filter_list Showing 8024 results for "Google" close Clear
dashboard All 8024 museum exhibitions 4409article local 1862trending_up market 639article news 400article culture 210person people 181article policy 142rate_review review 92candle obituary 48gavel restitution 30article event 7article school 1article museums 1article events 1article museum 1
date_range Range Today This Week This Month All
Subscribe

As Art X Lagos opens, Nigeria's next generation of artists emerges

Art X Lagos, the art fair founded by Tokini Peterside-Schwebig in 2016, opens for its tenth edition from November 6-9, anchoring Lagos Art Week. The fair features a group show at Kó Art Space spotlighting artists inspired by the Oshogbo School, a 1960s Nigerian movement, and Tiwani Contemporary presents sculptural works by Lagos-based designer Nifemi Marcus-Bello, his first exhibition in Nigeria. The Guest Artists Space (GAS) Foundation, established by British-Nigerian artist Yinka Shonibare, adds talks, workshops, and cultural exchange programs, contributing to a vibrant, sprawling art week across the city.

Five must-visit exhibitions during Art Week Tokyo

Art Week Tokyo is underway, and this article highlights five must-see exhibitions across the city. Featured shows include Phung-Tien Phan's debut solo exhibition in Japan at Misako & Rosen, where she presents fabric-wrapped sculptures made from found objects; ChimPom from Smappa! Group's environmental-themed show "A Hole Within a Hole Within a Hole" at Anomaly; the group exhibition "The Clearing" at space Un, organized by curator Ekow Eshun, featuring five emerging African diaspora artists; the "Jam Session" pairing new works by Chikako Yamashiro and Lieko Shiga with the Ishibashi Foundation Collection at Artizon Museum; and Eiki Mori's photographic series "Moonbow Flags" at Ken Nakahashi gallery.

How Art Week Tokyo is opening up routes into Japan’s contemporary art landscape

Art Week Tokyo, which launched in November 2021 during border closures, has adopted a unique "post-art fair" model that forgoes a traditional art fair in favor of connecting museums and galleries across Tokyo via free buses and inviting international art professionals. The fourth full edition coincides with three major Japanese art festivals—the Aichi Triennale, Okayama Art Summit, and Setouchi Triennale—creating a powerful autumn art season. Key highlights include AWT Focus, a selling exhibition at the Okura Museum of Art curated by Adam Szymczyk, featuring over 50 artists with increased international gallery participation, and the museum exhibition "Prism of the Real: Making Art in Japan 1989-2010" at the National Art Center, Tokyo, curated by Doryun Chong.

‘The government understands what is at stake’: Italian art world weighs in on tax cut at Artissima

The Italian parliament reduced VAT on art sales from 22% to 5%, the lowest rate in Europe, a move announced by Prime Minister Giorgia Meloni's government. The tax cut was celebrated at the 30th anniversary dinner of the Fondazione Sandretto Re Rebaudengo in Turin, where politician Federico Mollicone noted it had been over 30 years in the making. The contemporary art fair Artissima, holding its 32nd edition in Turin, became the first Italian fair to test the new tax policy. Italian dealers reported positive effects, including easier deal closures and increased sales to both Italian and European collectors, with some galleries experiencing their best opening day ever.

Out of the wrapper and into the gallery: the art of chocolate

Artist Anya Gallaccio discusses her use of chocolate as an art material, tracing her first experiments in 1992 at Rodolphe Janssen gallery in Brussels, where she commissioned chocolate guns, and her 1994 solo show "Brown on White" at Galerie Krinzinger in Vienna, where she painted gallery walls with melted couverture chocolate. The work invited visceral audience reactions, including licking the walls, and engaged with themes of desire, decay, and the colonial and class histories of chocolate consumption.

Don’t Miss These 14 Solo Shows (And One Duo) in New York Galleries This Month

This article highlights 14 solo shows and one duo exhibition currently on view in New York galleries, curated by CULTURED magazine. Featured artists include Aiza Ahmed, whose debut solo show "The Music Room" at Sargent's Daughters draws on Satyajit Ray's 1958 film; B. Wurtz at Garth Greenan, presenting assemblages of everyday objects; Ali Banisadr at Olney Gleason, with works responding to visual overload; Brock Enright at Club Rhubarb, showcasing eccentric mixed-media pieces; and Jay DeFeo at Paula Cooper, focusing on her 1980s paintings. Each entry includes location, closing date, and a brief curatorial rationale.

Rarely seen Matthew Wong works to go on show in Venice

A major exhibition of rarely seen works by the late Chinese-Canadian artist Matthew Wong will open at the Palazzo Tiepolo Passi in Venice from 9 May to 1 November 2025, coinciding with the 61st Venice Biennale. The show features 35 works dating from 2015 to 2019, curated by John Cheim of Cheim & Read gallery, and is organized by the Matthew Wong Foundation, founded by the artist's parents Monita Wong and Raymond KP Wong after his death by suicide in 2019. The exhibition catalogue includes a text by Nancy Spector, former chief curator of the Guggenheim Museum.

10 Art Shows to See in Los Angeles This November

This article highlights ten art shows to see in Los Angeles this November, featuring a diverse range of exhibitions. Key shows include Kathleen Ryan's bejeweled rotten fruit, Puppies Puppies's homage to freedom flags, and TJ Shin's bird songs. Historical perspectives are offered through a survey of prints by Robert Rauschenberg at Gemini G.E.L., rarely seen works by Mexican muralist Alfredo Ramos Martínez at Scripps College, and a tribute to the Brockman Gallery at the Vincent Price Art Museum. The two-venue exhibition 'Monuments' investigates how art reflects national narratives, while Puppies Puppies's dual shows use color and text to address contemporary liberation struggles.

An Exhibition of Silenced Artists Sends a Warning in New York City

An exhibition titled "Don’t Look Now: A Defense of Free Expression" has opened at Nathalie Karg Gallery in New York City, organized by the nonprofit Art at a Time Like This and co-founded by curator Barbara Pollack. The show features artworks by artists who have experienced censorship, including Danielle SeeWalker’s painting "G is for Genocide" (2024), which led to the revocation of her artist residency in Vail, Colorado, and Andil Gosine’s altered photograph "Magna Carta" (2025), which was removed from a planned exhibition at the Art Museum of the Americas. The works address suppression linked to President Trump’s crackdown on DEI, anti-Palestine sentiment, and other forms of censorship, with some institutions self-censoring due to funding cuts from entities like the National Endowment for the Arts.

Moffat Takadiwa: Recoded Memories

Moffat Takadiwa, a Zimbabwean artist born in 1983, transforms post-consumer waste like computer keyboards and bottle tops into intricate sculptures and wall works that reflect his Korekore heritage and address consumerism, inequality, post-colonialism, and environmental decay. His recent exhibitions include a solo show "Second Life" at Nicodim Gallery in New York (2025), participation in the 60th Venice Biennale (2024), and shows at mumok Vienna and the Orange County Museum of Art. He is represented by Nicodim Gallery and founded Mbare Art Space, an artist-led hub in Harare's Mbare township.

San Francisco’s Museum of the African Diaspora marks 20 years with a show about Blackness and the cosmos

San Francisco's Museum of the African Diaspora (MoAD) has reopened its renovated ground-floor lobby to mark its 20th anniversary, alongside two new exhibitions. The larger show, "Unbound: Art, Blackness & the Universe" (on view until 16 August 2026), explores Blackness and the cosmos through painting, photography, sculpture, and installation. Curated by MoAD's first full-time curator Key Jo Lee, the exhibition features 17 artists including Torkwase Dyson, Barkley L. Hendricks, Lorna Simpson, Oasa DuVerney, and Mikael Owunna, organized under three themes: "Geo-Cartographic," "Religio-Mythic," and "Techno-Cyborgian." The $500,000 renovation also upgraded lighting and HVAC systems.

‘Wear layers and chic waterproof shoes’: Cherry Cheng on the art she collects, the London food she loves and how she survives Frieze week

Cherry Cheng, an art collector and founder of the high-end perfume house Jouissance, discusses her art-buying habits, favorite London spots, and Frieze week plans in an interview. She studied at Sotheby's Institute of Art and Goldsmiths, worked for Gurr Johns, and now collects works by artists such as Tancredi di Carcaci and Anastasia Pavlou, while supporting institutions like the Serpentine, Studio Voltaire, and the Institute of Contemporary Arts.

‘Like a carefully choreographed performance’: meet the logistics professionals who bring art fairs to life

Art fairs appear serene on the surface, but behind the scenes, logistics professionals work frantically to ship, install, and present hundreds of artworks. The article shares dramatic installation tales from galleries and shippers, including Gianpietro Carlesso's heavy sculpture at Frieze Sculpture 2020, a Calder Stegosaurus transported for Art Basel Miami Beach 2013, and Mandy El-Sayegh's immersive booth installation at Frieze London 2023. These stories highlight the challenges of tight schedules, extreme weather, and complex installations that require structural engineers, cranes, and overnight work.

Bogdan Ablozhnyy Receives the 2025 Camden Art Centre Emerging Artist Award

Bogdan Ablozhnyy has been awarded the 2025 Camden Art Centre Emerging Artist Award. The prize recognizes emerging visual artists and provides them with a solo exhibition at Camden Art Centre in London, along with a residency and production support. Ablozhnyy was selected from a competitive pool of nominees by a jury of curators and art professionals.

Portland Art Museum celebrates opening of major expansion with four days of free admission

The Portland Art Museum will celebrate the opening of its major expansion and renovation with four days of free admission and activities from November 20 to 23, 2025. The centerpiece is the new Mark Rothko Pavilion, a nearly 22,000-square-foot transparent entrance that connects the museum's two campus buildings, adding nearly 100,000 square feet of new or upgraded public and gallery space. The transformed museum features a complete reinstallation of its collection with nearly 300 major new acquisitions by artists including Marie Watt, Simone Leigh, and Carrie Mae Weems, alongside thematic displays that emphasize place, community, and identity. Free tickets are available for reservation starting November 1, and the museum will also expand its regular hours beginning November 25.

Everyone’s a winner, baby: prizes abound during Frieze London

During Frieze London, multiple acquisition prizes and awards were announced, including the Tate Frieze Fund (supported by a private patron) which purchased works by Lubna Chowdhary and Barbara Walker for £150,000. The inaugural Nicoletta Fiorucci Foundation Prize was awarded to Alex Margo Arden, while the Arts Council Frieze Acquisitions Fund grew to £90,000, acquiring works by Sarah Ball, Olu Ogunnnaike, Vanessa Raw, and Liorah Tchiprout. Other acquisitions included works by Michael Landy and Shaquelle Whyte for the Walker Art Gallery, and the Camden Art Centre Emerging Artist Prize went to Bogdan Ablozhnyy. Offsite, the Circa 2025 prize was won by Adham Faramawy for a film addressing the migration crisis.

One Weekend, 100 Artists: A guide to navigating Dublin Gallery Weekend

Dublin Gallery Weekend will take place from November 6th to November 9th, 2025, transforming the city into a "city-wide canvas" with over 40 galleries, cultural centres, and artist studios participating. Organized by the Contemporary Art Gallery Association (CAGA), the event features more than 60 free activities including gallery brunches, curated art trails, and late-night socials. Highlights include the National Gallery's Picasso: From the Studio exhibition, the Irish Museum of Modern Art's Reverse Migration, a Poetic Journey by Cecilia Vicuña, the Douglas Hyde Gallery's installation by Atsushi Kaga, and Kerlin Gallery's exhibition of Isabel Nolan's paintings.

Nigerian Modernism, Tehran’s art scene after the war, Wayne Thiebaud’s ‘Cake’—podcast

This episode of The Art Newspaper's podcast covers three major stories. First, Tate Modern's new exhibition 'Nigerian Modernism' explores modern art beyond Western canons, featuring co-curator Osei Bonsu and artist Jimoh Buraimoh. Second, correspondent Sarvy Geranpayeh reports on Tehran's art scene following the 12-day Israel-Iran war in June 2025. Third, the 'Work of the Week' segment highlights Wayne Thiebaud's painting 'Cakes' (1963), now on view at the Courtauld Gallery in London for the artist's first UK museum exhibition.

Dublin Gallery Weekend puts art at the heart of the city

Dublin Gallery Weekend 2025 will take place from 6–9 November, transforming the city into a canvas with over 40 galleries, cultural institutions, and artist studios participating. The program features more than 100 Irish contemporary artists, including solo exhibitions by Isabel Nolan at Kerlin Gallery, Corban Walker at Soloman Fine Art, Geraldine O’Neill at Kevin Kavanagh Gallery, and Patrick Graham at Hillsboro Fine Art. International highlights include Chilean artist Cecilia Vicuña’s first Irish solo show at the Irish Museum of Modern Art, and a cross-cultural printmaking project responding to Lafcadio Hearn’s ghost stories at SO Fine Art Editions. The weekend offers over 60 free events, including studio tours, talks, workshops, and late-night socials.

Monumental exhibition of works by Anselm Kiefer heads to the Saint Louis Art Museum

The Saint Louis Art Museum will host "Becoming the Sea," a monumental exhibition of works by German artist Anselm Kiefer, from October 18, 2025 through January 25, 2026. The show marks Kiefer's first U.S. retrospective in 20 years and features towering works up to 30 feet tall, including site-specific pieces inspired by the Mississippi and Rhine rivers. Curated by museum director Min Jung Kim and assistant curator Melissa Venator in direct collaboration with the 80-year-old artist, the exhibition will fill the museum's Sculpture Hall and contemporary galleries with over 30 loans from other collections, requiring custom installation systems and even the removal of a doorway to accommodate a large painting.

Comment | Museums can't get enough of anniversary exhibitions—but surely there's better ways to serve the public

The article critiques the growing trend of museums mounting anniversary exhibitions to celebrate the birth or death of famous artists, using the centennial of Robert Rauschenberg as a prime example. Nearly 100 organizations worldwide are participating in Rauschenberg-related shows, from the Menil Collection in Houston to the Grey Art Museum in New York. The author notes similar patterns in 2024 for James Ensor and in 2023 for Ellsworth Kelly and Pablo Picasso, with museums often resorting to highly specific or gimmicky themes to differentiate their offerings.

A brush with… Suzanne Jackson—podcast

This podcast episode features an in-depth conversation with artist Suzanne Jackson, who discusses her multifaceted career spanning drawing, painting, poetry, dance, and theatre. Born in 1944 in St. Louis and raised in San Francisco and Fairbanks, Alaska, Jackson draws on Native American and African American traditions to explore the spiritual connection between people and nature. She reflects on influences including Barbara Chase Riboud, Elizabeth Catlett, and Torkwase Dyson, and shares insights into her studio practice and her view on art's purpose. The episode also highlights her current survey exhibition "What is Love," which travels to SFMOMA, the Walker Art Center, and the Museum of Fine Arts, Boston through 2027.

Pearlstein Gallery Opens Fall Exhibition Exploring Systems and Structures in Contemporary Art

The Leonard Pearlstein Gallery at Drexel University's Antoinette Westphal College of Media Arts & Design has announced its Fall 2025 exhibition, "Of the Grid: Systems + Structures in Contemporary Art," running from October 14 to December 15. The show features 36 artists working across media including photography, video, drawing, weaving, sculpture, embroidery, printmaking, painting, book arts, and interactive installation, with works that use the grid as a formal, conceptual, or narrative device. Co-curated by gallery director Mark Stockton and Cindy Stockton Moore, the exhibition includes a dynamic mix of Philadelphia-based and international artists, with highlighted pieces such as Jacob C. Hammes's IKEA-hacked fountain, Anne Schaefer's optical color window installation, and a suspended quilt by Jody Graff.

The Disturbing Lessons of the 1937 ‘Degenerate Art’ Show

The article examines the historical context and enduring relevance of the 1937 Nazi-organized 'Degenerate Art Show' (Entartete Kunst) in Munich, which displayed hundreds of works by modern artists like George Grosz, Wassily Kandinsky, and Paul Klee as examples of moral and cultural corruption. It traces the concept's roots in 19th-century Social Darwinism, its adoption by Adolf Hitler and the Nazi Party to denigrate modern art, and the gradual escalation of cultural purification policies after Hitler seized power in 1933, including the firing of museum directors and the construction of the Haus der Deutschen Kunst.

16 Hidden Art Gems You Can Visit for Free During Open House New York

Open House New York returns for 2025 from October 17 to 19, offering free or low-cost access to over 340 venues across all five boroughs, including architectural landmarks, cultural institutions, and hidden spaces not normally open to the public. Highlights include the filtration system at Astoria Pool, behind-the-scenes tours of a Goodwill in Brooklyn, a passive house in Harlem, and art-focused sites such as MTA Arts and Design subway tours, the Whitney Museum's flood mitigation system by Renzo Piano, and the Morbid Anatomy Museum. The event features 164 drop-in venues and 178 ticketed sites at $7 per person, with tickets released on October 3.

A brush with… Wolfgang Tillmans—podcast

The article is a podcast transcript featuring an in-depth conversation with Wolfgang Tillmans, the influential German photographer born in 1968. It covers his four-decade career, his experimental approach to photography—spanning portraiture, still life, landscape, political subjects, and abstraction—and his innovative installation methods that respond to specific exhibition spaces. Tillmans discusses early influences like Kurt Schwitters, Francisco de Zurbarán, Isa Genzken, Laurie Anderson, and Jiddu Krishnamurti, and reflects on his expanding practice into video, text, sound, and music. The piece also lists current and upcoming exhibitions, including a solo show at Maureen Paley in London and his participation in the 36th Bienal São Paulo.

Christian Marclay's ‘Doors’ marks opening of Brooklyn Museum's new video art gallery

Christian Marclay's video collage 'Doors' (2022) has opened at the Brooklyn Museum's newly constructed Moving Image Gallery, marking the institution's first dedicated space for time-based media. The 54-minute work, co-purchased by the Brooklyn Museum and the Smithsonian's Hirshhorn Museum and Sculpture Garden, splices hundreds of film clips showing characters entering and exiting doorways, building on the visual language of Marclay's acclaimed 24-hour film 'The Clock' (2010). The gallery was built to Marclay's specifications, offering a theatrical setting rather than a typical black-box presentation.

A Ballet Based on the Life of Josephine Baker Opens the Fall Season at Théâtre des Champs-Elysées, and Other News

The Théâtre des Champs-Elysées opened its fall season with *Josephine*, a ballet by Germaine Acogny based on the life of Josephine Baker, tracing her 1925 Paris debut, activism in the French Resistance, and civil rights advocacy. Costumes by Chanel's specialty atelier Paloma feature in the solo performance, which is paired with Pina Bausch's *The Rite of Spring*. In other news, London's National Gallery announced a new wing under its Project Domani initiative, funded by $502 million in private donations including record pledges from the families of Michael Moritz and Julia Rausing, set to open in the early 2030s. Phillips will auction a juvenile triceratops skeleton nicknamed "Cera" in its November modern and contemporary art sale, with a presale estimate of $2.5–3.5 million. Kelly Reichardt's art heist film *The Mastermind* will screen at the New York Film Festival, and Thomas Heatherwick discussed his role as general director of the Seoul Architecture Biennale.

25 of 2025: 5 Groundbreaking Fiber Artists You Need to Know

Artnet News profiles five groundbreaking fiber artists as part of its "25 of 2025" series, highlighting Diedrick Brackens and Melissa Joseph among them. Brackens, born in 1989, has seen his textile works exhibited at major institutions including the Museum of Modern Art, the National Gallery of Art, and LACMA, with a solo show "the shape of survival" at the SCAD Museum of Art and a U.K. debut at the Holburne Museum in 2025. Melissa Joseph, who only began working with felt in 2020, has rapidly gained attention through solo exhibitions and major public commissions, including a 2024 installation at Rockefeller Center and the 2025 UOVO Prize-winning work "Tender" at the Brooklyn Museum.

25 of 2025: 5 Painters Who’ve Been Catching Our Eye

Artnet News has spotlighted five painters in its '25 of 2025' series, highlighting emerging talents defining the year. Among them are Pol Taburet, a Parisian painter known for bold color palettes and a rising market presence, with works selling above estimates at Sotheby's and Artcurial, and Maja Ruznic, a Bosnian-born artist whose haunting, jewel-toned works earned comparisons to Klimt and Rothko and a standout at the 2024 Whitney Biennial. Taburet is set to feature in the 36th Bienal de São Paulo, while Ruznic recently opened a solo exhibition at Karma Gallery and is included in Site Santa Fe International.