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See ‘Shattered Glass: The Women Who Elevated American Art’ in Canton

The Canton Museum of Art in Ohio is presenting 'Shattered Glass: The Women Who Elevated American Art,' an exhibition running from November 25, 2025, through March 1, 2026. Curated by Christy Davis and Kaleigh Pisani, the show spans all museum galleries and features over 120 works by 76 female American artists from the 1780s to the present day. Highlights include Audrey Flack's 1977 photorealist painting 'Marilyn,' still-life trompe-l'oeil works by Claude Hirst (born Claudine in 1855), Sister Corita Kent's 'Circus Alphabet' print series, and a photograph of Lee Miller in Adolf Hitler's abandoned apartment. The exhibition aims to spotlight underrecognized women who persevered despite barriers in the art world.

Framing Van Gogh: why the artist did not want to surround his works with gold

London's National Gallery exhibition "Van Gogh: Poets & Lovers" displayed nearly all of its loaned paintings in ornate gilded frames, despite the artist's documented preference for simple, unadorned wooden frames. Van Gogh wrote to his sister Wil questioning the need for gilding, and Paul Gachet Jr., son of the doctor who cared for the artist, called gold frames around Van Gogh's works "an act of moral barbarism." A few exceptions stood out, including six paintings from the Kröller-Müller Museum in Otterlo, which were shown in replica frames based on early 20th-century designs by Jacob van den Bosch, and a Van Gogh from Tokyo's National Museum of Western Art that was reframed in a replica of a frame once owned by Dr. Paul Gachet.

Stories brought to life: the National Portrait Gallery's latest virtual reality venture is a triumph of immersive storytelling

The National Portrait Gallery has partnered with Frameless Creative, a London-based immersive experience studio, to launch 'Stories—Brought to Life,' a virtual reality exhibition that brings portraits of historical and contemporary figures to life through dynamic 150-second animated sequences. The experience, projected onto a mosaic of screens, features figures including Queen Elizabeth I, Audrey Hepburn, Nelson Mandela, David Bowie, and Ncuti Gatwa, drawing on the museum's collection. It debuted at a temporary site in MediaCity, Manchester, and is designed to travel to other locations.

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A new biography of James Baldwin, titled "Baldwin: A Love Story" by Nicholas Boggs, frames the writer's life through his relationships with four key figures: the painter Beauford Delaney, Lucien Happersberger, Engin Cezzar, and Yoran Cazac. The article focuses on Baldwin's formative bond with Delaney, who served as mentor and artistic inspiration, teaching Baldwin about light, music, and cultural heritage in his Greenwich Village studio.

Museums Are Under Fire. Silence Isn’t an Option

James Steward, director of the Princeton University Art Museum, argues that museums are under coordinated attack in a polarized political climate. He cites threats including scrutiny of the Smithsonian Institution for its narratives, pressure on directors who uphold diversity and inclusion principles, and immigration agents targeting museums serving communities of color. Steward calls on museum leaders to resist the impulse to remain silent and instead double down on their role as spaces for dialogue, debate, and the holding of contradictory ideas.

New Orleans artists mark 20 years since Hurricane Katrina

An ongoing group exhibition titled "This City Holds Us" at Ferrara Showman Gallery in New Orleans marks the 20th anniversary of Hurricane Katrina. The show, which opened on White Linen Night, features work by ten artists affected by the storm and focuses on the city's recovery and artistic reinvestment rather than the destruction. Gallery founder Jonathan Ferrara and director Matthew Weldon Showman curated the exhibition to honor the past while celebrating progress, with artists submitting written testimonies about how the storm shaped their lives and practices.

A Museum Show About Disability Asks: ‘Who’s Sorry Now?’

The New York Times reports on a new museum exhibition that centers on disability, posing the provocative question 'Who’s Sorry Now?' The show challenges conventional narratives around disability, moving beyond pity or inspiration to explore themes of agency, identity, and societal attitudes. It features works by disabled artists and aims to reframe how disability is represented in cultural institutions.

Meet new curator and concept of the Off white Charity Auction 2018

The 5th anniversary edition of the Off White contemporary art charity auction, organized by the Cosmoscow International Contemporary Art Fair, will take place on June 8, 2018, in partnership with Phillips auction house. For the first time, the auction will be curated by international curator Leopold Thun, co-runner of Emalin gallery in London, who will introduce a new concept, date, venue, and international perspective. Proceeds will benefit the Cosmoscow Foundation for Contemporary Art.

‘We’ve faced immense new pressures’: Shanghai museum director on the challenges—and benefits—of going free entry

Shanghai’s Rockbund Art Museum (RAM) became one of the only private museums in China to offer free admission in May 2025, marking its 15th anniversary. The move initially required pre-booked timed entry via WeChat, but after city-wide guidance encouraged removing barriers, the museum eliminated the booking system, leading to long wait times and visitor complaints on social media. One visitor reported receiving an inappropriate response from the museum’s official account, prompting apologies from both the museum and its executive director and chief curator, X Zhu-Nowell. A hybrid system of day-ahead reservations and same-day walk-ins was later implemented.

Something from Everything leads current excellent array of exhibitions at Utah Museum of Contemporary Art

The Utah Museum of Contemporary Art (UMOCA) is presenting five exhibitions, including an outdoor public art installation, with the highlight being "Something from Everything" (on view through Jan. 3, 2026). This exhibition features works from 19 artists that use mundane, discarded, and overlooked materials, exploring the evolving medium of sculpture. Key pieces include Lee Bontecou's 1959 "Untitled" relief (on loan from the Art Bridges Foundation) and Charlotte Posenenske's modular "Vierkantrohre (Square Tubes)" from 1967, alongside contemporary works by Nolan Flynn, Patrick Durka, Ricardo Rendón, and Leonardo Drew.

Snoop Dogg Turns "Ashes To Art" At Nearly Sold-Out Auction

Snoop Dogg has launched an ultra-limited art collection titled "Ashes to Art," created in collaboration with artist Erica Kovitz. The pieces incorporate the rapper's leftover blunt ashes, roaches, and memorabilia preserved in resin, with each work custom-framed and authenticated. As of August 18, 2025, five of the seven pieces have sold for between $10,000 and $20,000, while the remaining two—including the signed "Snoop Doggy Dogg Genesis Burn" featuring his 1993 mugshot—are still up for auction, with bids reaching $112,000.

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Alex Da Corte's mid-career survey, "The Whale," is on view at the Modern Art Museum of Fort Worth, featuring works that repurpose pop-cultural icons like Disney villains and Mariah Carey to explore themes of erasure and violence. The exhibition includes pieces such as *A Time to Kill* (2016), which obliquely references the 2016 Pulse nightclub shooting through an inverted Elsa standee, and *The Great Pretender* (2021), which removes Lily Tomlin from a TIME magazine cover to comment on queer erasure.

New York non-profit Art in General, shuttered since 2020, stages a comeback

Art in General, the New York non-profit art space that closed its physical location in 2020 during the Covid-19 pandemic, is returning after a five-year hiatus. It will stage a pop-up exhibition at Yve Yang Gallery in Soho starting August 22, led by new director Xiaoyu Weng, who also serves as artistic director of the Tanoto Art Foundation in Singapore. New board members include artist Paul Pfeiffer, digital strategist Jiajia Fei, and gallerist Yve Yang. The organization plans to host pop-up exhibitions, talks, and events while searching for a permanent space.

Border Crossings: Ten Scottish Masters of Modern Art

The McManus: Dundee's Art Gallery & Museum presents 'Border Crossings: Ten Scottish Masters of Modern Art,' an exhibition running from 28 June 2025 to 14 June 2026. Curated by Janet McKenzie, the show highlights ten Scottish-born artists—including Wilhelmina Barns-Graham, Eduardo Paolozzi, and William Turnbull—who left Scotland to train and build careers in London, Paris, and New York, contributing significantly to international modernism.

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The Bayeux Tapestry, a 900-year-old embroidery depicting the Norman Conquest of 1066, will be loaned from France to the British Museum for a blockbuster exhibition running from September 2026 to July 2027. French officials reportedly lobbied for discounted or free entry for French citizens, a request British negotiators dismissed as a "try-on" that was "never going to happen." The loan, first proposed in 2018 by then-Prime Minister Theresa May, was delayed over fragility concerns and finally confirmed during President Emmanuel Macron's state visit. In exchange, Britain will send the Sutton Hoo treasures and the Lewis Chessmen to France. French negotiators also floated borrowing the Rosetta Stone, but that proposal failed as the artifact is considered immovable.

Exhibition Tour—Arts of Africa | Michael C. Rockefeller Wing

The Metropolitan Museum of Art in New York has reopened its renovated Arts of Africa galleries in the Michael C. Rockefeller Wing. The exhibition tour was led by curator Alisa LaGamma, assistant curator Jenny Peruski, director Max Hollein, and special guests Manthia Diawara and Angélique Kidjo. The reinstallation foregrounds the creativity of artists across the African subcontinent, shifting the narrative to focus on artworks within their original contexts and as masterpieces. It celebrates recognized masters from sculptor Ọlọ́wẹ̀ of Ìsẹ̀ to contemporary photographer Seydou Keïta, and places works such as Afro-Portuguese ivories and Kente cloth in visual dialogue with adjacent European galleries and contemporary pieces.

Powerful Photography Explores and Reimagines Black Identity Through Classical Art History

The National Museum of Women in the Arts (NMWA) in Washington, D.C., will present "Tawny Chatmon: Sanctuaries of Truth, Dissolution of Lies," a solo exhibition of over 25 large-scale photographs by artist Tawny Chatmon, running from October 15, 2025, to March 8, 2026. The works, drawn from series dating from 2019 to the present, blend photography with hand-applied paint, gold leaf, and precious materials, depicting Black children and families in gilded frames inspired by Gustav Klimt and medieval icons. This is Chatmon's first museum exhibition in the nation's capital.

'Through the Veil' exhibition at Sarasota Art Museum an immersive labyrinth of mixed media hanging assemblages

Nassau-born, Atlanta-based artist Lillian Blades presents 'Through the Veil,' her first solo museum exhibition, at the Sarasota Art Museum. The show features suspended mixed-media assemblages called 'veils,' made from Plexiglas, wood, family photographs, and found objects, stitched together with a metallic knotting technique. Inspired by her mother, who was a quilter and died in childbirth, Blades creates immersive, tapestry-like works that envelop viewers and cast intricate shadows on the museum's walls and floors. The exhibition also includes earlier wall assemblages encrusted with three-dimensional materials like antique mirrors and empty picture frames.

‘You’re so close you can see how their toes grip the floor’: Wayne McGregor on his radical new immersive dance experience

Wayne McGregor, artistic director of the Biennale Danza in Venice, has created a new immersive dance installation titled 'On the Other Earth' in collaboration with artist Jeffrey Shaw and digital museologist Sarah Kenderdine. The work features a 360-degree 'nVis' environment with a massive 12K LED screen, allowing dancers from McGregor's company and the Hong Kong Ballet to perform in extreme close-up. The installation will travel to the Venice Film Festival, Stone's Nest in London as part of McGregor's exhibition 'Infinite Bodies' at Somerset House, and later to the Tai Kwun Centre for Heritage and Arts in Hong Kong.

Bad Bunny’s residency gives local artists the chance to tell Puerto Rico’s real history

Bad Bunny's months-long concert residency in Puerto Rico, titled "No me quiero ir de aquí," has inspired a free art exhibition called "De Aquí Nadie Nos Saca" in the Santurce barrio of San Juan. Organized by the Latinx advocacy group Mijente and the art collective AgitArte, the exhibition features local Puerto Rican artists and organizations and serves as a spiritual companion to Bad Bunny's album "Debí Tirar Más Fotos." It highlights the island's everyday societal struggles, resistance movements, and cultural preservation amid colonialism and gentrification, with contributions from the theater collective Papel Machete, which created a giant puppet featured in Bad Bunny's music video for "La Mudanza."

'Paul McCartney Photographs 1963–64: Eyes of the Storm' to Open at Frist Art Museum, Nashville

The Frist Art Museum in Nashville will host 'Paul McCartney Photographs 1963–64: Eyes of the Storm,' an exhibition featuring nearly 300 recently discovered photographs taken by Paul McCartney during the height of Beatlemania. Organized by the National Portrait Gallery, London, the show runs from November 7, 2025, to January 26, 2026, and includes personal images of The Beatles—John Lennon, George Harrison, and Ringo Starr—captured between December 1963 and February 1964, along with ephemera and an audio tour narrated by McCartney.

BOX 13 ArtSpace in Houston Announces Open Call for Exhibition Proposals

BOX 13 ArtSpace, an artist-run studio and gallery venue in Houston’s East End neighborhood, has announced an open call for exhibition proposals for its 2026 season. The call invites self-directed artists to submit proposals for four gallery spaces within the building: the Front Gallery, Back Gallery, Window BOX Gallery, and Upstairs Gallery. Applicants must be prepared to install their own work or arrange for local assistance, as the space has no staff or budget for shipping, travel, or equipment. The deadline for proposals is September 30, 2025, with notifications by October 28, 2025. Virtual and in-person information sessions are scheduled for September 17 and 20, respectively.

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Tim Blum, founder of Blum Gallery, announced the closure of his gallery in early July, citing systemic problems and burnout. However, former employees and artists have since spoken out, claiming they were blindsided by the decision and criticizing the lack of notice, severance, and transparency. Some sources allege that poor business decisions, including a buyout of partner Jeff Poe and costly renovations in a shaky economy, contributed to the closure, while others dispute Blum's claims of strong sales at Art Basel. Separately, a bipartisan Senate bill seeks to extend a 2016 law aiding Holocaust victims in reclaiming Nazi-looted art, but major museums are pushing back, arguing the law unfairly hinders their ability to defend claims.

Frame Work: HORSE game becomes art in downtown Detroit

A new interactive art exhibition called "HORSE" has opened in downtown Detroit at 1001 Woodward Avenue, transforming a basketball court into an artistic installation. The centerpiece is a seven-armed sculpture featuring 21 basketball hoops at various angles and heights, inviting visitors to shoot hoops and play the game HORSE. Created by California-born, Detroit-based artist Tyrrell Winston—known for repurposing objects like basketballs—the project was developed in collaboration with landlord Bedrock and gallery Library Street Collective. The exhibition also includes a 30-by-50-foot painting, a sculpture made of old basketballs, a merchandise store, and a photo spot. It runs through October 5, with hours from Wednesday to Sunday.

Blum Gallery’s Sudden End Shocked the Art Industry. What Happened?

On July 1, 2025, Tim Blum, the powerhouse Los Angeles dealer behind Blum Gallery, announced the sudden closure of his gallery after a 35-year run. The closure includes his Culver City headquarters, his Tokyo space, and a planned Tribeca location that will no longer open. Blum publicly framed the decision as a voluntary "sunset" due to systemic industry issues like over-expansion and burnout, but interviews with artists and staff reveal a more chaotic reality: the closure blindsided employees and artists, many of whom learned about it from news reports or a last-minute staff meeting that excluded Tokyo staff. Sources cite weak sales at Art Basel and Art Basel Hong Kong, poor business decisions—including buying out partner Jeff Poe and renovating a costly New York space—and a lack of severance or transition time as underlying factors.

French government adopts bill for restitution of colonial-era objects

The French government has adopted a bill that facilitates the restitution of cultural objects plundered from former colonies, eight years after President Emmanuel Macron pledged to return African heritage. Presented by Culture Minister Rachida Dati, the bill maintains that French public collections are inalienable but creates an exemption for items taken by force between 1815 and 1972. Restitution requests must come from foreign states, be for public preservation and display, and involve items allegedly stolen, looted, or sold under duress. A bilateral scientific committee will examine each case, with final approval from the Conseil d'État. The bill aims to replace the current slow, case-by-case legislative process that has resulted in only 30 objects returned since 2017.

Art and Soul: Inside Madagascar’s Burgeoning Creative Scene

The article explores Madagascar's burgeoning contemporary art scene, centered on Hakanto Contemporary, a non-profit art space in Antananarivo founded by artist Joël Andrianomearisoa. It highlights the group exhibition "Lamba Forever Mandrakizay," featuring 21 Malagasy artists reflecting on the traditional lamba textile, and the innovative culinary-art fusion by chef Lalaina Ravelomanana. The piece also mentions the Musée de la Photo, founded in 2018, which preserves Malagasy photographic heritage.

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New research by French collector and self-proclaimed 'art detective' Alain Moreau challenges the long-held belief that Pablo Picasso's groundbreaking painting *Les Demoiselles d'Avignon* (1907) was primarily inspired by African art. Moreau's paper, published in the *Bulletin of the Reial Acadèmia Catalana de Belles Arts Sant Jordi*, argues that the painting instead drew from Medieval church frescoes in the Spanish and French Pyrenees, such as those in the church of La Vella de Sant Cristòfol in Campdevànol and the Romanesque murals of Sant Martí de Fenollar. He retraced Picasso's travels and notes that the African mask exhibited alongside the painting in a 1939 MoMA retrospective did not arrive in Europe until 1935, decades after the work was completed.

Explore 200 Years of American Art at the PEM

The Peabody Essex Museum (PEM) in Salem, Massachusetts, is hosting "Making History: 200 Years of American Art," an exhibition organized by the Pennsylvania Academy of the Fine Arts (PAFA) and on view through September 21, 2025. The show features 85 original works by American artists, including Charles Willson Peale's *The Artist in His Museum*, Patience Wright's wax sculpture of George Washington, and portraits of Ruth St. Denis and Mrs. Chase. PEM's curators have reimagined the exhibition with local relevance and immersive design, and the final gallery invites visitors to contribute personal reflections on history.

In Light of Innocence Raúl de Nieves

Raúl de Nieves's first solo institutional show in New York City, titled "In Light of Innocence," has opened at Pioneer Works. The exhibition transforms the Main Hall into an immersive, cathedral-like environment featuring 50 faux stained glass panels, a monumental lightbox mural, and works that blend Catholic, Mexican folkloric, and tarot symbolism. The artist uses humble materials like paper, wood, glue, tape, and colored acetate to create kaleidoscopic, light-responsive installations that shift throughout the day.