Conference: Baselitz, Immendorff, Lüpertz, Penck Group exhibition at the Kunstmuseum Schloss Derneburg

Konferenz: Baselitz, Immendorff, Lüpertz, Penck Group exhibition at the Kunstmuseum Schloss Derneburg

The Kunstmuseum Schloss Derneburg in Holle, Germany, has opened a major group exhibition titled "Konferenz: Baselitz, Immendorff, Lüpertz, Penck." The show features over 50 significant works by the four celebrated post-war German artists, exploring their unique approaches to national identity during a period of political division. It includes pieces from Georg Baselitz's personal collection of his contemporaries' work, supplemented by archival photographs by Edward Quinn from the 1980s.

Exhibition | Trishla Jain, 'In Equilibrium' at Sundaram Tagore Gallery, New York, New York, United States

California-based artist Trishla Jain presents her first solo exhibition at Sundaram Tagore Gallery in New York, featuring abstract canvases from her 'Yantra' and 'Tantra' series. The works are deeply rooted in the artist’s lifelong meditation practice and spiritual study, utilizing intricate patterns of dots, dashes, and grids to represent the intangible process of breath awareness. While the 'Yantra' series focuses on mathematical precision and geometric focus, the 'Tantra' series explores fluid, organic arrangements that evoke celestial or topographical forms.

A Struggle Between Artist and Machine

Ein Ringen zwischen Künstler und Maschine

Mario Klingemann, a pioneer of AI art, presents "Conflict of Interest," a pop-up exhibition at Sleek Art Space in Berlin during Gallery Weekend. Curated by Anika Meier and produced in collaboration with Art on Tezos, the show features works that challenge the flood of AI-generated imagery. Klingemann displays mundane landscape photographs from private slides, a series called "Weapons of Mass Distraction" where he disrupts an AI algorithm's image generation, and a haunting 2020 video in which AI-generated faces morph to music. The exhibition makes visible the struggle between human control and machine logic.

Activist glues herself to museum display case

Aktivistin klebt sich an Museumsvitrine

A protester from the activist group Neue Generation glued herself to a display case in the Coin Cabinet of the Bode-Museum on Berlin's Museum Island. Dressed as Federal Minister for Economic Affairs Katherina Reiche, the activist targeted the museum to protest the minister's perceived lack of independence from corporate interests. Police were called to the scene to remove the woman, and the Prussian Cultural Heritage Foundation confirmed that while the glass case was targeted, no historical artifacts were damaged.

In Paris, the unRepresented fair brings together artists without galleries in a private mansion

À Paris, le salon unRepresented réunit dans un hôtel particulier des artistes sans galerie

The unRepresented art fair returns to Paris for its fourth edition, taking place from April 10 to 12 at the Hôtel Molière. Founded by Emilia Genuardi, the salon provides a platform for fifteen independent artists who are not currently represented by galleries, allowing them to showcase their work during the busy Art Paris week. This year's selection focuses on artists who "experiment with the image," featuring diverse practices ranging from Regina Anzenberger’s painted photographs to Tania Arancia’s textile-based archival works.

1815, a Key Year for the Question of Art Restitution at the Heart of an Enlightening Book

1815, année clé de la question des restitutions d’œuvres d’art au cœur d’un ouvrage éclairant

Art historian Bénédicte Savoy has released a new book, "1815, le temps du retour," which examines the massive wave of art restitutions following the collapse of the Napoleonic Empire. Between 1794 and 1811, French revolutionary and imperial forces seized thousands of artworks and cultural objects from across Europe to fill the Louvre under the guise of creating a universal museum. After Napoleon's defeat in 1815, the subsequent return of these works sparked a global debate involving intellectuals and politicians regarding national identity, cultural property, and the legal status of looted heritage.

Required Reading

Pakistani-born, Brooklyn-based tailor and community leader Hafeez Raza was honored by Mayor Zohran Mamdani as one of six garment workers photographed by Kara McCurdy, highlighting the real faces behind the fashion industry. Meanwhile, the Los Angeles Times's Image Editor-in-Chief Elisa Wouk Almino recounts a peculiar correspondence with artist Sophie Calle, who orchestrated a fake but real exchange using pre-written texts. In other news, Ai Weiwei discusses his new exhibition in Italy, censorship in Europe, and the Venice Biennale in an interview with El País. Additionally, Jacci Gresham, the first professional Black tattoo artist in the United States, reflects on her career since 1976, including tattooing Klan members and innovating with brown paper for Black and Brown clients.

Banksy Erects Anti-Imperialist Monument in Central London

Banksy has installed a new sculpture in Waterloo Place, central London, depicting a suited man with his face covered by a flag walking off a plinth toward his demise. The artist confirmed his authorship via an Instagram video and left his signature on the base. The statue was covertly placed in the early hours of April 29, among existing monuments celebrating the British Empire, including King Edward VII, Florence Nightingale, and the Crimean War Memorial.

The Mysterious Life of Fluxus Dame Alison Knowles

A new book, "Performing Chance: The Art of Alison Knowles In/Out of Fluxus" by art historian Nicole L. Woods, is the first major study of the late Fluxus artist Alison Knowles, who died last fall at age 92. The book focuses on the first two decades of her career (1958–1975), analyzing key works such as her 1962 performance "Proposition #2: Make a Salad" at London's Institute of Contemporary Arts, and her shift from painting to experimental, ephemeral art after being exiled to a basement by Josef Albers at Syracuse University.

Jule Korneffel Finds Meaning at the End of Light

Artist Jule Korneffel's solo exhibition 'In Search of Lost Light' is on view at Spencer Brownstone Gallery through May 2. The show features seven paintings from 2023 to the present, including a site-specific wall work, that explore themes of fading light, memory, and melancholia through a nuanced palette of grays and blues.

Amalia Pica at Herald St

Herald St in London is presenting "Daisy Chain," an exhibition of new work by Argentine-born, London-based artist Amalia Pica, running from March 19 to May 16, 2026. The show includes a press release, checklist, and 14 exhibition images documented by photographer Jack Elliot Edwards.

Brett Goodroad at Crèvecoeur, Left Bank

Brett Goodroad at Crèvecoeur, rive gauche

San Francisco-based artist Brett Goodroad presents a solo exhibition titled "Bells" at Crèvecoeur’s Rive Gauche location in Paris. The exhibition features a series of new paintings that showcase Goodroad’s signature style of fluid, gestural abstraction and figurative ambiguity, documented through an extensive digital archive of installation views and individual work shots.

What is it like to be a young artist in Milan today? Denise Ceragioli answers

Com’è oggi essere una giovane artista a Milano? Risponde Denise Ceragioli

The article features an interview with young Milan-based artist Denise Ceragioli, who discusses the challenges and realities of sustaining an artistic practice in the city after graduating from the Brera Academy. She details her journey of finding a studio, the evolution of her painting from figurative to highly material-based work involving wax, and the importance of building relationships within Milan's art ecosystem of institutions, galleries, and independent spaces.

Masha Foya’s Airy Illustrations Embrace the Universality of Emotions

Kyiv-based illustrator Masha Foya has released a new series of dreamlike works that blend human emotion with the natural world. Her illustrations often feature surreal architectural and organic elements, such as foliage tunnels forming into hands or planes flying through bird-shaped apertures, to represent the boundlessness of the human imagination. The collection includes a mix of personal explorations and high-profile commissions for international publications.

fashion bottega veneta peter fraser venice

Photographer Peter Fraser has collaborated with Bottega Veneta on a new series of 27 photographs exploring Venice, capturing both its iconic landmarks—canals, marble floors, Byzantine façades—and its overlooked details like construction cranes, discarded plaster casts, and beached boats. The images are juxtaposed with Bottega Veneta's intrecciato bags from Louise Trotter's first collection, nodding to the fashion house's long history in the Veneto region. In an interview, Fraser discusses his approach to photographing a city burdened by its own legacy, emphasizing the need to distance himself from preconceptions and to shoot based on feeling rather than appearance.

art mamadou abou catherine sarr collectors

Chicago-based collectors Mamadou-Abou and Catherine Sarr discuss their art collection, which spans works from West Africa, France, and the U.S., in an interview with Cultured. The couple, an investor and a jewelry designer, share how their collection began with Mamadou-Abou's discovery of contemporary African photography and emphasize a patient, conviction-driven approach to acquiring art. They also detail the SARR Prize, an initiative supporting emerging France-based artists with cash awards and a residency at Villa Albertine in Chicago.

Mirna Bamieh “Sour Things: The Door” at NIKA Project Space, Paris

NIKA Project Space in Paris presents "Sour Things: The Door," a new installation by Palestinian artist Mirna Bamieh, on view from April 17 to May 23, 2026. Curated by Anne Davidian, the exhibition marks Bamieh's return to the gallery following her solo presentation that inaugurated NIKA's Paris space in 2024, and serves as the latest chapter in her ongoing "Sour" series.

Li Yi-Fan: Error and Effigy

Taiwanese artist Li Yi-Fan, born in 1989 and based between Taipei and Amsterdam, creates unsettling digital marionettes using modified game engines and digital puppetry. His pale, chalky figures with uncanny proportions discuss voyeurism, sexual fantasies, philosophy, memes, and computer programming, often resembling the artist himself. Li works a nine-to-five schedule, spends hours on computer games as research, and describes himself as 'probably the most boring artist.' His practice relies on free or subscription software and purchased digital assets, staging what it feels like to make digital art within platform systems and corporate infrastructure.

Roksana Pirouzmand’s Dual‑Site Meditation on Loss

Roksana Pirouzmand’s dual-site exhibition in Los Angeles, hosted at OXY ARTS and JOAN, features performance-based sculptures and installations that utilize literal erosion to explore themes of loss and displacement. The works include anatomical clay casts of the artist and her mother, which are subjected to water, vibration, and physical interaction, causing them to crack and deteriorate over the course of the show. At OXY ARTS, a kinetic metal floor involves the viewer directly, as their footsteps cause clay hands to collide and break, illustrating the physical impact of movement and presence.

How Art Libraries Make Art Accessible

Wie Artotheken Kunst zugänglich machen

Artotheken, or art libraries, are public institutions that lend artworks to anyone with a library card, making art accessible beyond the traditional museum or gallery system. In Germany, over 100 such artotheken exist, often housed in public libraries, art associations, or museums. The Amerika-Gedenkbibliothek in Berlin, for example, has a collection of 2,000 works, with around 300 currently on loan to homes, doctors' offices, and law firms. The lending process is informal: borrowers can eat, drink, and even touch the works, and transport by bus or bike is encouraged. A jury selects up to 15 new works annually, and the collection includes major names like Roy Lichtenstein and Niki de Saint Phalle, though most users choose pieces based on personal connection rather than prestige.

Our Favorites of the Main Exhibition

Unsere Favoriten der Hauptausstellung

The article highlights standout artists from the main exhibition of the Venice Biennale, focusing on those whose works range from quiet observations of daily life to broader explorations of identity, memory, and community. Among them is Billie Zangewa, a Malawian-born artist based in Johannesburg, who uses raw silk to stitch intimate domestic scenes such as a morning in a bathrobe or a child in arms, transforming overlooked moments into tactile, narrative artworks.

The Future Will Be Neither Good Nor Bad, But Strange

"Die Zukunft wird nicht gut oder schlecht, sondern seltsam"

Mike Winkelmann, known as Beeple, has brought his "Regular Animals" series to the Neue Nationalgalerie in Berlin. The works feature digital creatures that blend pop-culture figures like Mark Zuckerberg with art-historical references such as Picasso, continuing Beeple's signature style of satirical, software-generated imagery. The exhibition marks a significant institutional debut for the artist, who rose to fame by selling the most expensive NFT ever and posting daily digital art online.

Georg Baselitz ist tot

German artist Georg Baselitz has died at the age of 88. According to Galerie Thaddeus Ropac, he passed away peacefully on Thursday. Born Hans-Georg Bruno Kern in 1938 in Deutschbaselitz, Saxony, Baselitz fled East Germany in 1957 after political repression and academic conflicts. His first solo exhibition in West Berlin in 1963 was shut down due to scandal, and works were confiscated. He became internationally known in the late 1960s for his radical upside-down painting, a signature inversion that destabilized pictorial logic. He also created an extensive sculptural body of work. Key career milestones include representing Germany at the Venice Biennale in 1980 alongside Anselm Kiefer, multiple Documenta appearances, the Praemium Imperiale in 2004, and election to the Académie des Beaux-Arts in Paris in 2019. Major late-career exhibitions included "Nackte Meister" at the Kunsthistorisches Museum in Vienna in 2023.

Possible new Banksy appears in London

Möglicherweise neuer Banksy in London aufgetaucht

A life-sized statue has suddenly appeared on Waterloo Place in central London, depicting a figure stepping off a pedestal into the void with a flag blowing in its face. The base bears the signature "Banksy," leading to speculation that the anonymous street artist is behind the work. However, as of the morning, Banksy had not posted the piece on Instagram as he typically does, leaving its authenticity unconfirmed.

"Eine Idee, die gut ist, kann fast alles verändern"

Henrike Naumann's final major artistic project, the German Pavilion at the Venice Biennale, is completed posthumously by friends after her death from cancer at age 41. Meanwhile, the sudden death of curator Koyo Kouoh at 57 has left her team to finish the central exhibition "In Minor Keys" for the Biennale, opening May 9. The US Pavilion is openly crowdfunding for its 2026 presentation by sculptor Alma Allen, citing opaque funding under the Trump administration. Israel's foreign ministry has accused the Venice Biennale jury of boycotting its artist Belu-Simion Fainaru by excluding countries whose leaders face International Criminal Court charges.

Einatmen – Ausatmen

Lee Ufan, the renowned Korean artist known for his meditative single brushstroke paintings, is the subject of a feature article in Monopol. The piece visits his home in Kamakura, Japan, where he lives and works in a simple wooden cube house, reflecting the minimalist philosophy that defines his art. The article explores how Lee finds the entire universe in a single brushstroke, and how the art world is increasingly captivated by his serene, contemplative works.

Julia Stoschek Foundation Closes Berlin Location

Julia Stoschek Foundation schließt Berliner Standort

The Julia Stoschek Foundation is closing its Berlin exhibition space at the end of October. The foundation, which specializes in video art, opened the venue in 2016 in a former Czech cultural center on Leipziger Straße, quickly becoming a key destination for time-based art in the city. Over its run, it presented 22 solo and group shows featuring artists such as Arthur Jafa, Ian Cheng, and Mark Leckey, attracting more than 450,000 visitors. The closure is part of a strategic reorientation: the foundation will now focus on its headquarters in Düsseldorf and temporary international projects, building on recent presentations abroad like a show in Los Angeles that drew over 30,000 visitors in early 2026.

For the Queen's 100th, Ketterer Auctions a Warhol Painting

Zum 100. der Queen versteigert Ketterer Warhol-Gemälde

The Munich-based auction house Ketterer Kunst is offering a portrait of Queen Elizabeth II by Andy Warhol for sale at its auction on June 12. The work is a silkscreen print enhanced with diamond dust and carries a pre-sale estimate of €150,000 to €250,000. The auction coincides with what would have been the late Queen's 100th birthday year.

How Much Change Can Society Endure?

Wie viel Veränderung hält die Gesellschaft aus?

Artist Julius von Bismarck and SPD politician Rita Schwarzelühr-Sutter engaged in a deep dialogue about the societal transition from a fossil-fuel-based to a post-fossil society. During a live podcast hosted by Monopol editor-in-chief Elke Buhr at the BMW Foundation in Berlin, von Bismarck challenged traditional notions of environmental protection, arguing that the very concept of "nature" should be abolished to foster a new relationship with the world. The discussion bridged the gap between artistic radicalism and political pragmatism, touching on existential threats, global inequality, and the role of technology like AI.

For the 61st Venice Biennale, a quest for beauty despite a troubled world

Pour la 61e Biennale de Venise, une quête de beauté malgré un monde troublé

Koyo Kouoh, the Swiss-Cameroonian curator who was set to become the first African woman to direct the Venice Biennale, died suddenly on May 10, 2025, at age 57, just weeks before the opening of the 61st edition she had conceived. Titled "In Minor Keys," the exhibition at the Giardini and Arsenale will proceed posthumously based on her detailed directives, featuring 111 artists including Laurie Anderson, Wangechi Mutu, and Kader Attia, with a focus on beauty, resilience, and radical emotional connection amid global turmoil.