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Paul Reubens, the actor and comedian best known for his character Pee-wee Herman, died at age 70 on June 30, leaving behind a legacy that extends far beyond children's television. The article explores how the design of "Pee-wee's Playhouse" (1986–1990) was a groundbreaking aesthetic achievement, created by a team of downtown New York artists—production designers Gary Panter, Ric Heitzman, and Wayne White—who approached the set as an evolving art installation. Their work blended postmodernism, Memphis Group influences, psychedelia, and thrift-store aesthetics into a joyful, childlike environment that became a cultural touchstone.

Ferris State alumni, faculty, and students recognized among leading regional artists in 2025 West Michigan Area Show

Ferris State University's Kendall College of Art and Design (KCAD) alumni, faculty, and students have been recognized in the 2025 West Michigan Area Show, a juried exhibition hosted by the Kalamazoo Institute of Arts. The 64th annual competition drew nearly 500 entries from 14 Michigan counties, with 64 selected for inclusion. Eleven pieces by artists with KCAD connections were featured, and three received distinguished awards from juror Hubert Massey, a Detroit-based artist and educator. Notable winners include Lee Ann Frame, who won the Ward H. and Cora E. Nay Director’s Purchase Prize and the Southwest Michigan Printmakers Excellence in Printmaking Award, and Tatsuki Hakoyama, who received The Martin Maddox Prize for Imaginative Realism. Other participants include professor emeritus Jay Constantine, alumni Beth Purdy and Jackson Wrede, and students Sydney Donath and Kaylee Dirkmaat.

Pablo Picasso: Private Creative Realms Revealed in Dublin Exhibition

The National Gallery of Ireland presents 'Picasso: From the Studio', an exhibition opening 11 October 2025 that explores Pablo Picasso's private creative spaces across his career. Featuring sixty works, including paintings, sculptures, and ceramics, the show reconstructs the artist's studios from Montmartre's Le Bateau-Lavoir to the Mougins farmhouse, using archival photographs as ghostly backdrops. Key pieces like 'Violin and Bottle on a Table' (1915) and 'Tête de femme' (1931-32) reveal how specific environments—a cramped Parisian garret, a sun-drenched villa in Avignon, a Normandy stable—shaped his stylistic reinventions from Analytic Cubism to postwar ceramics.

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Two major New York museums are celebrating the centennial of Robert Rauschenberg's (1925–2008) birth this fall with exhibitions that spotlight lesser-known chapters of his career. At the Guggenheim New York, the monumental silkscreen painting "Barge" (1962–63) returns to New York in October for the first time in nearly 25 years as part of a show titled "Life Can't Be Stopped." The Museum of the City of New York (MCNY) will showcase Rauschenberg's undersung photography work focused on New York City. Neither exhibition features his famous "Combines," instead highlighting other aspects of his wide-ranging practice. The Guggenheim's show is part of its new "Focus" series, launched in November 2024, which aims to highlight the museum's collection.

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Artist Andres Serrano has proposed a mausoleum dedicated to Donald Trump for the US pavilion at the 2026 Venice Biennale. The project, titled "The Game: All Things Trump," would feature thousands of Trump-signed and branded objects Serrano has collected since 2019, along with his 2022 film "Insurrection" about the January 6 Capitol attack. Serrano submitted the proposal to the US State Department Bureau of Educational and Cultural Affairs, though US participation in the Biennale remains uncertain due to potential elimination of the National Endowment for the Arts under Trump.

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The Museum Brandhorst in Munich has opened "Five Friends," a major exhibition exploring the interconnected creative and personal relationships among John Cage, Merce Cunningham, Jasper Johns, Robert Rauschenberg, and Cy Twombly. Spanning 180 works from the late 1940s through the 1970s, the show includes paintings, sculptures, costumes, musical scores, photographs, and letters, beginning with Cage's silent composition 4'33" and Rauschenberg's White Painting. It is the first exhibition to bring these five figures together, drawing on loans from Cologne's Museum Ludwig and U.S. institutions, and coincides with the centenary of Rauschenberg's birth.

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Hollywood star Johnny Depp is releasing limited-edition prints of two personal watercolors originally painted in the early 2000s at his French estate, Le Hameau. The collection, titled "Let the Light in," includes a self-portrait called *Add the Light* and a rose painting *A Rose Is a Rose Is a Rose*, a tribute to his daughter Lily-Rose. Each work is offered in 195 signed editions through London's Castle Fine Art on July 18, priced individually at £2,950 framed or £2,500 unframed. The paintings reflect Depp's life with former partner Vanessa Paradis and their children in the south of France.

Right royal style: 90 years of Queen Elizabeth II’s fashion to go on show at Buckingham Palace

The Royal Collection Trust will mount an exhibition titled "Queen Elizabeth II: Her Life in Style" at the King's Gallery at Buckingham Palace in London in spring 2026, marking the centenary of the late monarch's birth. The show will feature around 200 pieces, including the dresses she wore at her 1947 wedding and 1953 coronation, both designed by Norman Hartnell, along with diplomatically significant gowns, everyday attire, and never-before-exhibited colorful prints from the 1970s by Ian Thomas. Sketches and correspondence with her couturiers will also be on display.

The Health Museum Announces an Open Call for Writers & Visual Artists

The Health Museum in Houston has announced an open call for its upcoming healing arts exhibition "Age in Our Times," inviting writers and visual artists to submit works that reframe aging as a deeply human process. More than 20 works will be selected by a panel of jurors for an exhibition opening in October 2025 and running through Spring 2026. The call is open to Greater Houston area artists and writers age 18 or over, with a submission deadline of July 31, 2025.

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The British Museum has organized a new exhibition titled “Ice Age Art Now,” installed at Cliffe Castle Museum in Yorkshire, England, that presents Ice Age artifacts—carved images, figurines, and engravings dating from 24,000 to 12,000 years ago—alongside more recent artworks, including a print after Goya and a charcoal sketch by Maggi Hambling. Curated by Jill Cook, the show aims to reframe these prehistoric objects as artistic expressions rather than mere archaeological curiosities, highlighting their use of line, space, and scale to capture the observed world and communicate emotion.

Art & Language ‘The Mirror Effect’ at Château de Montsoreau – Museum of Contemporary Art, Loire Valley, France

The Château de Montsoreau – Museum of Contemporary Art in the Loire Valley, France, is presenting ‘The Mirror Effect’, a new exhibition running from 17 July to 3 November 2025. Curated by Lara Pan, the show celebrates 60 years of the pioneering conceptual art collective Art & Language and brings together over 50 international artists to reflect on the group’s legacy. The museum holds the world’s largest collection of Art & Language works, assembled by collector Philippe Méaille.

Life Lines // Haggerty

The Haggerty Museum at Marquette University presents "Life Lines," an exhibition running from August 22 to December 20, 2025, featuring works by Sol LeWitt, Jean Dubuffet, and Victor Vasarely. Curated by Lynne Shumow with intern Bridget Neugent, the show is designed to encourage contemplative beholding, inviting visitors to slow down and reflect on the art as a sacred or meditative experience. The exhibition was created in collaboration with Fr. Ryan G. Duns, S.J., whose Contemplation and Action class will visit regularly.

No One Knows All It Takes // Haggerty

The Haggerty Museum of Art at Marquette University will present the exhibition "No One Knows All It Takes" from August 22 to December 20, 2025. Curated by Christopher Jobson and Grace Ebert of Colossal, the show features four artists—Bryana Bibbs, Raoul Deal, Maria Gaspar, and Swoon (Caledonia Curry)—whose work addresses the effects of concealed trauma, including addiction, incarceration, immigration, and lack of systemic support for caregivers. The exhibition aims to move beyond individual self-care to highlight root causes of trauma and systemic issues undermining collective well-being.

Six Indian artists reframe the ladies compartment of a Mumbai local train

Ladies Compartment, an exhibition by Method (India) now showing at Galerie Melike Bilir in Hamburg, features six Indian women artists—Anushree Fadnavis, Avani Rai, Darshika Singh, Keerthana Kunnath, Krithika Sriram, and Shaheen Peer—who reframe the gendered space of a Mumbai local train's ladies compartment through photography, pigment, video, and self-portraiture. The show coincides with India Week Hamburg 2025 and marks Method's debut in Germany, curated by Sahil Arora.

Blood, skeletons and syphilis: the story of Edvard Munch’s obsession with health

An exhibition at the Munch Museum in Oslo, titled "Lifeblood," explores Edvard Munch's lifelong obsession with health and medicine by juxtaposing his paintings, drawings, and prints with historical medical objects. The show opens with Munch's painting "On the Operating Table" (1902-3), inspired by a bullet removal surgery after a dispute with his fiancée Tulla Larsen, paired with an early x-ray of his injured hand. It features works like "The Sick Child" (1885-6) alongside tuberculosis-related artifacts such as stethoscopes, sputum bottles, and a jar of arsenic, drawing from Munch's personal experiences with illness and his family's medical background—his father and brother were doctors.

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Nadya Tolokonnikova, cofounder of Pussy Riot, has created a performance installation titled "Police State" (2025) at the Museum of Contemporary Art in Los Angeles (LA MOCA). The work recreates a Russian jail cell where Tolokonnikova performs daily activities—making music, creating art, and resting—observed by visitors via security camera footage and peepholes. The installation also features artworks by current and former political prisoners from Russia, Belarus, and the United States, curated through Tolokonnikova's Art Action Foundation and the Artistic Freedom Initiative. Originally scheduled for June 5–14, the show was extended due to the museum's closure amid anti-ICE protests and National Guard deployment.

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Agents from the Department of Homeland Security (DHS) arrived at the National Museum of Puerto Rican Arts & Culture in Chicago on Tuesday, with at least 15 DHS vehicles occupying the museum's parking lot for nearly two hours. Museum staff reported that an agent entered the building under the pretense of using the bathroom but instead looked around and refused to leave when asked. Museum president Billy Ocasio described the incident as intimidating, comparing it to "Gestapo-style" tactics, and staff expressed fear. DHS later denied targeting the museum, stating the vehicles were staging for a narcotics investigation, but museum officials and local Representative Delia Ramirez criticized the lack of identification and the intimidating show of force.

“Chaos Osmosis” Project Announces Open Call for Artists & Scientists

Nicole Longnecker Gallery in Houston has announced an open call for the third edition of "Chaos Osmosis," an art and science exhibition centered on fluid dynamics. The project is a partnership between the gallery, the Gallery of Fluid Motion in Houston, and the Paradoxluxe curatorial collective, with locations in Greece and Puerto Rico. Selected participants will be featured in a dual exhibition at Nicole Longnecker Gallery and the Houston Museum of Natural Science, opening in October 2025. Houston-region artists and scientists from all disciplines are invited to submit works in any medium, including video, photography, painting, sculpture, installation, and mixed media. The submission deadline is July 30, 2025.

High fashion and French cars bring St. Louis Art Museum exhibit ‘Roaring’ to a close

The St. Louis Art Museum's 'Roaring' exhibit, which opened after a five-year delay due to the pandemic, is nearing its July 27 closing date. Featuring 12 vintage cars and over 160 items, the show explores the intersection of French automobiles and fashion between 1918 and 1939, highlighting the era's artistic and mechanical innovation. Nearly 70,000 visitors have attended, making it the museum's most popular attraction since 2018's 'Sunken Cities.'

Art Basel Qatar unveils new fair format and appoints Artistic Director

Art Basel has announced details for its inaugural edition in Qatar, set to take place from February 5 to 7, 2026, at the M7 creative hub in Doha's Design District. Departing from the traditional booth model, the fair will introduce an open-format exhibition centered on the theme 'Becoming,' with solo presentations by galleries responding to a central curatorial framework. Egyptian-born artist Wael Shawky has been appointed Artistic Director for the first edition, working alongside Art Basel's Chief Artistic Officer Vincenzo de Bellis to shape the curatorial vision and guide gallery selection. The fair will span two key venues—M7 and the Doha Design District—as well as public sites in Msheireb, and plans include transforming Qatar Museum's Fire Station into a platform for educational programs.

Skeletons, Tears and Lobsters: Schiaparelli Exhibition to Open in 2026

The Victoria & Albert Museum in London will host "Schiaparelli: Fashion Becomes Art" at the Sainsbury Gallery from March 21 to November 1, 2026. The exhibition traces the legacy of founder Elsa Schiaparelli from the 1920s to the present, under current owner Diego Della Valle and creative director Daniel Roseberry. It will feature over 200 objects spanning Paris, London, and New York, including garments, accessories, jewelry, paintings, photographs, and archive material. Highlights include the Skeleton dress (1938) and the Tears dress (1938), created in collaboration with Salvador Dalí. The show also explores Schiaparelli's relationships with clients like Wallis Simpson and artists such as Pablo Picasso, Jean Cocteau, and Man Ray.

‘Our pattern, our document’: this Indigenous Australian community is using design to assert its rights

A new exhibition at the Art Gallery of New South Wales (AGNSW) in Sydney, titled 'Yolŋu power: the art of Yirrkala', showcases the work of 90 Yolŋu artists from the remote community of Yirrkala in Australia's Northern Territory. The exhibition highlights how the community's art centre, Buku-Larrŋgay Mulka, has produced sacred clan designs known as miny'tji for eight decades, and how these patterns were used as legal and political documents to assert land and sea rights. Key moments include the 1963 Yirrkala Bark Petition, the Saltwater Project (1996) initiated by artist Djambawa Marawili, and the subsequent 2008 High Court ruling recognizing Indigenous ownership of the intertidal zone under the Land Rights Act.

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MSCHF, the Brooklyn-based art collective known for viral stunts like the Big Red Boot and a Damien Hirst dot-selling ATM, has unveiled a new participatory sculpture titled *King Solomon's Baby* (2025). The work is a large-scale polystyrene foam and paint sculpture that will be progressively dismembered and sold in thin slices as more buyers join. Priced at $100,000 for a single buyer, the cost drops as more participants purchase shares, down to $100 each if 1,000 people buy in. Sales open July 10 at Pioneer Works in Brooklyn, with the fully deconstructed work on view July 13.

As an Emily Kam Kngwarray survey opens at Tate Modern this week, contemporary Indigenous artists are finally taking centre stage in the UK

Tate Modern opens its first major exhibition of Indigenous Australian artist Emily Kam Kngwarray (c. 1914–96), featuring over 70 works including early batiks and vast late-career paintings. The show, adapted from a presentation at the National Gallery of Australia, is co-curated by Hetti Perkins and Kelli Cole, who emphasize presenting Kngwarray's work within its Anmatyerr cultural context rather than through a Western abstraction lens. Concurrently, London's Camden Art Centre hosts an exhibition of Duane Linklater and his family, and a Manchester show features Santiago Yahuarcani, signaling a broader UK focus on contemporary Indigenous artists.

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A new book titled *Hidden Portraits: The Untold Stories of Six Women Who Loved Picasso* by Sue Roe (published by Faber and W.W. Norton) examines the lives of Picasso's six most significant partners: Fernande Olivier, Olga Khokhlova, Marie-Thérèse Walter, Dora Maar, Françoise Gilot, and Jacqueline Roque. The book challenges the narrative that these women were passive muses, instead revealing their personal ambitions and reasons for entering relationships with the artist, drawing on journals and historical context to present their perspectives.

At Baltimore Museum of Art, a new exhibition asks us to consider the connections between race, colonialism and the climate crisis

The Baltimore Museum of Art has opened "Black Earth Rising," an exhibition organized by British curator and writer Ekow Eshun. The show brings together thirteen African diasporic, Latin American, and Indigenous artists—including Frank Bowling, Jaune Quick-to-See Smith, Yinka Shonibare, Wangechi Mutu, Alejandro Piñeiro Bello, Firelei Baez, and Tyler Mitchell—to explore the connections between race, colonialism, and the climate crisis. Eshun also authored an accompanying book that pivots environmental debates away from a Eurocentric viewpoint, emphasizing that the Global South bears the brunt of climate change despite being least responsible for it. The exhibition critiques the term "Anthropocene" and instead promotes the concept of the "Plantationocene," which traces environmental destruction back to 15th-century European colonization and the plantation system.

Frist Exhibition Dresses a Bloody History in Silk and Velvet

The Frist Art Museum's summer exhibition, "Venice and the Ottoman Empire," presents over 150 artifacts from Venice's civic museums, Fondazione Musei Civici di Venezia, and the University of Zadar's museum. Co-curated by Stefano Carboni and Trinita Kennedy, the show explores the complex relationship between the Ottoman Empire and the Republic of Venice, highlighting not only their centuries of brutal warfare but also their extensive trade networks and cultural exchange. Luxury textiles, including silk and velvet with Ottoman designs, feature prominently, alongside books, a qibla indicator, and military artifacts like a 17th-century Ottoman banner. The exhibition focuses on commerce and the elite who commissioned portraits, though it notably omits discussion of the slave trades and minimizes production processes.

An expansive monograph of Celia Paul paints a portrait of a single-minded, singular artist

A new monograph on Indian-born British painter Celia Paul (b. 1959) presents an expansive survey of her career, featuring over 500 color reproductions and essays by Hilton Als, Clare Carlisle, Karl Ove Knausgaard, Edmund de Waal, and Rowan Williams, alongside contributions from the artist herself. The book traces Paul's trajectory from her training at the Slade School of Fine Art and her decade-long relationship with Lucian Freud to her recent solo exhibition *Colony of Ghosts* at Victoria Miro in London, positioning her as a singular figure distinct from the shadow of Freud and the School of London painters.

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An anonymous artist collective, previously responsible for an eight-foot-tall golden monument of Donald Trump crushing Lady Liberty, has installed a new unauthorized artwork on Washington, D.C.'s National Mall. The piece is a life-size, gold-painted television set playing a silent 15-second loop of Trump performing his signature slow-motion dance moves, set against backdrops including campaign rallies and a party with Jeffrey Epstein. The installation, permitted through Sunday, includes a spray-painted gold eagle and a plaque quoting a White House statement criticizing the earlier sculpture. The White House responded with a sarcastic statement from spokesperson Abigail Jackson, claiming the video brings 'joy and inspiration' to tourists.

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A new documentary titled "Maintenance Artist," directed by Toby Perl Freilich, premiered at the Tribeca Film Festival. The film chronicles the career of Mierle Laderman Ukeles, who coined the term "Maintenance Art" in a 1969 manifesto to elevate everyday domestic and civic labor into art. It follows her decades-long collaborations with New York City agencies, including her seminal "Touch Sanitation Performance" (1979–80) with the NYC Department of Sanitation, and her ongoing struggle to realize the installation "Landing: Cantilevered Overlook" (2008) at Freshkills Park. The documentary weaves together archival footage, interviews, and analysis of second-wave feminism, conceptual art, and urban bureaucracy.