No Attitude, Nowhere: Conviction, Zero Meaning

Keine Haltung, nirgends Gesinnung, null Bedeutung

The article critiques the current state of the art world and broader culture, arguing that right-wing calls for depoliticized art are intensifying while the progressive art establishment silently tolerates a culture war that restricts free expression. It uses the 2025 Met Gala as a prime example, describing the event as a heartless display of wealth and power aligned with Trump-era capitalism, where celebrities and artists perform progressive values while participating in a spectacle sponsored by anti-union figures like Jeff Bezos. The author draws on Hannah Arendt's ethics lectures to suggest that moral norms have collapsed overnight, and that the commercial art world now legitimizes anti-democratic tendencies through its silence.

Rocked on their heels: how exhibitions can change the course of artists’ lives

Alyce Mahon's new book, *Dorothea Tanning: A Surrealist World*, explores how the 1936 MoMA exhibition *Fantastic Art, Dada, Surrealism* profoundly transformed the young artist Dorothea Tanning, who described being "rocked on my run-over heels" by the experience. The article also recounts similar life-changing exhibition encounters for contemporary artists Lorna Simpson and Hurvin Anderson, as discussed on *The Week in Art* and *A brush with…* podcasts, highlighting how specific shows shaped their artistic trajectories.

Stühle, die zum Reden zwingen

The article examines a peculiar three-seat sofa called the "Indiscret" on display in the Louvre, designed in 19th-century France under Napoleon III to force conversation among sitters. This "Conversation Chair" reflects an era when furniture was deliberately crafted to create social intimacy and control guest behavior, in stark contrast to modern public seating that often discourages lingering through hostile architecture.

Opinion: In galleries across Canada, too much art is being hidden away

Don LePan, a novelist, book publisher, and painter, argues that public art galleries across Canada are failing to display their permanent collections, using the MacKenzie Art Gallery in Regina as a prime example. During a visit in early March, LePan found that none of the gallery's extensive permanent collection—which includes works by Group of Seven artists, European masters like Picasso and Gauguin, and modernists such as Agnes Martin—was on view. Instead, the entire exhibition space was devoted to three special shows: a photographic and conceptual art exhibition by Plains Cree artist Joi T. Arcand, a selection of works by 2025 Governor General’s Awards in Visual and Media Arts recipients, and an Indigenous art exhibition. LePan praises these exhibits but criticizes the gallery's decision to completely exclude its permanent collection.

Meet the London Perfumer Building a Collection Around Humor and Instinct

Cherry Cheng, a London-based perfumer, has curated a personal art collection in her Notting Hill flat that reflects her instinctive and humorous approach to collecting. The collection features works by artists such as Beau Gabriel, Miranda Keyes, Sarah Pucci, Juliette Teste, Araki Nobuyoshi, Katrien de Blauwer, Lucile Littot, Leo Costelloe, Sebastian Espejo, and Joline Kwakkenbos, displayed throughout her home like a diary of her tastes.

Stripteases, ecstatic embraces and a dog in a dress: the full-on photos celebrating queer dancefloors worldwide

A new photo book titled *Sex, Clubs, Dissent: Visualising Queer Nightlife*, edited by writer Amelia Abraham, collects photographs from the 1960s to today that document queer nightlife around the world. The anthology features works by artists such as Wolfgang Tillmans, Sunil Gupta, Kia LaBeija, Phyllis Christopher, Roxy Lee, Ajamu X, and Del LaGrace Volcano, alongside images from trans community archives in Mexico City and Buenos Aires. The book is organized into sections on sex, clubs, and dissent, and includes a range of media from film stills to a Grindr screenshot, aiming to capture the messy, sexy, and politically charged atmosphere of queer social spaces.

I Turned My TV Into a Rotating Art Gallery Using Free Museum Downloads

The article provides a guide on how to turn a TV into a rotating art gallery by downloading high-resolution, public-domain images from museum digital collections. It explains the need to filter for Open Access works to avoid copyright issues and recommends several museums with extensive free collections, including the Art Institute of Chicago and the Getty Museum.

PHOTOS: Artistic liberties on display at the Met Gala

The 2026 Met Gala, held on May 4 at the Metropolitan Museum of Art in New York, featured celebrities including Beyoncé, Naomi Osaka, and Emma Chamberlain in elaborate, art-inspired ensembles under the dress code 'Fashion is art.' Beyoncé wore a custom Olivier Rousteing sculptural skeleton dress, Osaka stunned in a Robert Wun white sculptural dress with red feathers, and Chamberlain arrived in a hand-painted Mugler gown. Co-chairs Anna Wintour, Nicole Kidman, and Venus Williams also attended, with Williams wearing a gown referencing a Robert Pruitt portrait of herself. The event raised funds for the Costume Institute's exhibition 'Costume Art.'

‘Touch the earth lightly’: the Australian home that floats above the landscape

The article profiles the Ball-Eastaway House, a home designed by pioneering Australian architect Glenn Murcutt in 1983 for artist Sydney Ball and his partner Lynne Eastaway. Located on a 10-hectare block of dry sclerophyll forest northwest of Sydney, the house is elevated on 14 steel columns sunk into a sandstone rock shelf, allowing it to float above the landscape and minimize its environmental impact. Murcutt, who later won the Pritzker Prize, incorporated sustainable design features such as natural ventilation, a gutter system inspired by eucalypt leaf patterns, and a structure that can be dismantled without trace.

Why We Need Corporate Art Collections

The article traces the history and significance of corporate art collections, beginning with Deutsche Bank's acquisition of 57 early drawings by Joseph Beuys in the late 1970s, which led to the formal launch of its collection in 1980. Today, the Deutsche Bank Collection comprises over 57,000 objects displayed in 500 locations across 40 countries, and the bank sponsors events like the Frieze Art Fair. The piece also highlights the role of American banker David Rockefeller, who inaugurated Chase Manhattan Bank's Art at Work program in 1959, and notes that corporate collecting has deep roots in Renaissance banking, with institutions like Banca Monte dei Paschi di Siena commissioning art for their offices.

Bespoke Glass Studio’s Sculptures Challenge Traditional Conventions of Stained Glass

Lesley Green, founder of Bespoke Glass Studio, creates stained glass sculptures that break from traditional window-mounted forms. Her work includes three-dimensional pieces that project colored light onto walls, functional room dividers, and sculptural objects made using hand-cut copper foil techniques. Green aims to shift perception of stained glass from architectural feature to standalone art object, emphasizing pure color and texture.

6 Nigerian Gen Z Painting Artists We Should All Recognize By Now

This article profiles six Nigerian Gen Z painting artists who are gaining international recognition for their vibrant, culturally reflective works. The featured artists include Anthony Azekwoh, known for blending classical and digital styles; Olaolu Slawn, a former skateboarder turned graffiti-style artist with collaborations like Rolex and Formula 1; Chigozie Obi, whose multidimensional art explores activism and mental health; Ayanfe Olarinde, a self-taught multidisciplinary artist; Adeoluwa Oluwajoba, a mixed-media artist and curator; and Meju Lawrence, known for colorful, animated pieces displayed in notable galleries.

Remains of time: Discarded Material Finds New Life As Artwork

Two Indian artists, Manveer Singh (aka Plasticvalla) and Smriti Dixit, are creating artworks from discarded materials to address environmental degradation. Singh transforms multi-layered plastic waste into sculptures inspired by local landscapes and folk traditions, such as a snow leopard for Spiti Valley and a landfill-inspired piece for Delhi. Dixit finds her practice meditative, while other young artists like Anuja Dasgupta and Mrugen Rathod recently exhibited at the 'Sustaina' exhibition using recycled materials like agricultural waste and discarded hotel textiles. Additionally, Tara Lal's Aranyani Pavilion, made from invasive Lantana Camara wood, was displayed at Sunder Nursery to promote forest restoration.

Should the Auschwitz commandant’s house be hosting exhibitions?

The Counter Extremism Project has acquired the former home of Rudolf Höss, the commandant of Auschwitz, and is now using it to host exhibitions. The current show features the work of a Nazi ornithologist, raising complex and unsettling questions about the ethics of displaying art in a site so deeply tied to the Holocaust.