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Camille Pissarro show at Denver Art Museum is both ambitious and exhaustive

The Denver Art Museum has opened "The Honest Eye: Camille Pissarro’s Impressionism," a comprehensive retrospective of the Impressionist painter featuring over 100 works from nearly 50 international museums and private collections. Co-organized with the Museum Barberini in Potsdam, Germany, the exhibition is the first major U.S. museum survey of Pissarro in 30 years, curated by Clarisse Fava-Piz, Claire Durand-Ruel, and Nerina Santorius.

Portland exhibit shows off multifaceted artists’ personal narratives | Column - Portland Press Herald

Mauricio Muñoz and Andrew Roberts' installation "The Harvest" (2021) is featured in "otherwise," a thesis exhibition at the Institute of Contemporary Art at MECA&D in Portland, running through Dec. 13. The show also includes works by Ayana V. Jackson, whose project "From the Deep: In the Wake of Drexciya" was targeted by Donald Trump in his attacks on the Smithsonian Institution. The exhibition explores how artists use storytelling and worldbuilding to cope with difficult contemporary issues and imagine better futures, serving as a companion to the Ogunquit Museum of American Art's "Where the Real Lies."

Seattle Art Museum exhibit explores France's food identity

The Seattle Art Museum has opened a new exhibition titled "Farm to Table: Food and Identity in the Age of Impressionism," featuring over 50 works by Impressionist artists such as Claude Monet and Paul Gauguin. The show explores how late 19th-century France, emerging from the Franco-Prussian War and social upheaval, turned to food imagery in art as a symbol of national pride and resilience. Curator Theresa Papanikolas highlights scenes of farmers, food workers, and markets like Les Halles, which also depict class interactions. The exhibition includes a dining table installation with prompt cards to encourage conversation, and Seattle is the final stop on its national tour, running through Jan. 18, 2026.

After reopening, Joslyn Art Museum breaks visitor records, earns national acclaim

The Joslyn Art Museum in Omaha, Nebraska, has broken visitor records and earned national acclaim in its first full year after reopening with a 42,000-square-foot addition. The new Rhonda & Howard Hawks Pavilion, designed by Snøhetta and Alley Poyner Macchietto Architecture, opened in September 2024 and added 16,700 square feet of gallery space, 15,400 square feet of public gathering space, and new gardens. Through September 2025, the museum welcomed 159,420 visitors, on track to surpass 200,000—a milestone only reached a few times before, typically due to blockbuster traveling exhibitions like the Tutankhamun Treasures or Dead Sea Scrolls shows.

Comment | Frieze galleries have committed to climate donations—now it's time for the art world to pack in its private jets

A new initiative called 10% Of launches at Frieze London and Frieze Masters, inviting galleries to donate 10% of the sale price of designated works to the Gallery Climate Coalition (GCC), an international art world environmental charity. Nearly thirty galleries have signed up, including Gagosian, White Cube, David Zwirner, and Lisson, with works priced from £3,000 to £150,000. The scheme aims to reframe a standard art market gesture into collective climate action, with participating galleries displaying their GCC membership status on booth signs.

Nigerian Modernism, Tehran’s art scene after the war, Wayne Thiebaud’s ‘Cake’—podcast

This episode of The Art Newspaper's podcast covers three major stories. First, Tate Modern's new exhibition 'Nigerian Modernism' explores modern art beyond Western canons, featuring co-curator Osei Bonsu and artist Jimoh Buraimoh. Second, correspondent Sarvy Geranpayeh reports on Tehran's art scene following the 12-day Israel-Iran war in June 2025. Third, the 'Work of the Week' segment highlights Wayne Thiebaud's painting 'Cakes' (1963), now on view at the Courtauld Gallery in London for the artist's first UK museum exhibition.

Pearlstein Gallery Opens Fall Exhibition Exploring Systems and Structures in Contemporary Art

The Leonard Pearlstein Gallery at Drexel University's Antoinette Westphal College of Media Arts & Design has announced its Fall 2025 exhibition, "Of the Grid: Systems + Structures in Contemporary Art," running from October 14 to December 15. The show features 36 artists working across media including photography, video, drawing, weaving, sculpture, embroidery, printmaking, painting, book arts, and interactive installation, with works that use the grid as a formal, conceptual, or narrative device. Co-curated by gallery director Mark Stockton and Cindy Stockton Moore, the exhibition includes a dynamic mix of Philadelphia-based and international artists, with highlighted pieces such as Jacob C. Hammes's IKEA-hacked fountain, Anne Schaefer's optical color window installation, and a suspended quilt by Jody Graff.

How Two New Art Exhibitions Are Spotlighting Black Queer History

Two new art exhibitions are spotlighting Black queer history amid escalating government censorship and threats to federal arts funding. "In the Life: Black Queerness—Looking Back, Moving Forward" at the Carr Center in Detroit traces 80 years of Black queer culture, opening with LeRoy Foster's 1945 self-portrait and featuring works by Zanele Muholi, April Bey, and Pamela Sneed. Co-curated by Patrick Burton and Wayne Northcross, the show is produced by Mighty Real/Queer Detroit and will be part of the Detroit Queer Biennial in June 2026. A second exhibition, "The Gay Harlem Renaissance," runs from October 10 through March at the New York Historical Museum in Manhattan, curated by Allison Robinson, highlighting queer contributions to the Harlem Renaissance through artifacts like rent party tickets and works by Malvin Gray Johnson.

NEXT in the Gallery: October arts are all about play

October arts in Pittsburgh focus on play and legacy, with several gallery openings and retrospectives. GalleriE CHIZ hosts "Celebrating the Art and Life of Ellen Chisdes Neuberg" on Oct. 3, showcasing the late artist and gallery owner's bold Abstract Expressionist works. The Pittsburgh Glass Center presents "Idea Furnace Retrospective" (Oct. 3, 2025–Jan. 19, 2026), featuring alumni like Renee Cox and Alisha Wormsley. James Wodarek's "Industria Nova" at Atithi Studios reimagines industrial forms, while the Cooley Gallery pairs "Felt-Occurrence" with "Continuing a Legacy of Classical Painting," linking three generations of American landscape artists from Frank DuMond to James Sulkowski.

Exhibitions Celebrate Mead’s 75th Anniversary

The Mead Art Museum celebrated its 75th anniversary with a fall installation featuring three distinct exhibitions: Swapnaa Tamhane's immersive textile work "Spaces That Hold," "A Contentious Legacy: Paintings from Soviet Ukraine," and "Re/Presenting: An Activity Gallery." The opening transformed the museum into an interactive space where visitors could lie down, sit, or sing among hanging block-printed textiles, challenging traditional gallery norms. Tamhane's "Mobile Palace" (2020–2021), created with artisans Salemamad Khatri and Mukesh Prajapati, reinterprets Le Corbusier's Mill Owners' Association building as an ornament, while the Soviet Ukraine exhibition presents paintings from the 1960s–1980s that navigated propaganda and creative expression under state censorship.

Picasso Achieves HK$197 Million Breaking Artist's Asia Auction Record at Christie's Hong Kong Evening Sale - Christie's

Christie's Hong Kong held its 20th/21st Century Evening Sale on 26 September 2025 at The Henderson, achieving a total of HK$565,649,000 (US$73,038,183). The top lot was Pablo Picasso's *Buste de femme*, which sold for HK$196,750,000 (US$25,404,911) after over 15 minutes of bidding, setting a new auction record for the artist in Asia. Zao Wou-Ki's *17.3.63* also performed strongly, achieving HK$85,200,000. The sale saw 92% of lots sold, with the overall hammer price 116% above the low estimate, and works by Chinese, Southeast Asian, Korean, and Japanese artists all sold out.

Ackland’s new exhibit adds splash of ‘Color’

The Ackland Art Museum at UNC-Chapel Hill has opened a new exhibition titled "Color Triumphant," featuring 54 modern paintings, sculptures, and works on paper from the collection of Julian and Josie Robertson. The show spans from the 1870s to the present, highlighting the liberation of color in modern art with works by Claude Monet, Camille Pissarro, Pablo Picasso, Frank Stella, and André Derain, whose painting "The Jetty at L'Estaque" serves as the flagship piece. Curated by deputy director Peter Nisbet, the exhibition was developed in collaboration with the Robertson Foundation after Julian Robertson's death in 2022, and includes student research support. It runs through January 4, with related lectures and film screenings, and a second iteration, "Color Concentrated: A Salon-Style Hang from the Robertson Collection," opening January 30.

Capturing a Major Artist in Print

The Syracuse University Art Museum has opened a new exhibition titled “What If I Try This?”: Helen Frankenthaler in the 20th-Century Print Ecosystem, running from August 26 through December 9. Curated by Melissa Yuen, the show features 56 works—including prints, paintings, photographs, and letters—by Frankenthaler and her contemporaries, highlighting her experimental approach to printmaking over nearly 50 years. The exhibition includes 11 prints and process proofs gifted by the Helen Frankenthaler Foundation in 2023, along with 24 works borrowed from national and area collections, and draws on Frankenthaler’s correspondence with artist Grace Hartigan.

Fall Arts Preview

The article previews the Fall 2025-26 arts and entertainment season in Richmond, Virginia, highlighting cultural venues and events across the city and surrounding counties. Key highlights include the new Foyer Gallery, which opens with a solo exhibition by Patrick Berran titled "Burn Blue," and the Allianz Amphitheater at Riverfront, which closes its inaugural season with performances by James Taylor, Leon Bridges, Steve Martin and Martin Short, and Tedeschi Trucks Band. Other venues mentioned include The National, The Valentine, and Hanover Tavern, along with events like "InLight" at Abner Clay Park and a concert by Jason Mraz.

‘Geometry of Light’: Step into the shadows at Seattle Asian Art Museum

The Seattle Asian Art Museum has opened 'Geometry of Light,' an immersive exhibition featuring artist Anila Quayyum Agha's 300-pound laser-cut steel lantern sculpture that projects intricate geometric shadows across the gallery walls, ceiling, and floor. Visitors' movements become part of the artwork as their own shadows interact with the light patterns. The show spans three galleries, including paper and fabric works and two light-box installations, and also features Ai Weiwei's 'Water Lilies' rendered in LEGO bricks, on view through March 2026.

Step into the fire. A new exhibition ignites the Modern Art Museum of Fort Worth

Dallas-based artist David-Jeremiah presents his solo exhibition "The Fire This Time" at the Modern Art Museum of Fort Worth, featuring 27 shaped paintings created between 2020 and 2024. The paintings are shaped like Lamborghini hoods and arranged in clusters that invite visitors to stand at the center, becoming the focal point of an "inverted performance installation." Curated by Christopher Blay, the show spans four rooms and explores themes of beauty, violence, identity, and transformation, drawing inspiration from James Baldwin's "The Fire Next Time." The exhibition also includes works from the museum's permanent collection by John Chamberlain, Anselm Kiefer, and Mark Rothko that resonate with the show's themes.

Something from Everything leads current excellent array of exhibitions at Utah Museum of Contemporary Art

The Utah Museum of Contemporary Art (UMOCA) is presenting five exhibitions, including an outdoor public art installation, with the highlight being "Something from Everything" (on view through Jan. 3, 2026). This exhibition features works from 19 artists that use mundane, discarded, and overlooked materials, exploring the evolving medium of sculpture. Key pieces include Lee Bontecou's 1959 "Untitled" relief (on loan from the Art Bridges Foundation) and Charlotte Posenenske's modular "Vierkantrohre (Square Tubes)" from 1967, alongside contemporary works by Nolan Flynn, Patrick Durka, Ricardo Rendón, and Leonardo Drew.

From PBS to Priceless: Bob Ross Paintings Smash Auction Records

Bob Ross paintings shattered auction records at Bonhams New York's American Art Online auction (July 28–August 7, 2025). Two mountain landscapes by the beloved "The Joy of Painting" host sold for $95,750 and $114,800, with the latter more than doubling its high presale estimate. The previous record of $69,300 had been set just weeks earlier at Eldred's auction house for a painting originally purchased for $250 at a PBS auction in the 1980s.

Art brings ideas about ocean to landlocked place

The Spencer Museum of Art at the University of Kansas has opened "Soundings: Making Culture at Sea," an exhibition exploring connections to the ocean from the landlocked state of Kansas. Curated by Emily Casey and Celka Straughn, the show runs through December 14 and features works from the museum's collection, including a Winslow Homer watercolor, a carved wooden mermaid, and photographs of Greenland glaciers, alongside a video by Isaac Julien. The exhibition is organized into four sections covering maps, ocean crossings, ecological threats, and maritime trade.

Tate Modern announces regular late openings

Tate Modern has announced it will extend its evening opening hours to 21:00 on Fridays and Saturdays, starting 26 September 2025. The decision follows the success of the Tate Modern Lates series, launched in 2016, which has attracted over 750,000 visitors and demonstrated strong demand for after-hours access, especially among young Londoners. Director Karin Hindsbo described the Lates as a cornerstone of London's nightlife, and Mayor Sadiq Khan welcomed the move as a boost to the city's night-time economy.

Roaring: Art, Fashion, and the Automobile in France, 1918–1939

The Saint Louis Art Museum is presenting "Roaring: Art, Fashion, and the Automobile in France, 1918–1939," a major exhibition on view from April 12 to July 27, 2025. Curated by Genevieve Cortinovis, the show brings together automobiles, haute couture, painting, sculpture, photography, film, and decorative arts to explore the intertwined evolution of fashion and car design in early 20th-century France. Highlights include a 1917 painting by Henri Matisse depicting the view from his Renault, juxtapositions of Alfa Romeo and Citroën logos with works by Piet Mondrian and Charles Loupot, and a c. 1927 dress by Suzanne Talbot inspired by Tutankhamun's funerary mask. The exhibition draws heavily from local and midwestern collections, including the Missouri Historical Society.

Capitalism, cityscapes and the climate crisis take centre stage at Luma Arles

Peter Fischli's exhibition "People Planet Profit" at Luma Arles presents hundreds of cheap, poorly designed business books he photographed over seven years, exploring the tension between capitalism, climate crisis, and social wellbeing. The show includes sculptures and screen prints that critique late-stage capitalism and mass tourism. Alongside it, landscape architect Bas Smets presents "Climates of Landscape," a practical exhibition proposing urban ecological solutions to rising temperatures and tides, featuring a microclimate installation within the former industrial building.

Art & the Book* and Spineless Wonders: The Power of Print Unbound**

Two concurrent exhibitions in central London this summer—'Art & the Book' at the Warburg Institute and 'Spineless Wonders: The Power of Print Unbound' at Senate House Library—celebrate the contemporary and historical impact of print and small-press publishing. The shows feature a spectrum of materials from socialist pamphlets and activist flyers to artists' books and ephemera, drawn from special collections to highlight the deep history of paper and print as a medium for autonomous production. The Warburg exhibition, curated by Matthew Harle with guest curators Arnaud Desjardin and Hlib Velyhorskyi, centers on artists' books and includes residencies, talks, and an art bookfair, all open to the public.

Turner painting bought last year for £500 sells for almost £2m at Sotheby's

At Sotheby's Old Master paintings evening sale in London on July 2, a Turner painting purchased last year for £500 sold for nearly £2 million, highlighting the sector's resilience. The auction achieved £11.5 million hammer total (£14.5m with fees), with 81% of lots sold, including a rediscovered 14th-century Byzantine icon that far exceeded estimates and three new artist records for Lorenzo di Credi, Corneille de Lyon, and others. The sale contrasted with Christie's previous evening's £46.2 million total driven by a record Canaletto.

Minneapolis Institute of Art will host a crop art exhibition after the State Fair wraps

The Minneapolis Institute of Art (Mia) will host a crop art exhibition titled "Cream of the Crop: A Minnesota Folk Art Showcase" opening September 6, 2025, after the Minnesota State Fair concludes on September 1. The show will feature 10 works of crop art, including winners of two new awards sponsored by Mia: best interpretation of an artwork at Mia and best interpretation of a Minnesota landmark, story or figure. A curatorial team from Mia, including director Katie Luber, will judge entries at the State Fair, and the winning pieces will be displayed in the museum's rotunda alongside eight additional notable works. The exhibition builds on Mia's history with crop art, including a 2004 show of portraits by crop art legend Lillian Colton and a 2015 centennial commission of a large-scale crop art field.

Arthur Jafa and Mark Leckey, Cecilia Alemani on SITE Santa Fe, Trisha Brown and Robert Rauschenberg—podcast

An exhibition opening at Conditions in Croydon, London, pairs two landmark video works: Mark Leckey's "Fiorucci Made Me Hardcore" (1999) and Arthur Jafa's "Love is the Message, the Message is Death" (2016). Ben Luke interviews both artists about the show. Separately, the 12th SITE Santa Fe International, titled "Once Within a Time," opens under artistic director Cecilia Alemani. The episode also features the Trisha Brown Dance Company's 1979 piece "Glacial Decoy," a collaboration with Robert Rauschenberg, now the subject of a Walker Art Center exhibition curated by Brandon Eng.

Tanks, castles and Hodlers: Swiss foundation tackles a fervent collector’s legacy

The Swiss Foundation for Art, Culture and History (SKKG) has spent years cleaning, inventorying, and digitizing the chaotic collection of Bruno Stefanini, a real estate magnate and obsessive hoarder who died in 2018. His estate included over 100,000 objects—ranging from valuable paintings by Ferdinand Hodler and Cuno Amiet to a full-sized tank, Kaiser Wilhelm II’s portable washroom, and Charlie Chaplin’s pajamas—many contaminated with mildew, asbestos, or radioactivity. The collection is now searchable online, and the foundation, led by Stefanini’s daughter Bettina, is conducting provenance research and considering restitution of works with Nazi-era looting concerns.

In pictures: the best of the Liste art fair in Basel

Liste Art Fair Basel is celebrating its 30th anniversary, showcasing works by artists under 40 from international galleries. Highlights include Nahum B. Zenil's self-portrait exploring LGBT and Indigenous identity, Magdalena Petroni's taxidermy rat sculptures, Al Freeman's internet-age art comparisons, Inuuteq Storch's Greenlandic love story, Javier Barrios's orchid revenge narrative, and Jonathan Sanchez Noa's Afro-Cuban spiritual installation.

Ernst Ludwig Kirchner painting thought to be lost for decades goes on display in Basel

A long-lost Ernst Ludwig Kirchner painting, *Tanz im Varieté* (Dance at the Varieté, 1911), has gone on display at the Kunstmuseum Basel after being rediscovered and purchased at auction. The work, previously known only through photographs, was sold at Ketterer Kunst in Munich for around €7 million to the Im Obersteg Foundation, which loans its collection to the museum. The painting depicts a cakewalk dance and had not been exhibited since 1923 in Berlin. Its provenance includes ownership by a German collector during the Nazi era, when Kirchner's art was deemed 'degenerate,' and damage by French soldiers who discovered it in a crate after World War II.

Put Community First and Other Lessons On Institutional Sustainability From MCA Chicago

MCA Chicago director Madeleine Grynsztejn outlines the museum's guiding principles of championing revelatory art, fostering social belonging, and aligning internal practices with community ethics. The museum's collection is treated as a living resource rather than a static treasure, with exhibitions like "Descending the Staircase" and "City in a Garden: Queer Art Activism in Chicago" reflecting evolving narratives. The MCA Art Auction, held every five years, is highlighted as a values-driven fundraiser; the 2025 edition honors Ed Ruscha with a new commission and features works by artists including Rashid Johnson, Sanford Biggers, and Sarah Sze.