$181.2 Million Pollock, $107.6 Brancusi Million Sell at Christie’s, as Records Fall

Christie's New York auctioned 16 works from the collection of late media magnate S.I. Newhouse for a total of $630.8 million, far exceeding the $450 million estimate. The top lot was Jackson Pollock's "Number 7A" (1948), which sold for $181.2 million, setting a new auction record for the Abstract Expressionist and making him the latest artist to join the $100 million club. Minutes earlier, Constantin Brancusi's bronze sculpture "Danaïde" (1913) achieved $107.6 million, also a record for the Romanian modernist and the second-highest price ever for a sculpture at auction.

Rothko from Robert Mnuchin’s Estate Sells for $85.8 M., Leading Sotheby’s New York’s $433.1 M. Contemporary Art Sale

Sotheby’s New York held a $433.1 million modern and contemporary art sale at its Madison Avenue headquarters, led by Mark Rothko’s *Brown and Blacks in Reds* (1957), which sold for $85.8 million. The auction opened with 11 works from the estate of legendary dealer Robert Mnuchin, totaling $166.3 million, including a second Rothko and pieces by Willem de Kooning, Franz Kline, and Pablo Picasso. The contemporary art segment followed, with Jean-Michel Basquiat’s *Museum Security (Broadway Meltdown)* (1983) selling for $52.7 million. The overall sale was described by advisers as robust but not particularly exciting, and it significantly exceeded the $186.1 million equivalent sale from last year.

Venice Biennale Special 2026—podcast

This episode of The Art Newspaper's podcast is a Venice Biennale special, covering the opening week of the 2026 edition. Host Ben Luke, along with Louisa Buck and Jane Morris, reviews the main exhibition "In Minor Keys," curated by the late Koyo Kouoh and realized by five collaborators. The podcast features interviews with artists Gabrielle Goliath, whose work for the South African pavilion was cancelled and is instead staged in a Venice church, and Lubaina Himid, showing in the British pavilion. It also includes conversations with writer Saidiya Hartman and Daniella Kaliada of Belarus Free Theatre about their collateral projects. The episode concludes with a focus on two restored Tintoretto paintings at the Basilica of San Giorgio Maggiore, funded by Save Venice.

Lubaina Himid on capturing the 'uneasiness' of Britain for her Venice Biennale pavilion

Lubaina Himid, the Turner Prize-winning artist born in Zanzibar and raised in England, is representing Great Britain at the Venice Biennale with a pavilion that captures the 'uneasiness' of living in Britain. The exhibition features her signature paintings, prints, and cutout figures, alongside a soundscape by Magda Stawarska, designed to evoke ambiguous encounters and the gap between a question and an answer. Himid describes the pavilion as a reflection of Britain's everyday pleasantness undercut by a persistent sense of otherness, drawing on her own experience as an East African brought up by English women.

Timm Ulrichs, Pioneering Conceptual Artist, is Dead at 86

German conceptual artist Timm Ulrichs has died at age 86. His death on April 29 in Berlin was announced by the Kunstverein Hannover, where he was the oldest member. Ulrichs studied architecture before declaring himself a “total artist” in 1961, inspired by Kurt Schwitters. His provocative works included displaying himself as a living artwork in a glass case, running naked with a lightning rod, and spending hours inside a hollowed boulder. He also created concrete poetry, computer art, and copy art, and taught sculpture at the Kunstakademie Münster from 1972 to 2005. His work appeared in Documenta 6 and solo exhibitions at the Sprengel Museum Hannover and Kunstverein Hannover.

The curator awakens: Lucas Museum of Narrative Art reveals inaugural exhibition lineup

The Lucas Museum of Narrative Art, founded by George Lucas and Mellody Hobson, will open in Los Angeles on 22 September with 18 inaugural exhibitions featuring over 1,200 objects. Curated by Lucas himself, the shows span media like photography, architecture, and cinema, as well as genres such as manga, anime, comics, and children's stories. Six solo exhibitions will highlight American artists including Thomas Hart Benton, Frank Frazetta, and Norman Rockwell. The museum's collection now exceeds 40,000 works, including the Separate Cinema Archive and Lucas Archives of film memorabilia.

New biography of Chaïm Soutine pieces together illusive artist's life and works

A new biography of Chaïm Soutine, the early 20th-century painter, has been published. The book, written by Celeste Marcus, attempts to piece together the life of the notoriously private and illusive artist, examining his journey from a Belarusian shtetl to the studios of Montparnasse, his complex relationships, and the myths that have grown around his work and persona.

James McNeill Whistler review – a luscious, seductive blockbuster for the painter who scandalised Britain

Tate Britain has opened a major retrospective dedicated to James McNeill Whistler, the American painter who scandalized Victorian Britain. The exhibition centers on his iconic work *Arrangement in Grey and Black No. 1* (commonly known as *Whistler's Mother*), lent by the Musée d'Orsay, and traces his evolution from raw realist scenes of London's docks to radical, abstract celebrations of color and pattern. It includes a reconstruction of *The Peacock Room* and highlights his rivalry with critic John Ruskin, who accused him of 'flinging a pot of paint in the public's face.'

‘Depraved in all the right ways’: why forgotten no wave visionary Gordon Stevenson is about to take off

The article profiles Gordon Stevenson, a forgotten visionary of the no wave movement in late-1970s New York, who was an artist, jewelry designer, musician, and filmmaker best known for the notorious film *Ecstatic Stigmatic*. Decades after his death from AIDS, a storage unit full of his lost work has been discovered, including jewelry, mail-art collaborations with Ray Johnson, and clues to a surviving print of his film. His family has also recovered hundreds of letters he wrote to his parents, chronicling his life in downtown New York and his experiences as one of the city's first AIDS patients. The piece traces his journey from a small town in Georgia, where he met his wife Mirielle Cervenka (who later renamed Exene Cervenka), to their punk-era jewelry brand LHOOQ and his lasting influence on gothic fashion.

After dinosaurs, it’s spot the dog! But can a child really learn anything in a gallery?

Neil Osborne and his three-year-old daughter Daisy visit the National Museum Cardiff (NMC), where they explore both dinosaur exhibits and art galleries. Daisy, like many toddlers, engages with paintings by describing what she sees—calling a JMW Turner seascape "a fish." The article follows the author as she investigates whether children under five can learn from art in museums, speaking with parents and Catrin Rowlands, head of learning at NMC. NMC is one of 15 UK museums participating in Mini Wonders, a fully funded program by Art Fund and Nesta that offers eight-week courses for families from disadvantaged backgrounds, providing digital cameras and scrapbooks to encourage repeated museum visits and school readiness.

Buzkashi horsemen battling for a headless goat: Todd Antony’s best photograph

Photographer Todd Antony discusses his black-and-white series capturing the Central Asian sport of buzkashi, in which horsemen compete to grab and control a headless goat carcass. He traveled to Tajikistan to document matches involving up to 300 riders, shooting from a pickup truck and later taking portraits of riders on farms. One striking image shows three horses and their riders against a snowy mountain backdrop, with fog rolling in—a moment that inspired him to channel Richard Avedon's style using artificial lighting.

Concrete sun tunnels and shimmering pools of water: the monumental land art of Nancy Holt

Nancy Holt (1938-2014), a pioneering land artist known for her monumental work *Sun Tunnels* (1976) in the Utah desert, is the subject of a new exhibition at the Goodwood Art Foundation in Sussex. Titled *MOONSUNSTAR EARTHSKYWATER*, the show is the first UK retrospective to bring together Holt's photographic works, films, poetry, indoor installations, and outdoor pieces, including *Hydra's Head*, a constellation-inspired installation of six circular pools in a chalk quarry. The exhibition highlights Holt's recurring motifs of circles and systems, tracing them from her early concrete poem to her large-scale cosmological works.

Tate at a turning point: new director must confront unwieldy ‘beast’ of an art institution

Roland Rudd, chair of Tate, insists the institution is thriving despite recent leadership changes, citing record visitor numbers of 6.2 million, strong exhibition attendance (Turner and Constable at Tate Britain, Lee Miller, and Tracey Emin at Tate Modern), and 155,000 members. However, Maria Balshaw has stepped down as director after nine years, leaving her successor to confront a financially strained organization hit by pandemic losses, multiple redundancies, and low staff morale amid culture war battles.

New US exhibition explores power of monuments – with help from Rocky

The Philadelphia Museum of Art has opened a new exhibition titled "Rising Up: Rocky and the Making of Monuments," which uses the iconic Rocky Balboa statue as a focal point to explore the power and meaning of monuments across two millennia of boxing and celebrity culture. Curated by Paul Farber, co-founder of Monument Lab, the show features ancient sculptures, 19th-century works, images from boxing's golden age, and contemporary pieces by artists including Andy Warhol, Keith Haring, Jean-Michel Basquiat, and Glenn Ligon. The Rocky statue, placed on the museum's steps in 1982, attracts an estimated 4 million visitors annually, rivaling the Statue of Liberty.

Delegitimation, Denunciation and Insecurity

"Delegitimation, Denunziation und Verunsicherung"

German cultural critic Georg Seeßlen warns in his taz column of a right-wing 'war of conquest' targeting liberal cultural institutions through systematic delegitimation, denunciation, and intimidation. Meanwhile, a new Berlin artist study reveals that the average annual income from artistic work is just €6,000, highlighting a structural dysfunction in the art system. Additionally, Jonathan Meese's play 'Alaska Kid' has been canceled at the Volksbühne Berlin following the death of his mother Brigitte Meese, who was his organizer, muse, and confidante.

"Kultursenator ist kein Nebenjob"

Berlin's finance senator Stefan Evers is set to additionally take on the role of culture senator following the resignation of Sarah Wedl-Wilson, a move criticized as a stopgap solution that creates a conflict of interest between austerity and cultural advocacy. Meanwhile, the Venice Biennale faces multiple controversies: critics question how to evaluate curator Koyo Kouoh's posthumous main exhibition "In Minor Keys," completed after her death in May 2025; Israeli artist Belu-Simion Fainaru speaks out against his exclusion from the Biennale competition, calling it politically biased and reminiscent of historical persecution; and German press decries the politicization of the Biennale, particularly the exclusion of Israel and Russia from the competition.

The Prototype of an Artist

Der Prototyp eines Künstlers

Timm Ulrichs, the self-proclaimed "Totalkünstler" (total artist) known for his boundary-pushing performances—tattooing himself, locking himself inside a hollowed boulder, and running naked in thunderstorms—has died at age 86 in Berlin. A pioneer of Land Art, Body Art, concrete poetry, and endoscopic imaging, Ulrichs created works that anticipated later artists like Isa Genzken, and was invited to Documenta 6 in 1977. Despite his prolific output and influence on younger generations, he often lamented being overlooked by the international art market compared to peers like Georg Baselitz and Gerhard Richter.

Taiwan revokes Sakuliu Pavavaljung’s National Award for Arts

Taiwan’s National Culture and Arts Foundation has revoked the National Award for Arts granted to artist Sakuliu Pavavaljung in 2018, ordering him to return the NTD 1 million prize. The revocation follows a Supreme Court ruling on 1 April that upheld a January 2025 conviction by the Pingtung District Court, which found the artist guilty of rape and sentenced him to four years and six months in prison.

Desmond Morris, zoologist, presenter and surrealist painter, 1928–2026

Desmond Morris, the zoologist, author, television presenter, and surrealist painter, has died at the age of 98. He was best known for his 1967 book *The Naked Ape* and the television program *Zoo Time*, but maintained a parallel, influential career in the visual arts as a painter and curator.

Ibrahim Mahama awarded 2026 Arnold Bode Prize

Ghanaian visual artist Ibrahim Mahama has been awarded the 2026 Arnold Bode Prize by the city of Kassel. The prize, announced by his gallery White Cube, includes a €10,000 award in recognition of his artistic practice.

Rare Early Basquiat Works Return to Brooklyn After HBCU Tour

An intimate collection of early Jean-Michel Basquiat works and ephemera, titled "Our Friend, Jean," is returning to Brooklyn's The Bishop Gallery starting May 16, 2026. The exhibition draws primarily from the archive of Alexis Adler, Basquiat's former roommate and partner from 1979–80, and includes paintings on sweatshirts, postcards, writings, and photographs Adler took of the artist. Originally presented in 2019, the show traveled to six historically Black colleges and universities (HBCUs) between 2022 and 2024, attracting 10,000 visitors and involving students in the installation process.

Getting Messy in the Archive at LA’s Art Book Fair

Printed Matter's Los Angeles Art Book Fair returned to the Art Center College of Design in Pasadena for its 13th edition, featuring over 250 exhibitors—slightly fewer than last year—with about a fifth participating for the first time. A common thread across the fair was the archive: publications that excavate, remix, and repurpose historical media, from a book chronicling a 1960s hoax about animal nudity to a compendium of vintage photographs that subvert male subjectivity, and a collection of found photos from abandoned houses in rural Maine. The fair also highlighted diasporic and personal archives, including a Palestinian-American artist's cassette mixtape tracing music from the Middle East and an artist-run press focusing on translation as cultural resistance.

No Need to Shed a Tear for the Jury

"Man muss der Jury keine Träne nachweinen"

The entire jury of the Venice Biennale resigned shortly before the opening, prompting criticism of Biennale President Pietrangelo Buttafuoco. Italian Culture Minister Alessandro Giuli accused Buttafuoco of pursuing a misguided "pacificist fantasy" by readmitting Russia to the six-month exhibition, calling it failed "side foreign policy." Commentators in German media, including Niklas Maak (FAZ) and Marcus Woeller (Die Welt), see the resignation as a symptom of a crisis in the art world, with the jury having acted as a "political tribunal" by pre-judging artists based on nationality, particularly regarding Israel. The Biennale leadership defended inclusion, but the standoff has caused significant "image damage." Separately, Dirk Knipphals (wochentaz) delivers a scathing review of Wolfram Weimer's first year as cultural policy commissioner, accusing him of empty rhetoric and failing to counter right-wing cultural politics. Juliane von Mittelstaedt (Der Spiegel) reports on Saudi Arabia's use of a spectacular new art museum in Riyadh as a stability narrative amid regional conflict.

fondazione dries van noten opens with inaugural exhibition at palazzo pisani moretta, venice

Fondazione Dries Van Noten has opened at Palazzo Pisani Moretta in Venice with its inaugural exhibition, "The Only True Protest Is Beauty," running from April 25 to October 4, 2026. Curated by Dries Van Noten himself, the show features over 200 works across twenty rooms, blending fashion, art, design, ceramics, glass, and photography. Highlights include archival pieces by Christian Lacroix and Rei Kawakubo for Comme des Garçons, alongside works by emerging and established artists such as Ayham Hassan, Peter Buggenhout, Ritsue Mishima, and Misha Kahn. The exhibition avoids a fixed curatorial logic, instead using instinctive juxtapositions to explore beauty as tension and disruption.

12 exciting fashion and jewelry exhibitions that will make you travel this summer

12 expos de mode et de bijoux passionnantes qui vous feront voyager cet été

Beaux Arts Magazine presents a curated selection of twelve fashion and jewelry exhibitions across France, Paris, and Vienna, running through summer 2026. Highlights include a retrospective of Mossi Traoré at the Mucem in Marseille, a showcase of Thai haute couture at the Musée des Arts Décoratifs in Paris, and "Africa Fashion" at the Musée du quai Branly, celebrating African design from the independence era. Other featured exhibitions cover Christian Dior, Gianni Versace, Daniel Brush, Provençal costumes, and anniversaries of glittering fashion houses.

Mapping the Invisible: Saudi Arabia’s A Necessary Fiction Unfolds in Venice

A new exhibition titled "A Necessary Fiction: Maps, Art, and Models of Our World" has opened in Venice, presented by the Saudi Ministry of Culture in tandem with the 61st International Art Exhibition of La Biennale di Venezia. Held at the Abbazia di San Gregorio from 6 May to 22 November 2026, the show is curated by Sara Almutlaq and Aurora Fonda, with associate curators Zaira Carrer and Amina Diab. It features historical maps and contemporary artworks by artists including Wael Shawky, Nasser Al Salem, Matilde Sambo, Monira Al Qadiri, Shilpa Gupta, Reena Saini Kallat, Manal AlDowayan, Nolan Oswald Dennis, Ibrahim Mahama, Trevor Paglen, Eva & Franco Mattes, Giorgio Andreotta Calò, and Yoko Ono, exploring cartography as an imaginative and ideological act rather than a neutral science.

Dale Chihuly Is Synonymous With Seattle. But Venice Gave Him a Medium, a Career Blockbuster, and a Son.

Dale Chihuly returns to Venice with "Chihuly: Venice 2026," a public exhibition marking the 30th anniversary of his landmark 1996 project "Chihuly Over Venice." The new show features three large-scale glass sculptures installed along the Grand Canal, viewable from the Accademia Bridge, at Palazzo Franchetti, Palazzo Querini alla Carità, and Palazzo Balbi-Valier Sammartini. The article also recounts Chihuly's 1968 Fulbright-funded study at Venini, where he learned Murano glassblowing and embraced glass as his primary medium, and reveals that his son Jackson Chihuly was conceived in Venice after a party hosted by the late Paul Allen.

In His Last Interview, Georg Baselitz Unpacks His New Nudes, Identity Art, and Being a Lifelong Outsider

Georg Baselitz, the influential German painter known for his inverted, upside-down works, gave his final interview before his death on April 30 at age 88. In the conversation, he discussed his upcoming exhibition "Eroi d’Oro [Heroes of Gold]" at the Fondazione Giorgio Cini in Venice, featuring monumental gold-primed canvases depicting nude portraits of himself and his wife Elke. Baselitz reflected on his lifelong outsider status, his refusal to follow artistic movements, and the controversial nature of his work, including his 1963 painting that led to an obscenity trial.

art georg baselitz artist venice death

Georg Baselitz, the influential German painter known for his inverted, upside-down artworks, has died at age 88 on April 30. The news was announced by his longtime gallery, Thaddaeus Ropac, via an obituary written by Robert Isaf. Baselitz gave his final spoken interview weeks before his death, discussing his upcoming exhibition “Eroi d’Oro [Heroes of Gold]” at the Fondazione Giorgio Cini in Venice, which opened May 6. The show features monumental gold-primed canvases with inverted portraits of himself and his wife Elke, which he described as a summary of his career and a reflection on art history.

At Independent, Joel Mesler’s ‘Death Wish’ Is Part Art Exhibit, Part Market Experiment

Joel Mesler, a former gallerist turned artist, is debuting a new series of figurative paintings titled “Interiors” at the Independent art fair under the deliberately strange name “Joel Mesler Presented by The Estate of Joel Mesler.” The project includes only 12 paintings, which will not be sold through a gallery sales team; only Mesler himself and his former dealer David Kordansky can sell the work. Mesler describes the presentation as part art exhibit, part controlled market experiment, reflecting his frustration with the contemporary art market's loss of intimacy and unpredictability.