Biennale Arte 2026: which national pavilions strike us and why

The 61st International Art Exhibition of La Biennale di Venezia, titled "In Minor Keys" and curated by Koyo Kouoh (who passed away in May 2025), opened amid intense controversy over its artist list and geopolitical tensions. Protests erupted against the participation of Israel and Russia, with a petition signed by 22 countries to exclude Russia, threats from the European Commission to suspend funding, and the resignation of the international jury. Around 18 national pavilions staged strikes and partial closures to denounce the normalization of Israel's presence and precarious labor in the art world. The Austria Pavilion's performance by Florentina Holzinger, featuring a girl hanging upside down inside a tilting bell, became a viral symbol refocusing attention on art itself.

"One of the most dramatic Biennales": 11 unmissable art shows to see at Venice

Theo Christelis reports from the opening week of the 2024 Venice Biennale, describing it as one of the most dramatic editions in recent memory. Key events include the death of main curator Koyo Kouoh and German Pavilion artist Henrike Naumann, the resignation of the prize jury over the participation of Israel and Russia, a protest by Pussy Riot, and a boycott by half the participating artists. Amid the turmoil, Christelis highlights unmissable shows including the Indian Pavilion (returning after seven years), Jenny Saville at Ca' Pesaro, Michael Armitage at Palazzo Grassi, and presentations at the British, Japanese, and Saudi Arabian Pavilions.

Venice Biennale 2026 Roundup

The 61st Venice Biennale, titled "In Minor Keys" and curated by the late Koyo Kouoh, opened in May 2026 amid significant turmoil. The Austrian Pavilion features Florentina Holzinger's performance piece "Seaworld Venice," centered on a giant bell that chimes hourly. The biennale has been marked by the death of its curator, the resignation of the international jury over the inclusion of Russia and Israel, protests by Pussy Riot and the Art Not Genocide Alliance, and the cancellation of the South African Pavilion over Gabrielle Goliath's "Elegy," which honors murdered women including a Palestinian poet. The US Pavilion's state-sponsored offerings have also drawn criticism.

Tang Museum presents Pursuing Possibilities: Explorations in Glaze

The Tang Museum at Skidmore College will present 'Pursuing Possibilities: Explorations in Glaze,' a student-curated exhibition running from May 30 to September 12, 2026. Organized by Emily Lin, the 2025–26 Charina Endowment Fund Endowed Intern, the show features works from the Tang collection that examine the chemical composition of ceramic glazes and their expressive possibilities. Lin used X-ray fluorescence to analyze glazes and consulted with ceramics professor Matt Wilt, bringing together art history, chemistry, and studio practice.

People and places

Elisa Contemporary Art Riverdale Gallery will open a new group exhibition titled "People and places" on May 20, 2026, running through September 2. The show features works by six artists: Betty Ball, Carol Bennett, Sherry Karver, Mitch McGee, Dean Moore, and Jeffrey Palladini, with a focus on uplifting summer themes including water scenes, poolside figures, and bright yellow elements. The exhibition includes new works from Ball's Land & Sea series and introduces Sherry Karver as a new gallery artist.

Modern Art + Design Draw Active Bidders At Eldred’s

Eldred’s auction house held its Modern Art + Design sale on May 7, featuring 245 lots of art, furniture, decorative arts, rugs and collectibles. The sale achieved a total of $221,740 with an 81% sell-through rate, driven by active phone, online, and absentee bidding. Top lots included a Tiffany Studios Nautilus table lamp that sold for $23,040 (more than three times its estimate), a Handel reverse-painted glass table lamp that reached $10,880 against a $800–$1,200 estimate, and Frank Stella’s “Aiolio” from his “Imaginary Places III” series, which fetched $17,920. An abstract oil on canvas by Manabu Mabe also performed strongly, selling for $14,080.

National Gallery takes art to town centres

The National Gallery is displaying high-quality reproductions of masterpieces by Claude Monet, Pablo Picasso, J.M.W. Turner, and Vincent van Gogh in town centres across the UK, starting with Croydon. The three-year initiative, called Art on Your Doorstep, places artworks in locations such as Croydon Minster and Queen’s Gardens, and will expand to Torquay, Derry, Birstall, and the Isle of Wight in 2026. Local residents help select the pieces and contribute creative responses, embedding the project within each community.

Taipei Fine Arts Museum unveils 'Surrealism: The World in Dialogue'

Taipei Fine Arts Museum (TFAM), in collaboration with the Institute for Cultural Exchange in Tübingen, Germany, has launched its major spring exhibition "Surrealism: The World in Dialogue." Featuring over 120 works by nearly 60 international artists, the exhibition marks a century since André Breton's 1924 "Surrealist Manifesto." It juxtaposes historical avant-garde works with contemporary practices, organized into sections such as "Collective Dreams," "Body of Desire," and "Absurd Play." Highlights include Yves Tanguy's dreamscapes, Lauren Moffatt's augmented reality installation, Max Ernst's scraping-method works, Patricia Piccinini's hybrid sculptures, and works by Man Ray, Meret Oppenheim, Sarah Lucas, Luis Buñuel, and Salvador Dalí.

‘The Generative Universe’: Keith Tyson returns to LA with new exhibition at Hauser & Wirth

Keith Tyson, the Turner Prize-winning British artist, returns to Los Angeles with his first exhibition in the city since 2009, titled “The Generative Universe,” on view at Hauser & Wirth from May 28 to August 16. The show spans 30 years of his career, featuring paintings, sculptures, drawings, and mixed media works that explore generative systems—artworks created through rule-based structures shaped by mathematics, technology, nature, and the artist's own choices. Central to the exhibition is Tyson's early computer program “Artmachine,” which he developed in the 1990s to generate prompts for his own creative process, contrasting with today's AI image generators that respond to human prompts.

Helen Frankenthaler at Kunstmuseum Basel

Kunstmuseum Basel has opened a major exhibition of Helen Frankenthaler's work, running from April 18 to August 23, 2026, featuring over 50 large-format pieces spanning six decades. The Helen Frankenthaler Foundation loaned 37 works for the show. The article also notes recent auction results, including Christie's offering of 'The Last Minute in April' (1974) for an estimated $2–3 million, and Sotheby's sales of 'St. John' (1971) for $2.1085 million and 'Perseus' (1983) for $2.804 million. Previous European exhibitions of Frankenthaler's work are listed, including shows at Museo di Palazzo Grimani, Museum Folkwang, Palazzo Strozzi, and Museum Reinhard Ernst.

Talk | FRESH PAINT: Tschabalala Self

The Parrish Art Museum and The FLAG Art Foundation are hosting a talk on May 23, 2026, featuring artist Tschabalala Self and writer Camille Okhio to celebrate the exhibition "FRESH PAINT: Tschabalala Self." The event includes a conversation about Self’s painting "Adam and Eve" (2025), which is being shown for the first time in the U.S. as part of the FRESH PAINT series, a rotating single-artwork exhibition program that highlights new or rarely seen works.

NGMA Delhi and Drents Museum bring Amrita Sher-Gil to the Netherlands

The National Gallery of Modern Art (NGMA) in Delhi has partnered with the Drents Museum in the Netherlands to present a landmark exhibition of works by modernist painter Amrita Sher-Gil. Titled "Amrita Sher-Gil – Europe Belongs to Picasso, India Belongs to Me," the show marks the first time her art has been displayed in the Netherlands. NGMA Director General Dr. Sanjeev Kishor Goutam loaned 48 masterpieces for the exhibition, which includes nearly 60 paintings and photographs exploring Sher-Gil’s life and philosophy. The exhibition runs from May 14 to September 20, 2026, at the Drents Museum in Assen.

Turkish, international artists meet audiences at Art Thessaloniki

The 9th Art Thessaloniki Contemporary Art Fair opened at the TIF Helexpo exhibition center in Thessaloniki, Greece, running until May 17, 2026. Istanbul-based Gallery Binyil presented a group exhibition titled "Meeting of Cultures," curated by Ilknur Sanal, featuring works by Turkish artists such as Bedri Baykam, Husamettin Kocan, Suleyman Saim Tekcan, Yigit Yazici, Adil Ocak, Tugce Calimbay, Filiz Kiprik, Huseyin Rustemoglu, Can Ozsobay, and Hasan Sefa Sofuoglu, alongside Greek artists Lia Eleftheriadou, Katerina Rimpatsiou, and Lena Morfogeni. The exhibition will travel to Gallery Binyil in Istanbul from June 1 to 19, and then to Flamm Hotel in Golturkbuku from June 24 to July 27.

In Venice, Wallace Chan’s Titanium Sculptures Offer Introspection and Reckoning

Wallace Chan, a Chinese sculptor and gem master, has opened a new exhibition titled “Vessels of Other Worlds” at the Chapel of Santa Maria della Pietà in Venice during the 61st Venice Biennale. The show features large-scale titanium sculptures that explore themes of life cycles, mortality, and introspection, with the artist drawing inspiration from the sounds of the city, including Vivaldi’s music from a neighboring church. Chan, who has presented works at two previous biennials in Venice, also marks his 70th birthday this year with a concurrent show at Shanghai’s Long Museum in July.

At this year's Venice Biennale, a clash of politics and art exposes the need for a rethink

The 2026 Venice Biennale is plagued by controversy and structural issues. Curator Koyo Kouoh died of cancer in 2025, leaving her team to execute the main exhibition "In Minor Keys" without her. The Biennale's jury resigned after refusing to judge entries from countries charged with war crimes, and media coverage during preview week focused on protests against the Israeli and Russian pavilions rather than the art. The sprawling exhibition features 96 national pavilions and 110 artists, with works ranging from Daniel Lind-Ramos's found-material figures to María Magdalena Campos-Pons's tribute to Toni Morrison and Kouoh.

Memorial Art Gallery admission will become free starting in 2027

The Memorial Art Gallery (MAG) in Rochester, New York, announced on May 13 that admission will become free for all visitors starting in 2027, eliminating its current $20 entry fee permanently. The museum, part of the University of Rochester, raised over $9 million through its "Free for All, Forever" campaign, surpassing its original target faster than expected. Key donations included a $1 million gift from Dr. Alexander A. Levitan and his wife Lucy K. Levitan, a $3 million donation from UR trustee Doug Bennett, his wife Abby, and the Sands Family Foundation, and $2 million from Mary Ellen Burris. Additional support came from anonymous donors, Kitty and Nick Jospé, and Sandy Hawks Lloyd and Justin Hawks Lloyd.

Exhibition at the Sarasota Art Museum uses shadows to explore the way identity changes based on experiences

Sarasota Art Museum presents 'Penumbra,' a solo exhibition by textile artist Maria A. Guzman Capron. The show features 10 works, including traditional wall hangings and a suspended 15-foot textile sculpture titled 'Sombra,' all exploring how identity shifts based on context and experience. Curator Lacie Barbour explains that the title refers to the penumbra—a liminal space between light and dark—serving as a metaphor for the multiplicity of identities. Capron, who was born in Milan to Peruvian and Colombian parents and later moved to Texas, draws on her own cross-cultural experiences, using hand-dyed, painted, and screen-printed fabrics to create layered portraits of multi-faceted figures.

There's still a time to catch Matisse's "Jazz" at the Art Institute of Chicago

The Art Institute of Chicago is currently hosting "Matisse's Jazz: Rhythms in Color," an exhibition centered on Henri Matisse's 1947 artist's book "Jazz." The show, on view until June 1, features the iconic cut-paper works Matisse created after a 1941 surgery left him unable to paint. Visitors enter directly into the "Jazz" gallery before backtracking through earlier works, offering a chronological journey that culminates in the cut-paper technique. Wait times can exceed 90 minutes, but the museum recommends joining a virtual queue and exploring other galleries in the meantime.

Interview. Max Goelitz

In an interview marking the sixth anniversary of his gallery, Max Goelitz reflects on the founding and evolution of his two-location operation in Munich and Berlin. He discusses how his decade at Häusler Contemporary, where he served as director, prepared him for the unpredictable nature of running his own gallery. The COVID-19 pandemic forced a strategic pivot from international ambitions to a focus on the local German market, which proved unexpectedly sustainable. Goelitz also addresses the current challenges facing galleries, including generational shifts and a more difficult art market, while advocating for an "old-school" reconsideration of what defines a gallery in times of transition.

Flesh and Bones: The Exhibition Turning the Art of Anatomy Into a Cultural Conversation

The exhibition "Flesh and Bones: The Art of Anatomy" at Singapore's ArtScience Museum explores the history of anatomical representation as a cultural construct rather than a universal scientific truth. It juxtaposes Western anatomical atlases from the Renaissance with Chinese meridian (jingluo) systems, featuring works by artist Chiharu Shiota and other historical pieces that reveal how different cultures have visualized the human body through both scientific and spiritual lenses.

WeWork (oralmoral)

The article reviews "WeWork (oralmoral)," a temporary exhibition at The Gallery in Crown Heights, Brooklyn, curated by artist-turned-curator Florian Meisenberg. The show transforms a former office space into a free-form, non-hierarchical environment where works by over a dozen artists are placed unpredictably—in trash bins, closets, ventilation shafts, and on whiteboards left by the previous tenant. Artists span three generations, from Post-Minimal figures like B. Wurtz and David Humphrey to younger digital-savvy artists such as Lucas Blalock and Anna K.E., whose sound piece "Tamada" greets visitors. The exhibition runs from April 10 to May 18, 2026.

FAD News: Sarah Lucas unveils new public sculpture commission for New Museum plaza

The New Museum has unveiled a major public sculpture by Sarah Lucas titled "VENUS VICTORIA," installed on its new outdoor plaza as part of the OMA-designed expansion on the Bowery. The large-scale work, which opened on May 12, 2026, and will remain on view for two years, inaugurates a long-term commission series dedicated to public sculpture by women artists. Lucas was selected by an all-artist jury including Teresita Fernández, Joan Jonas, Julie Mehretu, Cindy Sherman, and Kiki Smith, and is the first of five artists to be commissioned over the next decade. The sculpture extends Lucas's Bunny series, placing a reclining figure atop a giant washing machine to subvert traditional monumental statues.

Exhibition | Carol Rama, 'I See You You See Me' at Hauser & Wirth, New York, 22nd Street

Hauser & Wirth’s New York gallery on 22nd Street has opened ‘I See You You See Me’, its first exhibition dedicated to the radical Italian artist Carol Rama (1918–2015). Organized by Carlo Knoell, the show presents key works spanning six decades—from 1947 to 1998—across paint, textile, sculpture, and bricolage, highlighting Rama’s wildly original and non-conformist experimentation.

American Miners Photo Exhibition 'Beneath the Surface' Tour: National Gallery (DC)-Milwaukee Art Museum-Amon Carter Museum (Fort Worth, TX)

미국의 광부들 사진전 'Beneath the Surface' 순회: 내셔널 갤러리(DC)-밀워키미술관-에이먼카터미술관(포트워스, TX)

The National Gallery of Art in Washington, D.C., will present 'Beneath the Surface: Mining and American Photography' from May 23 to August 23, 2026, the first exhibition to focus exclusively on the relationship between resource extraction and American photography. Featuring 150 photographs by over 100 artists—including Richard Avedon, Walker Evans, Lewis Hine, LaToya Ruby Frazier, Dorothea Lange, and Gordon Parks—the show spans nearly 200 years, from early daguerreotypes of the California Gold Rush to contemporary large-scale works. After its Washington run, the exhibition will travel to the Milwaukee Art Museum (October 23, 2026–January 18, 2027) and the Amon Carter Museum of American Art in Fort Worth, Texas (February 14–May 9, 2027).

Art as survival: US artists' anti-war artefacts exhibited in Tehran

An anti-war exhibition titled "Art and War" has opened at a top museum in Tehran, featuring works by American pop artists Roy Lichtenstein, Robert Indiana, and James Rosenquist. The pieces, including Rosenquist's "F-111" and Lichtenstein's "Brattata," were selected for their anti-war themes and come from the museum's major collection of American and European modern art, acquired in the 1970s by former Empress Farah Pahlavi and largely kept from public view since the 1979 Islamic Revolution. The exhibition opened amid ongoing tensions and a recent ceasefire in the Middle East, with the museum director stating it was a deliberate response to current events.

The Carnegie International is a Once Every Four Year Treat

The Carnegie International, the longest-running international art show in North America, returns in 2026 for its 59th edition at the Carnegie Museum of Art in Pittsburgh. Founded by Andrew Carnegie in 1896, the exhibition takes place roughly every four years and features contemporary works from artists around the world, including Zhao Yao (China), Hans Ragnar Mathisen (Sapmi/Norway), Cinthia Marcelle (Brazil), and Walter Scott (Canada). The 2026-2027 edition is themed "If The Word We," exploring the first-person plural as an open and evolving concept. The show is integrated throughout the museum alongside permanent collection pieces, and extends to venues such as the Children's Museum of Pittsburgh, Mattress Factory, and the Thelma Lovette YMCA.

City of the Arts? Costa Mesa called out for not having official arts budget

Costa Mesa’s Arts Commission delivered a report to the City Council on Tuesday, calling for a significant increase in arts funding as the city updates its arts and culture master plan. Currently, arts programs are primarily funded by a portion of cannabis tax revenue—about $230,000 annually—but actual expenditures are nearly double that, forcing the city to use general fund revenue to cover the gap. Commissioners recommended establishing a public art fund, increasing the cannabis tax allocation, imposing a 1% public art fee on capital projects over $500,000, and potentially using hotel-stay tax revenue to support the arts. They also proposed expanding the arts grants program, funding a consultant to update the master plan, and creating a dedicated arts specialist position.

Patricia Li: An Art And Design Guide To Venice

Patricia Li, writing for Vogue Circle, shares a curated guide to art and design destinations in Venice beyond the main venues of the Venice Biennale. Her recommendations include the Peggy Guggenheim Collection, Gallerie dell’Accademia, Palazzo Grassi and Punta della Dogana (part of the Pinault Collection), the newly opened Fondazione Dries Van Noten, and Fondazione Prada, each hosting special exhibitions timed to the Biennale.

Want a taste of the 'old' New York? Pay a visit to Club Rhubarb

Club Rhubarb, a nomadic art project founded by artist-turned-curator Tony Cox, has opened its third location in a two-floor house across from the New Museum in New York. The current exhibition, 'I am so pretty,' features the mixed-media works of artist Brock Enright, including paintings built with wood, acrylic, foam, and found objects, as well as video works and an installation of altered electronic guitars. The show also includes a bathroom installation called 'BBC Brocks Bijou Cinema,' screening Enright's short films from the 2000s that document his former business of staging fake kidnappings for clients.

Inside The Met's New 'Costume Art' Exhibition

The Metropolitan Museum of Art's Costume Institute has announced a new exhibition titled 'Costume Art,' opening to the public on May 10 and running through January 10, 2027. The show inaugurates the Met's nearly 12,000-square-foot expansion adjacent to the Great Hall, providing a permanent home for the Costume Institute's annual spring exhibitions. Featuring nearly 400 objects—half garments and half traditional art like sculpture and painting—the exhibition explores how clothing alters and enhances the human body, dividing 'the body' into 13 types such as 'The Classical Body' and 'The Corpulent Body.' The show includes works from designers like Coco Chanel, Jean Paul Gaultier, Thom Browne, and Alexander McQueen, paired with historical artifacts and contemporary art. The exhibition follows this year's Met Gala, co-chaired by Beyoncé, Nicole Kidman, Venus Williams, and Anna Wintour, which raised a record $42 million for the Costume Institute.