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rate_review review schedule Oct 7, 2025 visibility 20 link 12 artists, 1 gallery

adrien brody art eden gallery

Actor Adrien Brody debuted a new exhibition titled "Made in America" at Eden Gallery in New York, featuring paintings that incorporate pop culture icons like Mickey Mouse, Donald Duck, and Marilyn Monroe alongside collage elements and text. The show has garnered significant media attention, including a profile in the New York Times and praise from Cultured and Interview magazine, partly fueled by the sale of one of Brody's paintings for $425,000 at the amfAR Cannes Gala. However, the art press, including Artnet News, has been highly critical, with ARTnews reviewer Alex Greenberger describing the works as ugly, derivative, and lacking nuance.

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rate_review review schedule Mar 23, 2026 visibility 20 link 1 artist

Why Felix Gonzalez-Torres’s Go-Go Dancer Piece Remains Subversive

The New York Times examines the enduring power of Felix Gonzalez-Torres's 1991 performance piece "Untitled" (Go-Go Dancing Platform), in which a go-go dancer performs on a pedestal for a brief, scheduled period each day. The work, currently on view at the Art Institute of Chicago, uses the dancer's absence as a central component, creating a poignant metaphor for queer presence and loss.

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rate_review review schedule Mar 13, 2026 visibility 31 link 6 artists, 1 gallery

Craig Jun Li: Scrapping the Camera

Artist Craig Jun Li's solo exhibition features collagist wall-works and installations that deconstruct photographic technology. Works like the 2025 silicone sheets incorporate altered dye-transfer prints, Polaroids, and actual camera parts like SX-70 film cartridge springs, redirecting focus from pictorial representation to the mechanical apparatus of image-making.

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rate_review review schedule Oct 3, 2025 visibility 19 link 16 artists, 1 gallery

art criticism nayland blake david rimanelli review

Nayland Blake presents a three-part exhibition at Matthew Marks Gallery in New York, featuring the retrospective "Sex in the 90s" curated by Beau Rutland and a new installation titled "Session." The show spans two gallery spaces on West 22nd Street, displaying a diverse array of works including plexiglass boxes of mass-market paperbacks, graphite drawings, a yellow stuffed bunny with Kaposi sarcoma lesions, and sculptures referencing kink and fetish culture. The new work "Session" uses artisanal implements of pleasure and pain clipped to black chains, evoking personal narrative and autobiography.

newspaper Cultured open_in_new Read original
rate_review review schedule Apr 4, 2026 visibility 26 link 52 artists

Post-Mortemism: An Autopsy of “Nigerian Modernism: Art and Independence” at Tate Modern.

A critical essay by Ayọ̀ Akínwándé performs a forensic 'autopsy' of the Tate Modern exhibition 'Nigerian Modernism: Art and Independence.' The review dissects the show's structure, arguing it fails in its curatorial framework by isolating Nigerian artists within a regional category, using ethnographic display methods, relying on incomplete research, and excluding key artists and historical context.

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