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Alexander Calder Thought 'It Would Be Fun' to Set Abstract Art in Motion. His Mesmerizing Mobiles Transformed the Definition of Sculpture

A major exhibition titled "Calder: Dreaming in Equilibrium" has opened at the Fondation Louis Vuitton in Paris, showcasing 300 works by Alexander Calder, including his pioneering mobiles, stabiles, paintings, drawings, and wire portraits. The show marks 100 years since the artist's arrival in France in 1926 and 50 years since his death in 1976. It features iconic pieces such as the 19-foot-long mobile *Triumphant Red* (1963) and his earliest known kinetic sculpture—a brass duck from 1909—alongside works by contemporaries like Barbara Hepworth, Pablo Picasso, and Paul Klee, as well as photographs by Man Ray, Agnès Varda, and Gordon Parks.

Museums & Heritage

Melissa Chiu has been appointed as the new director of the Solomon R. Guggenheim Museum in New York, departing her long-standing role at the Hirshhorn Museum and Sculpture Garden in Washington, D.C. This major leadership transition comes alongside several other significant museum developments, including the Getty Center's planned $600m–$800m renovation closure and the National Gallery's staff reduction scheme to address a multi-million pound deficit.

Art History Talk: The Work of Félix Gonzalaz-Torres, April 30

The Figge Art Museum in Davenport, Iowa, is hosting a special Art History Talk on April 30 focused on the work of the late Cuban-American artist Félix González-Torres. The event is organized in conjunction with the museum's current presentation of the artist's iconic installation "Untitled" (L.A.). The lecture will explore González-Torres's unique approach to conceptual art, characterized by the use of commonplace materials, audience interaction, and the intentional instability of the art object.

An open letter to La Biennale di Venezia calls out inaction in the face of global atrocities

A group of 74 artists and curators invited to the 61st Venice Biennale have issued an open letter to the institution's president, Pietrangelo Buttafuoco. The signatories are protesting the decision to relocate the Israeli Pavilion to the Arsenale, placing it in close proximity to the central exhibition 'In Minor Keys' curated by the late Koyo Kouoh. The letter demands the exclusion of official delegations from countries accused of war crimes—specifically Israel, Russia, and the United States—and accuses the Biennale of complicity through its silence on global atrocities.

The Story of Art + Water

Author Dave Eggers and artist JD Beltran have launched Art + Water, a new initiative located at Pier 29 in San Francisco designed to bypass the traditional art school model. The program seeks to resurrect the historical artist-apprentice and atelier systems, providing students with practical skills and studio space without the prohibitive costs of modern higher education. By partnering with the Port of San Francisco and the Community Arts Stabilization Trust, the founders aim to revitalize the city's waterfront while offering a sustainable alternative to the current debt-heavy academic landscape.

War in the Middle East, the Whitney Biennial, and a newly-discovered Rembrandt in Amsterdam—podcast

The Rijksmuseum in Amsterdam has officially authenticated a previously dismissed painting, 'The Vision of Zacharias in the Temple' (1633), as a genuine work by Rembrandt van Rijn. Long considered a mere copy of a lost original, the piece has been upgraded following extensive research by the museum's scholarly team. Simultaneously, the 82nd Whitney Biennial has launched in New York, while the escalating conflict in the Middle East raises concerns regarding the stability of the burgeoning cultural tourism sector in the Persian Gulf.

Biennale Arte 2026: the invited artists

The Venice Biennale has officially announced the list of invited artists for its 61st edition in 2026. The selection features a diverse global cohort including established figures like Laurie Anderson, Nick Cave, and Carsten Höller, alongside influential collectives such as fierce pussy and blaxTARLINES KUMASI. The list also includes significant posthumous inclusions like Marcel Duchamp and Beverly Buchanan, signaling a curatorial approach that bridges contemporary practice with historical legacies.

Venice Biennale Names 111 Artists for International Exhibition

The Venice Biennale has officially announced the 111 artists, duos, and collectives selected for the 61st International Art Exhibition, titled "In Minor Keys." The exhibition follows the vision of the late Cameroonian curator Koyo Kouoh, who passed away in May 2024 after conceptualizing the show and selecting the majority of its participants. The roster features a diverse global lineup including Wangechi Mutu, Kader Attia, Khaled Sabsabi, and Laurie Anderson, with a curatorial focus on quiet resistance, poetic improvisation, and the "lower frequencies" of social and psychic life.

France’s ex-culture minister Jack Lang resigns from L’Institut du Monde Arabe amid Epstein revelations

Jack Lang, France's former culture minister, resigned as president of the Institut du Monde Arabe (IMA) on February 7 following revelations in the Epstein files that his name appeared 673 times. Lang, 86, denies any wrongdoing, acknowledging a long "cordial relationship" with Jeffrey Epstein but claiming ignorance of his sex crimes. The Paris prosecutor's office opened a preliminary investigation into Lang and his daughter Caroline for "laundering of aggravated tax fraud," and Lang stepped down after being summoned by the French foreign ministry at the request of President Macron and Prime Minister Lecornu.

What’s on now at San Francisco museums, February 2026

Several San Francisco museums are experiencing a period of transition and challenge in February 2026. Key exhibitions are closing soon, including "Manet and Morisot" at the Legion of Honor and Suzanne Jackson's first career retrospective at SFMOMA, both ending March 1. New shows are opening, such as "Video Craft" at the Museum of Craft & Design and "Echoes in the Small Mountain: Park Dae-sung and the West Coast" at the Asian Art Museum. Meanwhile, the city's cultural landscape faces strain, with the Mission Cultural Center for Latino Arts suspending operations, representing a significant loss of community programming.

What happens to the art market when humanity stops mattering?

The article examines the resilience of the high-end art market amid rising geopolitical tensions and shrinking public funding for culture. It notes that while sales at major auction houses like Sotheby's and Christie's have rebounded, political forces in the US and Europe are increasingly prioritizing military spending and exerting pressure on cultural institutions, drawing parallels to the rise of fascism in the early 20th century.

Art market 2025 review: all eyes on the Gulf as Trump destabilises global order

The global art market continued to contract in 2025, with prominent galleries such as Blum, Clearing, Sperone Westwater, Tilton, Kasmin, TJ Boulting, Project Native Informant, Nir Altman, and Altman Siegel closing due to challenging macroeconomic conditions. However, a rebound emerged at the top end by autumn, driven by Sotheby's white-glove sale of the Pauline Karpidas collection, strong VVIP sales at Art Basel Paris, and New York's November auctions, where Klimt's *Portrait of Elisabeth Lederer* (1914-16) sold for $236.3 million and Frida Kahlo's *El Sueño (la cama)* (1940) for $54.7 million. Christie's and Sotheby's reported increased sales from 2024, with second-half auctions up 26% year-on-year, though recovery remains uneven and concentrated in classic secondary-market tastes.

‘Drastic turmoil and change’: Tokyo show explores Japan's post-boom society through its art

The exhibition 'Prism of the Real: Making Art in Japan 1989-2010' at the National Art Center, Tokyo (NACT), explores Japanese contemporary art from the late Shōwa era through the Heisei era, a period of economic turmoil and social change. Curated by Doryun Chong, Isabella Tam, Kamiya Yukie, and Jihye Yun, the show originated from a friendship between Osaka Eriko and Suhanya Raffel, who collaborated on the 1999 Asia-Pacific Triennial. It features works by artists like Joseph Beuys, Nam June Paik, Lee Bul, Tsuyoshi Ozawa, Gimhongsok, Chen Xiaoxiong, and Navin Rawanchaikul, tracing Japan's artistic exchanges with Asia and the world, and addressing themes of gender, immigration, and national identity.

Portland Art Museum’s Black Art and Experiences Galleries Are an Art World Game Changer

The Portland Art Museum has launched its new Black Art and Experiences Initiative, a permanent, multigallery project that debuts with the reopening of the Rothko Pavilion. The initiative includes four galleries dedicated to Black art, community reflection, artist residencies, and partnerships with Black-led organizations, guided by local Black artists, curators, and advocates. It follows a series of earlier exhibitions—including 'Constructing Identities' (2017), 'All Things Being Equal' (2018), and 'Black Artists of Oregon' (2023)—that built momentum toward this institutional commitment.

A Holistic and People-Centered Approach to Accessible Exhibition Design: Walker Art Center Case Study

The Walker Art Center in Minneapolis developed a holistic, people-centered set of guidelines for accessible exhibition design, moving beyond legal ADA compliance. The project involved collaboration across curatorial departments, artists, d/Deaf and disabled staff and community members, and the Institute for Human Centered Design (IHCD). The guidelines were created in three stages: identifying the need, drafting and revising, and implementing, with strategies including cross-departmental working groups, targeted interventions for bottlenecks, shared terminology, and embodied learning for staff.

A new hope: Lucas Museum of Narrative Art sets September 2026 opening date

The Lucas Museum of Narrative Art in Los Angeles has announced its opening date of September 22, 2026, more than a decade after the project was first conceived by filmmaker George Lucas and his wife Mellody Hobson. The museum, which moved from San Francisco to Chicago before settling in Los Angeles's Exposition Park, has grown from a $700 million budget to a reported $1 billion and will house over 40,000 works across 100,000 square feet of exhibition space. The collection spans ancient artifacts, canonical artists like Frida Kahlo and John Singer Sargent, comic book legends such as Jack Kirby and Alison Bechdel, photography by Gordon Parks and Dorothea Lange, and the Lucas Archives of film memorabilia.

Art Review | Impressionist Field Day

The Santa Barbara Museum of Art (SBMA) is hosting a major traveling exhibition, "The Impressionist Revolution: Monet to Matisse from the Dallas Museum of Art," alongside its own companion show, "Encore: 19th-Century Art from the Santa Barbara Museum of Art." The exhibition features works by Monet, Matisse, Pissarro, Berthe Morisot, and others, including rare pieces from SBMA's permanent collection such as Monet's "Villas in Bordighera." The show marks the 150th anniversary of the first Impressionist exhibition and includes related movements like Post-Impressionism, Pointillism, and Fauvism.

George Rouy Bends Flesh and Bone in 'Shadowing'

British artist George Rouy has opened a solo exhibition titled 'SHADOWING' at Almine Rech's venue in Château de Boisgeloup, Gisors, France, running through November 23. The show is staged inside Pablo Picasso's former sculpture studio and features new paintings that explore the tension and flux of the human body, with figures emerging and dissolving in bruise-colored palettes and expressive brushwork. The exhibition is supported by Hannah Barry Gallery and Hauser & Wirth.

Letter calls on Judy Chicago and Pussy Riot's Nadya Tolakonnikova to cancel Tel Aviv exhibition

More than 50 artists and cultural figures, many based in Israel, have signed a letter urging American artist Judy Chicago and Pussy Riot co-founder Nadya Tolokonnikova to cancel their collaborative exhibition "What if women ruled the world?" at the Tel Aviv Museum of Art. The show, which opened last week, features a digital quilt responding to the titular question. The letter, seen by The Art Newspaper, argues that holding the exhibition in Israel makes the artists "complicit" in what the signatories describe as genocide in Gaza, citing a recent UN commission finding. Tolokonnikova stated she is not involved in the ongoing project, while Chicago declined to comment. The museum defended the exhibition as a space for reflection and dialogue, not an endorsement of any political position.

Calder Gardens opens this weekend in Philadelphia

Calder Gardens, a new art space dedicated to the work of Alexander Calder, opens this weekend in Philadelphia on Benjamin Franklin Parkway, across from the Rodin Museum. Designed by Herzog & de Meuron with gardens by Piet Oudolf, the building is mostly underground and emphasizes a multi-sensory experience, including curated scents, textured surfaces, and no wall labels. The space will display 50 years of Calder's mobiles, stabiles, paintings, and drawings, rotating works without a fixed schedule.

A secular church for the art of Alexander Calder opens in Philly on Sunday

A new $100 million art center dedicated to Alexander Calder, called Calder Gardens, opens on the Benjamin Franklin Parkway in Philadelphia on Sunday, September 21. Designed by architect Jacques Herzog of Herzog & de Meuron with landscape by Piet Oudolf, the building features underground galleries, sunken gardens, and no wall text, encouraging visitors to have a personal, sacred experience with Calder's sculptures, paintings, and works on paper. The Calder Foundation built the space, and the Barnes Foundation administers it in partnership.

London’s National Gallery receives record-breaking donations for new wing—and will start collecting contemporary art

London's National Gallery has announced plans for a major new extension, costing around £400 million, with £375 million already raised in record-breaking donations. Two anonymous pledges of £150 million each, from Michael Moritz's Crankstart foundation and the Julia Rausing Trust, are described by director Gabriele Finaldi as the largest-ever known cash donations to any cultural institution globally. The new wing, to be built on the site of St Vincent House, will open in the early 2030s following an international architectural competition launching on 12 September. The gallery also revealed it will begin collecting 20th-century and contemporary art, expanding its traditional cutoff of around 1900, in collaboration with Tate.

Dealers get creative pairing artists at Duet—just don’t call it an art fair

Duet, a pop-up exhibition conceived by curators Zoe Lukov and Kyle DeWoody, debuts in Manhattan’s Financial District with 11 galleries and a group show running until 8 September. Housed in the WSA building, each gallery occupies a glass-walled meeting room and pairs two artists around a thematic connection—such as Pace showing Nina Katchadourian with Matthew Day Jackson, or Galerie Sardine pairing Jenna Kaës with Anthony Banks. A group exhibition features works by Marina Abramović, Lynda Benglis, Maya Lin, Radcliffe Bailey, Karon Davis, Miles Greenberg, Carlos Motta, Sam Moyer, Brendan Fernandes, and Naama Tsabar, with performances by Fernandes and Tsabar.

The Armory Show jumpstarts New York art market after summer of hand-wringing

The Armory Show opened its 2024 edition in New York with solid sales during the VIP preview on September 4, providing a positive signal for the city's art market after a summer marked by gallery closures and economic uncertainty. The fair saw the return of over 20 galleries that had previously taken a hiatus, including Andrew Kreps, Uffner and Liu, Instituto de Visión, and White Cube for the first time since 1994. Fair director Kyla McMillan emphasized the importance of rooting the fair in New York and praised exhibitors for taking risks with experimental works, such as Nikita Gale's installation 'Interceptor' (2025), which sold for $60,000 before the preview began.

Mickalene Thomas’s ex-fiancée accuses the artist of sexual harassment and stealing millions of dollars from her

Mickalene Thomas’s former fiancée, curator and model Racquel Chevremont, has filed a summons against the artist, accusing her of sexual harassment and claiming she owes at least $10 million in damages. The summons, signed in Manhattan on 8 August, cites breach of contract, unjust enrichment, conversion, and retaliation, alleging that Thomas created a hostile working environment and improperly diverted funds from their jointly-owned entity. Chevremont, who collaborated with Thomas for a decade and appeared in several of her works, claims she was underpaid despite a written agreement and that Thomas terminated her employment after she refused to resume their romantic relationship.

A View From the Easel

Hyperallergic's ongoing series "A View From the Easel" features two artists describing their unconventional studio practices. Georgina Arroyo works in a shared academic space at Purchase College, compartmentalizing her process-intensive mold-making and casting work around her job schedule. Linda Jacobson, based in her Venice, California studio for 17 years, works on multiple pieces simultaneously, currently focusing on a large commissioned painting.

hugo galerie reco sturgis lawsuits debts

A number of artists have accused art dealer Reco Sturgis, founder of the now-closed Hugo Galerie in New York, of withholding artworks, failing to pay hundreds of thousands of dollars in owed funds, and making violent threats. Sturgis has been named in legal proceedings by artists seeking unpaid sales proceeds, and has been sued by his landlord and multiple companies for outstanding debts exceeding $1 million. Artists including British sculptor Beth Carter, Joseph Paxton, and French artist Patrick Pietropoli report that Sturgis owes them significant sums, sold works without payment, and refused to return pieces.

more artists claim owed money london arusha gallery

Ten artists issued a joint statement accusing London's Arusha Gallery of failing to pay nearly $700,000 in long overdue payments. The artists—Pippa Young, Anna Rocke, Plum Cloutman, Ilona Szalay, Megan Rea, Kate Walters, Gail Harvey, Morwenna Morrison, Helen Flockhart, and Charlotte Keates—claimed they faced extreme difficulty obtaining payment for sold work, often waiting months or years. Charlotte Keates, represented by lawyer Jon Sharples, said she is owed £430,000 ($580,000) from sales dating back to 2023, though the gallery's owner, Bella Arusha Collins King, disputed the amount. Additional artists, including Beth Carter, Andrei Pokrovskii, Fiona Finnegan, and the trust of Norman Gilbert, also came forward with claims of non-payment. The gallery acknowledged that some payments are missing and expressed regret.

Dozens of Venice Biennale Artists Withdraw From Awards En Masse

Almost half of the artists in the 61st Venice Biennale's international exhibition, along with 16 national pavilion teams, have withdrawn from awards consideration in solidarity with the jury's resignation. The jury resigned on April 30 after stating it would not consider countries whose leaders are charged with crimes against humanity by the ICC, effectively disqualifying Israel and Russia. The Biennale Foundation then replaced the traditional Golden Lions with new "Visitor Lions" decided by public vote, reinstating all pavilions including Israel and Russia. The withdrawal follows protests at the Russian and Israeli pavilions and a historic labor strike that shuttered multiple pavilions.

Workers Push to Rename Wexner Center for the Arts Over Epstein Ties

Unionized staff at Ohio State University's Wexner Center for the Arts, organized as Wex Workers United, have officially called for the renaming of the arts center and other campus buildings named after billionaire benefactor Les Wexner. The union argues that Wexner's name, due to his decades-long association with convicted sex offender Jeffrey Epstein—who had power of attorney over Wexner's fortune—harms artists and community members. The call follows similar demands from the Ohio Nurses Association regarding the Wexner Medical Center and ongoing student protests, including an April 10 action where students covered Wexner's name on the art center's façade with a black tarp. OSU spokesperson Chris Booker noted that over 500 renaming requests have been filed under the university's official review procedure, while OSU President Ted Carter has emphasized that name changes require fact-finding and cannot be based on supposition.