Rollstone Bank & Trust has committed $100,000 to sponsor free admission at the Fitchburg Art Museum (FAM) through 2029, the final year of the museum's Centennial celebration. The gift eliminates all admission fees, replacing previous categorical free programs with universal access, and is expected to significantly increase the museum's annual attendance of 14,000 visitors.
The Kimbell Art Museum in Fort Worth is hosting "The Holy Sepulcher: Treasures from the Terra Sancta Museum, Jerusalem," a rare exhibition of sacred objects from the Church of the Holy Sepulcher. Curated by Xavier F. Salomon, the show features ornate metalwork, textiles, and vestments dating from the 16th to 18th centuries, drawn from the Terra Sancta Museum's collection and traveling to only two U.S. venues. The exhibition includes pieces such as a gilt silver reliquary from 1628-29 and a gold crucifix from 1756, displayed in low lighting to evoke a candlelit church atmosphere.
C’è un padiglione assente alla Biennale d’Arte di Venezia 2026 di cui nessuno ha parlato: il Venezuela
The Venezuelan pavilion at the 2026 Venice Art Biennale remains closed, an absence that has gone largely unnoticed amid other controversies surrounding the Russian, Israeli, South African, and Iranian pavilions. Designed by architect Carlo Scarpa and built between 1953 and 1956, the pavilion now displays a trilingual sign stating it will "rise again soon," reflecting the country's collapse after the kidnapping and imprisonment of President Nicolás Maduro by the United States and the installation of a fragile pro-American interim government.
Sotheby's will hold a live auction of Modern and Contemporary Art at Palazzo Serbelloni in Milan on May 27, 2026, featuring major Italian post-war artists. Highlights include works by Lucio Fontana, Giorgio Morandi, Carla Accardi, Alighiero Boetti, Emilio Vedova, Salvo, Piero Dorazio, and Tancredi, many appearing at auction for the first time. Key lots include Fontana's "Concetto Spaziale, Attese" (1965-66, estimate €700,000-1,000,000) and a Yves Klein monochrome from 1959.
Serakai Studio presents 'dreamedcore', its second exhibition at GOLD in Hong Kong's Wong Chuk Hang district, running from June 6 to August 1. Curated by Shirley Lau and Tobias Berge, the show blends an art exhibition, concept store, and runway format to explore digital-age nostalgia through the lens of 'dreamcore' aesthetics—drawing on 1990s and early 2000s visual textures. Featuring 22 emerging multi-disciplinary artists and creative practitioners from across Asia, including Li Shuang, Wong Ping, and Peng Ke, the exhibition is divided into two chapters: 'The Lure' and 'The Twist', with a central runway stage, ambient lighting, and a mini cinema screening a video by Wong Ping.
The sā Ladakh Biennale, billed as the world's highest art biennale, returns to Ladakh from August 1-10, 2026, after a previous edition. Held at 3,600 meters above sea level, the event transforms the corridor between Leh and Kargil into an open-air exhibition titled 'Signals from Another Star', curated by Vishal K Dar and Tsering Motup across eight locations including Basgo, Lamayuru, and Kargil. It features 24 artists, including international figures like Jitish Kallat, Anna Jermolaewa, Peter Kogler, and Agnieszka Kurant, alongside local artists such as Tundup Dorjay, Chemat Dorjey, and Stanzin Samphel. Works are created using natural materials like stone, clay, and wool, and are designed to eventually disintegrate, reflecting the fragile ecosystem.
This article explores the work of artist Mierle Laderman Ukeles, who in 1969 wrote her "Manifesto for Maintenance Art" after experiencing a crisis of meaning following the birth of her first child. She proposed that routine maintenance tasks—like cleaning, cooking, and laundry—could be redefined as art when performed in public, particularly in museums. The article traces her early exhibitions at the Wadsworth Athenaeum, where she swept and mopped as performance, and her later projects interviewing passersby on New York City sidewalks and embedding herself in a Manhattan office building, where she invited workers to declare their maintenance tasks art.
Jean-David Malat, founder of JD Malat Gallery, opened a new outpost in Downtown Dubai in early 2025, expanding from his established Mayfair space in London. The gallery launched with a group show, *Carte Blanche*, and has since hosted solo exhibitions, with plans for a *Made in UAE* initiative that received over 1,000 applications. Malat cites the slowing London market and growing momentum in the UAE as key factors in his decision to invest in Dubai, where he spent a month building relationships with collectors and the local community before opening.
The United Asian American Alliance hosted the 3rd Annual AAPI Art Exhibit at the Cinema Arts Centre in Huntington, a month-long showcase of Asian American creativity and heritage. Curated by artist Joan Kim Suzuki, the exhibition features works in painting, mixed media, photography, and textile that explore themes of memory, identity, migration, and belonging. The opening reception welcomed distinguished guests including Tracey Edwards, New York State NAACP Vice President, and actor Lisa Yang, a Golden Horse Award nominee.
A coalition of seven Zurich-based artist-run collectives, led by Peter Baracchi and his nomadic platform 6½, has taken over the former Museum Haus Konstruktiv building in Zurich's Selnau district. The project, titled "Oceans Flow Upwards," occupies 1,200 square meters across five floors and expands into over 2,000 square meters by activating the cellar, offices, storage, shop, café, and rooftop. Participating collectives include Hotel Tiger, Die Diele, Papillarya, MATERIAL, volumes, and zwischentext. Baracchi, who previously worked at Haus Konstruktiv as a technician and photographer, initiated the takeover after the museum relocated to Areal Löwenbräukunst, securing temporary cultural use from the City of Zurich in March. Rather than dividing the space into separate zones, the exhibition presents a single, integrated show where artists were invited by the collectives, not selected by open call.
Downtown Lompoc hosted its monthly First Thursday Art Walk, transforming the area into an open-air gallery where artists, residents, and visitors gathered for an evening of creativity. Highlights included a live letterpress demonstration by Angelina LaPointe of Side Car Press at New Lows, local vendors at Fortified Tattoo, and a make-and-take craft project at Cypress Art Gallery. The event drew community members to venues such as Jupiters Spark Collection and Bella Florist.
This article lists numerous gallery openings and ongoing exhibits across Central Oregon, including venues such as Amejko Artistry, Art Adventure Gallery, Artists’ Gallery Sunriver, and the High Desert Museum. Featured shows include nomadic woven artwork by Anna Amejko Peterson, a 40th anniversary exhibition of Jefferson County artists, “A Man Named York” at the Belknap Exhibit Center, and “Drawn West — A History of Promoting Place” at the High Desert Museum, among many others spanning pottery, photography, fiber art, and historical displays.
Perché la ricchezza culturale italiana non entra mai davvero nei conti e nei bilanci pubblici?
Italy has exceeded the European Commission's structural adjustment path by 0.1 percentage points of GDP, reopening fiscal scrutiny. Amid this debate, the article highlights a deeper issue: Italy's immense cultural heritage is drastically undervalued in public accounts. For example, the Pompeii Archaeological Park is recorded at just €48.9 million, the Colosseum at under €15 million, and the Uffizi at about €2 billion—figures based on outdated 2002 ministerial criteria that bear no relation to actual economic or cultural worth. The State General Accounting Office, with the University of Roma Tre and EU technical assistance, has proposed a new methodology to value cultural assets by discounting their future net financial flows, including direct revenues and indirect tourism-related returns.
Anaheim's $4 billion OCVIBE entertainment district, a 100-acre development around the Honda Center, has partnered with art and design studio FUTUREFORMS to create a public art program featuring over 70 original artworks. The program includes permanent and rotating installations such as sculptural landmarks, murals, and interactive pieces, with early works already taking shape in the food hall and concert hall. Notable artworks include 'Stretto' by Nataly Gattegno and Jason Kelly Johnson, 'Rhythm, Flavor, Motion' by Brian Peterson, 'Gratitude' by Carla Roque, and 'Sunrise – Sunset' by Marina Zumi. The first phase will be accessible to the public in early 2027.
Iran has denied withdrawing from the 2026 Venice Biennale, despite the Biennale's announcement that the country would not participate. Aydin Mahdizadeh Tehrani, director-general of visual arts at Iran's ministry of culture and Islamic guidance and the country's pavilion commissioner, stated that Iran requested more time rather than submitting a withdrawal. He cited the US-Israel war with Iran, political and economic challenges, and a sharp currency devaluation that tripled projected costs as reasons for the delay. Iran proposed a shorter two-to-three-month participation, which was rejected, but has since sent a letter insisting on opening its pavilion even after the opening. The foreign ministry has intervened to support Iran's participation, and a final response from the Biennale is expected soon.
A hidden chute within the Merchant's House Museum in Manhattan, identified as a rare surviving stop on the Underground Railroad, is threatened by a planned real-estate development next door. The two-foot-square vertical passage, concealed behind a built-in dresser, was built in 1832 by abolitionists Joseph and Susanna Brewster to shelter Black fugitives escaping slavery. The museum's western wall, which contains the hideaway, adjoins a one-story garage slated for demolition to make way for a commercial building, prompting the museum team to oppose the development due to risk of structural damage.
Chi è il nuovo Ministro della Cultura in Ungheria nel primo governo post-Orbán? Il profilo di Zoltán Tarr
Zoltán Tarr è stato nominato Ministro delle Relazioni Sociali e della Cultura nel primo governo post-Orbán in Ungheria, guidato dal nuovo Primo Ministro Peter Magyar. Tarr, 52 anni, ex pastore della Chiesa riformata ungherese ed europarlamentare per il PPE, ha promesso di ripristinare la libertà d'espressione e smantellare il sistema di favoritismi politici nella cultura, dopo 16 anni di governo autoritario di Viktor Orbán.
Il fotografo Valerio Minato colpisce ancora. Lo straordinario scatto della luna rossa allineata con lo skyline di Milano: “ho atteso per 5 anni”
Italian photographer Valerio Minato captured a striking image on May 2, 2026, showing a giant red moon aligned with Milan's skyline, including the Porta Garibaldi skyscrapers and the Duomo with its Madonnina. The photograph, which went viral, was the result of a five-year pursuit involving astronomical calculations, multiple location scouting across northwestern Italy, and precise timing to align the moon with the city's landmarks. A Ryanair Boeing 737-800 crossing the lunar disk added an unexpected cinematic element.
The Art Hive in Prescott, Arizona, is celebrating its third anniversary with a disco-themed party on Friday, May 22, from 5:00 pm to midnight. Founded in 2023 by artist Cloud Oakes, the venue houses 36 artist studios and a fine arts gallery, and the event will feature the Tenant Spring Exhibition, open studios, art booths, live music, a no-host bar, and a '70s Disco DJ bash, with a people's choice award for best costume and best in show.
Nicolás Gómez Echeverri, director of the Unidad de Artes y Otras Colecciones at the Banco de la República de Colombia, reflects on the challenges facing museums in Iberoamérica in an interview published for International Museum Day. He oversees institutions including the Museo de Arte Miguel Urrutia (MAMU), the Museo Botero, and the Casa de Moneda. Gómez Echeverri describes the museum as a "radar" that captures decentralized artistic practices and integrates them into collective narratives, while emphasizing the need for mediation, public debate, and long-term cultural projects amid economic constraints and the pressures of digital immediacy.
A collective of local residents founded Clacton Arts Centre (CAC) in late 2023 in Clacton-on-Sea, Essex, to address the town's lack of free creative activities. A pop-up gallery, the Clacton Art Gallery, opened in a vacant retail unit in September 2024 and became a permanent hub after strong public support, now showcasing work from 39 local artists. The centre runs monthly acoustic music showcases, open mic nights, theatrical performances, and outdoor events, with ambitions to secure a permanent venue.
Carmichael artist Amanda Cadelago will exhibit her paintings in the Davis Art Studio Tour on May 16-17, 2026. The free, self-guided tour features 48 artists from the region opening their studios to the public, offering opportunities to view and purchase a range of artwork including sculpture, painting, printmaking, and photography. Cadelago, who rediscovered painting during the pandemic after a career in marketing and graphic design, will show her work alongside her mother, Cathie James-Robinson of Davis.
Toledo muralist Chris "Chili" Rodriguez is opening the Mind and Soul Gallery & Studios in the historic Gardner Building on Madison Avenue. The grand opening on Saturday, May 16 will feature artwork from over 40 local and nationally known artists, live music, food trucks, raffles, and a scavenger hunt, with an after-party running until 1 a.m. Rodriguez and his team spent six months renovating the 6,000-square-foot space.
Artist Tsering Phonjo Gurung has organized a solo exhibition of 47 historic paintings in Lomanthang Rural Municipality, Upper Mustang, Nepal. The works depict the 15th-century Lomanthang Palace, caves, monasteries, traditional settlements, and indigenous culture, and are displayed to coincide with the Tiji Festival, aiming to attract domestic and international tourists.
The article announces a series of regional events in the Adirondacks, including the Adirondack Paddlefest, the Gloversville Downtown Art Walk, a writing workshop with bestselling author Kate Fagan, an artist reception for Robert Coppen's exhibit "Upstate New York in Paintings" at the Old Forge Library, a touring production of Kurt Weill and Bertolt Brecht's "Happy End" presented by Seagle Festival and partners, and the Ausable River Two-Fly Challenge fishing tournament. These events span mid-May 2025 and are open to the public.
According to the 2025 art market trends, Impressionist and Modern art generated $4.7 billion in auction sales, a 29.5% increase from 2024, overtaking Postwar and Contemporary art to become the year's largest auction segment. Meanwhile, Ultra-contemporary art continued its decline, and Old Masters gained ground, signaling a broader shift in collector behavior toward established, blue-chip works.
Isle of Wight Open Studios 2026 opens this Friday, 15th May, and runs until Monday 25th May, featuring over 200 artists and makers across the Isle of Wight. Visitors can explore studios, galleries, and creative spaces to meet painters, ceramicists, photographers, jewellers, printmakers, textile artists, and sculptors. A preview exhibition, the IWOS Showcase Exhibition, is currently on display at Quay Arts until 30th May, showcasing work from over 90 participating artists. The event has been nominated in the Red Funnel Isle of Wight Awards under 'Best Event or Festival'.
Old Town Cape is calling for artists to apply for the 2026 Downtown Sculpture Exhibition, a revamped public art program that will install six large-scale sculptures along Cape Girardeau's Broadway corridor from June 2026 to June 2027. The juried exhibition is open to local, regional, and national sculptors, with applications due by June 5. A kickoff event on June 27 at Historic Ivers Square will feature artist meet-and-greets, demonstrations, live music, and family activities.