Textile Artist Ian Berry on Denim and the Ever-Evolving Art World

British artist Ian Berry, known for creating photorealistic works from recycled denim, is participating in the group exhibition "Textile Art Redefined" at the Saatchi Gallery in London. The show, curated by Helen Adams and inspired by her book "Fine Art Textiles," features 15 visionary textile artists from the U.K. and around the world, running through May 10. Berry's installation "Secret Garden" is made entirely from denim scraps, and he discusses the significance of showing in his hometown and alongside peers he admires.

Gabrielle Goliath Sounds a Call to Action in Venice

Gabrielle Goliath’s exhibition "Elegy" is presented as South Africa’s unofficial pavilion at the 61st Venice Biennale, after the country’s Culture Minister Gayton McKenzie overrode an independent committee’s selection of Goliath, citing her proposed inclusion of a memorial for Palestinians killed in Gaza. The installation features three video works in which singers sound a single note in tribute to victims of violence: a South African femicide victim, two women killed in Germany’s colonial genocide in Namibia, and Palestinian poet Heba Abunada. The show occupies the Chiesa di Sant'Antonin in Venice, curated with Ingrid Masondo, after a legal challenge against McKenzie was dismissed.

Air de Paris, a Radical Stalwart of the French Gallery Scene, Is Closing

After 36 years and over 400 exhibitions, the radical Parisian gallery Air de Paris is closing due to bankruptcy. Co-founders Florence Bonnefous and Edouard Merino decided to shutter the gallery after its financial situation became fragile, compounded by Bonnefous's health issues (Chronic Obstructive Pulmonary Disease) and their refusal to adapt to the increasingly profit-driven, corporatist art market. The gallery's final show, titled “Oh What a Time,” in Romainville featured works by artists including Joseph Grigely, Amy Vogel, Allen Ruppersberg, Pierre Joseph, Mona Varichon, Pati Hill, Lily van der Stokker, and Trisha Donnelly.

Paola Siri Renard “Double Star” at nouveaux deuxdeux, München

Paola Siri Renard presents "Double Star" at nouveaux deuxdeux in Munich, featuring sculptures assembled from fragments of architectural ornaments, equestrian monuments, industrial display systems, and skeletal forms. Her work extracts elements from historical structures—spanning Gothic, Greco-Roman, and Art Nouveau styles—and reconfigures them into unstable, evocative constellations.

25 years later, artist David Adey continues to push the envelope

Artist David Adey is the subject of a mid-career survey, “David Adey: Sacrificial Bodies,” opening April 25 at the Oceanside Museum of Art. The 70-piece exhibition, curated by gallery owner Mark Quint in collaboration with Adey, spans 25 years of his career and includes a 2026 re-creation of his 2001 piece “The Lamb,” which features a reconstructed lamb carcass. Adey, now 53, originally created the work as a graduate student at Cranbrook Academy of Art. The show also features pieces like “Gravitational Radius” and “2,127 Rounds,” a sculpture made by firing an AR-15, Glock 34, and shotgun into cedar.

Ittai Gradel, gems expert who uncovered British Museum thefts, dies aged 61

Ittai Gradel, a Danish classical gems specialist, has died at age 61. His investigations revealed that hundreds of objects had been stolen from the British Museum, leading to the resignation of director Hartwig Fischer in 2023. Gradel first alerted the museum in 2021 after finding proof that precious objects were being sold on eBay, naming senior curator Peter Higgs as the suspected seller. After initial concerns were ignored, Gradel wrote again in 2022, eventually prompting a police investigation. Higgs was dismissed in July 2023, and Fischer resigned the following month. Of the 2,000 items affected, 626 have been recovered, many bought in good faith by Gradel and returned. Earlier this month, Gradel received a special British Museum award from current director Nicholas Cullinan.

In dreamy photographs, the artist Widline Cadet tells the complex story of her family’s migration

Artist Widline Cadet, who was separated from her mother for six years as a child during her family's migration from Haiti to New York, has spent nearly a decade creating a multimedia "living archive" of photographs, video, sound, and sculpture. Her largest solo exhibition to date, "Currents 40: Widline Cadet," is now on view at the Milwaukee Art Museum, exploring themes of diaspora, memory, and familial connection through dreamlike, often fragmented imagery.

“Containers Love Disorder” at Kunst Halle Sankt Gallen

The group exhibition "Containers Love Disorder" at Kunst Halle Sankt Gallen brings together seven artists and collectives active in Switzerland: Michèle Graf & Selina Grüter, Dominic Michel, Mathis Pfäffli, Matthias Sohr, Kelly Tissot, Paulo Wirz, and the collaborative project La Bibliothèque des Ready-Mades, initiated by Anaïs Wenger. The show explores strategies of arrangement, classification, and situatedness through a range of works.

Liliana Moro “| senza | soluzione di continuità” at Platea | Palazzo Galeano, Lodi

Liliana Moro presents a new installation titled “| senza | soluzione di continuità” at Platea | Palazzo Galeano in Lodi. The work is described as a powerful yet subtle artistic gesture that renegotiates the function of the shop window as a public space, emphasizing responsibility and generosity.

Exhibition | Byoung Cho, 'WHEN SPACE BECOMES PAINTING' at BB&M, Seoul, South Korea

BB&M gallery in Seoul presents "When Space Becomes Painting," a solo exhibition of leading Korean architect Byoung Cho, organized in partnership with Jiyoon Lee of SUUM Project. The show traces Cho's 30-year engagement with space across painting, installation, maquettes, and drawing, exploring how his architectural thinking translates onto canvas. Central to the exhibition is Cho's concept of "mahk," inspired by Korean traditional ceramic maksabal, embracing spontaneity and imperfection as a guiding philosophy. The exhibition shifts from viewing artworks to experiencing them, with paintings that function as performative inquiries into existence rather than static images.

Mario Ceroli on display in Florence: forty works at Tornabuoni Arte

The Tornabuoni Arte gallery in Florence is hosting "Mario Ceroli. Myth and Matter," an anthological exhibition featuring forty sculptures and installations by the Roman artist Mario Ceroli. The show traces his career from the 1960s to 2000, including his iconic wooden silhouettes, works inspired by Leonardo da Vinci's Vitruvian Man, and pieces referencing Greek myth and the Riace Bronzes. The exhibition runs until May 29 at the gallery's Lungarno Benvenuto Cellini 3 location.

A monkey mountain kronikle

Duane Reed Gallery in St. Louis is hosting a return exhibition of American printmaker Tom Huck, known for his large-scale satirical woodcuts. Huck, who works from his studio Evil Prints in Park Hills, Missouri, draws inspiration from Northern Renaissance masters like Albrecht Dürer, as well as José Guadalupe Posada, Honoré Daumier, and William Hogarth. His intricate carving and cross-hatching technique creates works that blend festive celebration with social criticism, which he describes as "rural satire" based on life in small-town southeast Missouri.

Khaled Sabsabi: Splintered Worlds

Khaled Sabsabi, a Lebanese Australian artist, explores the intersection of spirituality and perception through video and mixed-media installations rooted in Sufism. His work, such as the 18-minute video *Lefke Morning* (2012–18), captures the Naqshbandi-Haqqani Sufi Order's dawn meditations, using blurred imagery and soundscapes to challenge Islamophobic media tropes and evoke a sense of unity. Sabsabi's practice also draws on hip-hop, which he performed as "Peacefender" in the 1980s, using music to address social issues and support marginalized communities in Western Sydney.

GABRIEL CHAILE UNFOLDS HIS ARCHAEOLOGY OF MIGRATION IN LONDON

Argentine artist Gabriel Chaile has opened a new commission titled "Archaeology of Memory" at London's Whitechapel Gallery. The site-specific installation features monumental adobe sculptures that incorporate everyday and decorative objects sourced from the surrounding East End neighborhood. Chaile, who is based in Lisbon, draws on the material traditions of Indigenous communities from northwest Argentina, blending roles as artist, anthropologist, and storyteller to explore themes of migration, identity, and cultural memory.

GABRIEL CHAILE DESPLIEGA SU ARQUELOGIA DE LO MIGRATORIO EN LONDRES

Argentine artist Gabriel Chaile has opened a new commission titled "Archaeology of Memory" at the Whitechapel Gallery in London. The site-specific installation transforms a large gallery space into an archaeological excavation site, incorporating everyday and decorative objects sourced from the surrounding East End neighborhood. These objects are embedded into monumental adobe sculptures that draw on the forms and material traditions of Indigenous communities from northwest Argentina, where Chaile originates. The artist acts as both anthropologist and storyteller, exploring a "genealogy of form" that traces recurring motifs across cultures and time.

Sainsbury Centre receives one of largest ever UK museum donations

The Sainsbury Centre, an art museum in Norwich, England, has received a £91.2 million donation from British politician and businessman David Sainsbury through his charitable foundation, Gatsby. The funds will be used to renovate the grade II* listed building, originally designed by Norman Foster and completed in 1978. The renovation, led by Foster + Partners, includes improvements to the building envelope, photovoltaic panels, and upgraded visitor facilities, aiming to halve the museum's energy use and support the University of East Anglia's net zero campus goal by 2045.

In the heart of Trastevere, an exhibition by an artist paying homage to an ancient Roman goddess

Nel cuore di Trastevere la mostra di un artista che omaggia un’antica dea romana

Diego Gualandris presents 'Floralia,' a solo exhibition at ADA gallery in Rome's Trastevere district, running until May 24, 2026. The show blends painting and music to create a modern homage to Flora, the ancient Roman goddess of spring and fertility. Gualandris displays a series of medium- and small-scale canvases from 2026 alongside a 1970s gramophone playing two original tracks—'The world in a flowerbed' improvised by the artist on piano with saxophonist Francesca Pegurri, his mother. The exhibition also references Hermann Nitsch through works like 'Prinzendorf,' and features playful, erotic botanical compositions that invite viewers to lie down and experience the space through sound and imagery.

100 anni tra arte e poesia per annullare i confini. Intervista a Lamberto Pignotti

Lamberto Pignotti, the 100-year-old Florentine artist and poet and a leading figure in visual poetry, is celebrated with two concurrent exhibitions: "Pignotti 100. Pop-esie visive" at the Mart in Rovereto (in collaboration with the Collegio Cairoli of Pavia) and the dual solo show "Identikit di Pignotti e Hogre" curated by Marco Giovenale at Galleria Bianco Contemporaneo in Rome. The latter exhibition, born from a dialogue between Pignotti and the anonymous artist Hogre, centers on a collection of envelopes Pignotti has saved for over fifty years—each addressed to him with varying titles (architect, artist, poet, professor) or altered names (Alberto, Lorenzo, Mario, Giuseppe)—revealing his fragmented identity. Pignotti co-founded the Gruppo '70 in Florence in 1963 with Eugenio Miccini, a movement that brought together multidisciplinary artists including Lucia Marcucci, Ketty La Rocca, and musicians Giuseppe Chiari and Sylvano Bussotti.

At the Venice Biennale, the Armenian Pavilion Transforms into an Artist's Workshop: Works Are Born in Front of the Public

Alla Biennale di Venezia il Padiglione dell’Armenia si trasforma in bottega d’artista: le opere nascono di fronte al pubblico

The Armenian Pavilion at the 2026 Venice Biennale will transform into a functioning artist's studio, where sculptor Zadik Zadikian will create works in real time before the public. Titled "The Studio," the project is curated by gallerist Tony Shafrazi and curator Tina Chakarian, and will operate daily from May 6 to November 22 at the Tesa 41 of the Arsenale. Zadikian, born in Yerevan in 1948 and now based in the US, will work with traditional Armenian plaster techniques alongside his son Aram and studio assistants, emphasizing the process of making over the finished object.

Architects Behind Frick Renovation Tapped for Louvre’s ‘New Renaissance’

The French government has selected STUDIOS Architecture to lead a major renovation of the Louvre Museum in Paris, including new galleries and a second entrance. The project, called the 'New Louvre Renaissance,' was announced by President Emmanuel Macron in early 2025 but stalled after a jewel heist and staff strikes led to the resignation of former Louvre president Laurence des Cars, who was succeeded by Christophe Leribault. The $778 million plan aims to ease overcrowding at the museum, which hosts 9 million visitors annually, and includes a dedicated 33,000-square-foot gallery for the Mona Lisa.

Palate Cleansers at Frieze NY

Hyperallergic's coverage of Frieze New York and concurrent art fairs in the city frames the experience as overwhelming yet punctuated by standout works. Senior Editor Valentina Di Liscia compares the fair to an assembly-line salad, finding reprieve in art that evokes lush canopies, diaphanous portraiture, and ancestral gardens. The issue also includes dispatches from Future Fair, 1-54, TEFAF, NADA, and Independent Art Fair, alongside a tribute to Austrian performance artist Valie Export, who died at age 85, remembered for her radical feminist guerrilla performances that challenged the male gaze.

Finding art in the uncanny aesthetics of MAGA

Spielzeug gallery, founded in 2025 in Bushwick by Evan Karas and Eleanor Hicks, opened a pop-up show titled MAR-A-LAGO FACE on May 13 at a former restaurant on Allen Street in New York. The exhibition critiques the plastic-surgery aesthetics associated with Republican figures like Matt Gaetz, Laura Loomer, Kimberly Guilfoyle, and Kristi Noem, featuring works by queer, trans, and Latin American artists. The opening blurred the line between exhibition and party, with a DJ, themed drinks, and a bouncer checking bags.

Suspect Is Taken into Custody in Decade-Long Louvre Ticketing Scam

A Louvre employee has been indicted and detained on charges including organized gang fraud in connection with a decade-long ticketing scam that defrauded the Paris museum of an estimated €10 million ($11.7 million). The scheme involved counterfeit tickets and overbooking of guided tours, primarily targeting Chinese tour groups. Nine people were arrested, including two museum employees, several tour guides, and the alleged mastermind. Authorities seized over €957,000 in cash, €67,000 in foreign currency, €486,000 in bank accounts, three vehicles, and multiple safe deposit boxes, with some proceeds invested in real estate in France and Dubai.

Parliamentary report calls for major changes at French museums in the wake of Louvre heist

A French parliamentary report published on 13 May, following the October 19 heist of the crown jewels at the Louvre, issues a damning assessment of the country's museum security and management. The commission heard around 100 testimonies and examined some 2,000 museums, dedicating a special chapter to the Louvre. It blames former director Laurence des Cars's leadership for a "dysfunctional drift" that prioritized contemporary art interventions and fashion shows over basic infrastructure and collection protection, allowing the heist to occur. The report lists rising threats including riots, burglaries, cyberattacks (which forced the National Museum of Natural History in Paris to cancel an exhibition after a ransomware attack in July 2025), and terrorist plots. It proposes 40 recommendations, including raising budgets by an estimated €20–25 billion over a decade, enhancing staff training, and overhauling museum leadership.

Cigarette Taxes Have Funneled $270 M. Toward Arts and Culture in Cleveland Since 2007

Cuyahoga County, Ohio, has funneled $270 million into arts and culture since 2007 through a cigarette tax, distributed by the nonprofit Cuyahoga Arts and Culture. Beneficiaries include the Cleveland Museum of Art, the Museum of Contemporary Art Cleveland, the Cleveland Institute of Art, ICA-Art Conservation, Sculpture Center, and the Cleveland Arts Prize. The tax has funded roughly 4,000 grants to 485 organizations, far exceeding the $48 million the entire state received from the National Endowment for the Arts in the same period.

America’s Museums Have a Building Problem

A new report from the Government Accountability Office, analyzed by The Art Newspaper, reveals that roughly 85 percent of American museums are dealing with deferred maintenance or major repair needs, and about 77 percent have at least one structural issue that could endanger their collections. Many of the country's 16,700 museums are small, under-resourced operations housed in aging or historic buildings, with half reporting over $100,000 in deferred maintenance. Basic repairs like roofs or HVAC systems can consume large portions of annual budgets, forcing some institutions to store artworks in makeshift spaces like garages or bathrooms.

No money, more problems: 85% of US museums in urgent need of building repairs

A recent survey by the US Government Accountability Office (GAO) found that approximately 85% of US museums face a costly backlog of maintenance or building repairs, with 77% having at least one structural issue that puts their collections at risk. Based on a survey of around 300 museums and 17 site visits, the report reveals that institutions across the country struggle to keep buildings updated and safe due to a lack of funding, with challenges especially pronounced in rural and remote locations where shipping materials and finding skilled workers is prohibitively expensive. Many museums are housed in historic homes or sites that are part of their collections, adding further complexity, and smaller museums often lack the budget to address major problems like new roofs or HVAC systems.

Comment | Museums are civic institutions. It’s time we acted like it

Lindsay C. Harris, director of the Oakland Museum of California (OMCA), publishes a commentary calling for museums to act as true civic institutions. She outlines concrete internal commitments OMCA has made, including voluntarily recognizing a staff union, adopting a pay equity philosophy with a minimum wage of $30.88 per hour, implementing transparent financial practices, and shifting investments toward socially responsible funds. Externally, she advocates for centering community voices, building social cohesion through inclusive programming, and measuring institutional impact through visitor surveys.

SHE: Exhibition of street art at Rome gallery

Rosso20sette arte contemporanea in Rome is hosting a group exhibition titled 'SHE Street (Art) – Her (Art) – Exhibition,' featuring six internationally acclaimed female street artists: Swoon, Faith XLVII, Sandra Chevrier, Jacoba Niepoort, Handiedan, and Patrícia Mariano. Curated by Giorgio Silvestrelli, the show presents works on paper and canvas, some never previously exhibited and others created specifically for the occasion. The exhibition runs until 10 July at the gallery on Via del Sudario 39.

The Metropolitan Museum of Art Unveils Its Fashion Galleries, Highlighting Fashion’s Place in Museums

The Metropolitan Museum of Art has unveiled the new Condé M. Nast Galleries, a nearly 12,000-square-foot suite of exhibition spaces designed by Brooklyn-based architecture firm Peterson Rich Office. Located adjacent to the museum's Great Hall, the galleries relocate fashion exhibitions from a previously tucked-away basement space to one of the museum's most visible and architecturally significant locations. The new spaces debuted with "Costume Art," an exhibition organized by The Costume Institute and curated by Andrew Bolton, which places roughly 200 garments and accessories in dialogue with 200 artworks from the museum's collection, exploring themes such as "The Classical Body," "The Aging Body," and "The Disabled Body." The design, by architects Miriam Peterson and Nathan Rich, uses a restrained material palette of grey marmorino plaster and oak doors framed by limestone arches to create permanent-feeling yet flexible spaces that harmonize with the museum's historic Beaux-Arts architecture.