Barbra Streisand posted on Instagram expressing regret over selling Gustav Klimt's "Ria Munk on her Deathbed" (1912), which she owned for 30 years. The post came three days after another Klimt portrait set a record at auction. Streisand bought the painting in 1969 for $17,000 and sold it in 1999, explaining she had shifted her interest to Frank Lloyd Wright and the Arts & Crafts movement.
Santina Semadar Panetta, a Canadian artist, is pioneering Neo-Pointillism, a contemporary evolution of the 19th-century pointillist style. She creates vibrant, intricate paintings that blend portraiture and landscape, using bold color palettes and meticulous technique. Panetta is the only Canadian artist selected for the Biennale di Palermo, Biennale di Mantova, and the Biennale of the Nations in Venice, and her work was recently featured at the LA Art Show. In an interview, she discusses her shift from journalism to art, inspired by the events of September 11, 2001, and her academic training at Académie Art et Beaux, which led her to develop a philosophical and rhetorical approach to Neo-Pointillism.
A new study published in *Frontiers of Physics* analyzed paintings created during a 2003 'Dripfest' experiment, where children aged 4–6 and adults aged 18–25 were asked to splatter paint like Jackson Pollock. Using fractal and lacunarity analysis, researchers found that adults produced denser, more intricate patterns, while children's paintings were more clustered and smaller in scale, likely due to differences in biomechanical balance and coordination. Notably, Pollock's own fractal values fell near the children's range, suggesting his physical limitations influenced his technique.
On Thursday night, Sotheby’s concluded a week of evening sales with a three-part modern art auction that achieved $304.6 million, far exceeding its pre-sale estimate of $211.3–$289.3 million. The evening featured 13 works from the collection of Cindy and Jay Pritzker, which sold for $109.5 million, followed by the 'Exquisite Corpus' Surrealist sale from Selma Ertegun’s collection totaling $98 million, and a multiple-owner modern art auction that brought in $97 million. The standout was Frida Kahlo’s self-portrait *El sueño (La cama)* (1940), which sold for $55 million, setting records for Kahlo, a Latin American artist, and a female artist at auction. Vincent van Gogh’s *Piles de romans parisiens et roses dans une verre (Romans parisiens)* (1887) achieved $62.7 million after a seven-minute bidding war.
Drew Struzan, the artist behind iconic movie posters for franchises like Star Wars, Harry Potter, and Indiana Jones, died on October 13 at age 78 after a battle with Alzheimer's. His wife, writer Dylan Struzan, announced the news on Instagram, noting his daily engagement with the works of Van Gogh, Gauguin, and Cézanne. Struzan studied under Lorser Feitelson at the Art Center College of Design in Pasadena and was influenced by Impressionists as well as Renaissance masters like Michelangelo and Pontormo.
A newly translated English edition of Gilles Deleuze's 1981 seminars on painting, originally published in French as 'Sur la peinture' in 2023, has been released by the University of Minnesota Press. Translated by Charles J. Stivale, the eight lectures explore what concepts painting can offer to philosophy, rather than the reverse. Deleuze discusses terms like catastrophe, the diagram, and figure, focusing on artists such as Titian, Turner, Cézanne, van Gogh, Klee, Mondrian, Pollock, and Bacon, offering a chaotic yet magnificent counterpoint to his more systematic book 'Francis Bacon: The Logic of Sensation'.
A visitor at the Palazzo Maffei museum in Verona, Italy, was captured on CCTV breaking a crystal-encrusted chair artwork by Italian artist Nicola Bolla. The man sat on the piece, titled the "Van Gogh" chair, causing it to collapse under his weight. The couple fled before staff realized the damage. Police have been notified but the suspects remain unidentified. The artwork has since been restored and is back on display.
Joan Shogren, a chemistry graduate from San José State University (SJSU) in the early 1950s, created some of the world's first computer-generated art in 1963 while working as a secretary in the chemistry department. Collaborating with graduate student Jim Larson and assistant professor Ralph Fessenden, she developed a theory that computers could create art if given "rules" of proportion, balance, and center of interest. Fessenden translated her "laws of art" into code on an IBM 1620 computer, producing artworks that were printed as number arrays and later hand-colored by artist Marvin Coon. Shogren exhibited these works in May 1963 at the campus bookstore, recognized as the first public display of computer art. Two decades later, she was commissioned by software company T/Maker to create the first clip art, "ClickArt," released in 1984 for Macintosh computers, designed pixel by pixel.
The May 19 evening sales at Sotheby’s and Phillips generated a combined $419.1 million, signaling a potential recovery in the contemporary and modern art market. Sotheby’s brought in $303.9 million—60% more than the previous year—led by a record-breaking $48.4 million Matisse, while Phillips achieved $115.2 million, more than double its 2025 sales. Both auctions saw high sell-through rates, with 98% and 100% of lots sold respectively. Notable lots included a $42.6 million Picasso, a $29.4 million van Gogh drawing, and strong performances by female artists like Lee Bontecou, Joan Mitchell, and Helen Frankenthaler.
The article provides a guide on how to turn a TV into a rotating art gallery by downloading high-resolution, public-domain images from museum digital collections. It explains the need to filter for Open Access works to avoid copyright issues and recommends several museums with extensive free collections, including the Art Institute of Chicago and the Getty Museum.
Telfair Museums will present "Impressionism and Modernity: French and American Painting" at the Jepson Center for the Arts from May 15 through August 16, 2026. Organized for the museum's 140th anniversary, the exhibition brings together Telfair's collection of American Impressionist works with key French Impressionist paintings from the National Gallery of Art, Washington, D.C., featuring artists such as Edgar Degas, Alfred Sisley, and Vincent van Gogh. The show explores Impressionism's origins in France, its transatlantic influence, and its impact on American art and identity, with works addressing themes of modern life, leisure, the city, and nostalgia for nature.
Un giro in 10 stand da non mancare alla fiera miart 2026 a Milano
The 30th edition of miart, Milan’s international modern and contemporary art fair, has launched at the Allianz MiCo South Wing under the artistic direction of Nicola Ricciardi. Titled "New Directions," the 2026 edition features 160 galleries from 24 countries, organized into sections like Emergent, Established, and Established Anthology. Despite some logistical complaints regarding the new layout, the opening saw high attendance and early optimism from dealers regarding sales.
The Art Gallery of South Australia is set to launch a new exhibition titled 'MONET TO MATISSE: DEFYING TRADITION,' which will feature works by iconic modern artists such as Claude Monet and Henri Matisse. The show aims to highlight how these artists broke away from conventional artistic norms to pioneer new movements in art history.
Cowley Abbott Fine Art, a Toronto-based auction house, has opened its first permanent western Canada gallery in Calgary's East Village. The new space launches with a three-day public preview of museum-quality artworks heading to its Spring Live Auction on May 27 at the Globe and Mail Centre in Toronto. Highlights include rare works by Pierre-Auguste Renoir, Vincent van Gogh, Emily Carr, and members of the Group of Seven such as Lawren Harris and A.Y. Jackson. Among the standout pieces is Emily Carr's 1936 canvas "Wind," estimated at $500,000 to $700,000, and a Lawren Harris painting valued similarly. The gallery aims to attract both collectors and casual visitors, with Peter Ohler, Western Canada Representative and Director of Private Sales, emphasizing that the space is open to anyone interested in art.
The Art Fund has announced the five finalists for its Museum of the Year 2026 award, all of which are located in England. The shortlist includes The National Gallery and V&A East Storehouse in London, Norwich Castle, Cambridge’s Fitzwilliam Museum, and The Box in Plymouth. The winner will be announced at a ceremony at London's Cutty Sark on June 25.
The Japanese art scene is preparing for a robust spring season in April 2026, featuring a diverse array of exhibitions across Tokyo's major institutions. Highlights include Martin Margiela’s first large-scale Japanese exhibition at the historic Kudan House, a centenary celebration of fashion icon Hanae Mori at the National Art Center, and a deep dive into the studio practice of Georges Rouault at the Panasonic Shiodome Museum of Art. Traditional art also takes center stage with a focused look at Utagawa Hiroshige’s "One Hundred Famous Views of Edo" at the Ota Memorial Museum of Art.
Maria Balshaw, director of the Tate, will step down in spring 2026 after nearly a decade leading the institution. She joined in 2017, succeeding Nicholas Serota, and oversaw blockbuster exhibitions including Van Gogh and Britain, Yoko Ono: Music of the Mind, and Sargent and Fashion. Her final project will be a major survey of Tracey Emin. The Tate credited her with diversifying the collection, improving gender and geographic balance, and growing membership to 150,000, the largest arts membership globally.
Festival du dessin d’Arles : ce qu’il ne faut surtout pas rater pour cette quatrième édition
The fourth edition of the Arles Drawing Festival has opened, featuring over forty exhibitions across the city. The highlights include two major private drawing collections being publicly presented: Marin Karmitz's collection, displayed at the Sainte-Anne church under the title "Et la vie continue…", and the Collezione Ramo from Milan, showcased at the Museon Arlaten chapel as part of a focus on Italian art.
Carol Jacobi, curator of a new exhibition at Tate Britain in London, aims to reframe the legacy of James McNeill Whistler (1834-1903), an artist often reduced in public memory to his 1877 libel lawsuit against critic John Ruskin. The show, the UK's first full Whistler survey since 1994, highlights his prolific output, evolving style, and belief that art should seek "a more fundamental beauty" beyond mere impression. It brings together many of his celebrated nocturnes and, for the first time, his sketchbooks, though the infamous Nocturne in Black and Gold: The Falling Rocket (1875) could not be loaned.
Santa Barbara's fall 2025 art season offers a diverse array of exhibitions across museums and galleries, from contemporary printmaking at the Santa Barbara Museum of Natural History to Impressionist masterworks at the Santa Barbara Museum of Art. Highlights include John Comer's seascapes at Santa Barbara Fine Art, David Florimbi's retrospective at the new Separate Reality gallery, and a joint show by Joan Rosenberg-Dent and Sarita Reynolds at Art & Soul Gallery. The California Nature Art Museum also celebrates its 25th anniversary with a solo exhibition by founder Patti Jacquemain.
Two new art critics join the fold at Cultured, with Johanna Fateman reviewing Sanya Kantarovsky's first New York solo show since 2019, "Scarecrow," at Michael Werner Gallery's two Upper East Side locations. The exhibition features paintings, monotypes, and a glazed stoneware vase centered on Hera, a whippet belonging to artists Mark Dion and Dana Sherwood, alongside works like *Stage (Watteau)* that engage with historical painting. Mary Simpson covers Rosemarie Trockel's acerbic conceptualism, and Jeanette Bisschops reviews a posthumous exhibition of Chloe Dzubilo's intimate and irate drawings, "The Prince George Drawings," at Participant Inc., curated by Alex Fleming and Nia Nottage.
Two-time Academy Award winner Adrien Brody has opened a solo art exhibition titled “Made in America” at Eden gallery on Madison Avenue, running through June 28. The show features collages, paintings, and a gum wall installation that reflect on Brody’s New York youth, with themes of fast food, gun violence, and industrial decay. Brody discusses his inspirations, including Jean-Michel Basquiat and Hieronymus Bosch, and describes his artistic process as akin to acting—distilling human behavior into a personality.
Greene Naftali presents Sophie von Hellermann's eighth solo exhibition, "After a Dream," featuring pairs of figures drawn from literature, art history, the artist's personal acquaintances, and imaginative constructs. The show explores creative relationships through the charged dynamic of the couple, presenting narrative chimeras that examine different forms of alignment and connection.
The article traces the history of the Van Gogh Museum in Amsterdam, from its origins in the efforts of Johanna van Gogh-Bonger—who preserved Vincent van Gogh's works after his death—to its official opening in 1973 by Queen Juliana. It describes the museum's location on Museum Square, its two-part building designed by Gerrit Rietveld and Kisho Kurokawa, and its role as a major tourist attraction that drew nearly two million visitors in 2024.
The National Gallery is displaying high-quality reproductions of masterpieces by Claude Monet, Pablo Picasso, J.M.W. Turner, and Vincent van Gogh in town centres across the UK, starting with Croydon. The three-year initiative, called Art on Your Doorstep, places artworks in locations such as Croydon Minster and Queen’s Gardens, and will expand to Torquay, Derry, Birstall, and the Isle of Wight in 2026. Local residents help select the pieces and contribute creative responses, embedding the project within each community.
COVER Corporation has announced a collaboration between hololive DEV_IS ReGLOSS VTuber Juufuutei Raden and The National Gallery, London, launching May 20, 2026. Titled “When Raden Meets Art – A Shared Art Journey”, the project features three masterpieces selected by Raden—J.M.W. Turner’s “Rain, Steam, and Speed – The Great Western Railway”, Vincent van Gogh’s “Sunflowers”, and Claude Monet’s “The Water-Lily Pond”—reimagined into exclusive merchandise including fragrance mists, scarves, and cup sets. Raden, a certified curator in Japan, also recorded an audio guide highlighting 20 works from the Gallery, and the entire ReGLOSS team visited the museum for a behind-the-scenes experience.
The Memorial Art Gallery (MAG) in Rochester, New York, announced on May 13 that admission will become free for all visitors starting in 2027, eliminating its current $20 entry fee permanently. The museum, part of the University of Rochester, raised over $9 million through its "Free for All, Forever" campaign, surpassing its original target faster than expected. Key donations included a $1 million gift from Dr. Alexander A. Levitan and his wife Lucy K. Levitan, a $3 million donation from UR trustee Doug Bennett, his wife Abby, and the Sands Family Foundation, and $2 million from Mary Ellen Burris. Additional support came from anonymous donors, Kitty and Nick Jospé, and Sandy Hawks Lloyd and Justin Hawks Lloyd.
The Art Institute of Chicago is currently hosting "Matisse's Jazz: Rhythms in Color," an exhibition centered on Henri Matisse's 1947 artist's book "Jazz." The show, on view until June 1, features the iconic cut-paper works Matisse created after a 1941 surgery left him unable to paint. Visitors enter directly into the "Jazz" gallery before backtracking through earlier works, offering a chronological journey that culminates in the cut-paper technique. Wait times can exceed 90 minutes, but the museum recommends joining a virtual queue and exploring other galleries in the meantime.
The article is about the Salon des Indépendants, a historic French art exhibition society founded in 1884. It provided a platform for artists to exhibit works without a jury, challenging the official Paris Salon's conservative standards.
An anti-war exhibition titled "Art and War" has opened at a top museum in Tehran, featuring works by American pop artists Roy Lichtenstein, Robert Indiana, and James Rosenquist. The pieces, including Rosenquist's "F-111" and Lichtenstein's "Brattata," were selected for their anti-war themes and come from the museum's major collection of American and European modern art, acquired in the 1970s by former Empress Farah Pahlavi and largely kept from public view since the 1979 Islamic Revolution. The exhibition opened amid ongoing tensions and a recent ceasefire in the Middle East, with the museum director stating it was a deliberate response to current events.