Art News. Vasari Codex

rate_review review schedule Dec 26, 2025 visibility 28 link 38 artists, 2 galleries

the worst art we saw in 2025

Artnet News editors and writers compiled a list of the worst art of 2025, calling out works they found lazy, cynical, overhyped, or ethically dubious. Highlights include Flora Yukhnovich's site-specific painting installation at the Frick Collection, which critics deemed middling and out of place among the museum's historic masterpieces; Jeff Koons's eight-foot-tall Hulk (Tubas) sculpture, sold for $3 million at Frieze New York and described as an obnoxious trophy piece; and actor Adrien Brody's interactive gum wall installation, which invited visitors to stick chewed gum onto a canvas.

newspaper Artnet News open_in_new Read original

rate_review review schedule Dec 10, 2025 visibility 26 link 21 artists

what are the 10 best works of art in new york museums let the debate begin

Artnet News critic Christian Viveros-Fauné has published a personal list of the ten best works of art in New York museums, sparking debate among readers. The selection includes iconic pieces such as Giovanni Bellini's *St. Francis in the Desert* at the Frick Collection, Gerhard Richter's *October 18, 1977* at MoMA, Paul Cézanne's *The Card Players* at the Metropolitan Museum of Art, James Rosenquist's *F-111* at MoMA, Diego Velázquez's *Juan de Pareja* at the Met, and Pablo Picasso's *Les Demoiselles d'Avignon* at MoMA, among others.

newspaper Artnet News open_in_new Read original

rate_review review schedule Apr 20, 2026 visibility 21 link 5 artists, 1 gallery

Jule Korneffel Finds Meaning at the End of Light

Artist Jule Korneffel's solo exhibition 'In Search of Lost Light' is on view at Spencer Brownstone Gallery through May 2. The show features seven paintings from 2023 to the present, including a site-specific wall work, that explore themes of fading light, memory, and melancholia through a nuanced palette of grays and blues.

newspaper Hyperallergic open_in_new Read original

rate_review review schedule Nov 12, 2025 visibility 16 link 8 artists, 1 gallery

The Big Review | Manet & Morisot at Legion of Honor, San Francisco ★★★½

The article reviews the exhibition "Manet & Morisot" at the Legion of Honor in San Francisco, which pairs works by Édouard Manet and Berthe Morisot to explore their artistic dialogue. It highlights how, contrary to the common assumption that Morisot was influenced by Manet, the show argues that Manet increasingly adopted Morisot's lighter palette, looser brushwork, and intimate subject matter in his later years, especially as his health declined. Key pairings include Manet's "Before the Mirror" (1877) and Morisot's "Woman at her Toilette" (around 1875-80), as well as their respective series of seasonal allegories, shown together for the first time.

newspaper The Art Newspaper open_in_new Read original

rate_review review schedule Apr 16, 2026 visibility 19 link 6 artists

Colours of Time review – Monet meets Mamma Mia in charming French artist comedy

Director Cédric Klapisch’s new film, *Colours of Time* (originally *La Venue de L’Avenir*), is a sentimental French comedy that weaves a fictional romantic history around Impressionist master Claude Monet and pioneering photographer Félix Nadar. The plot follows a group of modern-day descendants who discover a trove of historical secrets in a derelict cottage, leading to a whimsical, time-bending exploration of their ancestors' lives in Belle Époque Paris.

newspaper The Guardian open_in_new Read original

rate_review review schedule Mar 26, 2026 visibility 15 link 4 artists

A Mirrored Monet review – painter reflects on his past in a musical with heart and humour

A new musical titled 'A Mirrored Monet' explores the life of Impressionist painter Claude Monet, focusing on his later years as he reflects on his youth, his artistic struggles, and the personal sacrifices he made, particularly regarding his first wife Camille. The production uses innovative set design to immerse the audience in the Impressionist style and features a strong cast portraying Monet and his contemporaries.

newspaper The Guardian open_in_new Read original

rate_review review schedule Aug 22, 2025 visibility 20 link 8 artists, 1 gallery

Comment | Monet might have seen Venice, but his paintings suggest he didn’t feel it

The article compares J.M.W. Turner's and Claude Monet's depictions of Venice, arguing that Turner's watercolors capture the city's innate melancholy and atmosphere, while Monet's paintings feel unfulfilling and lack emotional depth. The author reflects on Turner's sublime Venice watercolours, particularly 'San Giorgio Maggiore, Venice, at Sunset' (1840), and contrasts them with Monet's works, which are the subject of a major upcoming show at the Brooklyn Museum. The piece also touches on Francesco Guardi's visceral views versus Canaletto's more pleasing but superficial ones, and Howard Hodgkin's later, elegiac response to the city.

newspaper The Art Newspaper open_in_new Read original

rate_review review schedule Nov 27, 2025 visibility 22 link 12 artists

Comment | Turner gets all the kudos, but it was Constable who was the truly radical painter

A commentary argues that John Constable, not J.M.W. Turner, was the truly radical painter, despite Turner receiving far greater public recognition through a museum, a prize, and a place on the £20 note. The article highlights a new exhibition, "Turner and Constable," opening at Tate Britain (until 12 April 2026), which recreates their 1831 Royal Academy display and contrasts Constable's English pastoral scenes with Turner's dramatic, un-British visions. It contends that Constable's full-size oil sketches, such as those at the Victoria and Albert Museum, had a deeper and more lasting effect on modern painting than Turner's work.

newspaper The Art Newspaper open_in_new Read original

rate_review review schedule Apr 27, 2025 visibility 15 link 7 artists

Hiroshige: Artist of the Open Road review – ‘I could look forever at these passing moments in cosmic colours’

The British Museum presents a rapturous exhibition of Utagawa Hiroshige's prints, showcasing the early 19th-century Japanese artist's vivid, Technicolor depictions of fleeting moments in Edo (now Tokyo). The show highlights his innovative use of rain, snow, and everyday scenes, such as pleasure boats, cherry blossoms, and temporary riverside restaurants, and includes a final section on his global influence, though critics find this epilogue rushed.

newspaper The Guardian open_in_new Read original

rate_review review schedule Apr 9, 2026 visibility 18 link 3 artists

‘The Christophers’ Review: Fine Art, Frayed Artists

Director Steven Soderbergh’s latest film, 'The Christophers,' features standout performances by Ian McKellen and Michaela Coel in a narrative centered on the high-stakes intersection of the art world and global finance. The story follows the psychological and professional fraying of artists and dealers as they navigate a landscape defined by ego, commerce, and the pursuit of prestige.

newspaper New York Times Art open_in_new Read original

rate_review review schedule Mar 3, 2026 visibility 12 link 17 artists

Clash of the Renaissance titans: an intriguing double biography of Titian and Michelangelo

Art historian William E. Wallace explores the parallel lives and artistic philosophies of the two greatest masters of the Italian Renaissance, Michelangelo and Titian. The narrative examines the traditional art-historical divide between the Florentine emphasis on 'disegno' (structured drawing and design) and the Venetian mastery of 'colore' (spontaneous, painterly execution), while highlighting how these two titans influenced one another despite their distinct approaches.

newspaper The Art Newspaper open_in_new Read original

rate_review review schedule Nov 19, 2025 visibility 16 link 7 artists

Bay Area Then

Yerba Buena Center for the Arts in San Francisco presents 'Bay Area Then,' an exhibition running from August 1, 2025, to January 25, 2026, that surveys the Northern California art scene between 1990 and 2005. Guest curated by Eungie Joo, the show features works by nineteen artists or collaborations, including Manuel Ocampo, Margaret Kilgallen, Bill Daniel, Ruby Neri, and Carolyn Castaño, mixing historical pieces with recent productions by artists who emerged during that era.

newspaper The Brooklyn Rail open_in_new Read original