas.

Pinta Lima Offered Curated Content–and Context–for the Curious

Pinta Lima, the 13th edition of the art fair, opened with a vibrant VIP preview and strong attendance of 16,000 visitors. The fair features around 50 booths and special presentations, with a curation-driven approach that includes sections like NEXT (curated by Juan Canela) and RADAR (curated by Ilaria Conti), as well as FORO panel discussions. The fair emphasizes Latin American art, particularly Peruvian contemporary art, and is part of the broader Pinta network that stages fairs and Art Weeks across Latin America and the U.S. Textile, fiber, and ceramic works are notably prominent, recontextualizing indigenous craft traditions.

One Fine Show: “Wes Anderson, The Archives” at the Design Museum in London

The Design Museum in London has opened "Wes Anderson: The Archives," the first major museum exhibition dedicated to the filmmaker. Featuring over 700 pieces of ephemera—including costumes, props, stop-motion puppets, miniature models, paintings, and Anderson's notebooks and storyboards—the show draws from a personal archive he has built since 1998. The exhibition, a collaboration with la Cinémathèque française in Paris where it premiered last year, has been expanded by some 300 additional objects for its London run. It runs through July 26, 2026.

Try Free Art in Tribeca: A Gallery Walkthrough

A budget-friendly walk through Tribeca's gallery scene highlights two free exhibitions. At Savage Wonderground Tribeca, Brent Owens presents "Fancy Feast," a 24-foot-long banquet table of wooden sculptures mimicking gourmet cat food, with prices ranging from $1,000 to $8,000 but viewing free. At Almine Rech Tribeca, Youngju Joung's "Pause and Flow" features melancholic paintings on traditional Korean paper, memorializing the "moon villages" of displaced working-class citizens from South Korea's urbanization.

In Warsaw, “The Woman Question” Dismantles Art History’s Greatest Myth

The Museum of Modern Art in Warsaw presents "The Woman Question 1550-2025," a major exhibition curated by Alison Gingeras that dismantles the myth that women have only recently become artists. Featuring 199 works spanning centuries, the show includes pieces by Lubaina Himid, Alina Szapocznikow, Gina Birch, Macena Barton, Betty Tompkins, and Artemisia Gentileschi, among others. The exhibition is organized into nine chapters examining themes such as Baroque women, motherhood, and war, and is accompanied by a catalogue with contributions from museum director Joana Mytkowska and other scholars.

What’s Left to Learn from Marcel Duchamp?

The article examines Marcel Duchamp's enduring influence on contemporary art, focusing on his readymades such as "Fountain" (1917) and "Bicycle Wheel" (1913/1951). It notes that a major survey co-organized by the Museum of Modern Art and the Philadelphia Museum of Art, 70 years after Duchamp predicted his true public would emerge in 50 to 100 years, reaffirms his status as the most influential artist of the past century. The piece discusses how Duchamp's practice of selecting and presenting ordinary objects as art—from a urinal to a snow shovel—once shocked the art world but now seems quaint compared to later works like Maurizio Cattelan's taped banana.

Curator Adriana Farietta On Why CONDUCTOR Is the Fair the Art World Needs Right Now

CONDUCTOR, a new art fair curated by Adriana Farietta in collaboration with Powerhouse Arts, launches this week in Brooklyn, New York. The fair features individual artists and galleries from Africa, Latin America, the Caribbean, South Asia, Southeast Asia, the Middle East, Oceania, and Indigenous Nations, with a focus on the Global Majority. A key innovation is its onsite fabrication model, allowing some works to be produced locally at Powerhouse Arts' facilities, reducing shipping and customs issues. The fair also offers an exclusive preview of artists presenting at the Venice Biennale, including Annalee Davis, Tammy Nguyen, RojoNegro, Beya Gille Gacha, and Bugarin + Castle.

How Andrea Alvarez’s Long-Overdue Survey on Contemporary Latinx Art at Buffalo AKG Art Museum Came to Be

The Buffalo AKG Art Museum has opened "Let Us Gather in a Flourishing Way," the first major institutional survey of contemporary Latinx painting in the United States. Curated by Andrea Alvarez, the exhibition features 58 living artists in an intergenerational dialogue, spanning an entire museum floor with seven thematic groupings. Alvarez conducted extensive studio visits across the U.S. and Puerto Rico over an unusually long research period, focusing solely on painting to establish a clear curatorial lens while reflecting the diversity of the Latino diaspora.

Valerie Mercer and the Long Work of Putting African American Art Where It Belongs

Valerie Mercer, the lead curator of African American art at the Detroit Institute of Arts (DIA), has spent over two decades building a collection that now includes more than 700 works. Last fall, the museum unveiled a major reinstallation titled "Reimagine African American Art," moving African American art from scattered locations to the heart of the institution, near Diego Rivera's Detroit Industry Murals. The rehang traces a lineage from 19th-century painters like Robert S. Duncanson to modern innovators like Sam Gilliam, covering key cultural movements such as the Harlem Renaissance and the Black Arts Movement.

In Dancehall and Reggaetón’s Evolution, MCA Chicago Charts a Global Awakening

The Museum of Contemporary Art Chicago has opened "Dancing the Revolution: From Dancehall to Reggaetón," an ambitious exhibition exploring the historical evolution of dancehall and reggaetón as cultural movements and their influence on contemporary art. Curated by Carla Acevedo-Yates, the show features over 40 international artists including Isaac Julien, Edra Soto, Alberta Whittle, Carolina Caycedo, supakid, and Lee "Scratch" Perry, tracing the genres' roots from Afro-Caribbean traditions through their emergence in Jamaica, Panama, and Puerto Rico to global mainstream dominance by figures like Daddy Yankee and Bad Bunny.

In an Age of Image Overload, AIPAD’s The Photography Show Reminds Us What a Photograph Can Do

The 2026 Photography Show, organized by AIPAD, opened to VIPs on April 22 at the Park Avenue Armory with record attendance and strong early sales. Featuring 80 domestic and international galleries, the fair showcased works ranging from early photographic experiments to contemporary digital and installation-based practices, with notable acquisitions by the Museum of the City of New York. AIPAD executive director Lydia Melamed Johnson reported a broad demographic of collectors, from established connoisseurs to first-time buyers.

In Chelsea, Canal 47 and Max Levai Are Betting On Collaboration

New York gallery 47 Canal is relocating from SoHo to a 7,000-square-foot flagship at 529 West 20th Street in Chelsea, sharing the space with London dealer Max Levai. Founded by Oliver Newton and Margaret Lee in 2011, the gallery will maintain its own identity and exhibition program while coordinating schedules with Levai to create a more active environment. The renovated space, designed by IDSR Architecture, features two exhibition levels and will host longer exhibition runs, talks, performances, and events.

The Best New Discoveries of Milan Art Week 2026

Milan Art Week 2026 featured a constellation of fairs including the main regional fair miart, the independent MEGA Art Fair, and the new Milan edition of Paris Internationale. Observers noted the week felt somewhat muted due to the imminent arrival of the globally dominant Milan Design Week, but identified strong presentations from galleries like Ehrlich Steinberg, which showcased Japanese artist Eni Mizukami, and eastcontemporary, which highlighted Eastern European artists Ania Bąk and Natália Trejbalová.

How MEGA Art Fair Became Milan Art Week’s Social Club

MEGA Art Fair held its third edition in Milan, transforming a former perfume factory into a social and exhibition hub during Milan Art Week and Design Week. The fair, which ran from midday to midnight over an extended period, positioned itself as an alternative to traditional art fairs by prioritizing relaxed social connection, community engagement, and public programming over a purely commercial atmosphere.

Interview: Lukas Amacher Is Building a Chatbot for the Art World

Curator, collector, and entrepreneur Lukas Amacher, in partnership with developer David Simon, has launched CONTXT, an A.I.-powered chatbot platform designed for art exhibitions. The software allows visitors to ask questions about artworks via a chat interface, with answers sourced directly from an institution's curated materials like catalog essays and curator notes, rather than generic internet searches. The platform is currently being tested in a public preview with bitforms gallery.

The Must-See Off-Site Shows at the 61st Venice Biennale

The article, published by Frieze, highlights seven must-see off-site exhibitions during the 61st Venice Biennale. These shows are curated independently of the main Biennale program and feature works by artists such as Richard Tuttle and Lutz Bacher, presented at venues like Galerie Greta Meert and WIELS. The guide is written by critic Emile Rubino and aims to direct visitors to noteworthy satellite events that complement the official Biennale offerings.

miart’s Three-Tier Experiment Reflects a Changing Milan

The 30th edition of the miart art fair in Milan took place from April 17-19 at a new venue, the Allianz MiCo conference hall. The fair introduced a disruptive three-tiered layout across three floors, dividing its offerings into Emergent and Established sections, and featured a mix of early 20th-century modern masters and contemporary works, distinguishing it from Italy's other major fair, Artissima.

Marcel Duchamp at MoMA: Five Revelations From the Artist’s First North American Survey in Over 50 Years

The Museum of Modern Art in New York has launched a major retrospective of Marcel Duchamp, marking the artist's first comprehensive North American survey in over half a century. The exhibition traces Duchamp’s evolution from his early satirical drawings and avant-garde paintings to his revolutionary experiments with movement and mechanization, featuring iconic works like "Nude Descending a Staircase" and "L.H.O.O.Q." alongside technical diagrams and studies for "The Large Glass."

Consonni Radziszewski Launches With a Three-City Footprint

Dealers Matteo Consonni and Dawid Radziszewski have merged their respective galleries, Madragoa in Lisbon and Galeria Dawid Radziszewski in Warsaw, to form a single entity: Consonni Radziszewski. The new gallery launched with a third physical space in Milan, timed to coincide with the city's art week and the Venice Biennale. This merger follows a three-year period of collaboration on art fair booths and joint artist representation, specifically for photographer Joanna Piotrowska.

5 Must-See Exhibitions During Milan Art Week 2026

Milan Art Week 2026 features a robust program of institutional exhibitions alongside the miart and Paris Internationale Milano fairs. Key highlights include Cao Fei’s multimedia exploration of smart agriculture at Fondazione Prada, Anselm Kiefer’s monumental tribute to forgotten female alchemists at Palazzo Reale, and a major retrospective of Rirkrit Tiravanija’s architectural research at Pirelli HangarBicocca.

EXPO CHICAGO 2026 Opens With Local Enthusiasm and Strong Institutional Sales

EXPO CHICAGO 2026 has launched at Navy Pier with a streamlined, highly curated format that emphasizes quality over quantity. The fair’s opening days have been defined by robust institutional engagement, with several major museums acquiring works for their permanent collections. This year’s edition features a diverse array of artists and galleries, reinforcing its position as the premier contemporary art platform in the American Midwest.

72 Hours of Art in Salt Lake City: Museum Hopping, Spiral Jetty and Sculpture on the Slopes

Billionaire Reed Hastings, the former CEO of Netflix, has transformed Utah’s Powder Mountain ski resort into a unique 'skiable outdoor art museum.' Collaborating with landscape architect Reed Hilderbrand, the resort now features major installations by artists such as Nancy Holt, James Turrell, and EJ Hill. This development positions the resort as a contemporary companion to the region's historic land art landmarks, including Robert Smithson’s Spiral Jetty and Holt’s Sun Tunnels.

At the Menil Collection, Cy Twombly’s Drawing and Discovery

The Menil Collection in Houston is showcasing "The Gift of Drawing: Cy Twombly," an exhibition featuring 27 works selected from a massive donation of 121 pieces by the Cy Twombly Foundation. The show spans four decades of the artist's career, from the mid-1950s to 2005, highlighting his experimental approach to collage, painting on handmade paper, and drawing. Many of these works have never been previously exhibited in the United States, filling significant gaps in the museum's already extensive Twombly holdings.

At the New Museum, Parallel Visions of Humanity’s Future Emerge

The New Museum's latest exhibition explores the evolving definition of humanity through the lens of technological advancement and ancestral wisdom. The show juxtaposes the anxieties of modern machine labor—exemplified by Simon Denny’s Amazon worker cage—with Indigenous epistemologies and animist traditions that offer alternative ways of inhabiting the world. By featuring artists like Jaider Esbell and Santiago Yahuarcani, the exhibition highlights how hybridity and relationality can resist the rigid hierarchies of Western modernity.

Sotheby’s Evelyn Lin On Asia’s Maturing Market, Young Collectors and the New Rules of the Hong Kong Sale

Sotheby’s recently concluded its spring marquee auctions in Hong Kong, generating a combined total of HK$711.8 million ($91.2 million). The sales were anchored by the success of Joan Mitchell’s 'La Grande Vallée VII,' which sold for $17.6 million, and achieved a nearly 100 percent sell-through rate by value. The performance was bolstered by the auction house's new 'Maison' headquarters, a dual-level retail and exhibition space that attracted over 44,500 visitors in the lead-up to the sales.

Expo Chicago art fair returns with a ‘refined’ floor plan and Obama Center ties

Expo Chicago, the city's major international art fair, has opened its 2024 edition at Navy Pier with a redesigned floor plan intended to improve visitor flow and gallery visibility. The fair features over 170 galleries from 29 countries, with a notable contingent of Chicago-based exhibitors and a special section dedicated to art from the African diaspora.