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Coreen Simpson, an 83-year-old photographer born in Brooklyn in 1942, is the subject of a new eponymous monograph published by Aperture as part of its Vision and Justice Book Series. The book surveys five decades of her work, spanning street photography, fashion photography, studio portraits in Harlem, images of the early hip-hop scene, and later collage experiments. Simpson is known for merging fashion and social photography, capturing both celebrities like Muhammad Ali, Toni Morrison, and Jean-Michel Basquiat, as well as unnamed individuals in her series “Nitebirds/Nightlife,” all with a frontal, confident gaze that emphasizes the subject's self-presentation.

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The descendants of Norman Rockwell have publicly condemned the U.S. Department of Homeland Security (DHS) for using reproductions of Rockwell's paintings on social media to promote anti-immigrant rhetoric. Since August, DHS posts on X, Instagram, and Facebook have featured Rockwell's works such as "Salute the Flag" (1971), "Working on the Statue of Liberty" (1946), and "And Daniel Boone Comes to Life on the Underwood Portable" (1923), overlaid with captions like "Protect our American way of life" and "Protect your homeland and defend your culture." The Rockwell family responded with an op-ed in USA Today, arguing that the artist would have been "devastated" by this misuse, and provided context about his later civil rights-themed works.

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Sotheby's will open its first auction season in the Breuer building this fall with the Pritzker collection, a private cache of paintings never before seen outside a Chicago living room. The collection, built by Cindy and Jay Pritzker, carries an overall estimate north of $120 million, with the lead lot being Vincent van Gogh's 1887 still life *Romans Parisiens (Les Livres jaunes)*, estimated at close to $40 million. Other highlights include works by Paul Gauguin, Henri Matisse, Max Beckmann, Ernst Ludwig Kirchner, Joan Miró, Camille Pissarro, and a 15th-century sea chart by Petrus Roselli.

Exhibition catalogs printed in China

Les catalogues d’expositions imprimés en Chine

Le Journal des Arts reports on several developments in the art world: the return of American Rousseau works to Paris, the growing trend of outsourcing museum reception services, the New Museum's expansion, challenges facing the Musée des tissus, and Art Brussels adapting to contemporary trends. These stories cover a range of topics from exhibition logistics to institutional change.

Painting Has Entered Its Performance Era

The rise of short-form video platforms like Instagram and TikTok has transformed painting from a static medium into a performative spectacle. To compete with algorithmic preferences for transformation and speed, artists are adopting specific visual grammars such as the "art reveal"—where a canvas is dramatically flipped toward the camera—and "speed painting," which turns the creation process into a high-stakes live event. These trends emphasize the labor and human presence behind the work, often utilizing emotional storytelling and direct engagement to build dedicated fanbases outside traditional gallery structures.

Nicéphore Niépce in 2 Minutes

Nicéphore Niépce en 2 minutes

Joseph Nicéphore Niépce, a Burgundian engineer and inventor, is credited with creating the world's first permanent photograph, "Point de vue du Gras," in 1827. Using a process he termed heliography, Niépce utilized bitumen of Judea on pewter plates to fix images captured in a camera obscura. Despite his groundbreaking achievement, he died in relative obscurity in 1833, shortly after entering a partnership with Louis Daguerre, who would later receive the primary credit for the invention of photography.

Long-Lost Photos of Chelsea Hotel Resurface, Revealing a Vanished New York

A collection of over 100 photographs by German photographer Albert Scopin, taken while he lived at New York's legendary Chelsea Hotel from 1969 to 1971, has been rediscovered and published in a new book. The images, long thought lost after being sent to a German magazine in the 1970s, were unexpectedly recovered by a gallerist in 2016 and capture the hotel's eclectic residents and vibrant countercultural scene.

What the Art Market Still Gets Wrong About Next-Gen Collectors

Art market expert Georgina Adam's new book, 'NextGen Collectors and the Art Market,' analyzes the industry's struggle to attract and retain younger buyers like millennials and Gen Z. She examines the difficulty in defining this demographic, their shifting tastes away from traditional blue-chip artists, and their volatile, less loyal market behavior.

The Tensions Seething Beneath the Surface of the 2026 Whitney Biennial

The 2026 Whitney Biennial has quickly generated a consensus among critics, prompting a deeper analysis of its underlying themes. The exhibition features a notable tension between works exploring artificial intelligence, such as Zach Blas's maximalist installation and Cooper Jacoby's emotionally resonant sculptures, and a contrasting trend of delicate, nostalgic art focused on domesticity and ecology, exemplified by artists like Kelly Akashi and Jasmin Sian.

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Three films by Gerard Malanga, a key figure in Andy Warhol's Factory, have been restored and will premiere in Pittsburgh. The 16mm works, transferred to 4K, include "Film Notebooks, 1964–1970," "The Filmmaker Records a Portion of His Life in the Month of August, 1968," and "Andy Warhol: Portraits of the Artist as a Young Man (1964)."

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Artist Joshua Abelow is selling the 100-year-old former Methodist church in Harris, New York, that housed his unconventional gallery Freddy from 2016 until last year. Listed at $649,000, the 3,500-square-foot building served as both Abelow's home and studio, hosting over three dozen exhibitions featuring artists such as Rafael Ferrer, Cheryl Donegan, Jörg Immendorff, and emerging talents. Abelow, who moved to Santa Fe with his family, hopes a creative buyer will continue using the space for cultural endeavors. He has since launched a new collaborative venue called Gene & Fred in Santa Fe with Keith J. Varadi's Gene's Dispensery.

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Artnet News revisits the trend of inventive, sculptural frames in contemporary painting, originally explored in Katie White's essay "Bordercore." The article features a podcast conversation between White and editor Ben Davis, examining how artists like Stephanie Temma Hier use frames as surreal, symbolic extensions of their work, moving beyond traditional containment to comment on and disrupt the artwork's boundaries.

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Max Liebermann's painting *Two Riders on a Beach* (1901), recently restituted to the Rosenburg family from the Cornelius Gurlitt hoard, will be auctioned at Sotheby's in London on June 24, with an estimated price of up to £500,000 ($850,000). The work is one of the first two artworks returned from the trove discovered in Gurlitt's Munich apartment in 2012; the other, Henri Matisse's *Woman with a Fan* (1932), was also handed back to the Rosenburg family last week.

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Maripol, the French-born photographer who documented downtown New York's 1980s cultural scene, is selling selections from her archive through Joopiter's Marketplace platform in a sale titled "Downtown Archive: '80s – '90s New York." The sale includes her Polaroid portraits of icons like Jean-Michel Basquiat, Madonna, Grace Jones, Debbie Harry, and Andy Warhol, as well as ephemera such as an invitation to Fiorucci's 15th anniversary party at Studio 54. Also featured are artifacts from Sophie Bramly, creator of "Yo! MTV Raps," including her custom bomber jacket and photographs of hip-hop pioneers like Kool Herc, Run-DMC, and Keith Haring. The sale is rounded out with vintage designer fashions from Chanel, Thierry Mugler, Bob Mackie, and Donna Karan, curated by retailer Vintage Grace.

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A Roman erotic mosaic looted from Pompeii by a German Wehrmacht captain during World War II has been returned to Italy and is now on display at the Archaeological Park of Pompeii. The heirs of the last owner contacted the Carabinieri in Rome, leading to a diplomatic repatriation via the Italian Consulate General in Stuttgart, Germany, in September 2023. The mosaic, dating to around 79 C.E., depicts a pair of lovers and is thought to have decorated a bedroom floor in a Roman villa.

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Homeowner Etienne Constable of Seaside, California, was ordered by the town to build a fence to hide the boat in his driveway. Instead of simply concealing it, he hired his neighbor, artist Hanif Panni, to paint a photorealistic mural of the boat on the fence. The story went viral, with Constable paying more for the artwork than the original fine would have been, and local officials praising the creative compliance.

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The article reports on the third annual International A.I. Film Festival held at Lincoln Center's Alice Tully Hall in New York, sponsored by Runway. The festival featured 10 short films judged by directors Harmony Korine and Gaspar Noé. The gold medal was awarded to composer and artist Jacob Adler for his 9-minute essay film "Total Pixel Space," which explores the concept of a finite grid of pixelated color values containing all possible visual images, from personal memories to alien civilizations. The film uses AI-generated imagery to illustrate this philosophical idea without explicitly mentioning AI.

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Trevor Christensen, a photographer from Provo, Utah, has gained viral attention on Imgur for his "Nude Portraits" series, in which he photographs fully clothed subjects while he himself is nude. The project aims to address the inherent power imbalance between photographer and subject by shifting vulnerability onto the photographer. Christensen's subjects react with a range of emotions—embarrassment, slyness, queasiness—which he captures as unguarded moments. The series is documented on his Instagram and his website, where he invites participation from Utah and beyond.

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The article explores how German Surrealist Max Ernst developed the techniques of frottage and grattage in the mid-1920s. Frottage—rubbing paper over textured surfaces like floorboards, leaves, and netting—allowed Ernst to create spontaneous, unconscious imagery, culminating in his 1926 publication *Natural History*. He later adapted the method to canvas as grattage, scraping layers of paint over textured materials to reveal abstract forms, drawing on influences from Leonardo da Vinci and memories of his childhood in the Rhineland.

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Artnet News published a podcast episode featuring writer and editor Katie White, who discusses her article "Bordercore: Why Frames Became the New Frontier in Contemporary Art." White explores how contemporary artists are reimagining picture frames as surreal, sculptural, and symbolic elements that actively comment on, disrupt, or extend the artwork beyond its traditional boundaries. She cites examples like Stephanie Temma Hier's 2021 work "Sparks and Tremors," which combines oil on linen with glazed stoneware sculpture, and notes that statement frames are increasingly appearing at art fairs and exhibitions after a long period of frameless display.

Lebanon’s Art Scene Is Living in ‘War Mode’

On April 8, 2025, a wave of Israeli airstrikes across Lebanon killed 357 people and injured over 1,200, a day now known as 'Black Wednesday.' Amid the violence, Lebanese artist Abed Al Kadiri, who grew up during Lebanon's civil war and Israeli occupation, has been working with displaced children in shelters, using art to help them process trauma. He collects their drawings and plans to combine them with sketches by other artists reflecting their own war experiences, creating concertina-style books to be exhibited and sold to raise funds for over 1.1 million displaced people.

Comment | Monet might have seen Venice, but his paintings suggest he didn’t feel it

The article compares J.M.W. Turner's and Claude Monet's depictions of Venice, arguing that Turner's watercolors capture the city's innate melancholy and atmosphere, while Monet's paintings feel unfulfilling and lack emotional depth. The author reflects on Turner's sublime Venice watercolours, particularly 'San Giorgio Maggiore, Venice, at Sunset' (1840), and contrasts them with Monet's works, which are the subject of a major upcoming show at the Brooklyn Museum. The piece also touches on Francesco Guardi's visceral views versus Canaletto's more pleasing but superficial ones, and Howard Hodgkin's later, elegiac response to the city.

In plane sight: how the gilded elite live – in pictures

Photographer Will Vogt's second monograph, *Behind the Hedges*, offers an intimate glimpse into the lives of America's gilded elite, featuring images of his own social circle at hunting estates, weddings, exclusive club lunches, and golf weekends. The book, published by Schilt Publishing, includes quotes by Vogt and text by editor Jennifer Garza-Cuen from her essay 'Posture of Privilege,' capturing a world of inherited wealth and tradition.

Gangnam styles: South Korea’s brutalist gems – in pictures

Photographer Paul Tulett has captured the stark, concrete landscapes of South Korea in his new book, *Brutalist Korea*, published by Prestel. The photo series highlights a range of architectural landmarks, from Tadao Ando’s minimalist Jeju Glass House and Zaha Hadid’s futuristic Dongdaemun Design Plaza to the playful geometry of the Paju Kindergarten. Tulett’s work documents how the raw, monumental aesthetic of Brutalism has evolved from the country’s postwar industrialization into a sophisticated tool for modern urban experimentation.

The Guide #237: Fab 5 Freddy, the street artist at the heart of New York’s creative zenith

A new memoir by Fred Brathwaite, known as Fab 5 Freddy, chronicles his life as a pivotal figure connecting the emerging hip-hop and graffiti scenes of 1970s and 80s Brooklyn with the downtown Manhattan art world. The book, "Everybody's Fly: A Life of Art, Music, and Changing the Culture," serves as an all-access pass to a transformative era, featuring encounters with icons like Jean-Michel Basquiat, Keith Haring, Andy Warhol, and Debbie Harry.

‘The male ego is even more fragile than it ever was’: Kim Gordon on shyness, AI and Zohran Mamdani’s cool

Musician and artist Kim Gordon answered questions from Guardian readers, reflecting on her career with Sonic Youth, her solo work, and her approach to creativity. She discussed the band's initial aim to create something new, her intuitive process, and her recent acting role in Kristen Stewart's film adaptation of Lidia Yuknavitch's memoir.

IRL/url Celebration

Art21, in partnership with the CHANEL Culture Fund, launched its new "IRL/url" documentary series with a celebratory event at New York's Roxy Cinema. The series profiles eight contemporary artists—including Neïl Beloufa, Jacky Connolly, and Sara Cwynar—who navigate the blended realms of physical and digital creation. Art21's executive director emphasized the urgency of capturing this moment, as artists grapple with rapid technological advances, particularly in AI.

8 Art Films Worth Watching in May

8 Kunstfilme, die sich im Mai lohnen

Monopol magazine presents eight art films worth streaming in May, including a documentary featuring 40,000 slides from critic Jerry Saltz capturing the 1990s New York art scene, Shirin Neshat's film "Women Without Men" about women in 1953 Tehran, Christian Petzold's new film "Miroirs No. 3," and a documentary on the Shroud of Turin. The roundup also includes a politically charged drama directed by Yael Bartana and a Dada-metal film, offering a diverse selection of art-related cinema.

What Hans Memling's Last Judgment Still Tells Us

Was uns Hans Memlings Jüngstes Gericht noch sagt

Hans Memling's 15th-century triptych "The Last Judgment" is currently undergoing restoration at the National Museum in Gdańsk, Poland, and is expected to be off view until the end of the year. The artwork, painted before 1465, has a dramatic provenance, having been captured at sea by a privateer en route from Bruges to Florence and eventually finding a permanent home in Gdańsk after various displacements.

Honoring Frederic Church: Beyond the Hudson River School

Art historians and curators are re-evaluating the legacy of Frederic Church, arguing that his contributions extend far beyond his traditional classification as a Hudson River School landscape painter. New research highlights his sophisticated engagement with 19th-century science, his architectural achievements at his estate, Olana, and his role as a global traveler who captured the spirit of the Andes and the Arctic.