fondazione dries van noten opens with inaugural exhibition at palazzo pisani moretta, venice

Fondazione Dries Van Noten has opened at Palazzo Pisani Moretta in Venice with its inaugural exhibition, "The Only True Protest Is Beauty," running from April 25 to October 4, 2026. Curated by Dries Van Noten himself, the show features over 200 works across twenty rooms, blending fashion, art, design, ceramics, glass, and photography. Highlights include archival pieces by Christian Lacroix and Rei Kawakubo for Comme des Garçons, alongside works by emerging and established artists such as Ayham Hassan, Peter Buggenhout, Ritsue Mishima, and Misha Kahn. The exhibition avoids a fixed curatorial logic, instead using instinctive juxtapositions to explore beauty as tension and disruption.

Hans Ulrich Obrist Reveals the One Artist Who Refused to Let Him Into Their Studio

Hans Ulrich Obrist, the artistic director of London's Serpentine Galleries, revealed in an interview with the Wall Street Journal that he has never been able to secure a studio visit with the reclusive painter Jasper Johns. Obrist, known for his extensive artist interviews and visits, stated that Johns, now 95, "doesn't see anyone," making him the one artist who has consistently refused Obrist's requests.

Remembering James Hayward, LA’s Adored Cowboy Painter

Abstract painter James Hayward, known for his monochromatic oil and wax impasto works, died last week at age 82. A legendary figure in the LA art scene, Hayward was equally celebrated for his magnetic personality, ribald humor, and storytelling. He rose to prominence in 1977 when included in the group show "Less is More" at Sidney Janis Gallery in New York, and was admired by art-world giants such as Dave Hickey, Chris Burden, Nancy Rubins, Ed Moses, and Mike Kelley. Hayward also taught at colleges across the country, including a guest seminar at the University of Southern California, and was a longtime supporter of the LA contemporary art magazine Artillery.

Marietta Museum of Art & Whimsy closing for summer, but 37 other exhibitions on view at museums in May

The article provides a roundup of museum exhibitions on view in Southwest Florida during May, highlighting five new openings, eight closings, and 25 continuing shows across museums from Sarasota to Naples. Featured exhibitions include Molly Hatch's site-specific ceramic installation "Amalgam" at Sarasota Art Museum, Jillian Mayer's interactive "Slumpies" sculptures, a group show "Something Borrowed, Something New" with works by Louise Bourgeois, Chuck Close, David Hockney, Yoko Ono, Kara Walker, and Ai Weiwei, and Maria A. Guzman Capron's solo textile exhibition "Penumbra." The Marietta Museum of Art & Whimsy is noted as closing for the summer.

Numerous Venice Biennale Pavilions and Artists Go on Strike in Protest over Israel’s Participation

Thousands of protesters marched through Venice on the eve of the Venice Biennale's public opening, organized by Art Not Genocide Alliance (ANGA), to demand Israel's exclusion from the event. At least 18 national pavilions—including Austria, Belgium, France, Great Britain, and Ukraine—participated in a 24-hour strike, shutting down completely or partially. Protesters chanted slogans, waved Palestinian flags, and carried banners reading "no genocide pavilions," while ANGA released a statement with 236 signatories calling for Israel's removal, citing the humanitarian crisis in Gaza.

At the Venice Biennale I saw anger at Russia and Israel – and its leadership pretending everything was fine | Charlotte Higgins

At the 2024 Venice Biennale, the Russian pavilion returned with festive performances and prosecco deliveries, drawing sharp criticism from observers who saw it as a propaganda effort to distract from Russia's war in Ukraine. Meanwhile, Ukraine's Kramatorsk was bombed, and protests erupted, including a Pussy Riot intervention. Biennale president Pietrangelo Buttafuoco defended Russia's and Israel's participation, rejecting preemptive bans despite open letters and appeals. European Commission investigated potential sanctions breaches, and culture ministers from Ukraine, Poland, Estonia, and Baltic states boycotted or condemned the biennale's stance, accusing it of yielding to the aggressor.

‘We put our heads above the parapet’: Lubaina Himid on winning her 40-year battle to storm the Venice Biennale

Lubaina Himid, the 71-year-old British artist, is representing Britain at the Venice Biennale with a solo exhibition in the British Pavilion. Known for her decades-long career addressing Black identity and colonial history through paintings, textiles, and cut-out figures, Himid installed her work early and even got married in the lead-up to the biennale. She follows fellow Black British artists John Akomfrah and Sonia Boyce in recent years, completing a trio of artists from the same generation to take over the pavilion.

Art Dubai 2026 first look: What to expect at the 20th fair

Art Dubai returns to Madinat Jumeirah for its 20th edition, running from Friday to Sunday with a free preview day on Thursday. The fair features a more concentrated layout than previous years, with gallery booths, institutional exhibitions, public art, poetry readings, DJ sets, performances, and multimedia installations gathered in the main conference area. Notable participants include co-founder John Martin, who returns as a gallerist nearly 20 years after helping launch the event, and Emirati artist Rami Farook, whose sand-built booth presents works reflecting on Dubai and the Gulf. Gallery One from Ramallah draws attention with Palestinian artist Amjad Ghannam's reinterpretations of Pablo Picasso, inspired by his experience as a former political prisoner.

New Exhibition Explores Victor Vasarely’s Influence on Hungarian Neo-Avant-Garde Art

A major exhibition titled "Vasarely Don't Go Home!" opens at NEO Contemporary Art Space in Budapest, marking the 120th anniversary of Victor Vasarely's birth. Curated by Zsolt Petrányi, the show runs until 19 September and examines Vasarely's influence on Hungarian experimental and neo-avant-garde art of the 1960s and 1970s. Featuring over 60 works, the exhibition is organized around three themes—construction, grid structures, and illusion—and connects to parallel Vasarely shows at the Museum of Fine Arts and the Hungarian National Gallery. The title references a 1969 protest where artist János Major carried a sign reading 'Vasarely go home!' during Vasarely's exhibition at Műcsarnok.

15 Must-See Events Enriching the Venice Biennale 2026 Experience.

The article presents a curated guide to 15 must-see events accompanying the 61st Venice Biennale, titled "In Minor Keys" and curated by the late Koyo Kouoh, running from May to November 2026. It highlights key exhibitions beyond the main pavilions, including "Screen Melancholy: Li Yi-Fan" at Palazzo delle Prigioni, "Darkness Visible: The Long Shadow of Dictatorship" at Spazio Punch, "Elegy" by Gabrielle Goliath at Chiesa di Sant'Antonin, and "As Above, So Below" at Ex Church Santi Cosma e Damiano, among others. These events span museums, foundations, and historic palazzi, featuring performances, talks, and curatorial interventions that extend the Biennale's reach across Venice.

Louisiana reunites Basquiat's 'Heads' for the first time

The Louisiana Museum of Modern Art in Denmark is hosting "Headstrong," the first museum exhibition in Scandinavia dedicated to Jean-Michel Basquiat. The show reunites 49 works on paper created between 1981 and 1984 that focus on the artist's depiction of the head—works Basquiat originally kept for himself and which were only discovered after his death. The exhibition includes the record-breaking 1982 "Untitled" painting, which previously sold for $110.5 million.

Merlin Carpenter “Warning Signs” at Karma International, Zurich

Merlin Carpenter presents "Warning Signs" at Karma International in Zurich, featuring his latest paintings that evolve from his earlier "anti-painting" style. The artist reflects on how his early 2000s work, characterized by a semi-finished, indifferent aesthetic, had become decorative by the time of his 2013 POLICE show, prompting him to update his approach.

Exhibition | Kimiyo Mishima, 'FRAGILE' at Nonaka-Hill, Los Angeles, United States

This article profiles Japanese artist Kimiyo Mishima, whose ceramic sculptures meticulously replicate discarded newspapers, cans, and other trash. Mishima, who died recently, began her career with painting and collage before pioneering a technique in 1971 of silk-screening and painting thin clay sheets rolled with an udon noodle roller to create fragile, lifelike sculptures of garbage. Her work was shaped by her experience growing up in postwar Osaka and her revulsion at consumer culture's disposable nature, leading her to collect trash from the streets of New York and Paris during artist grants.

FAD News: Gozo Yoshimasu awarded inaugural Serpentine x FLAG Art Foundation Prize

Gozo Yoshimasu has been awarded the inaugural Serpentine x FLAG Art Foundation Prize, a new biennial award providing £200,000 per recipient over ten years, totaling £1 million in artist support. The jury included Michelle Kuo, Venus Lau, Hans Ulrich Obrist, Jonathan Rider, and Rirkrit Tiravanija. Yoshimasu, born in Tokyo in 1939, is known for his interdisciplinary practice spanning poetry, performance, photography, and experimental moving image. As part of the prize, he will stage a solo exhibition at Serpentine North in autumn 2027, traveling to The FLAG Art Foundation in New York in spring 2028—his first major solo institutional presentations in Europe and the United States.

Welcome to Venice: the shows you won’t want to miss at the 61st Biennale

The 61st Venice Biennale, titled "In Minor Keys," opens with a keynote exhibition conceived by the late Koyo Kouoh and realized by her team after her sudden death in May 2025. The show spans the Central Pavilion in the Giardini and the Arsenale, featuring 110 artists and collectives. Highlights include Bracha L. Ettinger's installation at the Hotel Metropole, where she transforms a room where Sigmund Freud wrote part of *The Interpretation of Dreams* into a feminist 'borderspace,' and works by artists such as Arthur Jafa, Richard Prince, Issa Samb, Beverly Buchanan, and Daniel Lind-Ramos. The exhibition explores themes of history, colonialism, war, and environmental destruction, aiming for a 'sotto voce' tone that nonetheless delivers powerful, liberating statements.

Black Designers as Fine Artists: Fashion Meets Sculpture

The article from Ebony.com explores the intersection of fashion and fine art, highlighting how Black designers are increasingly being recognized as fine artists whose work bridges clothing design and sculpture. It profiles several contemporary Black designers who create garments that function as sculptural objects, exhibited in galleries and museums rather than solely on runways. The piece examines how these creators challenge traditional boundaries between fashion and art, using materials and techniques that elevate their work into the realm of fine art.

In Warsaw, “The Woman Question” Dismantles Art History’s Greatest Myth

The Museum of Modern Art in Warsaw presents "The Woman Question 1550-2025," a major exhibition curated by Alison Gingeras that dismantles the myth that women have only recently become artists. Featuring 199 works spanning centuries, the show includes pieces by Lubaina Himid, Alina Szapocznikow, Gina Birch, Macena Barton, Betty Tompkins, and Artemisia Gentileschi, among others. The exhibition is organized into nine chapters examining themes such as Baroque women, motherhood, and war, and is accompanied by a catalogue with contributions from museum director Joana Mytkowska and other scholars.

Robot dogs with Elon Musk's head 'poo' AI art in bizarre exhibition

Artist Beeple (Mike Winkelmann) has installed "Regular Animals" at Berlin's Neue Nationalgalerie, featuring robot dogs with hyper-realistic silicone heads of Elon Musk, Mark Zuckerberg, Jeff Bezos, Andy Warhol, Pablo Picasso, and Beeple himself. The dogs roam the gallery and periodically "poo" printed images of their surroundings that have been transformed by artificial intelligence, with each dog's output reflecting the style of its figurehead—for example, the Picasso dog produces Cubist-style images. The work premiered at Art Basel Miami Beach 2025, where Beeple distributed the prints with certificates reading "100% organic GMO-free dog s**t" and QR codes for free NFTs.

È morto Paolo Masi. La lunga ricerca dell’artista fiorentino sulla trasformazione dei materiali poveri

Paolo Masi, the Florentine artist known for his lifelong exploration of poor materials and their transformation, died in Florence on Wednesday, May 6, just days before his 93rd birthday. His career spanned from informal experiments in the 1950s through a rigorous investigation of materials in the 1960s, including his first solo show at the Strozzina in 1960. He joined the aesthetic research group Centro F/Uno alongside Baldi, Lecci, and Nannucci, and later co-founded the collective spaces Zona (1974) and Base (1998) with Mario Mariotti and Maurizio Nannucci. Masi participated in the Venice Biennale (1978) and the Rome Quadriennale (1986), and his works are held by major museums and foundations internationally. His later years saw significant retrospectives at the Museo MAGA in Gallarate (2018) and at Le Murate in Florence (2018), as well as a 2023 solo show at Florence's Galleria Frittelli, which remembered him as an extraordinary artist and dear friend.

There is a major Paulo Nazareth exhibition to see in Venice (but the artist himself hasn't seen it)

C’è una grande mostra di Paulo Nazareth da vedere a Venezia (ma l’artista stesso non l’ha vista)

A major exhibition of Brazilian artist Paulo Nazareth, titled "Algebra," has opened at Punta della Dogana in Venice, but the artist himself is absent. Nazareth has kept a promise not to set foot in Europe until he has crossed African territories on foot, as they existed before the arbitrary divisions imposed by the 1884 Berlin Conference. He did not participate in the installation or opening, instead staging a simultaneous event in Veneza, a working-class district of Ribeirão das Neves, Brazil—a gesture he also made when invited to the 2013 Venice Biennale. The exhibition centers on structural violence and uses attention and care as strategies for healing, with the word "algebra" referring to the act of recomposing what was broken.

The Last Interview with the Great Artist Georg Baselitz on the Occasion of His Exhibition in Florence

L’ultima intervista al grande artista Georg Baselitz in occasione della sua mostra a Firenze

Georg Baselitz, the German artist born in 1938, is the subject of a major retrospective titled "Avanti!" at the Museo Novecento in Florence, featuring 170 works including paintings, works on paper, and sculptures, with a strong focus on his graphic output. The exhibition, curated by Sergio Risaliti and Daniel Blau (Baselitz's son and an artist himself), spans three floors and traces the evolution of Baselitz's practice, culminating in a dialogue with the work of Italian artist Ottone Rosai. The show is accompanied by a prequel exhibition honoring the 120th anniversary of Villa Romana, where Baselitz once held a fellowship, and will be followed by another exhibition at the Fondazione Giorgio Cini in Venice in May, which together with the Florence show form the artist's testament. Artribune published Baselitz's last interview in its new bimonthly issue.

What does Giovanni Muciaccia do after Art Attack? He continues to spread culture and tells us all about it in this interview

Cosa fa Giovanni Muciaccia dopo Art Attack? Continua a divulgare cultura e ci racconta tutto in questa intervista

Giovanni Muciaccia, the beloved host of the children's art show "Art Attack" that aired in Italy from 1998 to 2004 and again from 2011 to 2014, continues his mission of art education through books, theater performances, and a new online series. Now also an artist and collector himself, Muciaccia discusses his journey from television presenter to full-time art communicator, explaining how his early passion for art was sparked by a middle school teacher and deepened during his time filming in London, where he visited the newly opened Tate Modern and began studying contemporary art.

The best and worst of Milan Design Week 2026: the hits and flops of this edition

Il meglio e il peggio della Milano Design Week 2026: i top e i flop di questa edizione

Artribune's design team presents its annual roundup of the best and worst of Milan Design Week 2026, highlighting standout experiences and recurring flaws. The top picks include open apartments like Interno Italiano by Interni Venosta in a home designed by Osvaldo Borsani, L’Appartamento by Artemest at Palazzo Donizetti, and Casaornella by Maria Vittoria Paggini. Also praised are Casa NM3 by Delfino Sisto Legnani, Nicolò Ornaghi, and Francesco Zorzi, two projects by Studiopepe, and the five-floor Convey. Museum programming at Triennale Milano and ADI Design Museum is celebrated, with exhibitions such as The Eames Houses, Continuous Present on Andrea Branzi, Alphabet on Barber Osgerby, and Haruka Misawa's bit by bit.

Michael Garner Explores Truth, Systems & Constructed Reality

Michael Garner, an artist with a background spanning social science and intelligence work, creates immersive works that blend science, espionage, philosophy, and absurdity. His recent exhibitions include a show at the Bomb Factory Art Foundation featuring a vending machine dispensing mock classified information, and a presentation at the Austrian Cultural Forum London exploring his newly acquired Austrian citizenship through neural pathway paintings in the colors of the Austrian flag.

Australian Sculptor Ron Mueck Returns to Tokyo

A major retrospective of Australian sculptor Ron Mueck has opened at the Mori Art Museum in Tokyo, featuring eleven of his meticulously crafted figurative works, including the Japan premiere of 'Mass' (100 giant human skulls). The exhibition, co-organized by the Fondation Cartier pour l’art contemporain, travels to Tokyo after stops in Paris, Milan, and Seoul, and includes iconic pieces such as 'Woman with Sticks' and 'Angel', the latter installed on the museum's 53rd floor overlooking the city.

Acclaimed Wilkes Artist Ward Nichols dies

Ward Hampton Nichols, a celebrated artist from North Wilkesboro, North Carolina, died on May 5 at the age of 95 at the Kate B. Reynolds Hospice Home, surrounded by his children. A few weeks before his passing, a celebration of his life, legacy, and art was held at the Wilkes Art Gallery. Nichols, born in 1930 in Welch, West Virginia, taught himself to draw as a child and later served in the U.S. Navy during the Korean conflict, where he designed a NATO shoulder patch and co-founded a shipboard newspaper. After his service, he pursued a lifelong passion for art, painting until January of this year, and was also an avid aviator and sports car enthusiast.

Bones in the Canal and Other Photographs

David Kordansky Gallery in New York is presenting 'Bones in the Canal and Other Photographs,' a solo exhibition of new work by Norwegian artist Torbjørn Rødland. This marks his first New York gallery show in nearly a decade. The exhibition features two distinct series, including a significant new body of smaller-format 35mm photographs that represent a major shift in his 30-year practice. The show runs from March 12 to April 25, 2026, at the gallery's West 20th Street location.

Where Thoughts Provoke and Truths Take Form.

Henry Taylor's major exhibition 'Where Thoughts Provoke' has opened at the Musée national Picasso-Paris. The show is a survey of nearly four decades of his work, featuring paintings, sculpture, and installation that focus on portraiture, observation, and the politics of looking.

‘It’s about processing’: the artist who spent three months recreating the most poignant moments with her ex

Photographer Diana Markosian has created a new project titled "Replaced," in which she spent three months recreating intimate moments from her past relationship with an ex-partner. To document the experience of falling in and out of love, she hired an actor to play her ex and traveled with him to locations they once visited together, including Miami, Paris, Naples, Capri, and Nice. The series blurs documentary and fiction, using staged reenactments to process grief, heartbreak, and healing.

GEORGE FEBRES: TRADUCCIÓN, IRONÍA Y LIBERACIÓN. UN ARTISTA ECUATORIANO EN LA DIÁSPORA

George Febres (Guayaquil, 1943 – New Orleans, 1996) was an Ecuadorian artist whose work blended pop art, neo-surrealism, and Southern U.S. culture, shaped by his experience as a migrant and queer individual. The article traces his life from a privileged but unstable childhood in Ecuador to his migration to the United States, where he was drafted during the Vietnam War and eventually settled in New Orleans. Febres used bilingualism and ironic appropriation of tropical imagery to create a hybrid, irreverent body of work that challenges the official historiography of Ecuadorian art.