
Manuel Mathieu’s Venice Biennale Debut Asks How We Carry the Past
Haitian-Canadian artist Manuel Mathieu makes his debut at the 61st Venice Biennale with an immersive installation titled *Pendulum* (2025), shown in both the Arsenale and the Giardini. The work expands from a 2023 short film that won top prize at FIFA, incorporating a double-sided screen, life-size fabric figures, and a vetiver fragrance sourced from Haiti. The installation explores themes of psychological burden, collective coordination, and the persistence of unspoken cycles, with a woman in white moving through a forest and men manipulating a large sheet around broken dolls. Mathieu was invited by the late curator Koyo Kouoh, whose Biennale theme “In Minor Keys” emphasizes quiet resistance.














































