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The National Gallery's new exhibition includes Van Gogh's brief foray into Neo-Impressionism

The National Gallery in London opens 'Radical Harmony: Helene Kröller-Müller’s Neo-Impressionists' tomorrow, running until 8 February 2026. The exhibition features works by Van Gogh’s Parisian colleagues, including Georges Seurat and Paul Signac, and highlights Van Gogh’s brief experimentation with Neo-Impressionist dot-like technique. A key work on display is Van Gogh's 'The Sower' (June 1888), which also recently received a papal mention by Pope Leo XIV, who referenced the painting in his first general audience at the Vatican, interpreting its sun as a symbol of God.

8 Artists Having a Breakout Moment This Fall

Artsy has identified eight artists poised for breakout moments during the fall 2025 art season, including Teresa Solar Abboud, who secured new representation by Lehmann Maupin and will debut a bronze sculpture at London's Hayward Gallery during Frieze Week, and Ana Cláudia Almeida, who is presenting her first major solo exhibition in New York with Stephen Friedman Gallery. The article highlights artists reaching new career milestones through gallery representation, solo debuts, and institutional exhibitions across major art capitals like Paris, London, and New York.

Comment | EJ Hill's New York performance personifies the art of endurance

EJ Hill is performing 'Yearning for an Absolute' (2025), the centerpiece of his solo show at 52 Walker in New York, where he kneels on a church kneeler for eight continuous hours each day without food, water, or breaks. The performance runs from June 25 to September 13, totaling 56 days across 12 weeks, and completes a "performance triptych" with his earlier works from 2016 and 2018. Hill describes it as far more grueling than anything he has done before, experiencing widespread physical pain and mental challenges.

Chiharu Shiota Stages First New York Solo Museum Show—and a Rundown of the Latest in Asia’s Art World

Chiharu Shiota is staging her first solo museum show in New York, marking a significant milestone for the Japanese artist known for her immersive thread installations. The article also provides a comprehensive rundown of recent developments across Asia's art world, including gallery expansions, new exhibitions, art fairs, and institutional news. Highlights include Mire Lee's Los Angeles solo debut at Sprüth Magers, Bluerider Art's new U.S. outpost in Manhattan Beach, and Lisson Gallery's first show with Shanghai-based artist Ding Yi in London. Art fairs such as Frieze House Seoul, Tennoz Art Week, Art Busan, Tokyo Gendai, and Art SG are also covered, alongside the relaunch of New York's Art in General under curator Xiaoyu Weng.

Despite external chaos, Frieze Seoul soldiers on

The fourth edition of Frieze Seoul (3-6 September) took place alongside the Korea International Art Fair (Kiaf) at the Coex convention centre in Gangnam, amid economic concerns and a slower art market. Despite a modest 0.8% expected growth in South Korea's economy and fewer Western exhibitors, the fair saw strong institutional attendance, including curators from M+, the Museum of Modern Art, and the San Francisco Asian Art Museum, as well as celebrity visitors like BTS members and Blackpink's Lisa. Galleries reported cautious but steady sales, with a notable presence of Asian collectors, particularly from Japan, and a Stand Prize awarded to Kohesi Initiatives for a politically charged booth by Timoteus Anggawan Kusno.

The Storm Hits the Art Market

The article reports on the severe downturn in the art market during the first half of 2025, focusing on the closure of New York-based Clearing gallery. Despite opting out of Art Basel to host an alternative exhibition in a rented villa to cut costs, the gallery could not survive its financial losses and announced bankruptcy in August. It is one of several prominent galleries—including Blum, Venus Over Manhattan, and Kasmin—that have closed amid falling sales, high overheads, and reduced collector spending.

Adam Dressner’s Portraits Are for the People

Adam Dressner, a self-taught former corporate lawyer, opened his debut solo gallery exhibition "Hello Stranger 2" at 1969 Gallery in Tribeca. The show features large-scale oil paintings and a salon wall of 60 small acrylic portraits, many painted live in public spaces like Washington Square Park and Grand Central Terminal. Subjects range from celebrities like Joyce Carol Oates and Anna Delvey to everyday New Yorkers such as a neighborhood waiter and a 90-year-old park acquaintance. Dressner painted 18 works on-site in the days before the opening, continuing his practice of wheeling an "art cart" of supplies to make expressive plein-air portraits.

Most expensive, suicide not murder and more: celebrating 300 Adventures with Van Gogh

Adventures with Van Gogh, a weekly blog launched in 2018, has published its 300th post. To mark the milestone, the blog compiled a list of its most-read posts since the 200th edition in February 2023, updated with new information. Topics range from the ten most expensive Van Gogh paintings at auction (led by *Orchard with Cypresses* at $117m) to a geological feature near Saint-Rémy-de-Provence that appears in *The Olive Trees*, a defense of the suicide theory over murder, the real-life view behind *Starry Night over the Rhône*, Picasso’s granddaughter Marina Picasso quietly buying and selling a Van Gogh watercolour, and the artist’s preference for simple wooden frames over ornate gold ones.

9 Highlights to Look Out for at This Year’s Armory Show

The Armory Show returns to New York City's Javits Center from September 5–7, 2025, with a VIP preview on September 4. Under new director Kyla McMillan, the fair features over 230 galleries from more than 30 countries, including curated sections such as Solo, Presents, Platform (titled "My Art Is the Evidence of My Freedom," curated by Raina Lampkins-Fielder), and a new Function section exploring art and design, curated by Ebony L. Haynes. Highlights include presentations by Gee’s Bend Quiltmakers at Nicelle Beauchene Gallery, Thornton Dial from Souls Grown Deep Foundation, and a monumental sculpture by Kennedy Yanko at James Cohan.

Must-see exhibitions in New York this autumn

The Museum of Modern Art is celebrating the 40th anniversary of its New Photography series with 'New Photography 2025: Lines of Belonging,' featuring 12 international artists from Mexico City, Johannesburg, Kathmandu, and New Orleans. Other must-see exhibitions include 'Ministry: Reverend Joyce McDonald' at the Bronx Museum, showcasing the artist's ceramic works born from her HIV diagnosis and art therapy; 'The Magical City: George Morrison’s New York' at the Metropolitan Museum of Art, highlighting the overlooked Abstract Expressionist painter; and 'Christian Marclay: Doors' at the Brooklyn Museum, a cinematic supercut in the new Moving Image Gallery.

From imps and goblins to the glitchy digital world: Flora Yukhnovich on her ‘cacophony’ of inspirations

Flora Yukhnovich, the British artist known for her large-scale gestural paintings that blend Rococo and Abstract Expressionism with digital aesthetics, discusses her inspirations and recent move from London to New York. Her works have achieved record auction prices, including £2.7m at Sotheby's in 2022, but she prefers to focus on the art itself. She has upcoming exhibitions at The Frick Collection in New York and Hauser & Wirth in Los Angeles, and her new series 'Four Seasons' references François Boucher's 18th-century paintings while incorporating glitchy, pixelated effects from digital collages created on her iPad and phone.

We Know You’re Preparing for the Onslaught, so Here’s a List of 15 Solo Gallery Shows Worth Seeing in New York This Month

Cultured magazine has published a curated list of 15 solo gallery shows worth seeing in New York this September, highlighting exhibitions at venues such as Gagosian, Meredith Rosen Gallery, Michael Werner, 56 Henry, and Matthew Marks Gallery. Featured artists include Christopher Kulendran Thomas, whose AI-driven installation "Peace Core" re-edits pre-9/11 television footage alongside paintings of a Sri Lankan massacre; Catharine Czudej, who pairs consumerist paintings with merchandise and a new film; Florian Krewer, whose ominous animalistic paintings explore human emotion; Ohad Meromi, whose works focus on moments of rest and reflection; and Nayland Blake, whose three-part exhibition spans queer sexuality, the AIDS crisis, and new sculptural works.

Washington, D.C., Museums are Showcasing African American Art, Exhibitions Focus on Photography and the Black Arts Movement, Vivian Browne, Adam Pendleton & More

Museums across Washington, D.C., are currently presenting a robust slate of exhibitions focused on African American art, including major retrospectives, solo shows, and thematic group presentations. Notable shows include "Elizabeth Catlett: A Black Revolutionary Artist" at the National Gallery of Art, "We Gather at the Edge: Contemporary Quilts by Black Women Artists" at the Renwick Gallery, solo exhibitions for Vivian Browne and Essex Hemphill at The Phillips Collection, Chakaia Booker's "In the Tower" at the National Gallery, and Adam Pendleton's "Love, Queen" at the Hirshhorn Museum. Additionally, collectors Larry D. and Brenda A. Thompson have pledged 175 works by Black artists to the National Gallery, with over 60 on view in "With Passion and Purpose."

Framing Van Gogh: why the artist did not want to surround his works with gold

London's National Gallery exhibition "Van Gogh: Poets & Lovers" displayed nearly all of its loaned paintings in ornate gilded frames, despite the artist's documented preference for simple, unadorned wooden frames. Van Gogh wrote to his sister Wil questioning the need for gilding, and Paul Gachet Jr., son of the doctor who cared for the artist, called gold frames around Van Gogh's works "an act of moral barbarism." A few exceptions stood out, including six paintings from the Kröller-Müller Museum in Otterlo, which were shown in replica frames based on early 20th-century designs by Jacob van den Bosch, and a Van Gogh from Tokyo's National Museum of Western Art that was reframed in a replica of a frame once owned by Dr. Paul Gachet.

4 Art Advisors Weigh In on Who to Watch at Untitled Art, Houston’s Inaugural Fair

Untitled Art, a well-known Miami art fair, is expanding to Houston with its inaugural edition taking place September 19–21 at the George R. Brown Convention Center. The fair will feature over 80 national and international exhibitors, including a Nest section for emerging galleries, and will launch the CAMH Commission Prize in collaboration with the Contemporary Arts Museum Houston, resulting in a major new commission for the 2026 edition. Four leading art advisors—Illa Gaunt, Liana Schwaitzberg, Lea Weingarten, and another—have shared their shortlists of artists to watch, highlighting works by Mason Owens, Miki Leal, Ana Villagomez, Aaron Morse, and Francesca Fuchs, among others.

A brush with… Jeffrey Gibson—podcast

This podcast episode features artist Jeffrey Gibson, who discusses his interdisciplinary practice blending Indigenous histories, queer aesthetics, and contemporary visual culture. Gibson talks about his upcoming exhibitions, including his U.S. Pavilion presentation at the 2024 Venice Biennale, a show at Hauser & Wirth in Paris, and major museum commissions at the Metropolitan Museum of Art, MASS MoCA, The Broad, and Kunsthaus Zürich. He reflects on influences from Henri Matisse, Magdalena Abakanowicz, Frank Bowling, and David Hammons, as well as his connection to poet Layli Long Soldier and writer Hélène Cixous.

Van Gogh’s Starry Night over the Rhône reveals more of its mysteries

Van Gogh's *Starry Night over the Rhône* (September 1888), housed at the Musée d'Orsay in Paris, is analyzed in detail to separate the actual view of Arles from the artist's imaginative additions. The article examines how Van Gogh repositioned the Plough (Big Dipper) constellation, exaggerated the brightness of gas lamps, and likely painted most of the scene in his studio rather than en plein air. It also reveals that he later reworked the lower-left corner of the canvas, as seen in contemporary sketches.

From L.A. to Jaipur Palace, Rajiv Menon Centers South Asian Artists

Rajiv Menon Contemporary, a Los Angeles-based gallery dedicated to South Asian and diasporic art, is making its Indian debut with the group exhibition “Non-Residency” at the Jaipur Center for Art (JCA), housed within The City Palace. Opening August 9, the show features sixteen artists working in painting, sculpture, and textiles, marking the first time a gallery has independently taken over the entire palace grounds for a self-curated exhibition. Founded in 2023 by Rajiv Menon, the gallery has quickly gained traction, securing at least six museum acquisitions in its first year, including placements at the Portland Museum of Art and the Asian Art Museum of San Francisco.

Big Galleries Are Racing to Sign Emerging Artists. It’s Changing Everything

Major blue-chip galleries like Gagosian, Hauser & Wirth, Pace, and White Cube are increasingly signing emerging artists earlier in their careers, bypassing the traditional trajectory where young artists would first develop with smaller galleries over many years. Examples include George Rouy joining Hauser & Wirth at age 30, Pam Evelyn joining Pace at 27, and Sasha Gordon joining David Zwirner in 2024. This shift comes amid a contracting art market where aggregate dealer sales fell 6% between 2023 and 2024, while smaller galleries with turnover under $250,000 saw sales grow 17%. Ultra-contemporary auction sales dropped 37.9% in the same period, signaling a cooling of speculative buying.

How did the only painting sold by Van Gogh in his lifetime end up in Russia?

The article explores the history and conservation of Vincent van Gogh's "The Red Vineyard," the only painting he is certain to have sold during his lifetime. Sold for 400 francs at a Brussels exhibition in March 1890, the work now resides at the Pushkin State Museum of Fine Arts in Moscow. A recent conservation project used modern scientific techniques to uncover new details about the painting's creation, including Van Gogh's use of paint straight from the tube, compositional changes, and the fading of chrome yellow pigments. The article also recounts the painting's origin during Van Gogh's time in Arles with Paul Gauguin and its journey to Russia.

Alton Yan

Alton Yan has been appointed as the new director of the Asia Society Museum in New York, effective immediately. Yan, previously a curator at the museum, succeeds the outgoing director and brings extensive experience in Asian contemporary art to the role.

Sotheby’s Unveils Plans for Breuer Building, Announces Opening Date

Sotheby's will open its new global headquarters in the Marcel Breuer–designed building at 945 Madison Avenue on November 8, 2025, after a renovation by Herzog & de Meuron with local partner PBDW Architects. The Brutalist landmark, originally completed in 1966 for the Whitney Museum of American Art, later housed the Met Breuer and the Frick Collection during its renovation. The project restores Breuer's original open gallery floors, adds state-of-the-art lighting and climate control, and preserves period details like the lobby's domed ceiling lights. The opening will feature a free public exhibition of Modern and Contemporary art ahead of marquee auctions starting November 17, with design sales and Luxury Week following on December 5, and a fine-dining restaurant by Roman and Williams opening later in the winter.

Art in Wisconsin—The Art Geography of Wisconsin

This article maps the art geography of Wisconsin, focusing on the southeastern region near Milwaukee, Chicago, and the state capital Madison. It highlights cultural venues in Kenosha and Racine, including Lemon Street Gallery, Anderson Arts Center, Carthage College, UW Parkside's Rita Tallent Picken Regional Center, the Pritzker Military Museum & Library, and the Racine Art Museum (RAM), which is nationally recognized for its Contemporary Craft collection. The piece also notes a partnership between RAM and ArtRoot to install a permanent art collection at Hotel Verdant in downtown Racine, featuring works by local artists, many of whom are past RAM Artist Fellowship recipients or faculty at area schools.

Revealed: Picasso’s granddaughter owned a Van Gogh—which she sold at Sotheby’s

Marina Picasso, granddaughter of Pablo Picasso, owned a Vincent van Gogh watercolor titled *Woman in a Wood* (September-October 1882), which she sold at Sotheby’s in New York on May 13 for $952,500. The work, which also features a sketch of a fishing boat on its reverse, was purchased by Marina in 1987 through Swiss dealer Jan Krugier from a Tehran-based collector. The sale was not publicly known until just before the auction. The article also notes that a separate Van Gogh oil painting, *In the Dunes* (September 1883), sold at Christie’s the previous day for $4 million from the collection of US businessman Jeffrey P. Draime.

studio museum in harlem to reopen november 2025 with adjaye-designed building

The Studio Museum in Harlem will reopen in November 2025 after a major renovation and expansion designed by Adjaye Associates. The new building, located on West 125th Street, will feature increased gallery space, a sculpture garden, and improved public amenities. The reopening marks the culmination of a multi-year capital project that began during the museum's temporary closure.

Van Gogh’s love of Hiroshige, the Japanese master of the landscape, is reflected in a British Museum exhibition

The British Museum's exhibition "Hiroshige: Artist of the Open Road" (through September 7) showcases over 100 prints by the Japanese master Utagawa Hiroshige, including rare loans that highlight his influence on European avant-garde artists. A key display is Vincent van Gogh's own copy of Hiroshige's "The Plum Garden at Kameido" (1857), on loan from the Van Gogh Museum in Amsterdam, along with Van Gogh's squared-up tracing used for his painting. New research by British Museum senior scientist Capucine Korenberg reveals a short pencil line on the print that confirms Van Gogh used this exact copy as a guide for his tracing and subsequent painting.

How to Feel Confident Visiting an Art Gallery, According to Gallerist Hannah Traore

Gallerist Hannah Traore offers advice on how to feel confident visiting commercial art galleries, addressing common anxieties like intimidation, unclear etiquette, and perceptions of elitism. The article follows a group of newcomers who visited galleries in New York and reported their experiences, which Traore then responds to with practical tips for making gallery visits more approachable and inclusive.

Amy Sherald Withdrew 'American Sublime' Exhibition From Smithsonian National Portrait Gallery, Citing 'Culture of Censorship'

Amy Sherald has withdrawn her exhibition 'American Sublime' from the Smithsonian's National Portrait Gallery, citing a 'culture of censorship' after the museum raised concerns about including her painting 'Trans Forming Liberty' (2024), a portrait of a trans woman posed like the Statue of Liberty. The show, slated to open in September, would have been the first solo exhibition of a Black female artist at the museum since it opened in 1968. Sherald stated that institutional fear shaped by political hostility toward trans lives influenced the museum's request to remove the work, and she decided to cancel the show to preserve the integrity of her vision.

Van Gogh was not fantasising when he painted mountain landscapes with ‘The Two Holes’

Martin Bailey, a leading Van Gogh specialist, reveals that the distinctive rock formation known as Le Rocher des Deux Trous (The Rock of the Two Holes), which appears in two of Vincent van Gogh's paintings—The Olive Trees (June 1889) and Mountains at Saint-Rémy (July 1889)—is a real geological feature near the asylum in Saint-Rémy-de-Provence, not a figment of the artist's imagination. The two paintings, held by the Museum of Modern Art and the Solomon R. Guggenheim Museum in New York, were recently displayed together at London's National Gallery exhibition Van Gogh: Poets & Lovers (14 September 2024–19 January 2025), offering a rare chance to compare them. Bailey traces the history of the formation, noting that an anonymous 17th-century artist also depicted it, and describes a walking route from the former asylum to the site.

What’s on now at San Francisco museums, July 2025

The article provides a roundup of current and upcoming exhibitions at San Francisco museums and galleries in July 2025. Highlights include 'People Make This Place: SFAI Stories' opening July 26 at SFMOMA, 'Jess Young: Return' at 500 Capp Street, and 'Ferlinghetti for San Francisco' at the Legion of Honor. Shows closing soon include 'Yuan Goang-Ming: Everyday War' at the Asian Art Museum and 'Wayne Thiebaud: Art Comes from Art' at the Legion of Honor. The gallery scene is covered with mentions of Voss Gallery, Incline Gallery, and Hosfelt Gallery, along with ongoing exhibitions like 'Kunié Sugiura: Photopainting' and 'Ruth Asawa: Retrospective' at SFMOMA.