Biennale Arte 2026: In Minor Keys

The 61st Venice Biennale, titled 'In Minor Keys,' will proceed as a posthumous tribute to its late Artistic Director, Koyo Kouoh, who passed away in May 2025. Before her death, Kouoh had already finalized the curatorial framework, artist selection, and exhibition architecture during a pivotal meeting at her RAW Material Company in Dakar. The exhibition is scheduled to run from May 9 to November 22, 2026, across the Giardini, Arsenale, and various Venetian venues.

Nat Faulkner – interview

Artist Nat Faulkner has opened his first public exhibition, 'Strong water,' at Camden Art Centre in London. The show features large-scale photographic works and installations, including 'Aperture (Iodine),' which uses a light-sensitive iodine solution to filter light through the gallery's Victorian skylights, and a multi-panel silver gelatin print of an Italian scrap facility. Faulkner, winner of the Camden Art Centre Emerging Artist Prize at Frieze 2024, discusses his analogue, process-driven practice, likening the darkroom to a collaborator that introduces elements of chance.

Nat Faulkner’s New Exhibition Revels in the Alchemy of Photography

British artist Nat Faulkner has opened a new solo exhibition titled 'Strong Water' at Camden Art Centre, exploring themes of transformation, alchemy, and photographic processes. The show features works that incorporate light-sensitive chemicals like iodine, sculptures, and photographic prints, including a large-scale photograph of scrap metal printed on collaged paper. Faulkner, who won the Emerging Artist Award at Frieze in 2024, describes his studio-darkroom as a collaborative 'machine' that produces works through indirect interventions.

'We can imagine alternatives to the present': Cannupa Hanska Luger on his exhibition at the Joslyn Art Museum

Cannupa Hanska Luger's exhibition 'Dripping Earth' at the Joslyn Art Museum in Omaha, Nebraska, runs until March 8, 2026. The show explores Indigenous futurity through material and conceptual responses to 19th-century watercolors by Swiss artist Karl Bodmer, who documented Luger's ancestral Mandan, Hidatsa, Arikara, and Lakota communities during an 1832-1834 expedition. Luger's works include speculative lithographs, a giant buffalo-shaped abacus, and hand-woven bison regalia, addressing colonization's violent legacy and the unreliability of colonial archives.

5 Standout Shows to See at Small Galleries This December

Maxwell Rabb's article highlights five standout exhibitions at small galleries in December 2025, featuring artists Marco Emmanuele at LABS Contemporary Art in Bologna, Anuk Rocha at Nibelungen Gallery in Antwerp, and a group show titled "The Beautyful Ones" at DADA Gallery in Lagos, among others. Emmanuele uses a spatula and glass-sand mixtures for textured paintings, while Rocha's figurative works focus on clothing as identity markers, and the Lagos show presents Black artists' visions of a hopeful future.

Ronny Quevedo Connects Sites of Cosmovisions at Krannert Art Museum

Ronny Quevedo's first institutional solo exhibition in the Midwest, "a l l s t a r s," has opened at the Krannert Art Museum in Champaign-Urbana. The show features works from the Ecuadorian-born, New York-based artist's recent past alongside a new site-driven installation, "a mother's hand" (2025), which incorporates objects from the museum's reinstalled Andean art collection. Using materials like wax, drywall, muslin, carbon paper, and gold-silver leaves, Quevedo creates abstract fields that evoke cartographies, constellations, dressmaking diagrams, and sports playbooks, weaving together autobiographical references to his seamstress mother and soccer-playing father with broader themes of cultural inheritance, duality, and cosmovisions.

Boulder County week in art: CU Art Museum’s new exhibit explores time as a notion

This article is a roundup of current and upcoming art exhibitions and events in the Boulder County area, featuring a wide range of venues from commercial galleries to nonprofit spaces and museums. Highlights include the Boulder Museum of Contemporary Art's immersive exhibition 'Divine Rest Nests,' the Dairy Arts Center's 'Matter Over Mind' exploring art-science intersections, and the CU Art Museum's new exhibit on time as a notion. The piece lists dozens of shows, including works by local artists like Lonny Granston, Liz Quan, and Melissa Stuart, as well as community-focused displays at libraries and cultural centers.

Amazonia Açu

Americas Society in New York will present 'Amazonia Açu,' an exhibition opening September 3, 2025, that offers a kaleidoscopic view of Amazonian aesthetic, cultural, and material diversity. Curated by Keyna Eleison and a committee of representatives from all nine Amazonian states—Bolivia, Brazil, Colombia, Ecuador, French Guiana, Guyana, Peru, Suriname, and Venezuela—the show features over 50 works by 34 local artists and collectives, addressing themes such as artistic production, land rights, cultural heritage, and spirituality.

Rose Art Museum Presents Fred Wilson: Reflections August 20, 2025 – January 4, 2026

The Rose Art Museum at Brandeis University will present "Fred Wilson: Reflections," a major survey of the artist's work from 2003 to the present, on view from August 20, 2025, through January 4, 2026. Curated by Dr. Gannit Ankori, the exhibition spans three sections, including Wilson's glassworks inspired by the 2003 Venice Biennale, his black-and-white Flag paintings, and the debut of a new immersive installation, "Black Now!," which features over 2,500 found objects collected since 2005 that explore themes of race, identity, and material culture.

Georg Herold at Capitain Petzel

German artist Georg Herold has opened a new solo exhibition at the Capitain Petzel gallery in Berlin. The show, which runs from February 27 to April 11, 2026, features a significant body of new work, documented extensively through 33 images.

Julia Dault at Bradley Ertaskiran

Julia Dault has opened a new solo exhibition at Bradley Ertaskiran in Montréal, featuring a series of her recent abstract paintings and sculptures. The exhibition, running from January 22 to March 7, 2026, showcases her continued exploration of materiality and process, with works that emphasize the physical act of their own creation through layered pigments and constructed forms.

“Feedback. The Environments of Franco Vaccari” at Museion, Bolzano

Museion in Bolzano has launched a major retrospective titled "Feedback. The Environments of Franco Vaccari," focusing on the influential Italian conceptual artist. The exhibition marks the first comprehensive institutional survey to prioritize Vaccari’s "environments"—immersive spaces that utilize photography, video, and archival materials to engage the viewer in a process of real-time feedback.

The Sky Lives in Us Still, Resistance and Imagination Take Flight.

Vanessa German has unveiled a major new installation at the Speed Art Museum titled '…do you remember when you were the sky?', marking the inaugural project of the Sam Gilliam Visiting Artist Program. The exhibition features German’s signature assemblage sculptures, which utilize diverse materials like cowrie shells, quilts, and skateboards to create hybrid figures representing young girls in states of transformation. The body of work is the result of months of community engagement and research into local histories, specifically focusing on the narratives of the Colored Girls Dormitory in Louisville.

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The British Museum is hiring a specialist to track down hundreds of stolen artifacts, primarily from its Greek and Roman collections, after thousands of items went missing in 2023. Tom Harrison, recently promoted to lead the department, is spearheading the recovery of treasures including gold jewelry, semiprecious stones, and glass dating back to the 15th century BCE. The museum has so far recovered 654 of an estimated 1,500 missing items, with efforts focused on private sales, catalogs, and historical archives, aided by open-source investigations and AI-assisted image matching. The scandal erupted when former curator Peter Higgs was sacked amid allegations of stealing, selling, and melting down artifacts over more than a decade; he denies the charges in an ongoing civil case.

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The Guggenheim Museum has announced a new biennial art prize, the Jack Galef Visual Arts Award, endowed by the estate of Jack Galef with a $50,000 honorarium. The first recipient is Catherine Telford Keogh, a sculptor whose work explores found materials, environmental contamination, and the global economy. Keogh plans to use the award to support projects examining microbial life in Brooklyn's Gowanus Canal and a solo exhibition in Portland tracing the history of instruments that regulate eating.

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The Cambodian government has formally requested the records and archival materials of Emma C. Bunker, a late art historian and former Denver Art Museum board member, from her family. This follows the museum's repatriation of 11 Asian artifacts to Vietnam, Cambodia, and Thailand, many of which were donated by Bunker, who had ties to Douglas Latchford, an antiquities dealer accused of smuggling looted Southeast Asian artifacts. Bunker died in 2021 without charges, but a 2022 Denver Post investigation alleged she helped Latchford use the museum as a "way station for looted art" and forged provenance records. The museum cut ties with Bunker in 2023, removing her name from its Southeast Asian gallery.

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Bonhams, the New York-based auction house, will hold its first exhibition in Saudi Arabia next month. Titled "Judhoor / Roots: The Origins of Saudi Modernism," the three-day show opens October 8 at the LIFT Gallery in Riyadh's JAX District, followed by a London auction on November 25. The exhibition surveys Saudi modern art from early pioneers like Abdulrahman Al Soliman, Safeya Binzagr, and Mohammed Al Saleem to later generations, highlighting works such as Al Saleem's horizon paintings and Al Soliman's 1981 depiction of Al-Ahsa oasis made with local soil. It also features archival material from Dar Al-Funoon, Saudi Arabia's first modern art space, and foregrounds female voices, including Binzagr, the first woman to stage a solo exhibition in the kingdom. A panel discussion will accompany the show, cohosted by collectors Taha Al Kuwaiz and Muneera Al Touq.

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Maura Brewer, a Los Angeles-based artist and academic, creates video works that expose the role of art in money laundering. Her 2021 piece *Private Client Services* demonstrates the laundering process, while *Offshore* (2024) serves as a satirical guide for artists navigating global finance, featuring locations like the Cayman Islands and Geneva Freeport. Her ongoing project *Leverage* examines art-backed loans through the case of collector Daniel Sundheim. Brewer also works as a private investigator and recently lost her home in the Eaton Fire.

Prado Restoration Lab Coats by Loewe

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Spanish luxury fashion house Loewe has designed custom, high-performance lab coats for the restoration department at the Museo Nacional del Prado in Madrid. Developed in collaboration with the museum's conservators, the garments are crafted from non-reflective materials to prevent glare on masterpieces and feature leather-reinforced pockets specifically sized for restoration tools.

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The National Museum of Saudi Arabia in Riyadh has launched "Bedayat: Beginnings of Saudi Art Movement," a landmark survey exhibition documenting the evolution of the country’s art scene from the 1960s through the 1980s. Curated by Qaswra Hafez and commissioned by the Visual Arts Commission, the show features a vast array of paintings, sculptures, and never-before-seen archival materials. The exhibition is organized into three sections that explore the foundations of the movement, the influence of modernization on daily life, and the specific contributions of four modernist pioneers: Mohammed Al-Saleem, Safeya Binzagr, Mounirah Mosly, and Abdulhalim Radwi.

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Scottish sculptor Andy Scott, renowned for his massive 300-ton steel horse heads known as The Kelpies, is the subject of a new solo exhibition titled “Monumental” at VEFA Gallery in Torrance, California. The show shifts the focus from his colossal public landmarks to a more intimate human scale, featuring maquettes, sketches, and a ten-foot steel horse head. By showcasing the evolution of his work from initial drawings to complex engineering feats, the exhibition highlights the technical precision and emotional depth behind Scott’s animal forms.

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The article explores the discovery and significance of the Amarna Letters, a collection of 382 clay tablets found in the ancient Egyptian city of Amarna. Initially dismissed as forgeries due to their unusual material (clay instead of papyrus) and language (cuneiform Akkadian, not Egyptian), the letters date to the 14th century B.C.E. and were written by vassal rulers and rival kings to the pharaoh, primarily Akhenaten. They document diplomatic correspondence, including reports on trade, governance, and military operations, as well as gift exchanges and marriage proposals between equal powers.

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Artist Antonio Pichillá Quiacaín, born in 1982 and based in San Pedro La Laguna, Guatemala, presents his solo exhibition “Umbilical Cord” at Elizabeth Xi Bauer gallery in London. The show, on view through August 2, 2025, features new and recent works that explore Maya visual culture, Indigenous craft traditions, and the knot as both a formal element and a metaphor for connection, life, and time. A 3:22-minute video from 2021 shows the artist in a forest with traditional weaving materials, while the exhibition also marks the gallery’s announcement of representing the artist.

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New research challenges the long-held belief that Pharaoh Thutmose III destroyed statues of his predecessor Hatshepsut out of vengeful rage after her death in 1458 B.C.E. Jun Yi Wong, a research fellow at the Metropolitan Museum of Art, examined hundreds of statue fragments from Hatshepsut's mortuary temple at Deir el-Bahri in Luxor. His study, published in Antiquity on June 24, reveals that the statues were broken according to a ritual practice called deactivation—snapped at the neck, waist, and knees—while faces were left intact. Wong found that the fragments were not immediately buried but later reused by everyday Egyptians as building materials, suggesting pragmatic reuse rather than targeted erasure.

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Artist Jill Magid has transformed her solo exhibition at Various Small Fires in Los Angeles into a platform for her dealer Esther Kim Varet’s congressional campaign. The show, titled “Heart of a Citizen,” features a replica of the White House Press Briefing Room podium, which Kim Varet uses to deliver stump speeches. Other works include a neon sign quoting a stenographer’s note and concrete casts of Magid’s heart, inspired by the White House Rose Garden. Magid emphasizes the show is not an endorsement but an exploration of power, free speech, and democracy.

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Lotus L. Kang's latest exhibition, "Already," is on view at 52 Walker in New York through June 7, 2025. The Brooklyn-based Canadian artist transforms the gallery into a diasporic memoryscape using steel greenhouses, mixed-media paintings, sculpture, and found objects like oversized kelp knots and soju bottles. The show takes its title from a poem in Kim Hyesoon's "Autobiography of Death" (2016), and Kang's installation explores themes of presence and absence, memory, and the transmutative qualities of photography and film. In an interview, Kang discusses how Korean poetry helps her understand her own origins as a Korean-Canadian gyopo, and how translation—both linguistic and material—shapes her work.

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Artist Gretta Louw reflects on her year-long residency with the e-David robotic painting lab at the University of Konstanz, part of the Embodied Agents of Contemporary Visual Arts (EACVA) research group. She describes how the public conversation around AI and robotics in art is inflated and imprecise, noting that terms like "AI painting" are often misapplied to digital outputs rather than physical, materially executed works. Louw details the limitations of robotic painting, including the inability of robots to perform basic tasks like stretching canvases or mixing paints, and argues that much of what is presented as robotic painting is actually pre-programmed performance art.

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A collection of Abraham Lincoln memorabilia, including personal possessions, autograph letters, and campaign artifacts, was auctioned by Freeman’s | Hindman in Chicago on May 22. The sale, held on behalf of the Lincoln Presidential Foundation, featured around 140 lots and exceeded expectations, totaling nearly $7.9 million. The top lot was a pair of blood-stained white kid gloves Lincoln wore the night of his assassination, which sold for $1.5 million. Other highlights included a cuff button bearing the initial 'L' that fetched $445,000 and a handwritten math exercise from Lincoln’s youth that sold for $521,200.

What We Loved (And Didn’t) in “Greater New York”

The article presents a critical review of the 2026 "Greater New York" exhibition at MoMA PS1, a massive survey featuring over 150 works by more than 50 artists. The Hyperallergic editorial team highlights specific artists and works they loved, disliked, or found puzzling, offering a curated list of around 20 standout pieces. The review includes detailed commentary on individual works by artists like Dean Millien, the collective Red Canary Song, and Kameron Neal, capturing the diverse and often contentious reactions the show provokes.

What to See During New York's Asia Art Week

Asia Week New York begins, bringing a concentrated series of exhibitions, auctions, and lectures across the city dedicated to the art and material culture of Asia and its diaspora. The ten-day event features highlights including a selling exhibition of Indian-American artist Zarina at Sotheby's, a showcase of Indian and Persian miniature paintings, a condensed survey of 250 years of Japanese woodblock prints, and a contemporary group show exploring Korean diasporic identity.