Art News. Vasari Codex

museum exhibitions schedule Nov 21, 2025 visibility 17 link 6 artists, 1 gallery

One Fine Show: “Anselm Kiefer, Becoming the Sea” at the Saint Louis Art Museum

The Saint Louis Art Museum has opened “Anselm Kiefer: Becoming the Sea,” an exhibition featuring 40 works by the German artist from the 1970s to the present, including over 20 pieces made in the last five years and five monumental site-specific paintings. The show highlights Kiefer's 1991 journey up the Mississippi River during a visit to St. Louis, a formative trip that inspired new works such as the 30-by-27-foot painting *Missouri, Mississippi* (2024), which depicts the artist encountering the Melvin Price Lock and Dam in Alton, Illinois. The exhibition also includes pieces like *Die Milchstraße* (1985-87) and two works dedicated to beat poet Gregory Corso, whose lines about eternal life gave the show its title.

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trending_up market schedule Nov 14, 2025 visibility 20 link 8 artists, 2 galleries

Van Gogh’s ‘Sower’ will soon go on sale at Sotheby's—where it's set to make record price

Van Gogh's drawing 'Sower in a Wheatfield with setting Sun' (July 1888) will be auctioned at Sotheby's New York on 18 November with an estimate of $8m-$10m. The work, which belonged to the late cosmetics heir and collector Leonard Lauder, is expected to set a new auction record for a Van Gogh drawing if it exceeds the $8.8m achieved by 'La Mousmé' in 2021. The drawing was originally made for the artist Émile Bernard and later passed through notable hands including dealer Ambroise Vollard and critic Théodore Duret before entering the Lauder collection. It will be sold alongside 23 other major works from Lauder's collection, including three important Gustav Klimt paintings, in a sale expected to fetch over $400m.

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museum exhibitions schedule Nov 13, 2025 visibility 19 link 5 artists, 3 galleries

Uman’s kaleidoscopic journeys

The article profiles Somali-born, self-taught artist Uman, whose vibrant, pattern-filled paintings are currently the subject of her first institutional solo exhibition, 'Uman: After all the things…', at the Aldrich Contemporary Art Museum in Ridgefield, Connecticut. The show, curated by Amy Smith-Stewart, features works like *Zam Zam Bom Bom* (2023) and *Melancholia in a Fall Breeze* (2025), alongside a large-scale mural and a sculptural streetlamp. The article also reveals Uman's plan to relocate from upstate New York to the south of France next spring, marking the end of a 20-year chapter in her adopted home.

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museum exhibitions schedule Nov 7, 2025 visibility 15 link 4 artists, 2 galleries

Exclusive: Philadelphia Art Museum to host sensational Van Gogh exhibition featuring two ‘Sunflowers’

The Philadelphia Museum of Art will host a major exhibition titled *Van Gogh’s Sunflowers: A Symphony in Blue and Yellow* from June 6 to October 11, 2026, bringing together two iconic Sunflower paintings: the museum’s own turquoise-background version (January 1889) and the original yellow-background version (August 1888) from London’s National Gallery. This marks a rare international loan for the London painting, which has only traveled abroad four times since 1924. The exhibition will explore Van Gogh’s use of color and brushwork, and will reunite the two canvases in a triptych arrangement with *La Berceuse* (January 1889, Museum of Fine Arts, Boston), as originally envisioned by the artist in a letter to his brother Theo.

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museum exhibitions schedule Nov 4, 2025 visibility 26 link 17 artists, 7 galleries

8 Must-See Exhibitions in Tokyo Right Now

Art Week Tokyo returns for its fourth edition from November 5–9, 2025, co-hosted by over 50 venues across the city. Instead of a traditional art fair, visitors can use free shuttle buses to explore participating galleries, museums, and nonprofit spaces, including Pace, Perrotin, Kaikai Kiki Gallery, the Mori Art Museum, and the Museum of Contemporary Art Tokyo. Highlights include a curated Focus exhibition titled “What Is Real?” by documenta 14 artistic director Adam Szymczyk, a survey show “Prism of the Real” co-curated with M+, a mid-career retrospective for Aki Sasamoto, and special programming such as a guided tour of micro homes by architect Kazuyo Sejima and a pop-up bar designed by Ichio Matsuzawa with a menu by Michelin-starred chef Shinobu Namae.

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museum exhibitions schedule Oct 29, 2025 visibility 24 link 31 artists, 8 galleries

10 Art Shows to See in Los Angeles This November

This article highlights ten art shows to see in Los Angeles this November, featuring a diverse range of exhibitions. Key shows include Kathleen Ryan's bejeweled rotten fruit, Puppies Puppies's homage to freedom flags, and TJ Shin's bird songs. Historical perspectives are offered through a survey of prints by Robert Rauschenberg at Gemini G.E.L., rarely seen works by Mexican muralist Alfredo Ramos Martínez at Scripps College, and a tribute to the Brockman Gallery at the Vincent Price Art Museum. The two-venue exhibition 'Monuments' investigates how art reflects national narratives, while Puppies Puppies's dual shows use color and text to address contemporary liberation struggles.

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museum exhibitions schedule Oct 24, 2025 visibility 15 link 9 artists, 2 galleries

Van Gogh’s exuberant ‘Tarascon Stagecoach’ will be donated to a Los Angeles museum

The Henry and Rose Pearlman Foundation is donating 63 works to three major U.S. museums, led by Vincent van Gogh's *Tarascon Stagecoach* (October 1888). The painting will debut at the Los Angeles County Museum of Art (LACMA) from February 22 to July 5, 2026, then travel to the Brooklyn Museum of Art in autumn 2026 and New York's Museum of Modern Art in 2027. The work depicts a horse-drawn coach in Arles, was sketched in a letter to Van Gogh's brother Theo, and has a rich provenance including early ownership by sculptor Medardo Rosso and a journey to Uruguay as the first Van Gogh in the Americas.

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article news schedule Oct 17, 2025 visibility 15 link 4 artists, 1 gallery

A manure mystery: why did Van Gogh depict heaps of sand in a painting of his beloved Yellow House?

A new study by Van Gogh Museum senior researcher Teio Meedendorp proposes that the mysterious piles of sand in Vincent van Gogh's 1888 painting "The Yellow House" are not, as previously thought, related to gas pipe installation, but rather cleansing sand used to absorb horse manure and urine on the streets of Arles. Meedendorp supports his theory with historical postcards from 1902 showing similar sand piles and street-cleaning practices, as well as municipal records indicating the city had outsourced dung removal in August 1888.

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museum exhibitions schedule Oct 10, 2025 visibility 13 link 8 artists, 1 gallery

An exhibition on the potato in art? Only Van Gogh could pull it off

The Noordbrabants Museum in 's-Hertogenbosch, Netherlands, opens a focused exhibition titled "Van Gogh and the Potato" on 11 October, running until 1 February 2026. The show features five Van Gogh paintings, two drawings, and a print centered on the potato motif, including "Still life with Potatoes" (autumn 1886), which has been newly identified as depicting "rat's back" potatoes. A key highlight is the study "Head of a Woman (Gordina de Groot)" (March-April 1885), acquired by the museum last year for €8.6 million. The exhibition also includes a lithograph of "The Potato Eaters" and explores Van Gogh's shift from peasant subjects to flower still lifes after moving to Paris.

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museum exhibitions schedule Oct 3, 2025 visibility 17 link 5 artists, 1 gallery

Van Gogh’s ‘Postman’, and the very chair seen in the painting, go on show in a revelatory Amsterdam exhibition

The Van Gogh Museum in Amsterdam has opened "Van Gogh and the Roulins: Together Again at Last," the first comprehensive exhibition dedicated to Vincent van Gogh's portraits of postman Joseph Roulin and his family. The show, which runs until January 11, 2026, features the artist's first portrait of Roulin on loan from the Museum of Fine Arts, Boston, alongside the very wicker armchair on which Roulin posed in 1888. The chair, originally bought by Van Gogh for his Yellow House in Arles, was acquired by the museum in 1969 and is exhibited for the first time since then. The exhibition previously drew 280,000 visitors in Boston.

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trending_up market schedule Sep 26, 2025 visibility 16 link 12 artists, 1 gallery

The story behind the Van Gogh still life that looks destined to become his most expensive Paris painting

Van Gogh's 'Parisian Novels' (November-December 1887) will be the leading lot in the Pritzker sale at Sotheby's, New York on 20 November, with an estimate of $40 million. The still life, depicting 22 books and three pink roses, has been consigned by the estate of Cindy Pritzker, who died in March at age 101. The painting was created during Van Gogh's time living with his brother Theo in Paris and was among the first three works publicly exhibited during his lifetime, at the Société des Artistes Indépendants in March 1888. The Pritzker collection sale also includes 36 other works estimated at $120 million, featuring pieces by Paul Gauguin and Henri Matisse.

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museum exhibitions schedule Sep 19, 2025 visibility 22 link 7 artists, 1 gallery

Lovers to friends: the intimate story of Van Gogh's sister-in-law and the artist Isaac Israëls

The Van Gogh Museum in Amsterdam has published 103 letters from Dutch Impressionist painter Isaac Israëls to Jo Bonger, Vincent van Gogh's sister-in-law, revealing a previously secret romantic relationship between them. The museum is also presenting an exhibition titled "Captivated by Vincent: The Intimate Friendship of Jo van Gogh-Bonger and Isaac Israëls" (through January 25, 2026), which explores their brief physical relationship in the 1890s and its aftermath, including how Israëls incorporated Van Gogh's paintings into his own portraits—a practice he called "Vincenting." Twelve of these portraits are on display for the first time.

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museum exhibitions schedule Sep 12, 2025 visibility 18 link 12 artists, 1 gallery

The National Gallery's new exhibition includes Van Gogh's brief foray into Neo-Impressionism

The National Gallery in London opens 'Radical Harmony: Helene Kröller-Müller’s Neo-Impressionists' tomorrow, running until 8 February 2026. The exhibition features works by Van Gogh’s Parisian colleagues, including Georges Seurat and Paul Signac, and highlights Van Gogh’s brief experimentation with Neo-Impressionist dot-like technique. A key work on display is Van Gogh's 'The Sower' (June 1888), which also recently received a papal mention by Pope Leo XIV, who referenced the painting in his first general audience at the Vatican, interpreting its sun as a symbol of God.

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article news schedule Sep 10, 2025 visibility 21 link 24 artists, 10 galleries

Chiharu Shiota Stages First New York Solo Museum Show—and a Rundown of the Latest in Asia’s Art World

Chiharu Shiota is staging her first solo museum show in New York, marking a significant milestone for the Japanese artist known for her immersive thread installations. The article also provides a comprehensive rundown of recent developments across Asia's art world, including gallery expansions, new exhibitions, art fairs, and institutional news. Highlights include Mire Lee's Los Angeles solo debut at Sprüth Magers, Bluerider Art's new U.S. outpost in Manhattan Beach, and Lisson Gallery's first show with Shanghai-based artist Ding Yi in London. Art fairs such as Frieze House Seoul, Tennoz Art Week, Art Busan, Tokyo Gendai, and Art SG are also covered, alongside the relaunch of New York's Art in General under curator Xiaoyu Weng.

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article culture schedule Sep 5, 2025 visibility 18 link 6 artists, 1 gallery

Most expensive, suicide not murder and more: celebrating 300 Adventures with Van Gogh

Adventures with Van Gogh, a weekly blog launched in 2018, has published its 300th post. To mark the milestone, the blog compiled a list of its most-read posts since the 200th edition in February 2023, updated with new information. Topics range from the ten most expensive Van Gogh paintings at auction (led by *Orchard with Cypresses* at $117m) to a geological feature near Saint-Rémy-de-Provence that appears in *The Olive Trees*, a defense of the suicide theory over murder, the real-life view behind *Starry Night over the Rhône*, Picasso’s granddaughter Marina Picasso quietly buying and selling a Van Gogh watercolour, and the artist’s preference for simple wooden frames over ornate gold ones.

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museum exhibitions schedule Aug 29, 2025 visibility 14 link 7 artists, 1 gallery

Framing Van Gogh: why the artist did not want to surround his works with gold

London's National Gallery exhibition "Van Gogh: Poets & Lovers" displayed nearly all of its loaned paintings in ornate gilded frames, despite the artist's documented preference for simple, unadorned wooden frames. Van Gogh wrote to his sister Wil questioning the need for gilding, and Paul Gachet Jr., son of the doctor who cared for the artist, called gold frames around Van Gogh's works "an act of moral barbarism." A few exceptions stood out, including six paintings from the Kröller-Müller Museum in Otterlo, which were shown in replica frames based on early 20th-century designs by Jacob van den Bosch, and a Van Gogh from Tokyo's National Museum of Western Art that was reframed in a replica of a frame once owned by Dr. Paul Gachet.

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article culture schedule Aug 22, 2025 visibility 14 link 5 artists, 1 gallery

Van Gogh’s Starry Night over the Rhône reveals more of its mysteries

Van Gogh's *Starry Night over the Rhône* (September 1888), housed at the Musée d'Orsay in Paris, is analyzed in detail to separate the actual view of Arles from the artist's imaginative additions. The article examines how Van Gogh repositioned the Plough (Big Dipper) constellation, exaggerated the brightness of gas lamps, and likely painted most of the scene in his studio rather than en plein air. It also reveals that he later reworked the lower-left corner of the canvas, as seen in contemporary sketches.

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museum exhibitions schedule Aug 18, 2025 visibility 13 link 5 artists, 1 gallery

Behind-the-scenes Beatles photographs shot by Paul McCartney to go on sale at Gagosian London

Gagosian London will present 'Rearview Mirror: Liverpool–London–Paris' from August 28 to October 4, showcasing behind-the-scenes photographs taken by Paul McCartney between December 1963 and February 1964. The images, remastered from long-lost negatives and contact sheets, capture pivotal moments in the Beatles' early fame, including their Paris residency at the Olympia Theatre and their appearance on BBC's Juke Box Jury. The prints are signed by McCartney, available in editions of six to ten, and priced between $20,000 and $85,000. The exhibition follows a larger presentation at Gagosian Beverly Hills earlier this year.

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article culture schedule Aug 15, 2025 visibility 19 link 11 artists, 2 galleries

How did the only painting sold by Van Gogh in his lifetime end up in Russia?

The article explores the history and conservation of Vincent van Gogh's "The Red Vineyard," the only painting he is certain to have sold during his lifetime. Sold for 400 francs at a Brussels exhibition in March 1890, the work now resides at the Pushkin State Museum of Fine Arts in Moscow. A recent conservation project used modern scientific techniques to uncover new details about the painting's creation, including Van Gogh's use of paint straight from the tube, compositional changes, and the fading of chrome yellow pigments. The article also recounts the painting's origin during Van Gogh's time in Arles with Paul Gauguin and its journey to Russia.

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trending_up market schedule Aug 8, 2025 visibility 14 link 8 artists, 1 gallery

Revealed: Picasso’s granddaughter owned a Van Gogh—which she sold at Sotheby’s

Marina Picasso, granddaughter of Pablo Picasso, owned a Vincent van Gogh watercolor titled *Woman in a Wood* (September-October 1882), which she sold at Sotheby’s in New York on May 13 for $952,500. The work, which also features a sketch of a fishing boat on its reverse, was purchased by Marina in 1987 through Swiss dealer Jan Krugier from a Tehran-based collector. The sale was not publicly known until just before the auction. The article also notes that a separate Van Gogh oil painting, *In the Dunes* (September 1883), sold at Christie’s the previous day for $4 million from the collection of US businessman Jeffrey P. Draime.

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museum exhibitions schedule Aug 1, 2025 visibility 19 link 13 artists, 1 gallery

Van Gogh’s love of Hiroshige, the Japanese master of the landscape, is reflected in a British Museum exhibition

The British Museum's exhibition "Hiroshige: Artist of the Open Road" (through September 7) showcases over 100 prints by the Japanese master Utagawa Hiroshige, including rare loans that highlight his influence on European avant-garde artists. A key display is Vincent van Gogh's own copy of Hiroshige's "The Plum Garden at Kameido" (1857), on loan from the Van Gogh Museum in Amsterdam, along with Van Gogh's squared-up tracing used for his painting. New research by British Museum senior scientist Capucine Korenberg reveals a short pencil line on the print that confirms Van Gogh used this exact copy as a guide for his tracing and subsequent painting.

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article news schedule Jul 25, 2025 visibility 22 link 5 artists, 1 gallery

Van Gogh was not fantasising when he painted mountain landscapes with ‘The Two Holes’

Martin Bailey, a leading Van Gogh specialist, reveals that the distinctive rock formation known as Le Rocher des Deux Trous (The Rock of the Two Holes), which appears in two of Vincent van Gogh's paintings—The Olive Trees (June 1889) and Mountains at Saint-Rémy (July 1889)—is a real geological feature near the asylum in Saint-Rémy-de-Provence, not a figment of the artist's imagination. The two paintings, held by the Museum of Modern Art and the Solomon R. Guggenheim Museum in New York, were recently displayed together at London's National Gallery exhibition Van Gogh: Poets & Lovers (14 September 2024–19 January 2025), offering a rare chance to compare them. Bailey traces the history of the formation, noting that an anonymous 17th-century artist also depicted it, and describes a walking route from the former asylum to the site.

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museum exhibitions schedule Jul 11, 2025 visibility 17 link 29 artists, 9 galleries

'Hugging has replaced air kissing' – Inside America's new wave art galleries

A new wave of design galleries across the United States is redefining the traditional gallery model by prioritizing community, craft, and hospitality over sterile white-cube spaces. Galleries like Tiwa Gallery in Tribeca, Marta in Los Feliz, Blunk Space in Point Reyes Station, and Landdd in Portland are hosting opening-night dinners, sound baths, flower arranging, and workshops to create intimate, home-like environments. Curator Sonya Tamaddon, an alumna of LACMA and the Peggy Guggenheim Collection, notes a shift away from formal hierarchies toward richer dialogue between designers, artists, and collectors, with hugging replacing air kissing.

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museum exhibitions schedule Jul 4, 2025 visibility 18 link 3 artists, 2 galleries

The power of transformation: an immersive, thrillingly layered, journey into William Kentridge’s sculpture

The Yorkshire Sculpture Park has opened "William Kentridge: The Power of Gravity," the first major survey of the South African artist's sculptural work outside his home country. The exhibition spans multiple decades and includes large-scale film installations, about three dozen sculptures, and four of his largest bronzes to date. It features pieces like the "Singer Trio" (2019) and works from his film series "Self-Portrait as a Coffee-Pot" (2023), with exhibition design by his long-term collaborator Sabine Theunissen.

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museum exhibitions schedule Jun 27, 2025 visibility 22 link 9 artists, 3 galleries

The Royal Academy’s Kiefer-Van Gogh show offers a soaring spectacle

The Royal Academy of Arts in London is hosting "Kiefer/Van Gogh" (28 June–26 October), a focused exhibition pairing Anselm Kiefer's monumental multimedia works with Vincent van Gogh's paintings and drawings. The show, curated by Julien Domercq, features seven huge Kiefer pieces including the 8.4m-wide "The Starry Night" (2019) and a single sculpture, alongside 11 Van Gogh works—five on loan from the Van Gogh Museum. It previously ran at the Van Gogh Museum in Amsterdam, where it drew 340,000 visitors. The London iteration is smaller but includes different works, with a central room dedicated to Van Gogh's pieces spanning his career.

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trending_up market schedule Jun 20, 2025 visibility 16 link 6 artists, 1 gallery

Revealed: how Van Gogh's nephew exchanged two of the artist's drawings for butter and bacon

In early 1945, during the Dutch 'Hunger Winter' at the end of World War II, Vincent van Gogh's nephew, Vincent Willem van Gogh, exchanged two of the artist's drawings for 35 packets of butter and some bacon. The swap was arranged with the help of artist Charley Toorop and involved the cheese business Visser Kaas in Heiloo. One of the drawings, *Head of a Peasant Woman, left profile* (December 1884–May 1885), is now being offered at Sotheby's on 25 June with an estimate of £400,000–£600,000, suggesting the pair would be worth around £1 million today. The nephew's family was suffering from starvation and tragedy, including the execution of his eldest son by German forces.

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museum exhibitions schedule Jun 16, 2025 visibility 16 link 4 artists, 2 galleries

Basel native Irène Zurkinden makes a long-overdue return

Kulturstiftung Basel H. Geiger has opened a two-room exhibition dedicated to Basel native Irène Zurkinden (1909-87), her first major hometown show since the 1980s. The exhibition spans portraits, self-portraits, still-lifes, landscapes, drawings, and several sketchbooks on public view for the first time. Zurkinden studied fashion illustration in Basel before finishing her training at Paris’s Académie de la Grande Chaumière, inspired by Henri de Toulouse-Lautrec. She lived between Paris and Basel and was close friends with Meret Oppenheim, whose portrait by Zurkinden, Meret à l’orange (1932-35), is in Kunstmuseum Basel’s permanent collection and included in the show.

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museum exhibitions schedule Jun 13, 2025 visibility 18 link 3 artists, 1 gallery

With the help of conservators, one of Van Gogh’s finest Arles landscapes will be heading to Japan

Conservator Margje Leeuwestein has examined Vincent van Gogh's "Bridge at Arles (Pont de Langlois)" (March 1888) at the Kröller-Müller Museum in Otterlo to confirm it is fit for travel. The painting will be the centerpiece of an exhibition touring three Japanese cities in 2027. The article details the painting's history, including Van Gogh's intended gift to Hermanus Tersteeg of the Goupil gallery, a later-scraped dedication, and a rare 1929 photograph of the bridge by Johannes Reiher that mirrors the composition.

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trending_up market schedule Jun 13, 2025 visibility 15 link 4 artists, 1 gallery

Sotheby’s offers peek at Breuer building’s makeover

Sotheby's has released renderings of its upcoming renovation of Marcel Breuer's former Whitney Museum building at 945 Madison Avenue, which it purchased for $100 million in June 2023. The auction house plans to open in the autumn, in time for its November sales. Renovations, led by Swiss architecture firm Herzog & de Meuron, include a new service elevator, upgraded lighting and climate systems, and restored gallery floorplans, while preserving the building's landmark-protected exterior and many interior spaces. Charles Simonds's site-specific installation Dwellings (1981) will remain on long-term loan from the Whitney.

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article culture schedule Jun 6, 2025 visibility 20 link 16 artists, 1 gallery

Two US ambassadors have displayed Van Goghs in their London residence—but Donald Trump's pick for the job seems unlikely to follow suit

Two former U.S. ambassadors to the UK, John Hay Whitney (1957-61) and Walter Annenberg (1969-74), displayed Van Gogh masterpieces from their personal collections in Winfield House, the official residence in London's Regent's Park. Whitney hung Van Gogh's *Self-portrait* (September 1889) above the mantelpiece in the family dining room, while the Annenbergs placed *La Berceuse* (February 1889) and *Olive Trees* (November 1889) in the green room, alongside works by Gauguin, Degas, Cézanne, Monet, and Renoir. Both ambassadors later donated their Van Goghs to major U.S. museums—Whitney's to the National Gallery of Art in Washington, D.C., and the Annenbergs' to the Metropolitan Museum of Art in New York.

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