Inside Sunpride Foundation’s Mission to Champion LGBTQ+ Art Across Asia

Patrick Sun founded the Sunpride Foundation in 2014 to support LGBTQ+ communities through art, combining his passion for contemporary queer Asian art with philanthropy. The foundation's flagship "Spectrosynthesis" exhibition series has been staged at major institutions across Asia, including the Museum of Contemporary Art, Taipei, and the Bangkok Art and Culture Centre. The latest iteration, "Spectrosynthesis Seoul," opened at Seoul's Art Sonje Center and runs through June 28, 2026. Sun, a Hong Kong-born real estate developer and longtime art collector, built the foundation's collection with a focus on works suitable for museum exhibitions about queer identity.

Here’s How Stars at the 2026 Met Gala Nodded to Art History

The 2026 Met Gala, themed "Fashion Is Art," saw celebrities and fashion figures wearing outfits directly inspired by or referencing iconic artworks and art historical movements. Notable nods included Chloe Malle in a gown referencing Frederic Leighton's *Flaming June*, Lauren Sánchez Bezos in a Schiaparelli dress echoing John Singer Sargent's *Madame X*, and Hunter Schafer channeling Gustav Klimt's portrait *Mäda Primavesi*. Other attendees like Anne Hathaway, Hailey Bieber, and Karan Johar also drew from specific paintings, sculptures, and poems, while stylist Law Roach wore a hand-painted piece by Gabonese artist Naïla Opiangah.

Artists made their mark at 2026 Met Gala

The 2026 Met Gala, held on May 4 at the Metropolitan Museum of Art, raised a record $42 million for the Costume Institute, surpassing last year's $31 million. Honorary chairs Jeff Bezos and Lauren Sanchez Bezos contributed at least $10 million, but their involvement sparked protests outside the event, with demonstrators holding signs like "Tax the Rich" and a group called Everyone Hates Elon leaving fake urine bottles labeled with Bezos's face. Inside, artists made a strong impression: Amy Sherald wore a Thom Browne look based on her painting; Jordan Roth donned a Robert Wun outfit inspired by a Met collection work; and Tschabalala Self collaborated with Brandon Blackwood on a gown evoking Degas's ballerina sculpture. The gala's dress code was "fashion is art," and the accompanying exhibition, "Costume Art" (May 10–January 10, 2027), debuts the Met's new 12,000-square-foot Condé M. Nast Galleries.

Meet the Woman Who Curated the Art on Miranda Priestly’s Walls

Fanny Pereire, an art advisor specializing in film and television, curates the art seen on the walls of fictional characters like Miranda Priestly in *The Devil Wears Prada 2*, Logan Roy in *Succession*, and Bobby Axelrod in *Billions*. She works as a fine art coordinator, sourcing reproductions and original works to match character personalities and socioeconomic status, often overseeing the destruction of replicas after filming. Her role, created by producer Scott Rudin in 1999, involves clearing copyrights for every artwork shown on screen, from children's drawings to high-end pieces by artists like Wayne Thiebaud and Alex Katz.

Amy Sherald Dresses As Her Own Award-Winning Painting for Met Gala

Amy Sherald attended the 2025 Met Gala dressed as the subject of her own award-winning painting, *Miss Everything (Unsuppressed Deliverance)* (2014). The work, which won the Outwin Boochever Prize at the National Portrait Gallery and appeared on a *New Yorker* cover, depicts a young girl holding an oversized teacup. Sherald collaborated with designer Thom Browne to recreate the painting's look, including a red fascinator, as part of the gala's theme “Fashion Is Art,” which also aligns with the Costume Institute's exhibition “Costume Art.” Sherald served on the gala's committee alongside artists Anna Weyant and Tschabalala Self.

Look Inside the Art-Filled Home of New York City's Cultural Crusaders

This profile explores the Upper West Side residence of Crystal McCrary McGuire and Raymond J. McGuire, a power couple deeply embedded in New York City’s cultural and financial sectors. Their home serves as a private gallery for a significant collection of African American art, featuring masterworks by Norman Lewis, Henry Ossawa Tanner, Elizabeth Catlett, and Romare Bearden. The couple’s shared passion for collecting began independently, sparked by their formative years studying in France, and has since evolved into a joint mission to preserve and live alongside Black artistic heritage.

The Egyptian Modernist Inji Efflatoun gains international exposure with new biographical collection

The article profiles Egyptian Modernist artist and activist Inji Efflatoun, detailing her life from her birth in 1924 in Cairo to her political activism, arrest in 1959, and four-and-a-half-year imprisonment. It highlights a new biographical collection, *The Life and Work of Inji Efflatoun*, which includes her translated memoirs and critical essays, offering a comprehensive view of her art and revolutionary life.

How Well Do the Met Gala’s Attendees Know Their Art History? We Critique Looks by Madonna, Hunter Schafer, and More

The article critiques nine outfits from the 2026 Met Gala, which was held under the theme 'Fashion Is Art' in conjunction with the Costume Institute's new exhibition 'Costume Art' at the Metropolitan Museum of Art. It analyzes how attendees like Hunter Schafer, Lauren Sánchez Bezos, and Kylie Jenner referenced specific artworks—such as Gustav Klimt's *Mäda Primavesi* and John Singer Sargent's *Madame X*—in their fashion choices, evaluating the success of these art-historical allusions.

Story of enslaved boy featured in 1748 Joshua Reynolds portrait emerges in new study

A research project by the National Trust, the National Gallery in London, and Royal Museums Greenwich has uncovered new details about the identity of an enslaved boy known only as “Jersey,” who appears in a 1748 portrait by Sir Joshua Reynolds. The painting, which hangs at Saltram in Devon, depicts Jersey with his enslaver, naval officer and MP Paul Henry Ourry. Through admiralty records, muster books, and baptismal certificates, researchers identified the boy as “Boston Jersey,” later baptised as George Walker, and found evidence of his naval service and possible path to freedom.

The Art Diary May 2026 – Revd Jonathan Evens

The article titled "The Art Diary May 2026 – Revd Jonathan Evens" appears to be a diary or column by Revd Jonathan Evens, published on Artlyst, covering art-related events, reflections, or commentary for May 2026. The specific content is not provided in the snippet, but the format suggests a curated overview of exhibitions, cultural happenings, or personal observations from the author's perspective.

Can Raising Children Make You a Better Artist? Four Artist Mothers Weigh In.

Four artist mothers—Hope Atherton, Jessi Reaves, Sam Moyer, and Sarah Morris—share candid reflections on how raising children has shaped their art practices. They discuss fractured time, heightened decisiveness, evolving rituals like bedtime reading, and the guilt and power that accompany balancing motherhood with studio work. Atherton describes a new sense of urgency and efficiency, while Reaves and others offer personal anecdotes about the interplay between caregiving and creativity.

15 Artists Share the Best Advice They Got From Their Mother

Hyperallergic asked 15 artists to share the best advice they received from their mother or a maternal figure, in honor of Mother's Day. The article features reflections from artists including Pat Oleszko, Maddy Inez, Nathaniel Mary Quinn, and Shahzia Sikander, who recount maternal wisdom ranging from encouragement to pursue art to life lessons about empathy and resilience. Each anecdote is accompanied by images of the artists' works or personal photos.

Required Reading

Pakistani-born, Brooklyn-based tailor and community leader Hafeez Raza was honored by Mayor Zohran Mamdani as one of six garment workers photographed by Kara McCurdy, highlighting the real faces behind the fashion industry. Meanwhile, the Los Angeles Times's Image Editor-in-Chief Elisa Wouk Almino recounts a peculiar correspondence with artist Sophie Calle, who orchestrated a fake but real exchange using pre-written texts. In other news, Ai Weiwei discusses his new exhibition in Italy, censorship in Europe, and the Venice Biennale in an interview with El País. Additionally, Jacci Gresham, the first professional Black tattoo artist in the United States, reflects on her career since 1976, including tattooing Klan members and innovating with brown paper for Black and Brown clients.

Met Gala Memes That Ate the Rich and Left No Crumbs

The article covers the 2026 Met Gala, sponsored by Jeff and Lauren Sánchez Bezos, and the intense online backlash it generated. Despite a dress code of "Fashion is Art," celebrities faced merciless mockery on social media for their looks, with particular scorn directed at Lauren Sánchez Bezos's Schiaparelli gown inspired by John Singer Sargent's "Madame X." The criticism was amplified by weeks-long protests against Amazon's labor practices and Bezos's involvement, as well as the museum's own unionized employees speaking out. The piece compiles the most inventive and cutting memes from X (formerly Twitter), targeting everything from fashion fails to political hypocrisy.

How Tech Billionaires Turn Couture into Content

Wie Tech-Milliardäre Couture zu Content machen

The Met Gala, long considered the premier event for fashion and cultural influence, has become increasingly dominated by tech billionaires. This year, Jeff Bezos and Lauren Sánchez Bezos purchased their role as co-hosts, sparking protests in New York and raising questions about whether money alone now buys entry into the highest echelons of fashion. Individual tickets cost $10,000 and a table $350,000, with sponsors including OpenAI, Snapchat, and Meta. The event, organized by Anna Wintour to raise funds for the Costume Institute at the Metropolitan Museum of Art, raised $31 million last year but has transformed from a benefit into a spectacle optimized for viral moments and algorithmic appeal.

The Best and Worst of the Stars at the 2026 Met Gala Inspired by Art History

Le meilleur et le pire des stars au Met Gala 2026 inspiré par l’histoire de l’art

On May 4, 2026, the Met Gala brought together 450 guests at the Metropolitan Museum of Art in New York under the theme "Fashion is Art," tied to the exhibition "Costume Art." Attendees were asked to draw inspiration from specific artworks, resulting in standout looks: Madonna channeled Leonora Carrington's "The Temptation of Saint Anthony" (1945) in a Saint Laurent gown, Kim Kardashian wore a custom piece by Allen Jones extending his "Cover Story 4/4" (2021), Hunter Schafer embodied Gustav Klimt's portrait "Mäda Primavesi" (1912-1913) in Prada, and Tessa Thompson referenced Yves Klein's "Anthropométries" in Valentino. Gracie Abrams also paid homage to Klimt's "The Kiss."

The Story Behind Tschabalala Self’s Met Gala Dress by Brandon Blackwood

Artist Tschabalala Self will co-chair the 2026 Met Gala, marking her first attendance at the event, which launches the Costume Institute's new exhibition “Costume Art.” She collaborated with designer Brandon Blackwood, a friend, to create her gown and style her look for the evening.

How Fatinha Ramos Channels ‘Visual Activism’ in Her Richly Layered Illustrations

Fatinha Ramos, a Portuguese artist and illustrator based in Antwerp, describes her work as 'visual activism,' creating richly layered illustrations that give voice to minorities and address social issues. She collaborates with major clients including The New York Times, The Washington Post, Tate, Scientific American, the Anne Frank Museum, and MoMA, which commissioned her to illustrate an essay about being compared to Frida Kahlo. Born with osteogenesis imperfecta (brittle bone disease), Ramos spent much of her childhood in hospitals, where drawing became an escape. After 12 years as an art director in advertising and publishing, she now focuses on her own practice, which challenges stereotypes around disability, climate crisis, sexism, and racism. She is currently working on a graphic novel and a series of anatomical glass sculptures based on brittle bone disease.

Henrike Naumann Stared Down a Divided Germany’s Past While Eyeing Our Troubled Present

Henrike Naumann, a German artist known for using secondhand furniture and design to explore political extremism and consumer capitalism, is profiled in ARTnews. The article recounts her first US exhibition, “Re-Education” at SculptureCenter in New York in 2022, where she created installations referencing the January 6 Capitol attack, juxtaposing Federal-style office furniture with a Flintstonian mancave and chairs arranged by ideological subtext. The show gained unexpected attention when German media covered it, linking her small hometown of Zwickau with New York, and she later visited Thomas Hart Benton’s murals at the Met to understand American power and aesthetics.

Comment | We must avoid amputating art in the name of preservation

The article recounts the author's experience viewing Caravaggio's *Seven Acts of Mercy* (1607) in its original chapel in Naples, where the painting's crowded, dramatic composition directly mirrors the chaotic streets of the city, revealing its sacred meaning through context. In contrast, the author describes Caravaggio's *Flagellation of Christ* (1607), moved from the church of San Domenico Maggiore to the Museo di Capodimonte for security reasons, as a painting "marooned"—its spiritual purpose broken, reduced to a mere object for aesthetic appreciation.

A ‘bird of Mexico City’ strikes a revolutionary pose: Pieter Henket’s best photograph

Photographer Pieter Henket describes the creation of his portrait "La Mujer" (The Woman), part of his series "Birds of Mexico City." The image features Ixchel Paz, a young Mexican woman wearing a lucha libre wrestling mask, captured in a dignified pose on the first day of the project. Henket explains how the series evolved from an earlier project, "Birds of New York," which celebrated young people in New York during the first Trump administration. After the pandemic, he traveled to Mexico City with his husband Roger Inniss, collaborated with stylist Chino Castilla and his team, and encouraged subjects to express their identities through costume and culture.

Mummy, is this a video game? The dangers of showing kids art on a screen

A parent takes their toddler to Frameless, an immersive digital art experience in London, where works by Hieronymus Bosch, Claude Monet, and Georges Seurat are projected onto walls, ceilings, and floors. The child reacts with mixed engagement—enjoying some moments but feeling overwhelmed by the frenetic, screen-based environment—while the author reflects on the tension between traditional static art and animated digital reproductions.

Met Gala guests from Beyoncé to Nicole Kidman set to flaunt fashion as art

The article previews the 2025 Met Gala, where celebrities including Beyoncé, Nicole Kidman, and Venus Williams will ascend the Metropolitan Museum of Art's steps dressed according to the dress code "Fashion is art." The event, which raises funds for the museum's Costume Institute, encourages guests to treat fashion as an embodied art form, drawing on historical collaborations between designers and artists—such as Elsa Schiaparelli with Salvador Dalí, Yves Saint Laurent with Piet Mondrian, and Marc Jacobs with Takashi Murakami. The red carpet will be livestreamed by Vogue and the Associated Press.

Our chief art critic’s nine best UK museums — you may be surprised

Laura Freeman, chief art critic for The Times, shares her personal list of nine favorite UK museums and galleries, ranging from London institutions like Sir John Soane’s Museum and the V&A to smaller venues such as Pallant House in Chichester and Kettle’s Yard in Cambridge. She emphasizes character and collection over flashy renovations, noting that her picks are based on decades of visits, family outings, and emotional resonance.

How to watch the 'Costume Art' Met Gala red carpet

The 2026 Met Gala, held on May 4 at the Metropolitan Museum of Art in New York, featured a dress code titled 'Costume Art' that explicitly frames fashion as an embodied art form. Celebrities including Beyoncé, Nicole Kidman, and Venus Williams ascended the museum's steps wearing archival fashion pieces and custom creations, with references to artistic collaborations such as Elsa Schiaparelli and Salvador Dalí's lobster dress, Yves Saint Laurent's Mondrian-inspired designs, and Marc Jacobs' work with Takashi Murakami. The event raises funds for the museum's Costume Institute, whose spring exhibition 'Costume Art' examines the centrality of the dressed body.

Met Gala guests take artistic liberties with dress code

Guests at the 2025 Met Gala embraced the dress code 'Fashion is art' with bold, artistic ensembles. Beyoncé wore a custom Olivier Rousteing sculptural skeleton dress with a feathered train and diamond crown. Naomi Osaka stunned in a Robert Wun white sculptural dress that revealed a red beaded gown underneath. Emma Chamberlain arrived in a hand-painted Mugler dress by Miguel Castro Freitas. Co-chairs Anna Wintour, Nicole Kidman, and Venus Williams also made statements, with Williams wearing a sparkling gown in homage to her own portrait by Robert Pruitt. Many guests referenced famous artworks, such as Lena Dunham channeling Artemisia Gentileschi's 'Judith Slaying Holofernes' through a Valentino design by Alessandro Michele, and Lauren Sánchez Bezos wearing a Schiaparelli gown inspired by John Singer Sargent's 'Madame X.'

Beyond the Sagrada Família: These 6 Surprising Places in Barcelona Reveal a Lesser-Known Gaudí

Au-delà de la Sagrada Família, ces 6 lieux étonnants à Barcelone qui révèlent un Gaudí méconnu

Beaux Arts Magazine highlights six lesser-known architectural works by Antoni Gaudí in Barcelona, beyond his famous Sagrada Família. The article features Casa Vicens (1883–1885), his first private commission; Torre Bellesguard (1900–1909), a medieval-inspired tower with panoramic views; Casa Calvet (1897), a residential building with textile-themed details; and the Finca Güell and Palau Güell, experimental projects for his patron Eusebi Güell. These sites showcase Gaudí's organic style, fusion of nature and architecture, and influences from Japanese, Arabic, and Catalan Gothic traditions, with several recently opened to the public.

Who’s The Next Obsession? 12 European Collectors Reveal How They Discover New Talent

Cultured magazine asked 12 European collectors how they discover new talent, timed to the 61st Venice Biennale. Collectors like Nicole Saikalis Bay, Amélie du Chalard, Belma Gaudio, and Laurent Asscher share their personal approaches—ranging from emotional resonance and dialogue with existing works to long-term obsession with an artist before acquiring a piece. The responses reveal a diversity of methods, from instinct-driven buying to conceptual and technical evaluation.

The Good, the Bad, and the Fugly From the 2026 Met Gala

Cultured magazine's 2026 Met Gala coverage features a roundtable of critics and writers offering candid, often humorous takes on celebrity looks from the red carpet. Emma Chamberlain's hand-painted Mugler gown is widely praised as the most on-theme, while Troye Sivan's Prada homage to Robert Mapplethorpe and Chase Infiniti's Thom Browne trompe-l'œil dress also earn acclaim. Gabrielle Richardson calls for more color, noting the theme is about art, and criticizes the monochromatic trend. Mackenzie Thomas pans Alysa Liu's look as "prom" and "quinceañera," while others celebrate Naomi Osaka's Robert Wun Couture and Connor Storrie's Saint Laurent ensemble. The article is structured as a series of short, punchy quotes from multiple contributors, each focusing on specific attendees' fashion choices.

The Strange Coincidence Behind Ivy Getty’s Ludovic de Saint Sernin Met Gala Dress

Ivy Getty, an American model and philanthropist, collaborated with Parisian designer Ludovic de Saint Sernin to create her Met Gala dress, inspired by the 1926 illustration *L’Eclat de l’Or* by Russian artist Erté. The sketch, originally for the show *The Golden Fables*, was chosen from Getty’s mood board; the pair later discovered it is held in the Metropolitan Museum of Art’s archive, coinciding with its 100th anniversary. The final fringed gown debuted on the Met Gala red carpet, and the duo discussed the creative process in an interview.