The Los Angeles County Museum of Art (LACMA) has officially opened its new David Geffen Galleries, a major wing designed by architect Peter Zumthor. The 900-foot-long glass-and-concrete structure, which opened with a ribbon-cutting ceremony on April 19, 2026, houses the museum's permanent collection and features an open-concept layout intended to let visitors explore freely.
The David Geffen Galleries at the Los Angeles County Museum of Art (LACMA) will open to the public on Sunday, May 3, after 20 years of development. Designed by architect Peter Zumthor, the 900-foot-long horizontal glass and concrete structure overlooks the La Brea Tar Pits and stretches over Wilshire Boulevard. The main floor, elevated 30 feet above street level, offers 110,000 square feet of gallery space for LACMA’s permanent collection. The inaugural exhibition is inspired by four major bodies of water—the Pacific, Indian, and Atlantic oceans, and the Mediterranean Sea—and features works by artists including Todd Gray, Do Ho Suh, Lauren Halsey, Tavares Strachan, Jeff Koons, and Diego Rivera. The building also includes open plazas, an outdoor public space, and an Erewhon Cafe, with a larger restaurant and wine bar planned for fall 2026.
Austrian artist Valie Export, a pioneering feminist performance and media artist, died on May 14, three days before her 86th birthday. Her death was confirmed by Thaddaeus Ropac Gallery. Export, born Waltraud Lehner in 1940, rejected traditional domestic roles and adopted her iconic all-uppercase name from a cigarette brand. She created guerrilla-style performances and films that directly confronted the male gaze and patriarchal society, often using her own body as a medium. Key works include “Genital Panic” (1968), in which she walked through a Munich cinema in crotchless pants, and “Tapp und Tastkino (Tap and Touch Cinema)” (1968), where she invited strangers to touch her bare breasts through a stage strapped to her chest.
The Guardian editorial reflects on the 75th anniversary of the Festival of Britain, launched by King George VI on 3 May 1951 as a "tonic" for a war-weary nation. It highlights the festival's most enduring legacy: the construction of the South Bank, including the Royal Festival Hall, which later became the Southbank Centre—the UK's largest arts complex. This summer, commemorations include poems from London schoolchildren projected onto its walls and a mobile poetry library visiting coastal towns, recreating the journey of the repurposed naval ship Campania. The festival, a triumph for the Labour government, faced critics like Evelyn Waugh and Noël Coward, and much of its physical infrastructure was demolished by the incoming Conservative government, save for the Royal Festival Hall.
Abstract painter James Hayward, known for his monochromatic oil and wax impasto works, died last week at age 82. A legendary figure in the LA art scene, Hayward was equally celebrated for his magnetic personality, ribald humor, and storytelling. He rose to prominence in 1977 when included in the group show "Less is More" at Sidney Janis Gallery in New York, and was admired by art-world giants such as Dave Hickey, Chris Burden, Nancy Rubins, Ed Moses, and Mike Kelley. Hayward also taught at colleges across the country, including a guest seminar at the University of Southern California, and was a longtime supporter of the LA contemporary art magazine Artillery.
German artist Georg Baselitz has died at the age of 88. According to Galerie Thaddeus Ropac, he passed away peacefully on Thursday. Born Hans-Georg Bruno Kern in 1938 in Deutschbaselitz, Saxony, Baselitz fled East Germany in 1957 after political repression and academic conflicts. His first solo exhibition in West Berlin in 1963 was shut down due to scandal, and works were confiscated. He became internationally known in the late 1960s for his radical upside-down painting, a signature inversion that destabilized pictorial logic. He also created an extensive sculptural body of work. Key career milestones include representing Germany at the Venice Biennale in 1980 alongside Anselm Kiefer, multiple Documenta appearances, the Praemium Imperiale in 2004, and election to the Académie des Beaux-Arts in Paris in 2019. Major late-career exhibitions included "Nackte Meister" at the Kunsthistorisches Museum in Vienna in 2023.
The 18th edition of the Lyon Biennale, titled "Passer d’un rêve à l’autre" (Moving from One Dream to Another), will run from September 19 to December 13, 2026. Curated by Catherine Nichols, an Australian-born art historian and editor based in Berlin, the biennial will take place across ten venues in Lyon, including the Grandes Locos, macLyon, and for the first time the Musée des Tissus et des Arts décoratifs. More than half of the works will be new productions, and over half of the artists are women, with a substantial focus on Oceanian artists such as Timo Hogan, Jazz Money, and Kaylene Whiskey. The exhibition draws inspiration from Lyon's traboules (hidden passageways) and the writings of artist Robert Filliou, exploring themes of dreams, critical analysis, and a "poetic economy."
Andy Warhol's screenprint "Cow II.11A" (1971) is being offered for sale by Composition.Gallery, priced at $15,200. The work is a color screenprint on wallpaper, printed by Bill Miller's Wallpaper Studio, Inc., New York, and published by Factory Additions, New York, for a Warhol exhibition at the Whitney Museum of American Art from May 1 to June 13, 1971. It is part of a limited edition of 100, stamped by the artist's estate, and includes a certificate of authenticity.
San Francisco's Vaillancourt Fountain, a controversial concrete sculpture and centerpiece of Embarcadero Plaza since 1971, caught fire during its dismantling in early May 2025 after the city voted to potentially replace it with a grassy park. Designed by artist Armand Vaillancourt, the fountain was a landmark for the city's skateboarding scene in the 1980s and 1990s, but fell into disrepair and became a flashpoint in debates over modernist public art. The removal, costing $4 million for storage and assessment, was mourned by skateboarders and preservationists who saw it as a loss of cultural and architectural heritage.
Sotheby's May 2025 evening auctions in New York generated $433.1 million, a 132.7% increase over the same sales last spring, despite offering fewer lots. The evening featured an 11-lot sale from the collection of the late banker-turned-dealer Robert Mnuchin, which alone brought in $166.3 million, led by Mark Rothko's "Brown and Blacks in Reds" (1957) selling for $85.8 million. The main contemporary art auction, including "The Now" sale, totaled $266.8 million, with over 80% of lots guaranteed. Four works went unsold and one was withdrawn, yielding a 91% sell-through rate.
Performa, New York's biennial for performance art, is staging a one-night variety show on Broadway at Manhattan's Town Hall on June 10. The inaugural Performa All-Star Variety Show will feature artists including Barbara Kruger, Julio Torres, Marcel Dzama, Laurie Simmons, and Anne Imhoff, hosted by comedian Casey Jost. The 90-minute, 12-act event draws inspiration from 19th-century vaudeville and Futurist cabarets, offering a public spectacle outside the biennial's usual three-week format.
At the 2024 Venice Biennale, the Russian pavilion returned with festive performances and prosecco deliveries, drawing sharp criticism from observers who saw it as a propaganda effort to distract from Russia's war in Ukraine. Meanwhile, Ukraine's Kramatorsk was bombed, and protests erupted, including a Pussy Riot intervention. Biennale president Pietrangelo Buttafuoco defended Russia's and Israel's participation, rejecting preemptive bans despite open letters and appeals. European Commission investigated potential sanctions breaches, and culture ministers from Ukraine, Poland, Estonia, and Baltic states boycotted or condemned the biennale's stance, accusing it of yielding to the aggressor.
Artsy Editorial explores the complexities of collecting performance art, explaining that ownership typically involves acquiring documentation, scores, or rights to reactivate a performance rather than the live event itself. The article outlines how artists, dealers, and collectors navigate transactions for this ephemeral medium, addressing the challenges of preservation, display, and market value.
Loyal, a gallery founded by Martin Lilja and Amy Giunta, has relocated from Stockholm to a 19th-century chapel in the university town of Lund, Sweden. The move represents a deliberate shift away from the fast-paced commercial art world towards a slower, more contemplative model of exhibition-making.
Galerie Buchholz in Cologne is presenting a group exhibition featuring works by Elie Nadelman, Peter Fischli, and David Weiss, running from April 10 to May 23, 2026. The show brings together the early 20th-century modernist sculpture of Nadelman with the conceptual, often humorous installations of the Swiss duo Fischli/Weiss, creating a dialogue across generations and artistic movements.
UNA CRÍTICA INSTITUCIONAL POÉTICA Y MATERIAL: GALA PORRAS-KIM EN KURIMANZUTTO Y LA BIENAL DE VENECIA
Colombian artist Gala Porras-Kim presents her first solo exhibition at kurimanzutto gallery in Mexico City, titled "Espacios del futuro replican los del pasado" (2026), alongside her participation in the 2026 Venice Biennale. The show critically examines how museum conservation protocols transform objects by detaching them from their original material, ritual, and spiritual contexts. Central to the exhibition is "The Motion of an Alluvial Record" (2024), a greenhouse that recreates the humidity and temperature of Yucatecan mangroves, allowing clay and sediment to shift continuously, resisting the linear, stratified time of Western archives and evoking cyclical Maya cosmologies. Another series, "Uprooted" (2026), reproduces fragments of looted Teotihuacan murals from Techinantitla, now held by the Metropolitan Museum of Art and the Ethnological Museum of Berlin, reinstalling them near the floor to restore their original architectural scale and orientation.
The Nasher Museum of Art at Duke University is presenting 'Everything Now All At Once,' an exhibition drawn entirely from its permanent collection that features works by over a dozen contemporary artists including Nick Cave, Ai Weiwei, Nina Chanel Abney, Wangechi Mutu, Jeffrey Gibson, Amy Sherald, and Barbara Chase-Riboud. The show focuses on painting and sculpture—deliberately analog mediums in an era of rapid technological change—and highlights pieces acquired over the past twenty years that center artists from historically marginalized backgrounds. Running since August 2025, the exhibition will rotate new works next month and continue through November 1 in Durham, North Carolina.
Poppy Jones presents "Frozen Sun," a solo exhibition at Towner Eastbourne featuring her signature still lifes on repurposed textiles. The show includes a concise selection of her aluminum-framed works that blur the line between painting and object, alongside several new, larger pieces she has been developing in her studio.
MASSIMODECARLO gallery in Hong Kong is presenting "A Grass Roof," the first solo exhibition of American artist Lily Stockman in the city. The show features new oil paintings inspired by the eighth-century Zen poem "Song of the Grass Roof Hermitage" by Shitou Xiqian, exploring themes of interior refuge and infinite expanse through collapsed perspective and dissolved boundaries.
The Petit Palais in Paris is hosting the second edition of its free urban art exhibition, "We are (still) here," from June 20 to September 20, 2026. Organized in collaboration with the Itinerrance Gallery, the show features nearly 200 works by leading French and international street artists, including Seth and Inti, displayed in the Concorde Hall and throughout the museum's permanent collections, creating a dialogue between contemporary street art and classical masterpieces.
Art Dubai returns to Madinat Jumeirah for its 20th edition, running from Friday to Sunday with a free preview day on Thursday. The fair features a more concentrated layout than previous years, with gallery booths, institutional exhibitions, public art, poetry readings, DJ sets, performances, and multimedia installations gathered in the main conference area. Notable participants include co-founder John Martin, who returns as a gallerist nearly 20 years after helping launch the event, and Emirati artist Rami Farook, whose sand-built booth presents works reflecting on Dubai and the Gulf. Gallery One from Ramallah draws attention with Palestinian artist Amjad Ghannam's reinterpretations of Pablo Picasso, inspired by his experience as a former political prisoner.
This article presents a Pablo Picasso ceramic mask, AR310 Mask (1956), available for sale through Leona Craig Art in Hong Kong for US$21,000. The work is an edition of 300, made from A.R. white clay with engobes and oxidized paraffin decoration. The provenance describes how Picasso first visited Vallauris in 1946 after a Paris exhibition, was inspired by ceramicist Suzanne Hammier, and later returned with Matisse and Chagall to see his fired pieces, eventually staying for nearly thirty years.
The 2026 Venice Biennale, opening May 9 and running through November 22, features a main exhibition titled "In Minor Keys" organized by the late Koyo Kouoh, alongside 99 national pavilions. The event spans the Giardini and Arsenale sites, with concurrent shows across the city, including a group exhibition at the Fondazione Dries Van Noten, Melissa McGill's installation "Marea" at Corte Nova, Illy's artist-designed espresso cups at Giardini Reali, and a solo exhibition of Hernan Bas's paintings at Ca' Pesaro International Gallery of Modern Art.
The article presents a curated guide to 15 must-see events accompanying the 61st Venice Biennale, titled "In Minor Keys" and curated by the late Koyo Kouoh, running from May to November 2026. It highlights key exhibitions beyond the main pavilions, including "Screen Melancholy: Li Yi-Fan" at Palazzo delle Prigioni, "Darkness Visible: The Long Shadow of Dictatorship" at Spazio Punch, "Elegy" by Gabrielle Goliath at Chiesa di Sant'Antonin, and "As Above, So Below" at Ex Church Santi Cosma e Damiano, among others. These events span museums, foundations, and historic palazzi, featuring performances, talks, and curatorial interventions that extend the Biennale's reach across Venice.
This article, published by La Rédac with photos by Audrey de Sortiraparis, presents a curated selection of exhibitions opening in Paris and the Île-de-France region in May 2026. Highlights include a Giovanni Segantini retrospective at the Marmottan Monet Museum, a porcelain exhibition titled "Sèvres, a Rothschild Passion" at the Mobilier National, a comparative show of Michelangelo and Rodin at the Louvre Museum, the return of the Colors Festival with a street-art exhibition called Colors Light, a historical tribute to Madame de Sévigné at the Carnavalet Museum, a major Lee Miller retrospective at the Musée d'Art Moderne, a family-friendly Lego brick exhibition by Dirk Denoyelle at Espace Champerret, and a video game music exhibition at the Philharmonie de Paris.
Artist Nic Nicosia, known for decades as a photographer and member of the Pictures Generation, has pivoted into surreal sculpture after losing interest in fabricated images. His work was featured in the 1983 Whitney Biennial alongside Cindy Sherman and others, and in major exhibitions like Documenta IX. Now, after years of exploring sculpture in private, he is preparing for his largest museum exhibition since 2000: "Everyday Surrealism" at the Nasher Sculpture Center in Dallas, opening May 16, tracing his career through over 70 works.
The 2026 Turner Prize shortlist has been announced, featuring four nominees including French-born artist Marguerite Humeau, who is considered the front-runner despite the award's requirement of honoring a "British artist." Humeau, known for her futuristic biomorphic sculptures made from unusual materials like wasp venom and seaweed, lives in London but was born and raised in the Loire Valley. Other nominees include London-born Kira Freije, Simeon Barclay for his spoken-word performance "The Ruin," and Tanoa Sasraku, whose ICA show is described as "dreary" by the critic. The winner will be announced at Middlesbrough Institute of Modern Art in December.
A guide highlights several art exhibitions and events opening across Richmond, Virginia, this spring. It lists shows at the Virginia Museum of Fine Arts (VMFA), Southside Contemporary Art Gallery, Gallery5, the Visual Arts Center of Richmond (VisArts), Anne's Vital Art Studio Gallery, and Quirk Gallery, covering a range from historical prints and portraiture to contemporary emerging artists, activist art, and an annual auction.
The article previews 14 artists who will have major museum exhibitions in 2026, highlighting key shows such as a long-awaited US retrospective of Marcel Duchamp, a Calder exhibition in Paris, and a Rothko show in Florence. It also details concurrent auction highlights at Christie's New York, including works from the S.I. Newhouse collection by Brancusi, Lichtenstein, Matisse, and Pollock. Specific exhibitions covered include "Krasner and Pollock: Past Continuous" at the Metropolitan Museum of Art, a Roy Lichtenstein retrospective at the Whitney Museum, and multiple European shows for Constantin Brancusi's 150th anniversary.
Bidding has concluded for KAWS's 2019 screenprint, *Untitled (KAWS X Mocad)*, a limited-edition work produced for the artist's solo exhibition "Alone Again" at the Museum of Contemporary Art Detroit. The work was offered through Palm Beach Modern Auctions, with detailed condition reports and terms available to prospective bidders.